MINOX Facebook Page Launched!

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27th May 2014, Singapore – Stay Updated with MINOX News! LIKE the Facebook page here to stay updated and receive the latest MINOX News & Updates (Singapore ONLY).

Ed.

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EXCLUSIVE MINOX Dealers Announced

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EXCLUSIVE MINOX Dealers Announced

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26th May 2014, Singapore – Following our announcement on 16th May 2014 regarding Ourshutterjourney LLP  being appointed as the exclusive wholesaler for MINOX Brand digital cameras by Schmidt Marketing (Singapore) Pte Ltd , we are pleased to announce our two exclusive dealers today.

Both dealers were selected based on their excellent track records, beautiful reputation, huge customer base & their strategic centralized locations.

MINOX Customers will be exclusively served at:
Orient Photo at Sim Lim Square
Sgcamerastore at Peninsula

(contact details after the jump)

and; MINOX Customers can get to see & feel the MINOX Digital Cameras at the above dealerships.

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Our Dealers are located at:

Orient Photo Pte Ltd
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Contact Person: Eddy/ Stanley
Tel: +65 63391035
Email: sales@orientfoto.com.sg
Web: http://www.orientfoto.com.sg/
Facebook: https://www.facebook.com/orientfoto
Address: 1 Rochor Canal Road, #06-53/31, Sim Lim Square
Singapore 188504

Sgcamerastore
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Contact Person: Janet/ Melvin
Tel : +65 63362273
Email: enquiry@sgcamerastore.com
Web: http://www.sgcamerastore.com/
Facebook: https://www.facebook.com/pages/Sgcamerastore/112246385537983
Address: 3 Coleman Street #02-18 Peninsula Shopping Center
Singapore 179804

Related Links.

MINOX Price List

MINOX Specifications.

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Posted in Brand: Minox, Featured Photography Merchants, Group Announcements & Notices | Tagged , , | 1 Comment

Ourshutterjourney LLP Appointed as Exclusive Wholesaler for MINOX

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16th May 2014, Singapore – Ourshutterjourney LLP is glad to announce that we have been Appointed by Schmidt Marketing (Singapore)  Pte Ltd as the Exclusive Wholesaler for the MINOX Range of Digital Compact Camera (DCC) & MINOX Classic Miniature Cameras (CMC). Featuring an interesting line of miniature digital cameras modelled after legends like the the Leitz M3 rangefinder & the Rolleiflex TLR, these REAL Digital cameras are the exact modelled replica in a shrunk down proportion (1:3).

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MINOX cameras are limited production miniatures and it is a must to have especially for collectors of vintage and classic cameras.
These highly sought after miniatures are lengendary and every unit is hand crafted, engineered to perfection and the talk of the party. Vintage and yet fashionable, the MINOX cameras are also the best gift for the photographer who appreciates classic cameras that actually works like a regular digital camera!

All MINOX Digital Cameras comes with a One Year Warranty and other after sales service will be fully undertaken by Schmidt Marketing (Singapore) Pte Ltd. So You Can Buy with a Peace of Mind!

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Remember James Bond? MINOX made his spy cameras (now digital).

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MINOX Cameras will be available to selected dealers or through our e-shop from 15th June 2014.

Dealers please make contact here.

Products Specifications here.

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LENSPEN SIDEKICK WINNERS ANNOUNCED!

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LENSPEN SIDEKICK WINNERS ANNOUNCED!

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16th May 2014, Singapore – We decided to give more LENSPEN Goodies away and this time, it’s famous LENSPEN Sidekick.

The response was yet another eruption!

We are pleased to Announce the 3 Winners who sent us their entries within Lightning time!

1) Joseph Tan
2) Chan Kien Ming
3) Chen Pei Wen.

Congratulations and the Winners had been notified by email for collection details!

In the weeks to come, we will have more good stuff, news updates and more gifts to giveaway to everyone here.

All you need to do is to LIKE Schmidt Marketing’s FB Page to stay tuned.

Thank you everyone!

Ed.

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LENSPEN SIDEKICK – 03 to be WON!

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LENSPEN SIDEKICK – 03 to be WON!

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15th May 2014, Singapore – Following our super over-whelming response for the LENSPEN Giveaway, our sponsor Schmidt Marketing has kindly sponsored us another 3 LENSPEN Sidekick – an incredible cleaning cloth for iPad/ tablet that is anti-static and effectively removes dirt and smudges from your gadgets. These are not your cheap optical cloths if you know what I mean.

Here’s your chance to win one of these!

Step 1:
1) LIKE Schmidt Marketing’s FB Page.

Step 2:
2) Screen Shot Page and

Step 3:
3) Email screen shot to sjscontest@live.com
Have fun everyone!
Ed.

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LENSPEN Giveaway – WINNERS ANNOUNCED

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LENSPEN Giveaway – WINNERS ANNOUNCED!

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14th May 2014, Singapore – Yesterday we asked readers to answer a few questions to win one of the 5 LENSPEN. The response had been overwhelming and we have decided to announce the Winners ahead of the closing date.

We are glad that the 1st 5 Readers who emailed us with the correct answers & LIKED the Schmidt Marketing page are;

1) Trisha Lim
2) Robin Santoso
3) Benny Ng
4) Daniel Quek
5) Xavien Ang

The Answers are;
1) Peter Lee Shiuh Hwa, Crispin Lee, Ronnie Lee, Michael Lee, Lee Siew Yian & Jino Lee.
2) Schmidt Marketing
3) & LIKES the Schmidt Marketing Facebook Page.

Congratulations to the Winners and Look out for the Email for Prize Collection!

Ed.

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SJS Giveaway – 5 LENSPEN to be Won!

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SJS Giveaway – 5 LENSPEN to be Won!
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13 May 2014, Singapore – Recently, our mega article “Photographers that Inspires” went viral and we are pleased to share that we have gotten more than 5,000 hits in 48 hours. To reward the readers & subscribers, we are giving away 05 LENSPEN worth SGD $14 each – sponsored by Schmidt Marketing. Please do not be confused with the cheaper knock-offs from China, these are the original and the bristles and are of superb quality. How to win? Details below after the jump.
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Photo: The Article that went Viral.

To Win one of the 5 LENSPEN, just answer the below questions.

Question 1:
Name All the Photographers interviewed by the Editor, Allan LEE.

Question 2:
Who Sponsored the LENSPEN?

Last Step
Like Schmidt Marketing FB Page here.

Email your answers to sjscontest@live.com by 16th May 2014.
First 5 entries with the correct answers WINs!
Good Luck Everyone!

Ed.

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Special Feature: Photographers That Inspires – “The LEE Photographers”

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Special Feature: “Photographers That Inspires”
– An Exclusive Interview with “The LEE Photographers”

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Photo: The LEE Photographers
(Back L-R) Crispin LEE, Michael LEE, Jino LEE,
(Front L-R) Peter LEE, Ronnie LEE, LEE Siew Yian & Allan LEE

Photography Courtesy of Roy Chuang Productions.

12th May 2014, Singapore – As I was preparing and planning the articles/ reviews line-up for the next few months, many readers had requested to me that I should try to do an interview article that will inspires photographers from all levels and from all walks of life.

So I started scribbling names of photographers that had inspired me with their photos & their incredible works. As fate had it – and after I had the all names written out, I (almost) fell off my chair. All the photographers that I had selected has 1 thing in common – their first name (surname) are all “LEE”. Much coincidence it may be, but these are the photographers that had not just inspired me, they had inspired many people in their respective circles and have used photography creatively to express themselves, to bring people closer together and promoted the art of photography meaningfully.
After much deliberation, instead of running a series of interview articles, I’ve decided to make this into one super mega interview as the Featured Article for Q2 2014.

So, off I went to gathered everyone on the list and conducted an interesting “one-of-its-kind” interview. I hope you will be inspired by their sharing, their stories and learn something from this bunch of awesome photographers! Check out their works too which I’ve slotted them all over this article. Here we go!

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“Photographers That Inspires” – An Exclusive Interview with “The LEE Photographers
– Moderated & Edited By Allan LEE
– Featuring Crispin LEE, Jino LEE, LEE Siew Yan, Michael LEE, Peter LEE & Ronnie LEE.

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Photo: Interviewing The LEE Photographers
(L-R) Peter LEE, Ronnie LEE, Jino LEE, Allan LEE, Crispin LEE, LEE Siew Yian & Michael LEE.
Photography Courtesy of Roy Chuang Productions.

Allan LEE: I know this is too much of an unbelievable coincidence that all of us happened to carry the same surname, but you guys had inspired me & people around you and I hope that by doing this special interview, we can collectively inspire more photographers & our readers with your stories & experiences. All of you have been doing photography for a while, some for ages, will you please share with me what keeps you going in Photography?

Jino LEE: I love traveling and I do a lot of travel photography. What keeps me going all these years are the opportunities to meet new people from all over the world and my love for experiencing different cultures in different countries of the world. Not to forget, the vast new concepts, techniques and technologies in today’s photography that’s keeping me on my toes which push me on.

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Photo by Crispin LEE

Ronnie LEE: To me, the single most important factor has to be my group of photography-passionate friends that keeps me going. In Singapore, it’s a closely knitted community (photography) whereby everyone (somehow) knows each other. Having this group of friends, it created an impactful motivation for me to continue my photography journey. And being able to make friends from all over the region is also an encouraging factor for me to pursue Photography. I find myself constantly motivated to try out new things, and this is something I know many fellow photographers struggles with.

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Photo by Jino LEE

Crispin LEE: Today, almost everyone owns a camera – be it the cell phone, a digital compact or a DSLR. Personally I feel that by taking a selfie or snapshots of your friends, or the food in front of you at every meal – is not knowing photography at all. You need to develop a passion in what you want to do and these pictures should carry a message that best represent you or serve you a meaningful way.

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I started to take photography seriously as I am fuelled by my desire to shoot photos of beautiful underwater marine life. And this desire grew stronger in me everyday especially when I already took passion in scuba diving few years ago. I was fascinated by the colorful corals and fishes during many of my diving trips and I told myself that I need to master the skill of photography so that I am able to capture those beautiful scenes under the sea so that I can share with my friends and family. Soon after, from underwater to land, and from land to the skies, I started to shoot everything under the stars and the sun. To me, Photography is a passion, an art, or even a lifestyle – this keeps me going.

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Photo by LEE Siew Yian

Peter LEE: It is my love for nature, which captivates me. With photography, I get to catch the moment and stay in the moment. It can be the sunrise, the sunset, landscape or the sceneries. Recalling the days in the past, I used to ride the waves on an outboard motor rubber boat with my friends to other islands – simply to soak in nature for 3 days 2 nights.
Not only does nature keeps me going in photography, the ‘humane’ part in photography further colors my journey. This hobby has found me friends who walk the same “walks of life” in photography. To be able to engage in exchanges about our interests towards photography and to share our experiences is liken to a syncing port for all photographers-alike. This has been a great joy to me! This is a hobby that fosters long-lasting friendships and igniting passion in each other.

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Photo by Michael LEE

Michael LEE: Travelling to explore the beauty of the earth, and the imaginations to pursue that perfect shot (knowing that there is no perfect shot).This is what leads me & pushes me on.

