SHUTTER JOURNEY SINGAPORE

Special Feature: Taking to the Skies – Tommy Chia (Part 3)

Posted on December 19, 2013 by Editor AL

19th December 2013, Singapore – In our previous article (Part 2), we asked Master Photographer Tommy Chia to share with our readers on his job, his experiences and his area of work as an Aerial Photographer. As a professional photographer myself, I would like to share that his job is not for anyone. Aspiring photographers who wish to enter aerial photography must know what are the risks involved and it is not anything easy or simple. If you think shooting a wedding is complicated, aerial photography is easily 10 times more complex. Aerial photography is a very specialized area of work whereby the photographer will need more than just photography skills.

This is Part 3 & the final episode of this Special Feature Series. This is in fact the biggest Feature of 2013 by our site for a single photographer. In this part, we chatted with Tommy on his viewpoints, his perceptions and as expected, we were very inspired by his sharing. We hope you will too.

Editor: There are rare experiences that have the ability to evoke our emotions and draw curiosity from our minds. Share with us some of the challenges faced by you in attempting to capture these rare experiences.

Tommy: I’ve always seen things (objects, scenery, people, etc.) differently from others and I tend to forget that this is what differentiates me. But when I’m out on a shoot, I always look for that wow factor and I seldom fail when on assignment.

Editor: As a photographer, there are some things that might seem strange to others but caught your eye nonetheless. What do you usually do to explore this “lead” and deem whether it’s worthy of a photograph shot?

Tommy: At this moment most of my time is focused on my aerial work and I do not have much time for casual photography. But throughout the years, I’ve been accustomed to walking around with “a viewfinder stuck to my eye” so said because I look at things like what I would be seeing through the lens. I tend to pre-crop scenes in my mind and just enjoy the bits of excitement I find there. Most of the time now, I carry a camera wherever I go and I would snap at every opportunity I could. I would not want to miss any little detail of my surroundings as everything I captured never fails to fascinate me again & again. It is even more so now that it is the digital age, cameras are able to produce even more wonders, which actually does leave me with hundreds or thousands of images stored in my hard disc to be revisited again. (haha) In recent years, I am very much involved with our church outreach work in Cambodia and the Philippines, giving me a chance to continue enjoying photographing the people, their lifestyle and their habitat.

Editor: In your journey as a photographer, as in life, we are sure you have faced both victories and setbacks. With regards to setbacks, do you think perception plays a key role in how we handle them? Describe a particular incident.

Tommy: There was the first financial crisis in the 80’s and then I barely survived the global financial crisis of 90’s, which was followed closely by the 2000 financial crunch. I’d thought I had everything in the 90’s, what with the booming wedding business and a big staff strength of 16; but I almost lost everything for being too wrapped up in my own business. Should I have had the sense to think about the factors around me, I should have known what I learnt now, that every factor counts. I.e. how small Singapore’s economy is and how easily it gets affected by other countries. How these factors would in turn affect our own environment, costing people their jobs during the financial crisis and thus budgets. “If only” I had seen that coming, the phrase every man would learn from losing something. Had I dwelt in my misery and loss of self-confidence, I do not think I would be who I am today. Therefore it is true to me that perception is important, and especially what a person learns from his setbacks. Although I paid the highest price for learning to run a business, but it is also from this that I learnt why humbleness is important.

Editor: It’s a fascinating world we live in. Sadly, many of us get too caught up in our lives to even notice the details that encompass our surroundings. Just how inquisitive are you as an individual? Do you let things slip by or do you have a natural curious eye? Tell us more about it.

Tommy: I am very curious about the world we live in. I would love to travel and capture things that I’ve see. I wish I had have more time to travel but due to family and work I am not able to travel to places too far. Fortunately my present works take me to neighbouring countries and the chance to fly. Once a year for a few days, I make time to visit Cambodia and the Philippines to support our church work there and help the people.

Recently I bought a Samsung NX300 an APS-C camera and have been carrying it around where ever I go, I get to use it when I see an interesting subject.

Editor: Looking at the world through the lens versus through the naked eye. How do they differ? Would you feel more inclined to be curious about a certain subject if your intention was to photograph it versus just a passer-by’s observation?

Tommy: Because I’ve been in photography for a major part of my life, I have a build-in view finder which I mentioned earlier. Everything I see through the naked eye is as if through the lens. I guess I’ve forgotten what’s it like to see things ‘normally’. Or as my wife sometimes reminds me, she’d tell me to stop staring at things.

Editor: I can understand how that feels, Usually my wife ask me to stop staring when I am staring at ladies passing-by (haha). And, When you shoot a subject, do you intend for it to tell a particular story, or do you leave that up to the viewer to interpret?

Tommy: Photographers are light painters. As a painter and artist I always capture my pictures so that they tell a story, a story as interpreted by me. But there are also times when people see my pictures and add on their own versions to that story. It is fun at the same time.

Editor: That makes sense. Have you ever gotten feedback from a viewer about how your photographs have affected them in a special way? If yes, please elaborate.

Tommy: My lifestyle wedding pictures were based on my perceptions and my understanding of the wedding couples. I drew out their characters and personality in their expressions thus making their wedding pictures more personalised and intimate as we can almost see them bearing their soul and love for each other. So even though I’ve focused mainly on aerial now, I still get calls from past wedding couples and they’d remember me on chance meetings on the streets and our conversations would always be to reminiscence on the photos; testimonies on the delightful memories I had help to capture.

Editor: Do you feel that a photograph, no matter how simple, has the potential to draw a viewer in emotionally?
Why so?

Tommy: Photographers are like time stopper, we capture that moment in time. New ships start rusting the moment they launch into the sea and it will not look the same again. Wedding couples progress in their lives to have families and they introduce me to their children as the uncle who took their happy wedding pictures. So these pictures taken through time, will always allow someone to look back at it and reminiscence. Like now when my past wedding couples and their children come to me to have their family portraits taken, they’d say this was the uncle who took their wedding pictures. At the same time, I have the privilege of meeting my past wedding couple’s children, capturing their pictures when they were children, and now, they’re in their 20’s.

From my visits to Cambodia and the Philippines, I have also come to love taking pictures of the poor children and streets kids as they very fun and adorable. I would capture these moments with a fast tele lens, isolating the subject from the background, to make as if that ‘time’ was captured right there and then.

Editor: Are there any techniques that you use to draw yourself closer to viewers, i.e black & white/sepia/bokeh photography?

Tommy: I am an old school photographer. For portrait, I still advocate fast tele lenses by isolating the subject from the background. Watch out for the objects, colour and reflections behind for they may still be an eye sore for critiques like me. Pay attention to the focus point (usually the eye) and to expressions because that is what is going to stand out.

For landscape, I like to do a very light HDR. To achieved a light HDR effect I usually layer the 2 similar images (one with HDR effect added) and adjust the opacity to the desired lighter tone.

Editor: What equipment do you shoot with? Share with us what your favourite gears are and in what instances you use them.

Tommy: For daily walkabout, I carry the Samsung NX300 with 3 lenses. Being an APS-C, the images captured are sharp and it is very light and portable in a small bag. For my professional work, I use 2 Canon 5D Mk3 with battery grips, lenses are 24-70 f2.8, 17-40 f4 and 70-200 f2.8, my 3 usual suspects. Also have with me the 100mm macro for close-up shots. As my work subjects are huge, short tele and wide angles are my favourite choices.

Editor: That’s quite an asernal of gears. In the course of your photography journey, tell us about your discovery of new shooting locations?

Tommy: My work has taken me to many places. For me, Cambodia’s temples and streets are great places to shoot, Philippines’s beaches are good for recreations with awesome scenes for sunrise, sunset and blue skies. As in any travel, personal safety is paramount and so is being considerate for the country’s culture and beliefs.

Editor: Do you always know what you are going to shoot, or do you experiment a lot? Like the type of vessels, how they looked like, what are they used for, etc.

Tommy; No more experiment at my stage of work. As mentioned earlier, I would have known the type, size, speed and even the colour of the vessel so as to guide the pilot and let him know the height and angle at which to fly. As I’ve been working with most of them regularly, there is a special bond between us allowing me to grab the shots that I want.

Editor: What elements in your photography do you feel appeal most to people? How do you keep them captivated, wanting to see more from you?

Tommy: A lot of my clients have said that the ships I shot look very fierce, strong and exciting to look at. I guess the years of shooting has created a style that come from the feel of that high sea chase moment.

Editor: In your opinion, what differentiates a great photo from one that is just visually appealing?

Tommy: A photographer who shoots with passion will be reflected in his work. Because he will take the extra step, raise the extra height, make the extra turn and go the extra distance just to capture that moment. He will definitely create the extra smiles and appreciation as compared to a picture that looks just visually pleasant. A sort of ‘life’ will be in the photo you capture, and also tell the story the photographer wants to say.

Editor: Do you have any types of photography/project that you plan or want to do but not done yet?

Tommy: Maybe a personal exhibition and to catch the Northern lights with my camera.

Editor: Any advice for budding photographers?

Tommy: Passion has kept me alive. Do not always follow what others are doing, creativity is non-conformist. It is OK to make mistake(s) when you are young but learn from it.

For Jesus believers, if you run out of power and fill like giving up, Start Praying. That is tapping into God’s power, let go and let God be in control and that was what I did.

Editor: Thank You Master Tommy.