LEE Siew Yan: At the beginning, as a budding photographer, I shared my photos on Facebook and found excitement whenever my photos received many likes and comments. Time passed & the excitement over the “Likes” and comments wears off and I asked myself; “What is my purpose? What real good can I do with my photos?” – I wanted to instill a purpose into my photography. So I decided to use my photography as a channel of positive messages about “Faith, Hope and Love”.

As a photographer, what keeps me going is knowing that my photos inspires and motivates other people, and ultimately, is able to instill compassion among the viewers. I want to showcase the remote corners of the world that they are not able to see. Rather than to show what the place is like, I want them to also understand the spirit and the soul of what is happening in these far-off places. Right now, I find my greatest joy in hearing words such as these from my viewers: “Thanks for the inspiration, through your photos, I travel the world, I see poverty, I see the beautiful places, I see love, I see truth and I see humanity.” I am going to continue working hard to photograph to inspire and this keeps me going.

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Photo by Peter LEE

Allan LEE: Wow, each of you has something unique that keeps you guys going and going! It is certainly not easy to stay focused but the passion has to lead you on and the interest has to find you new paths along the way. Please share with me, what is the most interesting experience you’ve had encountered in photography?

Jino LEE: Winning international photography awards! (Grins.)

Ronnie LEE: When I was still pretty new to photography back in 2011, I went on a photography trip with just a basic DSLR equipped with a zoom lens. I shot the entire trip in Automatic mode and JPG format. During that time, I knew nothing about camera settings and I was amazed with other photographer’s camera gears. It was a totally different experience from other sightseeing trips. It was my most memorable and interesting experience till today. I’m proud to share that I’ve gained a lot of self-found knowledge and experience since that trip.

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Photo by Ronnie LEE

Crispin LEE: I was on a family holiday’s trip to Yosemite National Park (USA) last year to shoot some beautiful late autumn scenery and landscapes. We stayed in a hotel few hundred miles away from the park and we travelled to and fore during our two days visit to the valley of the national park. Fortunately or unfortunately, we were caught in the first snow fall of the year in that area while on our way to the park on the 2nd morning. We were stopped halfway while journeying to the valley by the park rangers. We were asked by the rangers to return to town so that we can install wheel chains on our car before we are allowed to enter the park again due to safety reasons. A good 5-6 hours were wasted because of the snow fall and the route was covered with wet snow and freezing ice at different part of our journey.

We experienced the unexpected changed of weather and witnessed a colorful autumn that turned into a white winter in just 24 hours at the same viewpoints on our way to the park. It was a very dangerous driving experience – but an interesting photography experience. Many beautiful pictures were taken.

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Photo by Crispin LEE

Peter LEE: Well, I believe ‘interesting’ means differently to different people. Personally, I find that the “subjects” are what makes my every encounter interesting. Whenever I am out for shoots, I always meet new subjects pretty often such as rare insects in the rainforests of Singapore. There will always be something new out there waiting to be discovered through my lenses – ‘”Subjects” excites me in this manner. It is akin to meeting a new “somebody” around the block who looks stunning and it stirs up curiosity within me at the same time.

Michael LEE: I was wandering around the slums at Cebu, Philippines when I came face to face with a mother carrying her baby that is about 8 months old. I took a few photos of her and her baby, while listening to her stories. And when I put my down my camera, she (the mother) passed her child to me and asked me to take the baby with me. She was crying but later I came to understand that she believed that by passing her baby to me, her baby may have a better chance of survival as she struggled to make ends meet.

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Photo by Jino LEE

LEE Siew Yan: Life always takes me by surprise. And I love every moment of it. Once I was in Sapa, I entered a shabby house to take photos of a group of children. I found the children were sitting around & warming themselves by the fire. There were very few things inside the house. I felt an instant sense of loss and sympathy for their poor living condition. However, to my surprise, the children gave me the most beautiful smiles. They are happy. They have nothing yet they have everything.

Photography had me going places and left me with many beautiful, interesting and unforgettable encounters. Photojournalism helps me to see the beauty beyond the surface. My lens allows me to see the beautiful souls in people. And I want the world to see them too.

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Photo by LEE Siew Yian

Allan LEE: Very interesting share of encounters and experiences. Photography today is really all about individuality but certainly, all of us have to seek inspiration from somewhere. Please tell me, is there a person that inspires you in your photography works?

Jino LEE: Yes, in fact quite a few of them. My list will include Steve McCurry, Raghu Rai and David Alan Harvey. I had personally met Steve McCurry, he‘s a great guy and I hope I will be able to meet the rest of these great guys in the near future.

Ronnie LEE: No one as of now. But I would like to acknowledge the countless encouragements given to me by my photography peers. Personally I evaluate each photographer’s work and their style carefully as creativity comes from individual observations.

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Photo by Michael LEE

Crispin LEE: I have always been attracted to incredible photos from travel & fashion magazines and photography websites such as 500px, flicker, pixoto, viewbug, instagram, etc. Photographers such as Joe McNally, Steve McCurry, Michael Yamashita, Manny Librodo and others played a large part in influencing my photography path too. Among those that I had mentioned, Master Manny Librodo has inspired me greatly in wanting to be a better photographer.

Peter LEE: Not exactly a person in my context. I would say that National Geographic played a significant role in introducing me to the insect world. It was year 2011 & my family started our subscription to the National Geographic Channel on cable. Needless to say, I got hooked to NGC instantly as the documentaries are mostly about nature and the animal world. That formed part of my inspirational source.

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Photo by Peter LEE

Michael LEE: For me, I am inspired and influenced by Elliott Erwitte. (grins)

LEE Siew Yan: Every photographer has his/her moments. They have the privileges to capture the time and space, with their own skills. Any photo that shed the beautiful or ugly truth – these inspires me. Any photographs that evoke emotions, inspires me. Any photographs which show the wonder of nature, inspires me. I learn and grow from studying photographs by many different photographers.

Allan LEE: The source of influence & inspirations are so diversified among you people. So what kind of inspirations does this person(s) /channel/ source give you?

Jino LEE: Their outstanding works speaks for itself, it’s beyond description.

Ronnie LEE: As mentioned earlier, there is no such person (yet) in my life. But it is my wish to inspire others instead. Each individual sees thing in their own unique way & the way a person envisions subjects and how it’s evolves in their mind are different.

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Photo by Ronnie LEE

Crispin LEE: He (Master Manny Librodo) is very humble, willing to share and learn from students (photographers). He continues to work hard on perfecting his skills and developing his passion in photography are what inspired me most. On shooting, Master Manny Librodo possess the gift of using “available light” (mostly nature light) creatively – to capture the right moment with amazing emotions. I am also inspired by his use of colors tones artistically to enhance and create that “perfect image” with a dramatic impact. To me, this is not just photography (with the press of the camera shutter) but an art of free expression blending with your life experiences, ideas, and passions.

Peter LEE: The way National Geographic presented the insect world, it inspired me. It revealed a world that the naked human eyes could not see; a world that is so animated & delicate. And every detail of the insects presented magnified, revealing the beauty of this creation. Through this, I found new insights into photography where I can lay my ‘photography-hands’ on! The images on National Geographic also stirred up an aspiration in me: wanting to learn to shoot pictures like that (those that I saw on my TV screen). My interests and love for macro photography ignited like wildfire from then on.

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Photo by Crispin LEE

Michael LEE: Master Elliott is known for his black and white candid shots and absurd situation of daily life. His pictures are strong story telling messages, yet sometimes could be just a funny capture. His sense of humor embedded into street photography had inspired me to becoming a “storyteller with camera” to capture the happy moments of life.

LEE Siew Yan: As for me, I draw different inspirations through different photographers. Their unique perspective tells the viewers (& me) different stories and even life lessons.

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Photo by Jino LEE

Allan LEE: Apart from these photographers & sources that all of you had mentioned, is there like an everyday person who/that is not related to photography that you also draw inspirations or support from? If there is, who is this person and how has this person helped you in your pursue in photography?

Jino LEE: None for me.

Ronnie LEE: The love for photography comes from within oneself. I see my own world with my own eyes. My self-motivation is more important.

Crispin LEE: “There is always a woman behind every successfully man” – this is especially true when it comes to photography for me. Without the understanding and support from my family, particularly my loving wife, and in view of my busy business schedules, I would not be able to accomplish much during such a short period of time. For example, we were able to mix our family holidays in line with some awesome photography locations I had always wanted to visit. In other cases, I was able to backpack and travel, alone or with photography pals, to remote places with extreme conditions knowing that everything at home is well taken care of. This allows me to pursue my passion with a peace in mind and I am grateful for the sacrifices and support she is giving me.

B76A6016 Lee Siew Yian
Photo by LEE Siew Yian

Peter LEE: The many moments when my family became ‘test subjects’ of my photography trial sessions.(Laugh). My family supported me in their special ways. Their presence helped me to calibrate and recalibrate my photography skills in terms of managing the gear and capturing the right moment.

Michael LEE: Michael Jackson, his passion and love to the music. He basically lives in the music in every second. It is not often we seen someone is dedicated doing what he loves and being talented with.

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Photo by Michael LEE

LEE Siew Yan: This person has to be my Uncle. Photography is not a cheap hobby when I was still a teenager & I have no means to buy an SLR. My Uncle lent me his SLR and I used it to cover sports events at school. That was the first time I felt the passion for photography ignited in me. Back then, photography was known as a hobby for ‘man or for-boys only’. Undeterred by the general statement, my uncle encouraged me to pursue my interest and also gave me some books on photography.

He even spoke to the owner of the camera shop in our neighborhood to give me discount for film purchase and for printing. If not for my Uncle, I would not have the chance to discover my interest and pursue photography till today.

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Photo by Peter LEE

Allan LEE: OK, again, that was very diversified sources we are talking about here. But some of your sharing really warms my heart. Let’s share a bit with the readers about that moment before you take a shot, what exactly goes through your mind?

Jino LEE: I hardly think and therefore nothing much goes through my mind. I shoot with my heart instead of my head; I basically use my “feel” and follow my emotions. If I have to say something about thinking, then it’s about ideas. It’s important to have ideas, visualization and imagination.

Ronnie LEE: What appears in front of me is likely the creation of mankind or nature. I will think to myself on how do I capture that moment/ scene to present it to my viewers that best depicts what I wanted to express through my photo.

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Photo by Ronnie LEE

Crispin LEE: It all depends on what genre of photography I am doing during that moment. The emphasis might be different among landscapes, portraitures, street photography, etc. But one thing is universal – composition. That is, “How to capture the best picture or composition given the current constraints and available tools and still be different from others at the same time?” For example, the keys to a good landscape composition, in my view, are timing (sunset, sunrise, or different seasons), location, camera settings, and the use of different available filters or equipment.

For my portrait shots, depending on indoor or outdoor, the use of available light sources (nature lights, flashlights, strobes, LEDs, etc.) and light modifiers, models and poses, outfits, make-up artists, and the concept/theme of the shot are critical for a great portrait. In the case of street photography, the understanding of the local context, the approach to the subject, the techniques to capture motions, quick observation and anticipation of subject actions and emotion, are necessary skills to master to produce an awesome picture.

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Photo by Crispin LEE

Peter LEE: It is something like shooting in a studio. Instead of the four white walls surrounding the set, I see the greenery and mud/soil. Many thoughts will come into my mind before I press the shutter: “I need to get the angle. An angle that will inspire others, an angle that others have not (yet) seen before of this subject. An angle that would instantly convinced others of the beauty of this subject.”

Well, sometimes I tend to have a mental conversation with my subject, “Look at me! Look here, c’mon.” So, if you happen to see me mumbling, I’m actually ‘coaxing’ the subject! (Laughing).

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Photo by Jino LEE

Michael LEE: A story. The photographer ought to have the story untold by himself, and capture the image to deliver the message. A good picture should tell always tell a story.

LEE Siew Yan: I keep asking myself “What is the story behind the photos?”, “What messages can I share with my photos?” “What do I want to tell people and the world from my photos?” It is instinctive and it slowly becomes my second nature.

I want to spread positivity and inspirations through my photos. Fortunately or unfortunately, street photography and social documentary photography (under certain circumstances) do not offer the luxury of time to think and plan. A second too late and the moment will be gone forever. Having a sense of purpose helps me to react quickly when the `right moment’ or ‘magic’ appears. Almost instinctively, I quickly lift my camera up and press the shutter. CLICK!

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Photo by LEE Siew Yian

Allan LEE: Wow, you guys are complicated yet simple, decisive yet calculated, no wonder all of you has such excellent photography sense! Now, please share with us on what sort of photos that you would like to take but has not attempted till today?

Jino LEE: Astronomy.

Ronnie LEE: I would like to take up underwater photography to appreciate & understand marine life.

Crispin LEE: I always wanted to take a time-lapse composition and a complete clear image of our universe (Milky Way) with an interesting subject such as a model or an animal, or a volcano. Hopefully, my upcoming trip to Mt. Bromo, Indonesia can help to fulfill one of my dreams.

Peter LEE: It’s definitely the time lapse of star trail. I find star trails really amazing. It brings you out of this world, into another dimension. They speak of God’s magnificent creation, the universe out there that is so vast and seems to bring you through a timeless journey. It is like nature’s mystery. Given the chance, I would love to travel to somewhere & capture this beauty of creation.

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Photo by Michael LEE

Michael LEE: Fashion shoot in Studio. I have watched a few episodes of America’s next top model and understand it is not easy to get a good fashion shoot. However I have not attempted even once till today because I have been trying hard to pursue the perfection (there is none) & the finer points of travel photography.

LEE Siew Yan: I have always wanted to visit a slum and photograph the children and the people living there. I want to know their life stories and photograph their lives. I have been warned about the potential danger, the stench and many other things untold, but I still want to experience this for myself. I know that my photo may not change or improve their quality of life immediately; but I believe that I can use my photo to share the unseen reality, to educate people and to instill compassion for humanity. I hope that my photos remind many ‘average’ people (in modern society standard) to realize how blessed they actually are. So be happy and grateful!

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Photo by Peter LEE

Allan LEE: That’s quite a lot of wishes! I hope all of you will be able to do what you wanted to do one day. Please share with our readers, what is the most interesting shot that you had taken since the day you started photography? Is it difficult or is it a chance of a lifetime or is it just hard to achieve such a shot? Please share with us.

Jino LEE: Hmm…this question is pretty tough to answer because I don’t think I have captured anything really that interesting until today. My “most interesting” shot has yet to come.

Ronnie LEE: I have yet to encounter any difficult (interesting) shots but to me, every single shot can be special on it’s own as each of us sees thing in our own perspectives that is unique to individuals. To take such a shot, we have to be at the right time at the right place with the right equipment.

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Crispin LEE: In October 2012, I went on a photography trip with a young couple to Xin Jiang, China. We hired a local experienced driver to bring us around to special photography places that we had planned and wanted to visit. The young married couple was a pair of experienced models & wedding photographers. They had brought along wedding gowns for this trip. I was lucky enough to be able to get free photography advice and “free model shoots” during the 15-days of this trip. The two most interesting shots I have taken during the trip were the bridal shoot at 4700m above sea level at Lake Karakul in Pamir Plateau in the early morning with sub-zero (-10c) temperature. The other “once in a lifetime” shot was a bridal shoot at Taklamaran Desert a few days later with the lovely couple.

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Photo by Ronnie LEE

Peter LEE: I remember this shot I took at The Bird Park in Singapore 20 years ago. It was during a bird show. The main highlight was the pelican. The pelican did its performance, and flew towards the crowd of audience. I caught the moment – a panning shot: the pelican was in its flight course with wings spread out and I captured too, the awed and captivated expression of the audience. Just to add, capturing the species of birds in their natural habitat is also challenging to achieve.

Michael LEE: During a trip to Yunnan, China, we met a group of Axi minority kids who were getting ready to perform at the Fire Worship Festival. These kids were basically naked with just a small piece of decorative wooden tool to cover themselves. My friends and I were going after them to take their photo. While the kids acted “angry” and lifted the wooden weapon (for performance), their only piece of coverage dropped. We could not stop laughing and almost forget to snap a picture before they ran away again. Put aside the effort to travel to such a rural place and the fast diminishing of local cultural festival, I think it could be a once in a lifetime opportunity to take this kind of candid shot.

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Photo by Crispin LEE

LEE Siew Yan: Visiting Norway to photograph the Northern Lights was an unforgettable experience. To be honest, I am really afraid of cold weather. I am the type who wears a jacket even when I visit a shopping mall in Singapore, (Laugh). So going to a sub zero environment is really a great challenge and a fear factor too!

However, I saw several photos of the Northern Lights by other photographers and it further convinced me to go for it. I remembered telling myself “If you want to see beautiful places and bring back beautiful images, you must suffer!” It was a chance of a life-time because there is no guarantee that the lights will appear. Having travelled thousands of miles from the tropical Singapore to the icy Norway just for 1 week, I could only pray really hard that a miracle or the lights would appear when I am there. I had been told that some photographers waited for many nights and saw no light. I was lucky to see strong bursts of colorful lights and illuminated patterns when I visited Norway in March 2013!

And yes, operating the camera in very low light condition with thick gloves and 5 layers of clothing was a real challenge! But the joy was tremendous when I saw the absolutely amazing dancing lights!

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Photo by Jino LEE

Allan LEE: You people are awesome, wish I have the same thinking or the opportunity to travel like some of you did. It has been argued, debated and even challenges about this statement “It is not the gear, but the photographer” – what do you think of this statement?

Jino LEE: No, I do not agree at all. I believed both are equally important and both gears & photographer compliments each other. We need certain tools to do certain job. There is no one size fits all or one lens does all. This is technically & optically not possible.

Ronnie LEE: I disagree. Both gear and the photographer have their respective roles to play. You need the right gears to help you in producing better quality photos but you also requires the creativity of a photographer to match up & capture that moment. So I must emphasize that both gear and photographer must have that synergy and work together to produce the photo.

IMG_7415 ~ Lee Siew Yian
Photo by LEE Siew Yian

Crispin LEE: In a Formula 1 (F1) Racing Grand Prix, if you are driving a normal Toyota Camry against a fully equipped F1 racing car, assuming the skill of the drivers are more or less the same, it does makes a difference. On the other hand, if you were given the same brand of computer or typewriter as J. K Rowling (author of Harry Potter), it doesn’t mean that you can write the same story as good as hers. In short, I believe the gear does provide an advantage in capturing a good picture. However, I believe the most important part of capturing a great picture depended primarily on how the picture is being composed by the photographer. I believe in composition and content period. I will feel offended when someone is showing off his razor-sharp image of a coffee cup shot with a Leica camera in a nearby hawker centre. (feeling meh)

Peter LEE: I believe that it is the spirit of an individual – asking this question “What kind of spirit does he/she have towards photography?” A spirit of excellence comprising of a positive learning attitude and the skill set to capture the right timing with the right lighting at the right moment, produces a photograph that speaks a thousand words. The passion or to say the inner fire of the individual has to be ignited to engage well with the gear, to maximize the full potential of both the photographer and the gear.

Michael LEE: I could not agree more. It is the photographer who masterminded and to get round (the obstacles) to create the final image, the gear is just a tool. Having said that, on the other end of the scale, getting the right tool to do the job is also critical but that does not mean the tool has to be expensive.

LEE Siew Yan: This is absolutely true! Never judge a photographer by his/her equipment or camera bag. Buying the latest or the most expensive equipment will not improve your photography skills. A good photographer can make a better photo with his camera phone, than a bad photographer with the most expensive SLR. Whether it is a point and shoot, an entry level DSLR or a pro-level DSLR, as a photographer, we need to learn to work around their (gear) limitations.

Allan LEE: I am like sitting in between the fence now. Agreeing or disagreeing does have their points or basis when it comes to gear & equipment. After hearing from all of you, maybe I should summarized that skills & creativity is the utmost key here, then the equipment should be able to complement (match up) the skill level of the photographer in order to bring out the bests of the photographer and the equipment. I am sure all of you will agree with me.

All the LEEs: Yes!

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Photography Courtesy of Roy Chuang Productions.
Photo: The LEE Photographers being interviewed – by a LEE.

Allan LEE: All of you had inspired (and still inspiring) lots of people in your life and people around you with your photography, how else will you inspire more people and even make a difference in others’ life with photography?
Jino LEE: Really? I did? (Laugh!) I will continue to share whatever I know with anyone who is keen to learn. Every time when I teach and share, I learn something as well.

Ronnie LEE: I always believed in giving constructive comments and encouragement to those who are new to photography. I apply the friendly approach so I can be approachable and I hope by doing that, I can influence more people to take up photography as a hobby. No one ever gets turned away by me.

Crispin LEE: Recently I went on a photography expedition to Philippines, the country where I started my photography, and I had learnt that a few of my portrait photos that I took of a young Filipina girl have helped her to secure a media contract with Sony Entertainments in Japan. It was a dream came true for her and her family. I am delighted that my photos were able to help her fulfill her dream. Likewise it’s a joy for me to be able to help and inspire other photographers through the images that I have captured in different genres.

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Photo by Michael LEE

Peter LEE: My heart has always been about sharing the ‘lenses’ (with my students) that I personally use to see the macro world, the insect world; to help equipped others in the photography field to be able to be engaged in and be passionate in macro photography. It is such a joy to be able to share and fellowship with photographers. I will continue with what I have been doing by sharing the macro photos that I shot and continues to conduct lessons to reach out more people, such as those who have not been exposed to macro photography yet! The loaning of my equipment in class such as the flash, lens, hand-made diffuser actually allows the participants to have a practical hands-on experience; rather than having to worry about purchasing/borrowing the gear before lesson. Ultimately, it would be an accomplishment for me when my humble journey in photography would ignite the inner passion in them, and to groom future masters of photography – hopefully!

Michael LEE: During my travel, I have photographed many people in rural areas and/or lives in less-privileged conditions, and these people do not have a photo of themselves. What I will usually do is to print a photo that I had shot of them and mailing the photo back to them after I am back. This may be a small effort on my end, but to the recipient(s), the only photo of themselves, actually means a lot to them. As a photographer, we shall not just shoot photos for granted, we should also give out photos.

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LEE Siew Yan: Recently, I visited some remote places in Indonesia to photograph humanitarian work. It was a movement to cure avoidable blindness. The beneficiaries are from poor communities who received cataract operation free-of-charge. The patients were able to see the next day after operation. For a person who has been blind for many years, just imagine the moment he/she can see our colorful world again – priceless moments that are magical. I also posted the photographs on social media to share how lives are restored when visions are restored for these people.