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We have come to the end of the biggest Feature series of 2013.
Special Thanks to Master Photographer Tommy Chia for taking time out of his busy schedule and opening up his life for all the readers here. I am sure, many of you will be as inspired as me after learning about what Tommy has went through at the various point of his life. Although bitter-sweet, through his preserverence, he is now a “houshold name” in the area of professional aerial photography.

Thank you Master Tommy Chia.
We wish you all the very bests and thank you for granting us the opportunity to bring your story to our readers and allowing us to document your life experiences into a good reference for many others.

Ed.

View Taking to the Skies – Tommy Chia Part 1
View Taking to the Skies – Tommy Chia Part 2

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Master Photographer Tommy Chia can be contacted at
Email: tommy.photo@yahoo.com
Social media links: http://www.facebook.com/AerialPhotographerSG
Website: http://www.aerialphotographer.com.sg

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Posted in Featured Photographers, Photography Articles & Videos, Uncategorized | Tagged Aerial Photographer, Aerial Photography, Featured Photographer, Tommy Chia | 2 Comments

Special Feature: Taking to the Skies – Tommy Chia (Part 2)

Posted on December 18, 2013 by Editor AL

18th December 2013, Singapore – In our last episode, Part 1 of this Special Feature, Master Photographer Tommy Chia shared with us his humble beginings, how he survived the industry and competition to where he is today. Trust me, when I was editing Part 1, I did it with a really heavy heart as I can fully understand what he had went through, every words he said and every situation he has been into. Although I suffered a different level of “modernized problems”, I dare to say that what Tommy had went through, commonly coined as the “phases of digital changes”, many of the younger photographers of today will not be able to fully understand.

This is Part 2 of a 3-Parts Series where we enter Tommy’s life as a Professional Aerial Photographer. In this part, we were given an opportunity to learn more of what makes up his job, his area of expertise, his specialized job in general and more! This part was done in an interview style and let the man speaks for himself.

Editor: This is dangerous by everyday standard, how do you protect yourself?

Tommy: On the contrary, flying is not as dangerous as most people perceive it to be. Pre-flight checks by the pilot are necessary, and passengers have to be briefed on safety and evacuation procedures before the flight. During the flight, every passenger has to ensure their safety harness is secured. Thus in my perception, the danger here may only be probably the height that we fly at.

Editor: What kind of satisfaction do you get whenever you completed an aerial shoot?

Tommy: Of course, knowing that I got THE shot gives me satisfaction. However it is not only about the photo shot, but the professionalism and knowledge that I can contribute and which goes to the project. Because I would need to liaise with the ship’s captain on the rendezvous point, not only I need to know the ship’s departure/arrival time, but I also need to possess map reading skills, and the ability to pin and locate the vessels. With these abilities, I am able to spot the ship even faster than the pilot himself and help prevent delays giving me another winning edge. It is with this knowledge and aerial photography skills that gives me confidence and satisfaction each time I complete a shoot.

Apart from maritime vessels, I have also had the first-hand opportunity of photographing local government land projects like new reservoirs, roads and road expansions. I not only get to see these projects before ‘opening’ but also a bird’s eye view of Singapore that is only unique to me and my lens.

Editor: Tell us more about the experience – where did you go, and what did you do?

Tommy: It has been 15 years since I first flew and saw more than a hundred types of ships, tankers, oil rigs and sea vessels that I had photographed first using analog, and now digital cameras. I have clocked over 500 hours of helicopter time while on assignments which has taken me to as far as Indonesia, Vietnam and Malaysia, including Sabah & Sarawak.

Editor: That’s incredible! Please may I ask, was there a particular place/vessel/people during that experience that you liked the best for shooting? What was so memorable or compelling about it? Was it planned, contracted or was it a spontaneous decision? Can you describe what happened that day?

Tommy: All my works are commissioned assignment and needs to be planned ahead because of restrictions with chartering of the helicopter and Singapore’s airspace which requires a 7 days notice to apply for a flight permit. The timing of the vessel and cost of hiring a helicopter are also taken into consideration in order to make the shoot more cost efficient.

One of the most exciting assignments that I had done was to shoot a new assault / search & rescue fast craft that was built in Vietnam, designed by Italian. We flew on a huge Soviet built MI 17 helicopter over the scenic Ha Long Bay chasing this fast craft. It was an exuberant feeling being in the air overlooking the entire Bay. I was thinking at the time how unique it was as probably not many people would have had the same experience. After the flight we landed at a military base nearby and all of us (everyone involved in the project; from pilots, aircrew, refilling crew, military coordinator, clients, translator) took a boat out to a floating restaurant at the bay to have our lunch with the fast craft berth beside it.

Another interesting assignment happened this year when we went to Sabah to photograph a special built rig 100 km offshore in the South China Sea. Not long after take-off on the first day we were chased back by a heavy storm. We had to wait to fly again the next day. On the second day, our flight had to take an evasive route to avoid storm clouds and we flew over an hour each way to and from the rig. I was able to see full production oil fields out at sea with all the various types of oil & gas vessels. There were Drilling Rigs, oil Platforms, FPSO, Pipes laying ship, accommodation barges, Anchor Handling Tugs and supply vessels all in one location. I had previously photographed each type of this vessel separately and it was an eye-opener to see them all in one place.

Editor: Wow! I can imagine how the sight will be! Breathtaking will be insufficient to describe what you have seen and experienced. My next question will be; What is the thought process behind taking a specific set of photos and does it have any meaning behind it? How did you do it? And What did you learn from this experience?

Tommy: Changing from shooting people to shooting ships may probably look like it’s a vast difference. But to me, be it people or objects, small or big, there are some similarities; after all everything in front of the camera becomes an object to the lens. It is the photographer who depicts how the picture talks. As also with people, shooting ships still requires good social and interpersonal skills in order for me to coordinate with everyone involved to get the ship to the point of shoot. Therefore, besides the angle of the shot, I have to think about my relationship with the people I’m working with, as well as the coordination and planning needed. I have heard of horror stories where the Captain did not give the accurate time on his position and the photographer could not find the ship.

As for the angle of the shot, I believe that be it ships, buildings, products or objects, each has a creator and with that comes the first person’s visualization of that object which I need to search for; that first angle which the architect drew on his drawing block, that’s where the beauty lies. Shooting human is different; we must distinguish the side (angle and profile) to be not pleasant to the eye (camera). Once that is established we should avoid that angle / profile and we will have the better angle / profile in front of our camera.

Editor: Well said! Ok, a few years down the road, when you are an even more accomplished photographer, more famous than you already are, what role do you think this experience would have played in your development?

Tommy: It’s already almost 28 years since I became a professional photographer. It is the passion that kept me in this trade thus far. It’s by God’s grace that I am still around to do what I enjoy most and use the talent that He has given me. My work has stretched a vast spectrum of the trade and I believe God can take me higher and I am ready for the next decade.

Editor: I am very sure of that too. Any last words for today’s session?

Tommy: It was God’s that had humble me and his grace that strengthen, gave me wisdom to rediscover myself. Thank God, my Family and friends who believe in me.
“God opposes the proud but gives grace to the humble.” Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. Cast all your anxiety on him because he cares for you. – 1 Peter 5: 5-7.

Editor: Thank you Master Tommy!

Here‘s a a video from Tommy for your better understanding of what an aerial photographer do.

We will be back with Part 3 of Taking to the Skies with Tommy Chia.

Stay Tuned.

Ed.

View Taking to the Skies – Tommy Chia Part 1
View Taking to the Skies – Tommy Chia Part 3

Posted in Featured Photographers, Photography Articles & Videos | Tagged Aerial Photographer, Aerial Photography, Featured Photographer, Studio 8, Tommy Chia | 2 Comments

Special Feature: Taking to the Skies – Tommy Chia (Part 1)

Posted on December 17, 2013 by Editor AL

17th December 2013, Singapore – In a pretty saturated photography market in Singapore, emerging from the competition is never easy. Months ago we featured an Underwater Photographer who took to the depths, and we were really lucky to be able to be introduced to Master Photographer Tommy Chia, the photographer who took to the skies – he is a Professional Aerial Photographer.

In this 3-parts series, we are thankful that Tommy willingly shared with us his story, his experience and his life as a photographer which we hope to inspire other photographers and take a lesson out from Tommy. Life is not a bed of roses for the working photographer, it’s about strong determination, the attitude to learning and the ability to keep going and going. In this Part 1, we take a look at Tommy’s humble beginning and the things that happened in his life that lead him to aerial photography.

It all began in 1972 when Tommy borrowed a Kodak Brownie camera from his aunt during the end of his primary school education for a school excursion trip to Jurong Bird Park. The Kodak uses 120 film (MF) so Tommy was limited to 12 shots so he was “forced” to plan carefully for each exposure. Every shot has to be precised & calculated. After the roll was completed, he sent the roll for processing & developing – and totally fascinated with the final images -just the way he visualized and planned. After Tommy’s first experience with the Kodak, he started saving through his secondary school daily pocket money. I was informed that he saved $0.50 daily for 240 school days to put together a decent $120. $120 is big money in the 70s if you remembers. To start, Tommy’s family is not well off, his Dad was struggling with a meagre salary as a shipping clerk to support the family and that was why he rather save up his pocket money to purchase a camera. His official first camera was the (now legend) Canon Ftb, a 35mm SLR with a standard 50mm F1.8 lens – for $120.

Armed with the Canon Ftb, Tommy (and just because he has a camera) became the chairman of his school photography club. Back in 1975 not many students could afford to buy a camera and in the club, there was only 1 other student who has a SLR camera. Tommy started taking photos of his fellow school mates and all the major school events. At this exploration stage, Tommy enjoyed photography in general. He continued as a hobby without guidance or mentoring. Tommy eventually joined a local based photography club with his Ftb & 50mm lens in the hope of learning something from the club but sadly,

“No one wanted to talk to me as everyone else was holding SLRs and medium formats with large lenses and gadgets which I was not familiar with. I felt intimidated but did not despair.” said Tommy.

Not giving up. Tommy decided to “teach himself”, he went to the library and laid his hands on every other photography books that he can find. Tommy added that “Mentoring” was not common in those days. Older photographers (“Shifu” or Master) demanded respect but not too willing to share their craft or let anyone learn the trade secrets.

Tommy bought his first telephoto lens after he worked as an intern on board a passenger ship for a couple of months. There, the sea scene with all its different ships and ocean vessels continued to inspire and fascinate Tommy. After he joined the Republic of Singapore Airforce as a Radar specialist, he upgraded his camera system to a Canon A1 & AE1 and also added a couple of FD lenses. He even joined the (then) new Canon Photography Club as the first batch of committee members. After 6 yrs of service, he left the airforce in 1984 and went to work for a famous professional photographer (Teo Tee Hua of First Photo) who was also the club’s Chairperson. His company was the sole-distributor for a Germany brand of studio lighting, film processor and other brands of photography accessories. With Mr. Teo, Tommy had the chance to make sales call and demonstrations to other photographers. Through his working experience there and with Mr Teo’s fame, Tommy was finally “let in” into the World of Professional commercial photography in a big way.

Tommy described the experience as “Suddenly all my “windows & doors” were opened and I saw new dimensions, directions and spectrums of the commercial photography trade.” I was extremely excited to see a whole new world of answers before my eyes.”

In 1986, Tommy became a professional photographer and started STUDIO 8 where his main area of expertise was people, corporate and fashion. His ex-colleague – Joe later joined him in partnership after a year and it went on for 4 years of successful partnership. Tommy shared that Joe fine-tuned his skills and that helped him when he went on to shoot for some major local fashion publications latter.

Sometime in 1989, a bride-to-be engaged Tommy to photograph her pre-wedding. By then, Tommy had already developed his unique style of photography, and photographing that wedding secured Tommy another chance of gaining foothold in another photography world – Wedding photography. In the 80s the wedding photography market was dominated by Taiwanese-style creatives which mainly consisted of fanciful gowns and complicated backdrops fit for costume parties. Tommy’s style was simplistic and going with the idea of “less is more” and he incorporated high key and low key lighting techniques that modelled on the style of fashion shoots. That shot Tommy into instant fame, soon after, he was one of the most sought-after photographer for pre-wedding shoots by young executives (yuppies) couples.

At this point of time, the studio has 6 staff and business was so overwhelming – Tommy recalls that many times, he had to turn down jobs. In 1995, he took over a wedding gown shop – Inspiration Collection. Tommy was running the business complete with his own in-house design team and seamstress.

“We were the trendsetter at that period and I had many hopes and expectations for myself. Each job I took, each wedding we attended, gave me much satisfaction and further gave me inspiration that my work was recognized.” shared Tommy.

Good times didn’t last long, the global financial crisis of 1997 to 1999 came and the demand for made-to-measure customized gowns and wedding photography were adversely reduced as the public started cutting back on budget & expenditure. Tommy’s businesses suffered great losses.

“I felt myself spiralling in a never-ending freefall; I was very exhausted and burnt out. My confidence took a huge hit. I despaired and it eventually affected the people I love. But still, photography was not something I wanted to give up. I was again blessed with a helping hand when my father’s friend offered me a job, which then led me into the whole new dimension of aeriel photography.” said Tommy.

At this point, Tommy shared that most of the inspiration he had came from himself when he was determined to learn and be better. Of course, he also credits the people that lend assistance to him along the way; people who had a hand in opening the right paths for him and guided me. Running parallel, it was his own fire of passion that kept him going. From the lessons he learnt through his experiences, photography needs aspirations and passion in order to constantly keep pace with time and technology. So back to the story;

During the tough period of the financial crisis, a friend of Tommy’s father approached him to photograph their company’s new ship. Since Tommy was looking for a job at that time, he accepted the assignment although he had never done it before. He remembered the stories and experiences that one photographer had shared during the time when he was in sales, and taking cues from the magazines and calendars of ships that his father (shipping clerk) had been bringing home for years, Tommy gathered how shooting a ship was to be done and with everything that he knew, he went on to do his first aerial photography shoot.

The assignment was a success.

With this new experience and the refreshed passion, Tommy decided to go back to commercial & industrial photography. Tommy described it as tough as he had been absent from the scene for years at that point. Making it tougher, digital media was introduced and changed the photography landscape. Tommy recalled that he had to sell his old film cameras to buy digital cameras and he has to learn the new gadgets all over again. Investing into new gears, new computers and softwares was pretty much at the tip of every photographer’s mouth. With every changing year, kilobytes turned to megabytes than turned to gigabytes than to terabytes than to Petabytes. Many older photographers using films (analog) was not able to adapt to the new media and was “forced” off the trade.
Instead of allowing himself to be “expired”, he spent 5 years rebuilding my commercial portfolio and thus increasing his aerial experiences at the same time.

In 2007, Tommy’s studio was renamed as STUDIO 8 Pte Ltd. There were new investors and fresh fundings for new cameras, equipment and crew. He did progressively well each year, giving him a stable income and the experience and concentration he needed to enhance his skills in aerial photography. In 2009, videoman Mike joined STUDIO 8 and Tommy took the chance to pick up video photography as well – which added to the overall value and the retail packaging of aerial photography.

This year, 2013, a new chapter of life has started for Tommy, he formed a new company called “AERIAL PHOTOGRAPHER” to concentrate mainly in aerial, maritime, Industrial and commercial photography and video film making.

We will be back with Part 2 of Taking to the Skies with Tommy Chia.

Stay Tuned.

Ed.

View Taking to the Skies – Tommy Chia Part 2
View Taking to the Skies – Tommy Chia Part 3

Posted in Featured Photographers, Photography Articles & Videos | Tagged Aerial Photographer, Aerial Photography, Featured Photographer, Studio 8, Tommy Chia | 2 Comments

LightRocket and Getty Images announce content distribution partnership

Posted on December 16, 2013 by Editor AL

– to distribute Asian and international content globally

16th December 2013, Singapore – Global digital media company Getty Images partners with LightRocket to distribute over 50,000 diverse Asian and international images

Hong Kong –12 December 2013: LightRocket, a comprehensive online service for serious enthusiast and professional photographers, and Getty Images, one of the world’s leading digital media companies, have today announced a partnership that sees Getty Images become a key distribution partner for LightRocket, distributing select members’ content across Asia and around the world.

The represented content spans a wide variety of global subject matter with a strong emphasis on Asia, from Tibetan Festivals through to everyday life in Tokyo. LightRocket also brings the latest images from regional news events, such as the plight of Rohingya Refugees in Burma and the recent Anti-government Protests in Thailand to build on Getty Images’ extensive portfolio of editorial assets, which is currently growing by 10,000 to 15,000 images each day.

Stuart Hannagan, VP, Editorial, APAC at Getty Images comments: “Our relationship with LightRocket complements and expands upon Getty Images’ already extensive archive of over 90 million images and will provide our local and global customer base with access to over 56,000 images from the collection”.

“As our customers’ need for a wide range of engaging visual content continues to grow, the LightRocket collection will provide customers with access to an even broader selection of culturally diverse Asian and international imagery.”

The partnership provides LightRocket’s premium annual members with a unique opportunity to apply to become Getty Images contributors direct from LightRocket’s dedicated Getty Images page

(www.lightrocket.com/getty). Utilising a feed from LightRocket’s online portal, members can upload and distribute images worldwide via Getty Images’ global platform, http://www.gettyimages.com, reaching business customers in over 200 countries.

LightRocket was launched earlier this year by the founders of OnAsia Images, an Asia-based media company that was originally established in 2001. LightRocket went live with a collection of over 200,000 high quality images and is seeing fast growth as new members sign up around the world.

“We are very happy to be partnering with Getty Images,” comments LightRocket co-founder and CEO Peter Charlesworth. “Not only does this serve as a validation of the quality of our existing archive, it also creates a fantastic opportunity for our most talented members.”

Getty Images presence in Asia Pacific continues to grow, with nine offices across the region spanning Singapore, Hong Kong, Bangkok, Kuala Lumpur, Mumbai, New Delhi, Tokyo, Sydney and Auckland.. A leading global creator

and distributor of editorial content, Getty Images is currently strengthening its network of contributing photographers across South-East Asia, and covering a greater number of local sports, news and entertainment events than ever before.

About LightRocket
The LightRocket service is the brainchild of photographers Peter Charlesworth and Yvan Cohen who ran the OnAsia Images photo agency for a decade before launching LightRocket in June 2013. Both have a passion for photography and seek to deliver a product that responds to its members’ needs while reflecting the realities of today’s media industry.