Many friends who saw the photos had written to me to express their interest in taking part in this project for a good cause – so that more sights can be restored. Some others also had expressed their interest in joining me for these trips. I am planning to invite some photographers to embark on this journey with me, so that we can all be inspired. I believed that the photographs or the journey (itself) can make a difference to the lives of many people.

Allan LEE: Listening to all of you has gotten me really emotional. You people have such kind intents and very selfless. I really have a lot to learn from all of you. I hope that I can be in that position one day to inspire people like all of you.

Since all of you are famous in your own rights and well established in the industry, it is said that it is better to have more friends in photography than to have enemies – what is your take on this since the local photography market is getting more competitive and saturated by the day.

Jino LEE: Yes I agree with the statement as I am a strong advocator of partnerships instead of competition. Unfortunately, most photographers look at another photographer as a direct threat or even “enemy”, which puzzles me.
Ronnie LEE: Human behavior and sentiments are difficult to predict .It takes a lot of mutual understanding to get along well. Of course it’s good to have more friends than enemies. In every trade, there’s always competition and it is up to the individual to prove their worth. Healthy competition is good for the industry so that it can boost the quality of work. Every industry is saturated, so we have to learn the skill of survival to survive the competition.

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Photo by Peter LEE

Crispin LEE: I am a firm believer of making more photography friends rather than enemies. I have greatly benefited from many photography tricks and good pictures shared among various photography communities and friends. I welcome and encourage friendly competition as it help to promote creativity and improve our knowledge of photography to a higher level. Selfishness and backslappings will not bring your craft very far. In any real business world, collaborations and leveraging on each other’s strength is the key to success. This applies to the world of photography too.

Peter LEE: Competition is inevitable. Competition actually motivates one to improve and spurs one another to be even better, doesn’t it? See it as a friendly race, and respect others’ success. Personally, I cherish friendship more; friendship comes first. Photography has always been my hobby, like my baby to me; my motivation in photography is to share my findings of the beauty of nature.
Michael LEE: There should not be enemies even in the same industry. Competition is always good as it will improve the quality of service and also help to strategize one’s value proposition and uniqueness in the market.

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LEE Siew Yan: I have made many good friends in my photography journey and I am truly grateful. The best way to learn is always to be humble and be receptive to critics. Our `enemies’ in photography should never be our fellow photographers, it should be ourselves; that thing called “pride” in us thinking that we are already good at what we do. This is the enemy that stops us from growing.

So I allow myself to be led by this quote and to keep myself happy in my photography journey “I am in competition with no one. I run my own race. I just aim to improve, to be better than I was before and I’m free.” ~ Jenny G. Perry

Allan LEE: That is pretty unified from the answers above. Yes I agree too. Why make more enemies when we can have friends in the same industry? We can all help look out for each other rather than to kill each other. This is no wonder why you guys are so well-respected by many other photographers! Lastly, before I end this mega interview, if you are to give 5 tips to others who are trying to learn photography, what would you tell them?
Jino LEE: 1) Know your camera well. 2) Learn your basics. 3) Have a Positive attitude. 4) Never stop learning and 5) Always be humble.

Ronnie LEE: 1) Be humble & sincere. 2) Have an open mind. 3) Always ready to accept new techniques. 4) Be receptive to constructive critiques and 5) Never forget that there are always better Photographers out there better than yourself.

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Crispin LEE: 1) There is no short cut in photography. You will need to take one step at a time and learn through experience or tap on others’ experience to expand your knowledge in photography. The more mistakes you made the more you will learn. The more time and effort you put in the more knowledge you will gain. 2) Learn the basics. Basics in photography are the foundations skills in composition, the understanding of exposure in relation to the shutter speed, aperture, ISO of the camera, the white balance, image enhancement and post processing, etc. The more foundation knowledge you acquired, the better you are as a photographer in handling most of the shooting situation. 3) Read more and attend training/workshops to improve your skills. Once you have acquired the basic skill in photography, the next logical step to do is to widen your knowledge of photography. This can be achieved via various ways such as reading of magazines on photography and attend some specialized training (depend on the genre you want to focus in. e.g. Macro, Landscape, Fashion, etc.) or workshops. There are many photography related websites and learning materials on the internet (such as YouTube or goggles) where you can tap on to learn tips & tricks too. 4) Practice makes perfect. As mentioned before, there is no short cut in learning photography. So the more you go out and shoot with your camera, the more you will discover the better way of handling your cameras – as well as the secret of taking good photos. Likewise, the more post-processing you work on your images, the more skilful you are in enhancing your pictures. It is through practice that you will uncover how to take good pictures and perfect your images with the help of digital imaging software. 5) Be consistent and develop your own style. This is easier said than done. But, one thing I find it very effective for me is to submit my photos for competitions. There are many online photography websites (pixoto, 500px, viewbug, etc.) that provides the ranking of the photos submitted. Through constant participation in the photo competitions, you will know how good are your photos as compared to others and how to improve your picture by looking at other better pictures. The more pictures you submitted, the more you force yourself to take better pictures and you will slowly develop your own style of photography in no time.

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Photo by Ronnie LEE

Peter LEE: 1) Take as many shots as you can for a subject. Seize and catch the moment. Don’t be afraid to make mistakes. 2) Make use of different angles and keep exploring for the best angle. 3) Once you’re in focus, continue shooting; don’t check your earlier shots. But to do this, you must 4) get the setting right and get your gear ready in standby mode. e.g. body battery to ensure efficient photography sessions. And lastly, 5)  Afford to scratch your gear, but afford not to drop your gear. Take care of your gear.

Michael LEE: 1) Get the basic techniques right before rushing to snap a picture with your camera. The fundamentals are important. 2) Learn to appreciate the art of photography, there are good photography books to read and try to attend photo exhibitions. 3) Keep shooting and look for inspirations. Force yourself to take some shots everyday. 4) Enjoy the learning process and share your work. 5) Dare to be different and lastly, be yourself.

LEE Siew Yan: 1) Start with the basics and attend a proper photography class. Going out with a few friends to shoot is different from a properly structured photography class which helps you to understand ISO, aperture and shutter speed better. 2) Buying expensive camera equipment does not improve your photography skill. 3) Go out there and shoot more photos. Keep shooting, keep learning and be receptive to critics. This is the way to grow. 4) Good photos don’t just “happen”, you need to WAIT for the moment. 5) Keep an open mind. Learn different genres of photography, pick the genre you like, focus on it and make it good.

Allan LEE: Thank you every LEE in the house for taking time to do this interview with me. You people had inspired me and I am sure this interview will inspires many more.

All the LEEs: Thank you Allan & Ourshutterjourney.com!

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Photo: The LEE Photographers
(Back L-R) Crispin LEE, Michael LEE, Jino LEE,
(Front L-R) Peter LEE, Ronnie LEE, LEE Siew Yian & Allan LEE

Photography Courtesy of Roy Chuang Productions.

The Interviewees:

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Jino LEE, 46, Asst. Manager/Resident Photography Instructor – Canon Imaging Academy
Years in Photography: 11 years
Specialized Genre: Travel & Documentary
Email: contact@jinolee.com.sg
Facebook: http://www.facebook.com/jinoleephotography

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Ronnie LEE, 54, Specialize Trade.
Years in Photography: 3 years
Specialized Genre: Travel Photography, Street Photography, Portraits, Land and Cityscape, Travel Journalism
Email: ronileeky@gmail.com
Facebook: facebook.com/ronnie.lee.129

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Crispin LEE, 51, Director of a Professional Services Group
Years in Photography: 5 years
Specialized Genre: Portraiture, Landscape, and Travel Photography
Email: crispin.lee@yahoo.com
Facebook: https://www.facebook.com/crispin.lee

Peter Lee IMG-20140306-WA0005
Peter LEE Shiuh Hwa, 53, Sales
Years in Photography: 27 years
Specialized Genre: Macro-photography in Nature
Email: shswck@gmail.com
Facebook: http://facebook.com/lee.shiuhhwa

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Michael LEE, 40, Founder of Xing Asia Travel
Years in Photography: 12 years
Specialized Genre: Travel Photography
Email: michael@xing-asia.com
Facebook: http://www.facebook.com/xingasia

IMG_3543 ~ Lee Siew Yian
LEE Siew Yian, 39, Senior Account Manager
Years in Photography: 21 years
Specialized Genre: Travel photography, Photojournalism style
Email: siewyian@hotmail.com
Facebook: https://www.facebook.com/leesiewyian

The Interviewer

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Allan LEE, 39, Editor, Photography Educator & Advocator, Ourshutterjourney LLP
Years in Photography: 12 years
Specialized Genre: Product Photography, Weddings & Tabletop Macro.
Email: media_world@live.com
Facebook: https://www.facebook.com/jeremyallanlee

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New Page Announced for Showcasing Photos

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New

09th May 2014, Singapore – We are pleased to announce a new page called “Featured Photo” on this site.
This page will be a showcase of photos submitted by readers, subscribers and followers and we will curate & feature the best of the entries. The best part, successfully featured photos can be sold at a cost that the author deem as appropriate. It’s an open market here.

Find out more by visiting the Feature Photo Showcase Main Page now.

Ed.

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Eighteen Chefs Meets Ourshutterjourney.com

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(When) Eighteen Chefs Meets Ourshutterjourney.com
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Picture: A series of professionally done food photos by ourshutterjourney.com playing on a slideshow.
Outside Eighteen Chefs@Dhoby Ghaut (The Cathay)


08th May 2014, Singapore – Recently, ourshutterjourney.com was contracted by Danny Teo, Managing Partner of Eighteen Chefs@Dhoby Ghaut (The Cathay) to shoot their menu items in a “casual & tantalising” fashion as he wanted to create a “colorful & optimum dining experience” for his customers. The shoot were then carried out about 2 months ago.
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Last week, we received a call from Danny and we were told that he had our photos framed and currently on display around the restaurant. Out of curiosity, we decided to pay the outlet a visit to check out our works on display.

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Picture: Food photos by ourshutterjourney.com on display at Eighteen Chefs@Dhoby Ghaut (The Cathay)

Danny selected a mixture of colors for the photo frames which further defines Eighteen Chefs’ objective of being a “Casual dining” and the splash of colors brings on a lively feel to the overall ambience that actually encourages relaxation while diners dine. The photos were displayed on pillars, cabinet face, walls & even runs as a slideshow on the large screen right outside the restaurant.

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Picture: Food photos by ourshutterjourney.com on display at Eighteen Chefs@Dhoby Ghaut (The Cathay)

After we have photographed our works that are on display, some “evil thoughts” came to my mind. Since Danny is not around, it’s lunch time and Benny Ng & Kase Low were together with me, so we hatched a little prank again. The last round when we hatched a prank, it got the 3 of us “marked” by camera shops so this time we will try to pull off another prank since the staff don’t really know who we are. So we got ourselves a table.

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Picture: Pranksters (Top: Benny & Kase, Bottom: Allan) at Eighteen Chefs@Dhoby Ghaut (The Cathay)

 

Like any other customers, we sat ourselves down and ordered food. As the food were served progressively, we didn’t touched the food, instead, we were having fun with our cameras. At this point, some of the staff & customers were already annoyed with us as our camera flashes keep going off. (grins) See what we did below.