LightRocket curates the content on its home page and galleries and promotes its archive to thousands of image customers worldwide, connecting photographers with potential customers and enabling direct sales opportunities. Contributor members have their own customisable personal websites and access to secure cloud storage and archive management tools.

About Getty Images
Getty Images is one of the world’s leading creators and distributors of still imagery, video and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover, purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and Web sites.

Visit Getty Images at www.gettyimages.com to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life. Additional information on how Getty Images inspires and powers communications can be found on The Getty Images Blog at blog.gettyimages.com as well as on Facebook at http://www.facebook.com/GettyImagesSoutheastAsia and Twitter at www.twitter.com/gettyimages.com.

Posted in Featured Photography Merchants, Photography Articles & Videos, Uncategorized | Tagged Getty Images, LightRocket | 1 Comment

Sigma EM-140 DG Macro Flash User Reviews

Posted on December 5, 2013 by Editor AL

What might happened when 2 Guest Editors were given the Sigma EM-140 DG Macro Flash for the First Time.
– Featuring Wong Renhao & Peh Wei Jian

Photo: Renhao’s Canon EOS 6D with Sigma EM-140 mounted.

5^th December 2013, Singapore – The Sigma EM-140 DG Macro Flash (EM stands for Electronic Flash Macro) was designed to work with digital SLR cameras of all-popular brands. The EM-140 DG Macro Flash most ideal for photographing subjects in fine detail when the shadow-less mode is used, and is highly recommended for scientific or medical applications. The dual flash tubes can be programmed to fire simultaneously or separately. Photographers may choose to use only one flashtube creating a modeling effect, which can achieve a three-dimensional feel to the subject.

Photo: Wei Jian’s Nikon D7000 with Sigma EM-140 mounted.

The flash features a guide number of 14 at ISO 100 which is ample for most close-up works. The Modeling Flash function also made it possible for photographers to instantly check for reflections and shadows before actually taking the shot. A wireless flash function is also available via optical sync, where the EM-140 DG is used as master and the other flashes like the Sigma EF-Series flashes as slave units for creating fine shadow details. High Speed Synchro and Exposure compensation functions are also available for advanced flash photography.

We have the privilege of taking not 1 but 2 EM-140 (1 x Canon & 1 x Nikon) out recently from Sigma Marketing (Singapore) and our Guest Editors were handed the flash to use during a night macro shoot for the first time.Let’s take a look at their photos and hear what they say.

Photo: Wong Renhao

Wong Renhao
Camera: Canon EOS 6D
Lens: Sigma 150mm F2.8 DG OS HSM Macro
Flash: Sigma EM-140 DG Macro Flash for Canon Mount (TTL).

Photo by Wong Renhao

The EM-140 macro ring flash is a wallet-friendly solution for amateur macro photographers looking for more optimal lighting. At the close focal range demanded by macro shooters, overhead lighting from standard flashguns are often blocked by the lens itself or surrounding foliage. The ring flash can solve such problems by providing head-on lighting. The two constant-light lamps are also useful for photographers who don’t want to deal with an extra torch or LED light panel when searching for subjects in the dark, or when extra light is required to help the camera lock focus accurately on the subject. The ability to turn either flash tube off selectively also allows for more creative lighting as users get more familiar with the flash unit.

Photo by Wong Renhao

With guide number 14 though, this flash is best kept to use at close range. The small tubes mean that as more power is required to obtain correct exposure, photos tend to get harsher in lighting. While the dual tubes perform their intended function of canceling out side-stretching shadows caused by single sided lighting, this should not be taken to mean that shadows are absent.

Photo by Wong Renhao

Depending on location and background, the combined power of the two tubes create a backward-reaching shadow in settings with high depth, something which may or may not work in the user’s favor. I would also have liked to see more even diffusion of light around the ring (most of the light throw stays within the vicinity of the flash tubes) and better direction of light from the tubes (right now it feels like the light reaches out straight ahead, instead of being angled diagonally towards where the subject is expected to be).

Photo: Peh Wei Jian

Peh Wei Jian
Camera: Nikon D7000
Lens: Nikon AF-S 105mm F2.8 VR Micro
Flash: Sigma EM-140 DG Macro Flash for Nikon Mount (TTL).

Photo by Peh Wei Jian

My first positive impression of this macro flash was the build quality. Although it is made of engineering plastics, it doesn’t feel cheap on hand. The matted finishing also means that it will not get any scratch marks easily even if abused. The user-friendliness of the flash is pretty straightforward. Without looking through the user manual, I manage to figure out all the required settings which I needed for the shoot with its minimal set of buttons configuration at the back.

Photo by Peh Wei Jian

The construction of the front ring is made up of 2 flash tubes on the left and right side and auto focus assist light at the top and bottom. This differentiates it from the cheaper LED ring flash which runs fully on manual adjustments as it is able to produce a more powerful output with its dual flash tubes. The front ring adaptor is mounted to a custom threaded mount which made it easy to rotate the entire ring during shoot. That allows me to re-position the flash either on the left and right of the subject or top and bottom effortlessly. The new TTL exposure system work great for me throughout my entire night macro shoot.

Photo by Peh Wei Jian

The down side of this flash is the duration of the auto focus assist light. It is a good thing that the has a build-in constant AF assist light, but the duration of that constantly on AF light can only lasted for 20 seconds, after which you have to press the lamp button again to toggle it on for another 20 seconds. This duration might be too short if you are doing night macro as it gets harder to find the subject and lock the focus. It would have been great if there is an option to keep it on for another 10 seconds or so.

To find out more about the Sigma EM-140 DG Macro Flash, please visit here.

Thank you Sigma Marketing (Singapore) Pte Ltd for allowing this to happen.

Ed.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line

Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line

Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line

While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Canon, Brand: Nikon, Brand: Sigma, Featured Photographers, Group Test & Reviews, Photography Articles & Videos | Tagged EM-140, Peh Wei Jian, Reviews, Sigma 150mm Macro, Sigma Macro Flash, Wong Renhao | 1 Comment

InfraRed Photos Exhibited at Funan Digitalife Mall

Posted on December 4, 2013 by Editor AL

Photo: “The Eighth Colour” – An InfraRed Photo Exhibition by Allan Lee at Funan Digitalife Mall.

4th December 2013, Singapore – A series of infrared photos are currently being exhibited at Funan Digitalife Mall. This is an initiative by CapitalMall & Punggol CC’s CACC Interest Group, better known as P@P (Photographers@Punggol). Curated by ourshutterjourney.com & supported by Ministry of Culture, Community & Youth. This initiative is a pilot program to use hoarding space for exhibiting photos from contributing photographers and use the space as a showcase and exhibition space. Roping in ourshutterjourney.com as the curating party for all the photos submitted, a panel will select the submitted photos for exhibiting at the mall.

Photo: Allan Lee, Punggol CC P@P IG Advisor & Solo Exhibitor of “The Eighth Colour”.

For a start, Punggol CC’s P@P Advisor & Editor of ourshutterjourney.com – Allan Lee, will have his photos exhibited to kick start the initiative. He had selected the infrared theme and called it “The Eighth Colour”. Soon to follow will be a combined pool of photos from the P@P Executive Committee as well as public submissions so do look out for the next run of exhibited photos.

“This is a creative way to use hoarding spaces, instead of printing stock photos, this (program) actually created a showcase platform for fellow photographers and it actually help to bring up the voice of photography into Funan Digitalife Mall. I hope to inspire more photographers to come forward and to showcase their work at Funan Digitalife Mall.” said Allan.

Do catch “The Eighth Colour” at Funan Digitalife Mall soon!

Keen to find out more about P@P (Photographers@Punggol) Photography Interest Group?
Visit P@P at https://www.facebook.com/pgatpg to make contact.

Want to know the submission criterias & themes for 2014?
Visit ourshutterjourney.com at https://www.facebook.com/groups/ourshutterjourney/ to make contact!

Photo: Left to Right – Yu Ling (Hon.Secretary P@P), Allan Lee (IG Advisor P@P), KC Low (CACC Chairman BRPCC), Hazel Q Magpuyo (Member P@P)

Posted in Featured Photographers, Featured Photography Groups, Photography Articles & Videos, Uncategorized | Tagged Allan Lee, BRPCC, ourshutterjourney.com, P@P, Photographers@Punggol, The Eighth Colour | 1 Comment

Sigma 24-105mm F4 DG OS HSM (A) Review

Posted on November 30, 2013 by Editor AL

29th November 2013, Singapore – Following our earlier article on Sigma’s latest release; the Sigma 24-105mm F4 DG OS HSM, we are back with a review after taking the this lens and its closest competitor (well) the Canon EF 24-105mm F4L IS USM out for a walk. Together with our Guest Editor, Mr. Wong Renhao, we took both the lenses out to Balestier, a sleepy old estate near central Singapore.

Before we start, I would like to remind everyone that at ourshutterjourney.com, we are only interested in real world, layman user review here, should you be looking for technical reviews and specs, please visit here.

Here we go.

Above is a Signboard off a restaurant at Balestier. On first look, both lens looks like they did the job well.
Let’s take a closer look after a 50% crop.

Apparently Both Lenses are holding up well on the sharpness department.
Let’s crop another 25% percent off. The next 2 photos will be a surprise.

From the above, we were pleasantly surprised that Sigma’s Art lens is (so much) sharper than the Canon’s L-series lens. (Those who wish to see the original photos, please feel free to email me)
And that was just the first test photo we took!

The next 2 photos was shot at a junction at Balestier road comprising of old shop houses against newer modern buildings.

Looked pretty much the same right? Let’s take a tight crop out and check out the image.

Both lenses performed pretty well in our opinion.

Let’s check out other shots.

Let’s take a closer (cropped) look.

Looking at the bokeh produced, there is visible differences. Although the Sigma has 1 addition aperture blade, the bokeh blur from the Canon 24-105mm seems smoother and creamier. Here’s another 2 shots, taken off Balestier Road at Whampoa area.

Let’s just take another crop.

Well, after looking through the set of photos produced by both lenses, here’s our verdict.

– Both Canon & Sigma’s 24-105mm F4 lenses are comparable for sharpness. But the Canon is slightly & minimally sharper in our view.
– Canon has a slightly more creamier bokeh as compared to the Sigma.
– Sigma has a better control on the CA & Corner Distortion than the Canon unit.

In Conclusion, we feel that Sigma had produced a lens that has attained the “L-Series” standard, this should send professional photographers thinking should they pay the premium to get the Canon’s “L-Series” lens. Between brand loyalty and working equipment, I am sure the Sigma will serve the needs for professionals who needs the quality but not willing to pay a premium for the red ring. On overall, Sigma has surprised us with their latest Art lens which exudes class and quality from the cosmetics to the imaging department. Fully compatible with Sigma’s USB Hub for fine adjustments and calibrations, this added convenience just sweetens the overall package.

While Canon’s aging 24-105mm soldiers on, Sigma’s new 24-105mm with its much lower asking price will find its Fans – we are very sure.

Ed.

Here’s some behind-the-scenes photos by our guest photographer Peh Wei Jian.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Canon, Brand: Sigma, Featured Photographers, Group Test & Reviews, Photography Articles & Videos | Tagged Sigma, Sigma 24-105mm, Wong Renhao | 1 Comment

Sigma 24-105mm F4 DG OS HSM (A)

Posted on November 25, 2013 by Editor AL

Picture: Sigma’s latest Art Line 24-105mm F4 DG OS HSM.

2^2nd November 2013, Singapore – Finally, the review unit for the much awaited Sigma 24-105mm F4 DG OS HSM (A) had reached my hands. While a practical review is in progress, we bring you a quick in-the-face comparison with a lens that Sigma had came for – The Canon EF 24-105mm F4L IS USM. While the market speculates on why Sigma decides to go after Canon’s 24-105mm F4L and not after Nikon’s 24-120mm F4, I guess the reason is obvious. Since Sigma embarked on the Global Vision with new lens announcements after announcements, Sigma had been re-inventing itself as a lens & camera manufacturer that offers more than just value. Apart from releasing lenses with matched quality that gives consumers the option of choices, Sigma is constantly brewing up surprises which sort of read consumers’ minds & wants from an optical company.

Picture: Sigma & Canon’s 24-105mm F4 side by side. (Pardon the pic quality)

Canon’s 24-105mm is an “L-series” lens which is under their high end professional line.
Sigma’s 24-105mm is an “Art” lens, which is under the their premium professional line.
So how different are both the 24-105mm? Let me take you through some of the key differences and similarities between the Sigma & Canon equivalent.

Picture: Sigma & Canon’s 24-105mm F4 side by side with their respective hoods on.
(Pardon the pic quality)

Key Differences:
Aperture-
Sigma has a 9 Blade Aperture
Canon has an 8 Blade Aperture.
This probably means Sigma has a creamier bokeh.
(We will verify this when the review is ready)

Size-
Sigma is 88.6 x 109.4mm
Canon is 83.5 x 107mm
So Sigma’s unit is slightly more beefy than Canon’s unit.

Angle of View-
Sigma sees 84.1-23.3 degrees
Canon sees 84-23.2 degrees
This means both the Sigma & Canon has a slight 0.1 degree advantage on each focal range end which is totally negligible.

Optics-
Sigma has 19 elements in 14 groups
Canon has 18 elements in 13 groups
In this aspect, Sigma has more glass than the Canon, but will this translate into sharper photos with less distortions? We will check this for the review.

Weight-
Sigma weights 885gm
Canon weights 670gm
With a 215gm difference, Sigma is the heavier lens here, but we all know this must be due to the advanced construction that corrected the misgivings of the lens that it is based on.

Filter Thread-
Sigma works on 82mm Filters.
Canon works on 77mm Filters.
With a large front element on the Sigma, 82mm was expected.

Price-
Sigma is asking for USD $899 RRP (via BHPhoto)
Canon is asking for USD $1,149.00 RRP (via BHPhoto)

Age-
Sigma’s unit born October 2014
Canon’s unit born October 2005
This means Canon is a senior citizen here. We will be concerned if Canon’s ageing unit can keep up with the newer EOS bodies.

Tuning & Calibration-
The Sigma’s 24-105mm works with their USB Dock for fine calibration & adjustments.
Canon does not have an USB Dock yet.

From the above, we observed that Sigma had made a lens that is of a different breed although it is based on Canon’s unit (focal range). Before I conclude, let’s take a look at the similarities that both lenses shared.

Key Similarities:

Motor-
Sigma runs on HSM (Hyper Sonic Motor – which is similar to ultrasonic motor)
Canon runs on USM (Ultrasonic Motor – which is similar to hypersonic motor)
In short, they are on the same motor that gives super fast & near-silent focusing.

Minimum Focusing Distance-
Both Sigma & Canon’s 24-105mm will start to focus only from 45cm.
Both lenses will not focus if you try your luck to focus on anything that is 44.9cm

Focus Override-
Both Sigma & Canon’s 24-105mm can be manually focus-adjusted after the autofocus has locked.

Stabilizer-
Sigma uses OS (Optical Stabilizer)
Canon uses IS (Image Stabilizer)
Both employs similar stabilizing systems.

Aperture Values-
Both Sigma & Canon starts accepting light from F4 to F22.

In the box-
Sigma gives you 1 lens, 1 hood, 1 pouch, 1 instruction book & 1 warranty paper.
Canon gives you 1 lens, 1 hood, 1 pouch, instruction book & 1 warranty paper.

Compatibility-
Sigma calls it a DG lens.
Canon calls it an EF lens.
Well, both lenses are made for Full Frame Cameras.
They are both compatible with APS-C & APS-H cropped bodies too.

To conclude, we have pointed out 10 key differences & 6 similarities between the 2 rivaling lenses. In theory, seems like Sigma has made a lens to replace Canon’s aging 24-105mm with an updated lens plus lots of bonus goodies. But the fact is, Sigma’s 24-105mm is of a different breed – yet with a humble asking price. We shall see how both lens performed when we pit them together. We will be back with the review soon.

Ed.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Sigma, Group Test & Reviews, Photography Articles & Videos | Tagged Art, Sigma | 2 Comments

Olympus Stylus 1 Announced

Posted on November 7, 2013 by Editor AL

Picture: No, this is Not OM-D, Meet Olympus Stylus 1

05th November 2013, Singapore – Olympus announced the upcoming release of “Stylus 1”, the company’s flagship compact which specifications are closely “pegged” to other DSLRs in the market. The Stylus 1 will surprise both Olympus fans as well as users from other brands. Featuring a magnificient optical zoom of 10.7x (focal range of 28-300mm) at a constant aperture of F2.8, Olympus packaged the Stylus 1 in a sleek & compact body to sweeten the deal.

Let’s take a look at the Official Key Features of the Stylus 1.

1. An optical 10.7x (28-300mm), constant aperture f2.8 i.ZUIKO DIGITAL zoom lens packed into a compact, slim body.

2. Equipped with a built-in large-size, high-image quality, high-resolution EVF (Electronic Viewfinder) for checking versatile shooting conditions.

3. Shooting style of enhanced operability and stability inherited from OM-D, and a premium compact, slim design

4. Full-featured controls and customisation let users focus on shooting

5. Built-in Wi-Fi for easy image sharing and wireless shooting
From the official specs above, the Stylus 1 certainly looks promising and designed to thrill. While many (regular consumers to professional photographers) had predicted the “end” of compacts, this is far from true. If some of you remember, leading up to the Stylus 1, Olympus had “tested” the market with XZ-1, XZ-2, XZ-10 and many Olympus certainly didn’t expect the Stylus 1 to be announced (so fast at least).

Targeting at family users who are likely to use the Stylus 1 for a wide variety of photography, the Stylus 1 seems like a possible pick up for professional photographers too. For obvious reasons – try to fix a 28-300mm F2.8 Lens onto your DSLR then you put the duo on a weighing machine. Either that or you can have the Olympus Stylus 1. For a super focal range from wide angle to super telephoto, the Stylus 1 also promises high quality images which are second to none. The fixed Zuiko lens with its strong track record had never disappoint – Olympus users will know what I mean.

Other goodies includes a “borrowed” EVF system from its Pen Mirror-less series couterparts, a super Image Stabilizer, a sub dial, built in wi-fi and many more. On first look, the Stylus 1 does resembles the OM-D, only “younger” on the overall impression. Now I’ve got you all excited over the Stylus 1, do check out more details on Olympus’s website.

The Stylus 1 is expected to reach Singapore by November 2013 and will be out at the stores by December 2013.
Since it will be then the Christmas season, my advice, call your dealer to reserve one.

Ed.