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Picture: Seconds before I have Benny & Kase’s head pressed together at Eighteen Chefs@Dhoby Ghaut (The Cathay)

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Picture: Happy & Hungry pranksters (Benny & Kase)  at Eighteen Chefs@Dhoby Ghaut (The Cathay)

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Picture: Selfie with a DSLR. Happy & Hungry pranksters (3 of us) at Eighteen Chefs@Dhoby Ghaut (The Cathay)

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Picture: We caught one of the staff and have him take a shot for us at Eighteen Chefs@Dhoby Ghaut (The Cathay)

 

After having fun annoying the diners with our flashes and disturbing the staff by asking them to keep shooting us, we decided to pull off the ultimatum. We have all our food arranged systematically and have our equipment strategically placed in between the food items just like how model kits are packed in boxes. Then all 3 of us walked out of the restaurant leaving the table & our equipment behind – see below photo.

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Picture: We left the food untouched and our gears behind at Eighteen Chefs@Dhoby Ghaut (The Cathay)

 

To be honest, I swear that every other person in the restaurant were looking at us and gave us the puzzled look. Be it diners or the staff, they all had that same puzzled and confused look. As we stood outside the restaurant and watched, people were looking left & right but no one went near our table – complete with untouched food & lots of photography equipment. We left the table like this for a full 10 mins and when puzzled & confused look ended its effect, we went back in and have our lunch like as if nothing had happened. Misson accomplished.

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Picture: After the prank, we started eating, and the food were delicious at Eighteen Chefs@Dhoby Ghaut (The Cathay)

 

We were thankful to be engaged by Danny to do the shoot for Eighteen Chefs@Dhoby Ghaut (The Cathay) as we had lots of fun doing the shoot and working with the staff to have the food dressed up. The staff are friendly, very easy-going and always smiling. In fact, they gave me the feeling that it is as if I’ve know them personally just like long time friends.

We were also apologetic that we “annoyed” the diners and confused the staff during the above visit while Danny was away that day. We had fun “playing” and enjoyed our lunch! The food quality was excellent & the service rendered by the staff (who doesn’t know who we are) are great too!  Danny, hope you don’t choke on the Heart Attack Fried Rice when you sees this article.

So people, if you are curious about what’s so special about the food photos that ourshutterjourney.com had done for them, do pop by for a meal and check out our works. And if, you are a fan of casual dining of oriental-fusion-with-western-influence-plus-little-twist, do make your way to Eighteen Chefs.

Good People, Great Food!

Ed.

Eighteen Chefs@Dhoby Ghaut (The Cathay) is located at
No.2 Handy Road #B1-19/20
Singapore 229233
Telephone: 6733 8089

ABOUT EIGHTEEN CHEFS

Eighteen Chefs Philosophy!
Here at Eighteen Chefs, we strive to provide our customers with good quality food at an affordable price – freshly prepared and fast everytime! Without compromising our service standards, we hope you will enjoy yourself in our own unique ambience and be spoilt in a great variety of food choices.

Our Social Vision
We wish to spread Benny’s story of experience, strength and hope to inspire troubled youths and people with conviction backgrounds to find alternative positive ways to reintegrate back into society.

We have worked with other social agencies both locally and regionally to help create this awareness and to provide a platform for these group of people to realize their talents in the Food & Beverage industry. We hope to expand out of Singapore and make Eighteen Chefs as part of the lifestyle to the youths globally.By providing them with a safe and non-judgmental working environment, we believe that we are giving them a chance to also work on their recovery through this unity of bond, which will eventually allow them to find a better and happier path in life.

Our People Our Stories
We’re very proud of our team in Eighteen Chefs. Without them, Eighteen Chefs wouldn’t be Eighteen Chefs today. Even though we didn’t always succeed with all our staff, but we have great touching stories that the staff would love to share. We will upload them as soon as we can.

For more information, please visit here.

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Sony A77 Mark II – “A” Mount is Not Dead.

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Sony A77 Mark II “A” Mount is Not Dead.
Impressive New “Action Shooter” features 79 Phase Detection AF Points, 12 fps shooting for up to 60 frames, 24.3 MP APS-C sensor and more.

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5th May 2014, Singapore – Sony Electronics’ new α77 II camera delivers an impressive combination of speed, versatility and efficiency in a tough, weather-resistant design, making it a perfect choice for fast-action photography and videography.

Building on the heritage of Sony’s much-loved original α77 and α700 cameras, the α77 II gives advanced amateurs a string of exciting enhancements including the world’s highest number of AF points in a new phase detect autofocus system1 with 79 focal points and 15 cross points.  Utilizing Sony’s unique Translucent Mirror Technology, the α77 II also has the ability to shoot at up to 12 fps for 60 total frames with continuous AF.

The speedy new camera is equipped with a high-resolution 24.3 MP image sensor and powerful BIONZ® X processor, ensuring that still images and full HD videos are captured in sharp focus and incredible detail.  Image quality compared to the original α77 has been boosted, and sensitivity has increased by approximately 20% as well.  There is also a variety of new pro-friendly video functions for movie makers.

“The new A77 II is yet another strong statement for Sony in the interchangeable lens camera space” said Neal Manowitz, director of the α interchangeable lens camera division at Sony.  “In addition to this camera’s impressive imaging credentials and unprecedented focusing system, it reinforces our dedication to the A-mount camera lineup and shows that we are pushing the limits of innovation in all aspects of the industry.”

New-generation 79 point phase detection AF system

The advanced AF system on the new α77 II camera features  79 phase detection AF points – the most of any dedicated AF sensor in market today – and includes 15 cross points within the central area of the sensor.  Additionally, metering data from all 79 focus points is processed by a brand new AF algorithm that predicts the subject’s movement.  These impressive new features combined with Sony’s powerful Translucent Mirror Technology ensure that fast-moving people, animals or any other relevant object can be tracked quickly and accurately in all types of shooting conditions.

The α77 II camera also has a centrally mounted dedicated phase detect AF sensor that supports apertures up to F2.8, ensuring maximum AF precision when using large-aperture lenses.  In low light, the AF system of the camera performs admirably, accurately locking on to subjects in scenes with illumination levels as low as EV-2 (ISO100), where even the human eye has trouble discerning details.

There’s a suite of sophisticated new AF functions on the α77 II model that make the most of the unique 79-point system.  Expanded Flexible Spot mode maintains focus even if the selected AF point loses track of the subject, activating eight surrounding AF points that recognize the subject.  Lock-on AF mode lets users select one of four AF area modes (Wide, Zone, Flexible Spot or Expanded Flexible Spot), and can recognize and track a subject’s form based on its color and its position within the frame, automatically selecting the appropriate AF point from the 79 available

For even greater control, the degree of subject-tracking duration can be fine-tuned in five steps (when shooting still images in AF-C mode). A low setting is ideal for slow-moving subjects with predictable movements, while high settings deliver more responsive focusing for shooting different subjects at different distances, such as wildlife or sports photography.  AF Tracking Duration can also be selected between High, Medium and Low during Full HD movie shooting.

Other new features include an Eye AF function that precisely detects and focuses on the subject’s eyes when photographing people.  There is also AF Range Control, which allows AF to be limited to a specified range, and a Balanced Emphasis mode that provides the ideal balance between focus and release timing. Users can manually select any of the various focus modes to match the shooting situation and their creative objectives.

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Shoot a continuous burst of 60 full-resolution frames at up to 12 fps

Continuous shooting stamina on the α77 II camera outpaces nearly all cameras in its class as well as many professional cameras.  The new model can capture a non-stop burst of up to 60 full-resolution JPEG images at a maximum continuous shooting speed of approximately 12 frames per second with continuous AF (in Continuous Advance Priority AE mode).

24.3 megapixel Exmor® CMOS image sensor with enhanced sensitivity

A showcase of Sony’s leading image sensor technologies, the new 24.3 megapixel Exmor® CMOS image sensor in the α77 II camera features the same gapless on-chip lens structure as used in the acclaimed α7R and α6000 models.  Thanks to an array of latest-generation imaging innovations, the sensor now offers 20% greater sensitivity than its predecessor (α77), and ensures flawless image detail and low-noises performance across the wide sensitivity range of ISO 100 to 25600.

The high-resolution sensor is partnered by the same evolved BIONZ X image processor introduced in the α7 and α7R models. Around three times faster than Sony’s previous BIONZ engine and optimized for the α77 II camera, it employs detail reproduction, diffraction-reducing and area-specific noise reduction technologies that contribute to amazing image definition and rich colors for still images and Full HD videos.

OLED Tru-Finder™ and 3-way tilting LCD

The new camera features a crisp, bright XGA OLED Tru-Finder with 236,000 dot resolution.  With about three times higher contrast and resolving power compared to the original α77, the EVF on the new α77 II shows the effects of all settings adjustments in real-time, accurately displaying what the final image will look like.  A wide viewing angle and high eye-point are complemented by a newly-expanded choice of brightness settings, and shooters have the ability to manually adjust color temperature for comfortable, accurate composition.

As featured on the full-frame α99 camera, the α77 II model also features a detail-packed 3.0-type (7.5 cm) Xtra Fine LCD that moves three ways for added convenience.  The LCD also features WhiteMagic™ technology, which significantly improves screen visibility, even outdoors in direct sunlight.

Expanded Control and Customization

Evolved from the original α77 model, there are separate control dials on both sides of the grip for simpler control settings adjustments.  In total, the α77 II camera has a total of 11 customizable buttons with up to 51 assignable functions.

Further, up to three frequently used groups of shooting modes and other settings can be stored in memory and recalled easily via the mode dial, and an exposure mode dial lock function has been inherited from the a99 model to prevent accidental mode changes.

Tough enough for serious enthusiasts

The tough, light magnesium body of the α77 II camera is engineered to withstand the demands of the most serious enthusiasts.  It features a dust and moisture sealed design and a large, contoured grip for comfortable handling.  In addition, the camera’s durable shutter unit is rated for 150,000 total shots.

Pro-style movie shooting with continuous AF

The α77 II camera can record Full HD 60p and 24p movies using the AVCHD 2.0 format.  As with still shooting, Translucent Mirror Technology enables full-time phase-detection AF, ensuring accurate focus tracking with fast-moving subjects during video capture.

The camera has a number of additional features for serious movie makers, including three-level AF tracking sensitivity adjustment, a pro-style Zebra function and audio level metering. There’s also the addition of a clean HDMI® output that allows viewing on an external monitor and recording to an external storage device without compression

Wi-Fi® and PlayMemories™ Connectivity

On-board Wi-Fi allows one-touch connection for easy shot sharing with your Xperia®, NFC-compatible Android™ smartphones, tablets and VAIO® computers.  A single touch also activates Smart Remote Control, linking the camera to your mobile phone enabling you to fire the shutter from a distance.

For devices without NFC one-touch capabilities, users can wirelessly transfer images and videos and activate Smart Remote Control through Sony’s free PlayMemories Mobile™ application, available for the iOS and Android platforms.

Sony α Lenses, Accessories and New “α Library” App for Tablets

Covering focal lengths from wide angle to telephoto, a family of 32 A-mount lenses offers an extensive choice of creative tools for visual expression, including several premium models from Carl Zeiss® and G Series Lenses.

The new α77 II camera is compatible with a range of versatile α accessories including microphones, flashes and more, and is designed to work the optional VG-C77AM grip, which enhances camera operability and versatility during vertical shooting.