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About Olympus Imaging Singapore

Olympus Imaging Singapore is the unparalleled industry leader in opto-digital technologies, delivering award-winning digital imaging products for the consumer and professional markets in Singapore. Driven by a strong commitment in providing innovative products and solutions of the highest quality, Olympus Imaging Singapore works closely with industry partners, customers and other Olympus business units in producing leading-edge products. These include analogue and digital cameras, professional SLR imaging systems, and voice recorders, amongst others. Olympus Imaging Singapore’s unrelenting efforts in superior customer service also bear testimony to its brand promise of delivering the best user experience to all consumers and professional users in the imaging field.

For more information, please visit http://www.olympusimage.com.sg

Posted in Brand: Olympus, Group Test & Reviews, Photography Articles & Videos | Tagged Olympus, Stylus 1 | 1 Comment

For Sale: Brand New Nikon J1

Posted on October 25, 2013 by Editor AL

A close friend Won this camera in a Photography Contest and she decided to sell it since she already has a vast inventory of equipments. According to Nikon Singapore’s website, the listed price is SGD $569.00 and I reckon street price should be around $519.00 +/- (Apologies as I am not too sure, please do your homework).

My friend is selling this Brand New Set of Nikon J1 at ONLY $489.00!
You get everything in the box just like buying from the shops including warranty!
Christmas is coming soon, anyone?

Email me at media_world@live.com to make contact if you are keen to purchase this Nikon J1.
* First come, First served, no reserves & no hidden costs.

For Sale:
Nikon J1 + Lens Kit
*Brand New in Box, Local warranty Included.
Selling SGD $489.00 ONLY for the set.

Posted in Brand: Nikon, Photography Buy & Sell | Tagged Buy & Sell, Nikon | Leave a comment

Urgent Sale! NEW Sigma 30mm F1.4 EX DC HSM Nikon Mount & Pentax Q10

Posted on October 24, 2013 by Editor AL

A friend bought these from a “reputable” shop in Chinatown. She thought these Sigma lenses thinking that these are the latest Sigma “ART” version. She also bought 2 sets of Pentax Q10 (1x Red & 1 x Silver) for her kids. To her horror, she got conned by the shop who claimed that this is the latest version. Not only she bought 1, she bought 2 units thinking that the price is good and she intends to give one of them to her husband as a gift. The salesman then sold her another 2 sets of Pentax Q10 which she intended to give to her kids as Christmas presents. Then when she posted the Sigma lenses on her Facebook, her other photographers friends pointed out to her that these 2 lenses are the previous version. She decided to sell both units away and buy the “Art” edition. Feeling cheated, she feels like selling the 2 sets of Q10 too to buy the latest Q7.

She had written to me to request for assistance to sell of these 2 Sigma lenses & the 2 sets of Pentax Q10 at a loss.
(Price Below)

For Sale:
Sigma 30mm F1.4 EX DC HSM (02 sets)
*Brand New, never used even once, local warranty not registered
Selling SGD $300.00 per Lens.

Pentax Q10 with 02 Standard Zoom (02 sets, 1 is Red & 1 Black)
*Brand New, never used even once, local warranty not registered
Selling SGD $400.00 per set.

According to my friend, this is the best price that she is willing to sell to recover whatever losses.
Her loss is your gain.

If you are interested to purchase the above, please feel free to drop me a note at media_world@live.com

No reserve.

Ed.

Posted in Brand: Pentax, Brand: Sigma, Photography Buy & Sell | Tagged Buy & Sell, Pentax, Sigma | 1 Comment

Ricoh GR Limited Edition

Posted on October 22, 2013 by Editor AL

Photo: The Limited Edition Ricoh GR

22nd October 2013, Singapore – Singapore’s Exclusive Distributor APD for Pentax Ricoh Imaging products had announced a Special Edition Ricoh GR that will be hitting our shores. There will only be “Limited” units allocated for Singapore market. This limited-quantity package features a special-color version of the GR and its own line of exclusive accessories. This GR is the High Quality Flagship Compact from Ricoh. (Top of the Line) While Singapore will be getting “Limited” units, there are only produced in a controlled quantity of 5,000 units worldwide.

Main Features

1. Stylish green, wave-patterned body, accentuated with silver shutter-release button and ring cap
2. Black grip with a glossy, wood-grain finish
3. Lens ring with diamond-engraved product name
4. A set of exclusive accessories:
・ Hood and adapter with an elegant shrink coating
・ Brown, genuine-leather case and strap
5. “GR Limited Edition” logo displayed on the LCD monitor at power off
6. The latest version of function-enhancing firmware pre-installed

Note: All other specifications are identical to those of the RICOH GR standard model. Note: Designs and specifications are subject to change without notice.

So you want to own one of the limited units that will be made available to Singapore?
I will suggest that you call your dealer and make your reservation/ order soon.

Ed.

==========================================

About APDS (Exclusive Distributor for Singapore)

Audio & Photo Distributor (Far East) Pte. Ltd. formerly known as MHE Consumer (S) Pte. Ltd was founded in 1973.

Since its inception Audio & Photo has had been the distributor of many well-known international consumer brands such as Konica cameras from Japan, Kenwood and Nakamachi hi-fi products from Japan, and Metz flash and accessories, Rollei cameras and Jos Schneider enlarging/professional lenses from Germany, to name a few.

Currently Audio & Photo Distributor is the sole distributor of Pentax & Ricoh cameras from Japan . With over 35 years of marketing experience and history, Audio & Photo has developed a strong network of dealers located islandwide in Singapore with whom it enjoys close rapport and support.

Audio & Photo Distributor (FE) Pte Ltd bides by its belief that it exists because of the customer, and therefore it will always strive to serve the needs of its customers with full dedication and commitment.

Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Photography Articles & Videos | Tagged APD Singapore, GR Limited Edition, Ricoh | Leave a comment

My Lowepro Diary (Part 3)

Posted on October 21, 2013 by Editor AL

(still) my trusty companion in photography, the Lowepro Pro Roller X300.

21st October 2013, Singapore – After using the Lowepro Pro Roller X300 extensively for my commercial work, it has been a long while since I use it for leisure. And last weekend, we have a shooting practice for high speed sports photography and I decided to pack a bit more gear than usual. I was trying out some lenses and set up while I am also packing my wife’s equipment as well. So ended up, I have a long list of equipment to pack.

Picture: Gear for the weekend.

The list includes;
– Canon EOS 1D MarkIV
– Nikon D2hs
– Nikon D200
– Sony A850
– Sigma 150-500mm + Hood
– Tamron 200-400mm + Hood
– Nikon 18-105mm + Hood
– Sony 85mm + Hood
– Lots of accessories.

So without much thought, I clear out the strobes and other stuff from the Lowepro Pro Roller X300 and slowly pack everything in. I like the flexibility to be able to customized the bag layout the way I want it and while every other camera bag can do this, the X300 is huge and this gives me added spaces to play with. I always experiment different layout so that I may carry my equipments safely to anywhere I am going. Every items fits into the X300 effortlessly and leaving some space for chips & beer. 🙂

After everything is loaded inside the X300, I realized I had only occupied about 70% of the space while the other many flaps and compartments around & outside the bag was left untouched.

Picture: Everything fits snugly with space for more.

While making a “grand entrance” to the practice (I was late), a fellow photographer, Benson Chee shot the below photo.
This photo shows a good size ratio for the photographer and the larger-than-life Lowepro Pro Roller X300. While carrying a big load of equipment, the bag still look sleek and not bulky at all. While I was walking beside loads of runners, I do not feel out of place or a misfit. The X300 may be big, but still look very normal at abnormal places where you will not likely to see a trolley bag. Low profile is the key word here. The modern and subtle styling of the Lowepro Pro Roller X300 is a pretty good cover.

Photo Credits: Benson Chee.
Photo: Making the Grand Entrance with the Lowepro Pro Roller X300.

Practicality is Lowepro’s biggest selling point. This wonder roller had served me really well time after time, place after place, assignment after assignment. Remember the built in stand at the back of the bag? There is no need for me to place the bag at places that might dirty my bag. I used the stand and from the photo below, you can see that only the stand and the wheels touched the ground. (cleaning the stand and 2 wheels is better than washing the whole bag after an outdoor shoot)

And it also gives me the ease of use as I find it extremely convenient to retrieve my equipment without having to bend down and up all the time. Lastly, the elevated bag also prevents little insects or animals from taking a free flight to my home. 🙂

With Lowepro, I am going places. Get yours today from Cathay Photo.

Ed.

Photo: The Lowepro Pro Roller X300 at the field.

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About Lowepro

Our trek started in a small Colorado garage over 40 years ago. Since then, we’ve been traveling the world on the backs and shoulders of the best photographers on the planet. We’ve learned. We’ve innovated. We’ve become a leader.

For over 40 years, we’ve worked to develop and perfect camera carrying systems – maybe to the point of obsession. But we’ve never stopped at just innovating and improving products. We strongly believe that we owe it to ourselves, and to our industry, to do whatever we possibly can to protect and save the environment. We take as much pride in this aspect of our business as in the work we put into the products you’ll see.

Most of our bags were inspired by helpful advice from you and your peers. We greatly appreciate your artistry and input. We’ve listened carefully to your suggestions, and we’re sure you’ll find something in these pages that’s exactly right for you. Because wherever you go on your next assignment, we want to be right there with you.

Visit www.lowepro.com.sg for more details.
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About Cathay Photo Store Pte Ltd

Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.

Visit www.cathayphoto.com.sg for more details.
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Posted in Brand: Canon, Brand: Nikon, Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Brand: Sigma, Brand: Sony, Brand: Tamron, Featured Photography Merchants, Group Test & Reviews, Photography Articles & Videos | Tagged Cathay Photo, LowePro | Leave a comment

Sigma 24-105mm F4 DG OS HSM (C) Released!

Posted on October 19, 2013 by Editor AL

19th October 2013, Singapore – The news has leaked about 4 weeks ago pending the official announcement of the release of the latest Sigma lens. Websites & Forums from all over the world had been debating what Sigma is up to when this lens is clearly out to shadow the Canon 24-105mm F4L IS USM. Some debated that the Sigma 24-105mm will be marketed to the Likes of its elder & aging brother the Sigma 50mm F1.4 EX DG USM. This means? Likely Sigma will front the 24-105mm with better sharpness & colors, better built quality and costs more than the original unit.

Over at other camps, the new Sigma will likely lure upgraders/buyers away from certain 24-120mm F4 lenses or even buyers of 24-70mm F2.8 with a little blue tag. Listed under (C) aka Contemporary line under the Sigma Global Vision, this Full Frame lens will be the talk of the town for the next few months (at least).

Given Sigma’s production quality of today, will buyers stay loyal to their brands?
I will leave it for you to decide.

Ed.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Sigma | Tagged 24-105mm, Sigma | Leave a comment

SJS Giveaway Part V Winners Announced!

Posted on October 19, 2013 by Editor AL

19th October 2013, Singapore – SJS announced the last 2 Winners for the Annual Giveaway! In part five, we asked our readers and subscribers 2 questions.

1) In your own view, describe ourshutterjourney.com in 20 words.
2) In your own view, describe the photography circle in 20 words.

We have since received close to 200 submissions with varying answers but the committee had selected 2 entries after careful considerations. Please check out the winners & their answers below!

Winner: Mr. Calvin Chan Wai Meng

Photo: Calvin with his prize, a Brand New Ricoh RZ-980SF Date.

Q1) In your own view, describe ourshutterjourney.com in 20 words.
Ans) A simple, fun and open photography platform which promote sharing, learning and building friendship forming a loving and heartwarming community

Q2) In your own view, describe the photography circle in 20 words.
Ans2) Photography circle allows engagement with wider audience, different perspectives and room for improvement, learning and sharing via critics and comments.

Winner: Mr. Tan Kim Chwee

Photo: Kim Chwee with his prize, a Brand New Ricoh R-EX-105Z Date.

Q1) In your own view, describe ourshutterjourney.com in 20 words.
Ans) Ourshutterjourney.com is a social platform for friends embarking on a journey of a million clicks but one common love – photography.

Q2) In your own view, describe the photography circle in 20 words.
Ans2) The SJSPG is an inclusive circle of like-minded friends clicking, exploring, discovering, experimenting, learning and sharing the joy of photography.

We would like to take this opportunity to Thank All our readers, subscribers, followers & members for the continual support!
We would also like to congratulate all our winners for the whole SJS Annual Giveaway!

We will be back with more Contests, do stay with us!

Ed.

====================
Special Thanks to our Sponsor & Accredited Merchant P&G Photographic Centre!

Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Featured Photographers, Photography Articles & Videos, Photography Contests, Uncategorized | Tagged Ricoh, SJS Contest | Leave a comment

The Chaplin’s – Making Photography Delicious!

Posted on October 14, 2013 by Editor AL

14th October 2013, Singapore – As photographers, we take pleasure in shooting things revolving our life while finding new perspectives to everyday items. Food is one such favourite subject. I am sure you have seen tons of food photos shared on social media platforms, and I am very certain that you have friends that shot their every meal like a ritual before even consuming them. Never mind if the food turns lukewarm, these friends will tell you, “shoot first, eat later” – sounds familiar to you?

Recently, I came to know a few photography students of mine who loves to shoot delicious looking cakes & pastries. They will buy cakes & pastries and gather at someone’s home, then set up lights and shoot whatever they had bought. And after they have gotten their shots, they threw everything away. I was pretty shocked when I came to know about this. I questioned if there is the need to waste food for the sake of photography, then the students (mostly females) shared with me that they are watching their weight. I am totally lost for words.

Now, how about able to shoot some really delicious treats and you can indulge healthily without guilt after shooting?

I came to know about The Chaplin’s recently through my peers. I was at a function, and the host offered me a slice of banana cake. On first look, the slice of banana cake looks like an ordinary banana cake and without much thought, I took a bite and I was totally mesmerized by it. The tasty texture, the moist balance and the fragrance seems to explode in my mouth. This little slice of delight is simply perfect. I can’t seem to have enough and before I knew it, I had down 3 slices within minutes.

Photo: Sweet Potato Pandan Cake. A True Evolution of Tradition Meets Fusion.

This got me curious, I decided to check out the other offerings by The Chaplin’s and I found out that they bake a variety of cakes. I am not exactly a fan of fusion-evolved food but I decided to try out their Sweet Potato Panda Cake. I like pandan cakes & I love sweet potato, but having these 2 together seems odd as I prefer my sweet potato to be swimming in a sugary clear broth.

When the cake gets delivered, I decided to slice up the cake and took a few shots. The contrasting colours of pandan green against bits of orange-colored sweet potato with a nice browny outer soft crust seems like a perfect cake to shoot. And the taste? All I can say is, the Chef had found the perfect balance of having the sweet potato “embedded” in a nice pandan chiffon that surprises the pickiest of taste buds. Yes you heard me, every bite is a surprise. I later found out that The Chaplin’s cakes are healthy treats as they do not use preservatives & they watch the sugar level closely to create delicious healthy cakes.

I am a photographer & tech reviewer, not a food journalist so do not expect a professional food review on The Chaplin’s from me. However, I would like to share that your next food photography session can now be more meaningful with cakes from The Chaplin’s and there is no need to throw the cakes away after shooting, you can eat it and you will enjoy it.

Ordering details are found below.

Ed.

============================
About The Chaplin’s

The Chaplin’s aims to be the choice bakery for high quality cakes & pastries – baked with sincerity for everyone.
Providing choices like traditional favorites like Almond Banana Bread (Banana Cake as the west calls it) or the highly popular Sweet Potato Pandan Cake, The Chaplin’s offers an array of superb cake choices for every occasion to customized cakes (on request).
As a young bakery, the Pastry Chefs at The Chaplin’s promises consistancy for every product on the menu while maintaining the strictest quality control, this is a promise. The Chaplin’s cater supplies to events like parties, celebrations, weddings etc and is also available to supply to restaurants & cafes.

Contact The Chaplin’s at:
Tel: +65 92717299 (RoseMary)
Email: ask@thechaplin.co
Facebook: facebook.com/thechaplinssg
Instagram: the_chaplins

Posted in Non Photography, Photography Articles & Videos, Uncategorized | Leave a comment

Pentax K-3 – A New Marvel

Posted on October 8, 2013 by Editor AL

08th October 2013, Singapore – Pentax announce the long-awaited (or should I say anticipated) successor for the K-5/ K-5II series DSLRs. Pentax, famed for their feature-packed DSLRs & reasonable asking price, the new K-3 is no exception. The new Pentax K-3 however was designed and built for a more purposeful objective – Field Use. Taking performance cues from the earlier models, the K-3 inherited all the good stuff like rugged design, full weather sealing, high performance processors and excellent image quality – and more. The K-3’s specifications will shame many other DSLRs in the same class & similar price bracket.

Since “Field Use” was the key objective for the new Pentax K-3, this APS-C DSLR is designed for photographers who does lots of outdoor work and in various climates. Best for the photographer who shoot sports, nature (macro & birding) & events!

Let’s take a quick look at some of the key specifications!

NEW
– New 24mp CMOS Sensor (APS-C)
– New Image Processor (Prime III Engine)
– 27 AF Points (Measured)
– New AF module (Safox 11)
– 8.3 frame per second (fps)
– Dual SD Card slots
– Full Magnesium Body (not alloy)
– Lots of new operation buttons
– 86K RGB Metering Sensor (about 86.4 metering zones)

Retained
Other Key Specifications retained from past successful models
– ISO 51200
– 1/8000 high speed shutter
– Full weather sealing
– 100% view on Viewfinder
– Interval Shooting (but upped to 2000 shots)
– Art Filters (more added)
– Shutter life (improved to 200,000 shots)

From our understanding, the new Pentax K-3 is a totally New camera packed with all the latest technology in digital imaging while retaining all the know-hows and trusted advantages from its older siblings. As mentioned earlier, the specifications on the new Pentax K-3 had surpassed many cameras from other brands of the same class, but at the same price bracket. This is once again very “Pentax”, always giving much more than the competition but asking for a reasonable price and leaving the consumers to decide if they want a “brand” on their hands or a camera that gives them the ability to produce excellent high quality images at a similar price. The K-3 is a True Marvel.

The new Pentax K-3 will be marketed to enthusiasts & amateurs, looking at the overall package, we are very sure many professionals will take interest in this little APS-C monster of some sort. If you are looking for more information about the new Pentax K-3, do visit the “regular tech sites”, this is only an announcement. I will be back with an official review once the local agent send me the review unit.

Stay tuned.

Ed.