Sony has also released a new photography-themed “α Library” application for tablets.  This new app showcases the entire lineup of α lenses, including key information and specifications, in the “α Lens Catalog” section, and also includes access to a semiannual “α Magazine” lifestyle publication that showcases fun photography content.  The new α Library is now available for download on Google Play and the iOS App Store.

Pricing and Availability

The Sony α77 II interchangeable lens camera will be available in June 2014 in a kit with a 16-50mm F2.8 lens (model SAL1650) for a suggested retail price of USD $1800.   It will also be offered separately as a body for a suggested retail price of USD $1200.

The new camera and all compatible lenses and accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

More info here.

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The Best Sigma Lenses That I will Personally Use (Part 2)

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The Best Sigma Lenses That I will Personally Use 2014 (Part 2)
SIGMA-NEW-LOGOALN_8233
Picture: These are just some of my Sigma Lens collection. Many other Sigma lenses are out with other reviewers or students.

 

25th April 2014, Singapore – In the year of 2011 and before I was appointed by Sigma Marketing (Singapore) Pte Ltd as Singapore’s Official Tech Reviewer, I’ve written about the Sigma lenses that I will personally pick. That was during March 2011. You can see the article here. And since after my appointment as the Official Tech Reviewer by Sigma Singapore in December 2012, I have had tested and shot with almost all the Sigma lenses in their inventory while learning at the same time about what Sigma lenses can do and why it still charms many photographers till today. With Sigma’s announcement on the Global Vision – and the world had witnessed how Sigma had released award-winning lenses after lenses – and with every new lens, it’s like having a never-ending “surprises” experience over & over again.

As the appointed Official Reviewer, after testing & reviewing Sigma lenses for the last 2 years, I have decided to write this “Part 2” to supercede the original article about my favorite Sigma lenses. However I am not going to post up individual thoughts here but the links to the original reviews that I had done so that you may read them up individually.

Here’s my pick this year.

For Full Frame & APSC DSLRs

My PICK for Ultra-Wide Angle Zoom lens has to be the Sigma 12-24mm F4.5-5.6 DG HSM II.

I love this full frame (FX) lens that gives excellent sharpness and fast focusing. Contrasty at mid apertures, sharp across the zooming range, this is a must buy lens for all ultra wide angle fans.

My PICK for Wide Angle Prime lens has to be the Sigma 35mm F1.4 DG HSM ART.
_DSC3829
Photo by Julian Tan.

This is the lens that I will use for my walkabouts and for roaming the streets. One of the best Street Photography lens that money can buy. Excellent built, sharp photos and excellent color rendering.

My PICK for a Standard Prime Lens will be the mighty Sigma 50mm F1.4 DG HSM (ART).
R0012001
This is the successor to the award-winning 50mm F1.4 EX DG HSM whom had won the world over many times over many years.
The new 50mm is a redesigned lens with excellent optical glass elements and a solidly built body. The profile of the lens has rewritten history of how a 50mm should look like or behave. The new Sigma 50mm Art will continue to rule the Standard Prime segment for years to come.

My PICK for a versatile Macro Lens has to be the best selling Sigma 150mm F2.8 EX DG OS HSM.
R0011982
At 150mm, this macro lens allows more flexibility than the usual 90-105mm range. Sharpness is the selling point of this lens that gives excellent sharpness across the aperture range. Doubling up as a portrait lens when used wide open, this lens is probably the most insane macro lens out there in the market today. Built like a tank but much lighter. I own the complete macro lens series of Sigma and this is my most used lens among the range.

My PICK for Standard Zoom Lens for Full-Framers will be the Sigma 24-105mm F4 DG OS HSM (ART).
_MG_3493
Photo by Wong Renhao, shot with the Sigma 24-105mm F4 DG OS HSM (ART)

Made as the evil twin to Canon’s EF 24-105mm F4L IS USM, the Sigma version is widely regarded as the improved version of the Canon’s long-running version. Sharpness, built quality is very Zeiss-like and this lens had made the Canon’s L version look somewhat inferior. Need an all-rounder zoom for your full frame DSLR, get this lens.

My PICK for Super-Telephoto Zoom lens will be the Sigma 120-300mm F2.8 DG OS HSM (Sports).
IMG_0287
Photo by Hayden Teo

This is an insanely quick lens. Designed and built for sports & wildlife photographers, this lens is the “monster lens” among other lenses in the same class. Priced very reasonably, well built and gives excellent optical results, this super tele zoom had set a higher benchmark to the competition.

For APSC DSLRs ONLY

My PICK for Wide Angle Zoom lens for APSC DSLRs has to be the Sigma 17-70mm F2.8-4 DC Macro OS HSM (C).
SONY DSC
Photo by Yuling.

This is the ultimate replacement/ upgrade lens to replace that plastic lens that came with your APSC DSLR. Wider apertures, from landscape wide angle to portrait mid tele, this lens does lots of stuff – all within a lens.

My PICK for Standard Prime Lens for APSC DSLRs has to be the Sigma 30mm F1.4 DC HSM ART.
IMG_6131
Cost much lesser than the 35mm, this 30mm is designed and optimized for APCS DSLRs and the sharpness is so sharp that it cuts you when you are looking at the photos. (kidding please). If you are not intending to go Full Frame, then get this.

My PICK for Fisheye Lens for APSC DSLRs has to be the Sigma 10mm F2.8 EX DC HSM Fisheye HSM.
SONY DSC
Photo by Yuling.

This lens is still one of the best Fisheye lens specifically designed for APSC DSLRs. Build quality is far superior to the other similar offerings by competitors and the optical quality is probably one of the best in the industry. Till today, I have not seen another Fisheye lens that actually comes close this Sigma unit.

My PICK for a great low light Zoom lens for APSC DSLRs has to be the Sigma 18-35mm F1.8 DC HSM (ART).
ALN_7890
This is the world’s first F1.8 zoom lens and many other lens makers were shocked when Sigma announced this lens.
Optics are awesome and the the lens are well built. Although made for APSC DSLRs, this made sense as most photographers owns an APSC DSLRs or has an APSC DSLR to pair off a Full Frame DSLR.

My PICK for an All-Purpose zoom Travel Lens for APSC DSLRs has to be the Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C).
R0012112
As a person who used to hate “super zooms” due to the bad image quality, slow focusing and badly made lenses in this category, this latest incarnation of the super zoom had changed my perceptions completely. Versatile and covers a huge focal range, the lens produces indecently sharp photos across the focusing range and the gives excellent colors at the same time. If you only have budget for one lens to replace your kit lens, this is the lens.

Compact Digital Camera.
My PICK for a  high-end digital compact camera from Sigma has to be (or the only) Sigma DP-3 Merril.
DSC00375
Built as a solid and purposeful digital compact, the DP series cameras has always been the talk of Sigma’s competitors.
Well, who in the world will give you a 40 megapixel digital compact except Sigma. This compact is a must have for those days when DSLRs is not appropriate. You know what I mean.

Have fun reading the reviews and remember to buy your Sigma lenses from our dealers here.

Ed.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
c02_c_img
Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
c02_a_img
Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
c02_s_img
While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

 

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Be A Phase One Certified Professional!‏

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Be A Phase One Certified Professional!‏

Phase1

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About Cathay Photo Store Pte Ltd
1Cathay_Logo_2C
Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.

Visit  www.cathayphoto.com.sg for more details.

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Olympus CashBack Promotion!

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About Olympus Imaging Singapore

Olympus Imaging Singapore is the unparalleled industry leader in opto-digital technologies, delivering award-winning digital imaging products for the consumer and professional markets in Singapore. Driven by a strong commitment in providing innovative products and solutions of the highest quality, Olympus Imaging Singapore works closely with industry partners, customers and other Olympus business units in producing leading-edge products. These include analogue and digital cameras, professional SLR imaging systems, and voice recorders, amongst others. Olympus Imaging Singapore’s unrelenting efforts in superior customer service also bear testimony to its brand promise of delivering the best user experience to all consumers and professional users in the imaging field.

For more information, please visit http://www.olympusimage.com.sg

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My Lowepro Diary (Part 5) – My NEW Passport Sling III

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20th April 2014, Singapore – Lowepro’s recent new bags had the industry talking. It is not about the price these days – but the quality. My recent review on the Lowepro Passport Messenger showed that Lowepro bags are designed for serving the photographer’s needs at operational levels. Well thought out and organized, Lowepro is definitely the bag for every photographer from beginners to professionals.

I’ve gotten another bag from the local distributor – Cathay Photo and this is one of my top favourite from the Passport series. This is none other than the Mark 3 version of the Passport Sling. Why? As a photographer who does lots of events & weddings, I need a bag which are slim in profile so that I can move around easily and the the bag although slim, can hold up very decent amount of equipment that I need for most assignment. I took the Sling III out yesterday for a photography project and I was truly pleased with this little wonder bag.

ALN_8124-horz
Photo: That’s me with the new Lowepro Passport Sling III before the project starts.
Photo by Yeo Peck Yee.

So what equipment were inside my Passport Sling III? Check out what I had packed for the project.
(Pardon the picture quality as it was shot at random halfway through the project.)

DSC05901
Photo: Inside the slim looking Passport Sling III.

I managed to packed in 1 mid size DSLR with a prime lens and a smaller DSLR with a larger zoom lens, my iPad, my iPhone, a water bottle and (not shown here) a flash, many AA batteries, spare batteries for the DSLRs, wet wipes and many other personal things. The best part is, there are still spaces for many more things!

The official specs here:
Internal Dimensions: 10.5 x 19 x 19 cm (4.13 x 7.48 x 7.48 in)
External Dimensions: 14.5 x 44 x 41 cm (5.71 x 17.32 x 16.14 in)
Front Compartment: 5.1 x 6.3 x 15 cm (2.01 x 2.48 x 5.91 in)
Weight: 0.5 kg

To start, most Lowepro bag are made light without compromising on the toughness and this gives the photographer a truly peace of mind when we are out shooting. The Sling shares some of the key features as the earlier reviewed Passport Messenger. The removable shoulder pad (shown below) that is insanely comfortable, the quick adjusting cam lock buckle for instant and added versatility and the padded removable camera insert –  that is not all.

ALN_8123
Photo: The Nice removable shoulder pad.

DSC05904
Photo: The Cam Lock Buckle that everyone loves.

DSC05906
Photo: The signature removable camera insert.

What amazed me was none other than the expandable option. By unzipping the fold-up area, the bag adds another 30-35% of storage space and that was how I managed to have 2 DSLRs with lens inside the Sling III.

anigif

DSC05899

Need me say more? Well, this is one of the best Lowepro bag that money can buy.
Useability, quality, versatility, reasonably priced and importantly, it’s a Lowepro.

To find out more about the New Lowepro Passport Sling III click here.

Thank you Cathay Photo for the Bag, I love it.

Ed.

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About Lowepro
lowepro-logo13299643164f45a51cd5079

Our trek started in a small Colorado garage over 40 years ago. Since then, we’ve been traveling the world on the backs and shoulders of the best photographers on the planet. We’ve learned. We’ve innovated. We’ve become a leader.

For over 40 years, we’ve worked to develop and perfect camera carrying systems – maybe to the point of obsession. But we’ve never stopped at just innovating and improving products. We strongly believe that we owe it to ourselves, and to our industry, to do whatever we possibly can to protect and save the environment. We take as much pride in this aspect of our business as in the work we put into the products you’ll see.