=================================

About Pentax Ricoh Imaging Company, Ltd

PENTAX RICOH IMAGING CORPORATION was originally founded in 1919 under the name Asahi Optical Joint Stock Co. In the 1950s, launched the first SLR camera, the Asahiflex I, and the company haven’t stopped since. From the Asahi PENTAX single-lens reflex camera to the Spotmatic and to our most recent K-5IIs and incredibly tiny Q10, Pentax empowers and inspired photographers around the world.
For information on Ricoh, click here.

About APDS (Exclusive Distributor for Singapore)

Audio & Photo Distributor (Far East) Pte. Ltd. formerly known as MHE Consumer (S) Pte. Ltd was founded in 1973.

Posted in Brand: Pentax, Photography Articles & Videos, Uncategorized | Tagged K-30, Pentax | 1 Comment

SJS Giveaway Part V! Answer to Win!

Posted on October 4, 2013 by Editor AL

04th September 2013, Singapore – SJS Giveaway, many had cameras so can you!
This is Part 5, we have 2 really mean Ricoh to give away!

How to win?
1) Just answer the below questions
2) Email your answer to sjscontest@live.com by 9th October 2013 06.00pm
4) Include your real name & mobile number.
3) Winners will be notified by email & SMS!

Here’s the questions!
1) In your own view, describe ourshutterjourney.com in 20 words.
2) In your own view, describe the photography circle in 20 words.

So start writing! Email by the stated deadline and Win one of the 2 Ricohs!

Ed.

====================
Special Thanks to our Sponsor & Accredited Merchant P&G Photographic Centre!

Posted in Photography Contests | Tagged SJS Contest | 3 Comments

SJS Giveaway Part IV Winners!

Posted on September 26, 2013 by Editor AL

26th September 2013, Singapore – Our Part IV Giveaway Winners were picked from a total of 106 Submissions from All over the world. We asked the participants to watch a behind-the-scenes video of how I shot the Pentax Q Advertisement for local market. Then we asked 2 questions relating to the video. The correct answers are 1) The Yellow Q Appeared 11 times, 2) There are 7 Q-Mount Lenses in the line up. Congratulations to the Winners who were picked via an automated random selection system which we are currently testing. 🙂

Here are the Winners for this Round!

Photo: Mr. David Wang won a Yashica Zoomate 80

Photo: Miss. Grace Chong won a Pentax Espio 135m

Photo: Mr. Jackson Ang won a Yashica Zoomate 140

Photo: Miss. Magdalene Teo-Yong won a Pentax Espio 135m

Once again, Congratulations to the Winners and Thanks to All who submitted their entries!

Do look out for the Final Giveaway which is Part V. We have 2 really mean Ricoh Cameras to give away!

Ed.

====================
Special Thanks to our Sponsor & Accredited Merchant P&G Photographic Centre!

Posted in Brand: Pentax, Featured Photographers, Photography Articles & Videos, Photography Contests, Uncategorized | Tagged Pentax, SJS Contest | Leave a comment

ASIA’S EOS YOUNG PHOTOGRAPHER AWARD 2013 ATTRACTS MORE THAN 3,500 ENTRIES FROM SINGAPORE

Posted on September 17, 2013 by Editor AL

Indonesian and Malaysia take top honours in highly competitive regional field

17th September 2013, Singapore – The inaugural EOS Young Photographer Award contest was a resounding success, attracting more than 27,000 entries from around Asia, with 3,565 Singaporeans among those vying for the grand prize: An all-expenses paid National Geographic Photography Workshop in the US, plus a Canon EOS 60D DSLR camera with EF-S18-55mm f3.5-5.6 IS II Lens.

Themed “A Celebration of Colour”, the EOS Young Photographer Award 2013 was open to aspiring photographers aged 13 to 25, and jointly organised by National Geographic Channel and Canon Singapore Pte Ltd.

Of the thousands of hopefuls – from Indonesia, Malaysia, Singapore, Vietnam and Thailand, Hanggi Tyo, 21, from Indonesia emerged as the champion, walking away with the coveted first prize, with her entry, “My Full Colourful Smile”, a photograph taken at the Jember Fashion Carnival Show in Jakarta in December last year.

Tyo’s shot, which depicts a smiling young woman clad in a vibrantly colourful costume, garnered much praise from the judging panel, which included National Geographic photographer, Gabby Salazar.

First runner up was Malaysian Chan Zhi Ying, 22, who walked away with a Canon EOS 650D with EF-S18-55mm f3.5-5.6 IS II Lens for her submission entitled “Happy in Red”. The photograph depicts a child splashing in a tub of water while having her bath, conveying a feeling of unbridled happiness and carefree delight.

Twenty-one-year-old Geovani Orlando from Indonesia also impressed the judges with his photo submission, “Paju Jawi From Ranah Minang”, earning him the title of second runner up and a Canon EOS 1100D with EF-S18-55mm f3.5-5.6 IS II Lens.

According to Simeon Dawes, SVP Advertising Sales & Partnership of FOX One Stop Media, “Our main intention in organising this competition together with Canon Singapore, was to inspire young people across Asia to take an interest and discover more about the creative art and science of photography, as well as to provide a platform for aspiring photographers to pursue their love and passion for photography.”

He added: “As a channel that inspires people through our work and programmes, we look to nurture talents in the field of creativity – people who will share the same vision of wanting to bring people together and bridging cultures. They say a picture speaks a thousand words. Photographs transcend all cultural, language, background barriers – the same way we aspire to reach out and make a positive difference in the communities in which we operate. In this regard, we are glad to have found a partner in Canon who also share the same vision about nurturing talent hence this initiative turned out to be such a success.”

“We are pleased to have had the opportunity to be a part of this competition, which presents an ideal platform to showcase the best, most colourful and creative photography talents in the region. This type of contest is in line with Canon’s aim to promote the Photography Culture in the Southeast Asian region,” said Mr Hideaki Nishimura, Senior-Director & General Manager, ICP Business Division, Canon Singapore Pte Ltd.

In addition to the three main prizes, the contest also awarded bi-weekly winners for the colour-themed Voter’s Choice Award, held between April 9 to June 3, with an 8GB EOS Memory Drive and National Geographic Channel X Morn Creations Limited Version Shark Backpack each.

Meanwhile, the Grand Voter’s Choice, which was tracked from the beginning of the campaign, was awarded to Saidkhsan from Indonesia. He took home an EOS Camera Bag and National Geographic Photo Book for his submission entitled “Love Story”, depicting two entwined butterflies on a vine.

Other noteworthy entries highlighted by the judges were “Panorama de Shah Mosque” by Shaharyar Hyder, “The Longest Sock” by Firman Maulana, and “Three Yellow Guards” by Danniel Partogi.

Following the overwhelming response and success of this inaugural event, both organisers are now looking forward to kicking-off another photo contest in October 2013. More details will be released nearer the launch date.

To view the winning entries, please visit http://www.celebrationofcolour.com/

============================

About FOX International Channels (FIC)

FOX International Channels (FIC) is 21st Century FOX’s international multi-media business. We develop, produce and distribute 300+ wholly- and majority-owned entertainment, factual, sports, movie and lifestyle channels across Latin America, Europe, Asia and Africa, in 48 languages. These networks and their related mobile, non-linear and high-definition extensions, reach over 1.6 billion cumulative households worldwide.

In Asia, FIC operates or distributes 30+ channel brands, including the FOX, STAR and National Geographic brands, with over 100 feeds across 14 markets. As the leading pay-TV network in the region, we reach more than 550 million cumulative subscribers across Asia Pacific and the Middle East with offices in Hong Kong, China, Taiwan, Japan, Korea, Singapore, Malaysia, Indonesia, Philippines, Thailand, Vietnam, India, Australia, New Zealand and the UAE. For more information, please visit http://www.foxinternationalchannels.com

============================

About National Geographic Channels International

National Geographic Channels International (NGCI) inspires viewers through its smart, innovative programming that questions what we know, how we view the world and what drives us forward. A business enterprise owned by National Geographic Ventures and FOX Entertainment Group, NGCI contributes to the National Geographic Society’s commitment to exploration, conservation and education through its six channels: National Geographic Channel,

National Geographic Channel HD, Nat Geo Wild, Nat Geo Wild HD, Nat Geo Adventure and Nat Geo Music.

Globally, National Geographic Channel (including NGC U.S., which is a joint venture of NGV and Fox Cable Networks Group) is available in more than 440 million homes globally and in 38 languages.

For more information, please visit http://www.natgeotv.com.

============================

About Canon Singapore Pte Ltd

Canon is a global leader in photographic and digital imaging solutions. Canon Singapore Pte Ltd is the headquarters for South & Southeast Asia driving sales, marketing and service strategies. Besides handling the domestic market, the company leads 18 other countries including subsidiaries in India, Malaysia, Thailand and Vietnam. The parent company Canon Inc has a global network of close to 300 companies and employs close to 200,000 people worldwide. It is dedicated to the advancement in technology and innovation and commits about 10% of its total revenue each year to R&D. Canon is consistently one of the top few companies to earn the most number of patents over the last 20 years. As a Fortune Global 500 company, Canon is guided by its kyosei philosophy that focuses on living and working together for the common good.

More information is available at http://www.canon.com.sg

Posted in Brand: Canon, Photography Articles & Videos | Tagged Canon, Fox, Nat Geo | Leave a comment

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