Most of our bags were inspired by helpful advice from you and your peers. We greatly appreciate your artistry and input. We’ve listened carefully to your suggestions, and we’re sure you’ll find something in these pages that’s exactly right for you. Because wherever you go on your next assignment, we want to be right there with you.

Visit www.lowepro.com.sg   for more details.
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About Cathay Photo Store Pte Ltd
1Cathay_Logo_2C
Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.

Visit  www.cathayphoto.com.sg for more details.

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NORTH VIETNAM PHOTOGRAPHY TRIP 2014

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UPDATE 22nd April 2014 – As of now we are left with 03 slots.

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NORTH VIETNAM PHOTOGRAPHY TRIP 2014
(Travel Date : 4th July 2014 ~ 7th July 2014)

OLYMPUS DIGITAL CAMERA

 

North Vietnam
Explore the mythical & beautiful North Vietnam with Known for its culture-rich history & the famous Ha Long Bay a UNESCO World Heritage site, this trip packs landscape, street photography & travel photography into 1 super photography trip. And that is not all, it is also a photo competition – win prizes from the photo competition at the end of the trip!

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Led by 2 Master Photographers
Tour Guide Michael Lee (Xing Asia & PA Vendor) & Tour Leader Allan Lee (PA Certified Trainer for Photography) will be leading this photography trip. This is an excellent learning trip to hone your photography skills with Michael & Allan.

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Highlights
Hanoi City, One Pillar Pagoda, Temple of Literature (Vietnam first university) , Old Quarter, Lang Chuong Village, Ha Long Bay (UNESCO World Heritage Site since 1994), Water Puppet Show, Photo Competition.

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Prizes
1st: Sigma DP1 – Worth SGD $899.00
2nd: Pentax WG-2 GPS – Worth SGD $599.00

3rd: Ricoh CX5 – Worth SGD $448.00


OLYMPUS DIGITAL CAMERA

Payment Term
– Cash Deposit by 15th May 2014, Over Punggol CC Counter
– Full payment during the briefing date

Briefing Date
– 20th June 2014, Location at Punggol CC
(Nearest MRT: Hougang MRT Station)

Flight Schedule, Tiger Air:

Depart: Friday 4 July 2014 / TR2308 / 1000 / 1230 (SIN – HAN)
Return: Monday 7 July 2014 / TR2309 / 1620 / 2055 (HAN – SIN)

Organized by:
PA logologo_passionartsPatP Logo_Black hi-res

Supported by:
index    SJS Jpg

Sponsors:
sigma-new-logo   header_logo_index    apd_logo

Vietnam Final Revised

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Pentax 645Z – 51.4 Megapixel Monster.

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Pentax 645Z – 51.4 Megapixel Monster.

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Distinct Format. Unmistakable Brilliance.

Experience the distinct perspective of medium format photography with the unique 645Z. The 645Z seamlessly combines brilliant build quality, exceptional operability and hyper resolution with 51.4 million effective pixels. Designed to meet the needs of a wide range of professional photographers, the 645Z offers class leading speed and response with 3 frames per second continuous shooting and fast image review and transfer. Experience your photographs first hand with the high-resolution, tiltable 3.2 inch, LCD monitor. The 645Z allows the capture of beautiful, full HD movies and 4K Interval shooting. Take your photography, from the field to the commercial studio, to the next level with the distinctly brilliant PENTAX 645Z from Ricoh Imaging.

Key Features:

51.4 effective mega-pixel CMOS sensor
Designed to meet the demands of professional photographers, the 645Z offers a 43.8mm x 32.8mm 51.4 mega-pixel CMOS sensor, which is ideal for ultra-high resolution imaging, exceptionally large printing applications and outstanding cropping flexibility.

Class leading speed and response
Built with the assumption that every second matters, the 645Z offers a fast frame rate of 3.0 FPS, quick image processing to rapidly review images, and swift image transfer with USB 3.0 computer connection.

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Versatile live view with a tiltable LCD panel
The high-resolution, tiltable, air-gapless 3.2-inch LCD monitor with approx. 1,037,000 dots offers live view for convenient framing and reviewing of image lighting. The tilting LCD is convenient for waist level or overhead shooting.

Durable design
With a magnesium alloy body, die cast aluminum chassis, and 76 special seals, the 645Z boasts a fully weather and coldproof design to resist water, fog, snow, sand and dust, for top performance in extreme field conditions as well as in the studio.

For the Full List of Specifications, please Visit here.

With regrets, I was informed by the local distributor that Pentax is not sending a demo/ media unit to Singapore.
So we can only imagine how the Pentax 645Z will perform in our dreams.

Ed.

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About Pentax Ricoh Imaging Company, Ltd
header_logo_index

PENTAX RICOH IMAGING CORPORATION was originally founded in 1919 under the name Asahi Optical Joint Stock Co. In the 1950s, launched the first SLR camera, the Asahiflex I, and the company haven’t stopped since. From the Asahi PENTAX single-lens reflex camera to the Spotmatic and to our most recent K-5IIs and incredibly tiny Q10, Pentax empowers and inspired photographers around the world.
For information on Ricoh, click here.


About APDS (Exclusive Distributor for Singapore)

APD_logo

Audio & Photo Distributor (Far East) Pte. Ltd. formerly known as MHE Consumer (S) Pte. Ltd was founded in 1973.

Since its inception Audio & Photo has had been the distributor of many well-known international consumer brands such as Konica cameras from Japan, Kenwood and Nakamachi hi-fi products from Japan, and Metz flash and accessories, Rollei cameras and Jos Schneider enlarging/professional lenses from Germany, to name a few.

Currently Audio & Photo Distributor is the sole distributor of Pentax & Ricoh cameras from Japan . With over 35 years of marketing experience and history, Audio & Photo has developed a strong network of dealers located islandwide in Singapore with whom it enjoys close rapport and support.

Audio & Photo Distributor (FE) Pte Ltd bides by its belief that it exists because of the customer, and therefore it will always strive to serve the needs of its customers with full dedication and commitment.

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My Lowepro Diary (Part 4) – The NEW Passport Messenger

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My Lowepro Diary (Part 4) – The NEW Lowepro Passport  Messenger
1
Picture: The NEW Lowepro Passport Messenger Bag.

17th April 2014, Singapore – Lowepro recently released a few NEW Passport Series camera carriers and I was lucky to get hold of the Passport Messenger Bag from Cathay Photo. This medium-sized shoulder sling messenger bag was designed with the everyday photographer in mind. Why? Because the Passport Messenger has space for your camera, a space for your tablet and lots of spaces for your personal effects that you carry along daily. Although the official specifications by Lowepro stated that this bag was meant for a compact DSLR or other medium to smaller size cameras, i tried my luck with a much bigger camera.

 

2
Picture: These are the items inside my Lowepro Passport Messenger Bag.

Without following the recommended specs, I managed to squeeze in my Canon 5D MarkII mounted with a Sigma 50mm F1.4 DG HSM ART lens, a Ricoh GRIV, my iPad, the lens & body caps, spare batteries, my water bottle & a memory card pouch (not shown here).
I was surprised that the Passport Messenger actually holds up all the above equipments – with some clever arrangement and space management of course. Here’s the official size.

Internal Dimensions: 37.5 x 15 x 27 cm (14.76 x 5.91 x 10.63 in)

External Dimensions: 38.5 x 16.5 x 28.8 cm (15.16 x 6.50 x 11.34 in)

Front Compartment: 20.5 x 11.5 x 17.5 cm (8.07 x 4.53 x 6.89 in)

Weight: 0.5 kg (1.10 lbs)

The Lowepro features a removable/ adjustable camera insert which you can fit in a a large DSLR body and have your lens separated and fit into the sides or simply fits any smaller DSLR with a smaller lens. But what I did (see below) was to place my Canon 5D MarkII downwards with the lens fitted and somehow it fits pretty nicely.

 

3
Picture: The removable camera insert inside my Lowepro Passport Messenger Bag.

I like the compartment designed for personal tablets or smaller laptops and the thick foam will protect my iPad from knocks and bangs when I am travelling in a crowd. There is a velcro flap that keeps the iPad in position which is very sensibly designed.


4

The front compartment has the usual hook for wet raincoats and there are many little compartments that I can store my batteries, car keys, memory cards, lenspen etc. For smaller loose items, there is a zipped compartment too so that it keeps things organized without messing up the bag.

5

The thick shoulder pad is useful when I am carrying more weight than usual and it makes anyone carrying the Passport Messenger bag very comfortable. The shoulder pad is removable and this means you can just take it out and throw it into a washing machine. Do not forget that the shoulder pad is the very same part of the bag that absorbs your sweat. So washing is recommended.

6

The cam lock buckle on the shoulder strap is another feature that I personally like very much.

7

To adjust the length of the strap, simply put the drawstring to unlock the buckle.

8

Then adjust the length to your liking easily & effortlessly.

9

Once the desired length is acheived, simply press down the cam buckle to lock the strap in position.

10

Personally, I will recommend the Lowepro Passport Messenger bag to anyone who travels around with a fair bit of personal belongings.
The design of the bag is pretty discreet and low profile. It will take a trained eye to notice that this is a camera bag – in disguise. The paddings are well designed so that it protects whatever you are carrying in case of knocks. The sleek looking bag also comes in 2 color options, the pure black (the one you see here) and the sportier Grey & Red version. This bag is great for hand-carrying onto planes when you travel as it will fit into any space under the place seat so that you can retrieve your item easily. Priced to sell, this is a value-for-money bag from Lowepro that I think you should buy 1 too.

For more information on the NEW Lowepro Passport Messenger, please visit here.

Thank you Cathay Photo for the Bag, I love it.

Ed.

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About Lowepro
lowepro-logo13299643164f45a51cd5079

Our trek started in a small Colorado garage over 40 years ago. Since then, we’ve been traveling the world on the backs and shoulders of the best photographers on the planet. We’ve learned. We’ve innovated. We’ve become a leader.

For over 40 years, we’ve worked to develop and perfect camera carrying systems – maybe to the point of obsession. But we’ve never stopped at just innovating and improving products. We strongly believe that we owe it to ourselves, and to our industry, to do whatever we possibly can to protect and save the environment. We take as much pride in this aspect of our business as in the work we put into the products you’ll see.

Most of our bags were inspired by helpful advice from you and your peers. We greatly appreciate your artistry and input. We’ve listened carefully to your suggestions, and we’re sure you’ll find something in these pages that’s exactly right for you. Because wherever you go on your next assignment, we want to be right there with you.

Visit www.lowepro.com.sg   for more details.
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About Cathay Photo Store Pte Ltd
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Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.

Visit  www.cathayphoto.com.sg for more details.

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Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged , , , | 1 Comment

The New Sigma 50mm F1.4 Art Magic

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The New Sigma 50mm F1.4 Art Magic
– Sigma’s new 50mm F1.4 DG HSM ART lens is set to take on all its competitors.
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Picture: The Award-Winning Sigma 50mm F1.4 DG HSM (left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

16th April 2014, Singapore – The much awaited 50mm of the year had arrived at Singapore after many weeks of anticipation by local Sigma fans. The 50mm F1.4 that once rule the 50mm region has gotten a tougher replacement -now as part of the Sigma Art series lenses. From the photo above you can see that the new 50mm ART has changed how a typical 50mm lens will look like. Breaking away from the squarish profile, the 50mm Art has grown taller (85.4 x 99.9 mm) and it really look closer to its 35mm F1.4 ART sibling.

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Picture: The Award-Winning Sigma 50mm F1.4 DG HSM (left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

On closer look, the new Sigma 50mm ART is nothing close to its predecessor. The Art lens is redesigned from scratch and it is made for professional level DSLRs. The Art lens features the company’s proven Hypersonic Motor (HSM) but it has just got faster and much quieter. We attribute that to the better sealing and the overall build of the lens body so that operational noise is reduced to a minimum. We really love the creamy smooth focusing for that matter.

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Picture: The New Sigma 50mm F1.4 DG HSM (ART) retained the 77mm filter thread and the design looks very Zeiss-like.

As expected from Sigma looking at all the recent releases, Sigma included not 1 but 3 Special Low Dispersion (SLD) glass & 1 aspherical glass into its construction making sure that all images are razor-sharp and well-defined. We tested the lens (see photos below) and we certainly love the colors and the details captured even when we shot at wide open (aperture). The 50mm ART also features the company’s Super Multi-Layer coating reducing CA and making dusts harder to stay on the front element – this is what Sigma fans swear by. The package is further sweetened by the new lens barrel material TSC (thermally stable compound) which the world had seen and touched since the first Art lens came.

This 9-blader has 13 elements in 8 groups inside making the lens a little weighty (815gm), but very manageable. We didn’t broke our arms testing the lens for a full 2 days of continuous shooting. Focusing from a mere 40cm (min focusing distance), the 50mm F1.4 has the highest magnification at 1:5.6 when the aperture is set to F8. However for normal operations, the 50mm ART aperture range is from F1.4 to F16.

Before we get to the image quality, let’s take a look at some size comparisons of the new Sigma 50mm F1.4 DG HSM ART with other popular 50mm in the market. (Please note the below is for size comparions only)

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Picture: Canon EF 50mm F1.2L USM(left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

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Picture: Canon EF 50mm F1.8 Mark 1(left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

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Picture: Sony SAL 50mm F1.4 SSM(left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

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Picture: Nikon AF-Nikkor 50mm F1.8D (left) & the New Sigma 50mm F1.4 DG HSM (ART) (right)

From the above few comparisons, we can see that Sigma had changed how the “usual” 50mm’s shaping profile should look like.
Sigma had rewritten the rules and who say a 50mm must be “square & fat”. The new 50mm ART is now tall & slim. The new 50mm ART when handled, it feels very close to the Sigma 35mm F1.4 DG HSM (A) and needless to say, the feel is incredibly good. The 50mm F1.4 ART feels like “one of those $3000 lens” anytime.

Moving on from the cosmetics & build quality, let’s take a look at the lens performance department. We paired the 50mm ART to a Canon 5D MarkII & took a shot indoor without flash of a book that I was reading.

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Picture: Shot at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

We opened the aperture to F1.4 and focused on the word “light” and took a shot. (above)
Then we did a 60% crop and check out the cropped image below.

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Picture: Shot at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART) after 60% crop.

From the cropped photo above, we were surprised at the sharpness rendered on the word that we focused on while the aperture is at its widest. This is impressive – many other wide aperture prime lenses cannot even hold their sharpness until the lens is stopped down. The new Sigma 50mm ART has defied that technicality and is still sharp at wide open, how awesome is that?

We took a few shots at varying apertures of some rice grains against a black table top and check out the incredible details that the new 50mm ART can produce.
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From the photos above, you can see that the lens kept the centre sharpness throughout the aperture range from F1.4 to F5.6
We did not stop down further as the sharpness is already impressive at F5.6 so we decided not to carry on stopping down to F16.
We are afraid that if we did, you may cut yourself while reading this review. (kidding)

Since the new Sigma 50mm F1.4 DG HSM ART is also designed as a standard walkabout lens, we test it shooting both indoor and outdoor without a flash and check out the below photos.

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Picture: Shot indoor at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

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Picture: Shot indoor at F2.0 with the New Sigma 50mm F1.4 DG HSM (ART)

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Picture: Shot outdoor at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

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Picture: Shot outdoor at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

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Picture: Shot outdoor at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

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Picture: Shot outdoor at F1.4 with the New Sigma 50mm F1.4 DG HSM (ART)

So are you impressed? We certainly are. Sigma is reventing lenses that no one else thought was possible and since the Sigma announced the “Sigma Global Vision”, every new Art, Sports & Contemporary line lenses released was released as an award-winning lens. (Why I said that? Because every lens went on to bag awards).

From what we have seen throughout the review, the NEW Sigma 50mm F1.4 DG HSM ART is worth every cent although the asking price is nowhere near cheap. Then again, we cannot place a price on image quality and build quality right?
Get your Sigma 50mm F1.4 DG HSM ART soon before it runs out and face a worldwide shortage like the 35mm f1.4
Personally, this is one lens that I will buy (when I strike lottery) some day.

Find Out more about the new Sigma 50 F1.4 DG HSM ART here.
Read my other reviews of Sigma Lenses here.
Buy Your New Sigma 50mm F1.4 DG HSM ART here.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
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Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
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Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
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While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

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Posted in Brand: Sigma, Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged , , | 7 Comments

CapitaLand-National Geographic Channel “Building People” Photography Competition focuses on “Happiness”

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CapitaLand-National Geographic Channel “Building People” Photography Competition focuses on “Happiness”
– Grand prize of an exclusive overseas assignment under the mentorship of Pulitzer Center grant recipient and National Geographic Creative Photographer, Sean Gallagher

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Singapore, 16 April 2014– CapitaLand Limited, in partnership with the National Geographic Channel (NGC), has launched the regional “Building People” Photography Competition (Competition), for a period of eight weeks starting 14 April 2014. In its fifth year, this year’s Competition calls for photographs that reflect “Happiness” against the backdrop of CapitaLand properties – homes, offices, shopping malls, serviced residences and mixed-use developments – in the Asia Pacific region.

Photographers are encouraged to challenge themselves and capture “Happiness” generated by the characteristics of CapitaLand buildings, including their ambience, shape, colour and texture.

Participation has grown considerably since the first Competition in 2010. Last year, there was a 38.5% increase in submissions over 2012, with about 3,000 entries from 10 countries in the Asia Pacific. To date, CapitaLand has a collection of more than
6,500 photographs from the Competition which feature its properties. These pictures allow CapitaLand to have a better understanding of its consumers, translating into a more conducive built environment that resonates with end-users. This aligns with CapitaLand’s philosophy of building people and building communities.

This year’s judging panel includes National Geographic Creative photographer, Mr Sean Gallagher (please refer to Annex A for biography), and executives from CapitaLand and National Geographic Channel. Photographic submissions will be judged according to creative interpretation of “Happiness” captured through the photographers’ lenses.

Mr Tan Seng Chai, Group Chief Corporate Officer, CapitaLand Limited, said: “Buildings are personified by the people who live, work and play in or around their vicinity, and how they are designed, built and operated contribute towards the well-being and happiness of its users. This year’s ‘Happiness’ theme taps both the happy moments experienced at our properties, as well as elements in these buildings that have brought joy to its users. This reinforces our commitment to provide a quality built environment to our residents, office and retail tenants, shoppers and serviced residence guests.”

He added: “As a real estate developer, CapitaLand goes beyond the business of building buildings, to building people and communities too. We will continue to rejuvenate our living environment, bring people together in social spaces at our properties, enhance quality of life through innovative designs and preserve the future of the next generation through sustainability.”

Mr Simeon Dawes, Executive Vice President of Advertising Sales & Partnerships at FOX One Stop Media, commented: “We are extremely encouraged by the tremendous number of photography talents we discover in Asia through this competition each year. The ‘Happiness’ theme provides yet another fantastic opportunity to encourage the continuous discovery of our living environment.”

As a six-time recipient of the Pulitzer Center Grant, Mr Gallagher’s involvement in the project offers a rare opportunity for participating photographers to learn from his vast experience and knowledge of not only the art, but also of the environment. Fluent in Chinese, Mr Gallagher has called Beijing ‘home’ for the past seven years. His work takes him all over the world, engaging and mentoring students and photography enthusiasts through various workshops and seminars. His work has been featured in various international media outlets, reaching a wide audience.

Mr Sean Gallagher said: “I am excited to be a part of this Competition, to have an opportunity to work with the National Geographic Channel, as well as to work with CapitaLand, one of Asia’s largest real estate developers. I am excited to see the participants’ creative interpretation of the theme ‘Happiness’ when they reveal the photographed architecture. Being an environmental photojournalist, it is a bonus to be associated with an organisation like CapitaLand with such a strong commitment to sustainability, with both the natural and built environment as priorities.”

The grand prize winner of the Competition will have the opportunity to embark on an exclusive overseas photography assignment in China under the mentorship of Mr Sean Gallagher. Other prizes include S$5,000 worth of CapitaVouchers and complimentary stay at Ascott serviced residences in Asia Pacific.

Winners will also get an opportunity to join Mr Sean Gallagher on a photography trail in Singapore. In addition, winning submissions will also be showcased at the CapitaLand-NGC “Building People” Photography Exhibition, scheduled for August this year.

A special award, The Voters’ Choice Award, will be given to the participant whose entry receives the highest number of votes from members of the public.

Another special award, Best CapitaMall Photo, will be given to the photographer who best captures shopper engagement within CapitaMalls.

The sponsors of the prizes are CapitaMalls Asia Limited and The Ascott Limited.

Participating photographers will be invited to attend an exclusive CapitaLand-NGC “Building People” Photography Seminar conducted by Mr Sean Gallagher that will be held in August this year.

The Competition is open to the public from 14 April to 8 June 2014 (please refer to Annex B for the Competition details). Participants are required to submit an original captioned photograph via the Competition website at www.capitaland.com/ngcphoto.

For more information, please visit www.capitaland.com/ngcphoto.

About CapitaLand Limited
CapitaLand is one of Asia’s largest real estate companies. Headquartered and listed in Singapore, the company’s businesses in real estate and real estate fund management are focused on its core markets of Singapore and China.

The company’s diversified real estate portfolio primarily includes homes, offices, shopping malls, serviced residences and mixed-use developments. The company also has one of the largest real estate fund management businesses with assets located in Asia. CapitaLand leverages its significant asset base, real estate domain knowledge, product design and development capabilities, active capital management strategies and extensive market network to develop real estate products and services in its markets.

The listed entities of the CapitaLand Group include CapitaMalls Asia, Ascott Residence Trust, CapitaCommercial Trust, CapitaMall Trust, CapitaMalls Malaysia Trust and CapitaRetail China Trust.

About National Geographic Channels International (NGCI)
National Geographic Channels International (NGCI) inspires viewers through its smart, innovative programming that questions what we know, how we view the world and what drives us forward. A business enterprise owned by National Geographic Ventures and FOX Entertainment Group, NGCI contributes to the National Geographic Society’s commitment to exploration, conservation and education through its six channels: National Geographic Channel, National Geographic Channel HD, Nat Geo Wild, Nat Geo Wild HD, Nat Geo People and Nat Geo Mundo.

Globally, National Geographic Channel (including NGC U.S., which is a joint venture of NGV and Fox Cable Networks Group) is available in more than 440 million homes in
171 countries and 45 languages.

For more information, please visit www.natgeotv.com

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