Sigma 150mm F2.8 EX DG OS HSM Macro Revisited

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Sigma 150mm F2.8 EX DG OS HSM Macro Revisited

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Picture: Test Set up – Sigma 150mm F2.8 EX DG OS HSM Macro + Canon EOS 1D MarkIV + Sigma DG Macro Flash.

11th February 2014, Singapore – For some strange unexplained reason, my earlier (2012) review of the Sigma 150mm F2.8 EX DG OS HSM Macro went missing in cyber-pandora. Due to many requests from my students & friends who are big fans of macro photography, I had decided to do up this review to “complete” my set of user reviews on Sigma macro lenses.

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Picture: Sigma 150mm F2.8 EX DG OS HSM Macro, this is actually MarkII. Note the lens finishing is awesome.

The current version of the Sigma 150mm F2.8 EX DG OS HSM Macro is actually a Mark II (1st version has no OS and uses the old peel-when-aged body coating) which many keen eyes will be quick to point out that the lens was built using a much better material than its predecessor. Looks like engineered plastics, the fact is, the barrel was made from TSC (thermally stable compound) and was used as a test run for the current versions of new Sigma Art, Contemporary & Sport line lenses.

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Picture: Sigma 150mm F2.8 EX DG OS HSM Macro, the switches are well placed for ease of use.

Made as a premium Sigma lens, this high performance macro lens are designed to fill in the focal range gap for between 90/100/105mm & 180mm which makes lots of sense. A full frame lens, this 9Blades (aperture) 150mm offers excellent bokehs (at F2.8) that creates stunning portraits while the 150mm also gives the user a good working range when photographing tiny insects from a distance or for general table top studio uses. Designed for high versatility and general use, this 150mm is the “almost-all-you-need” lens for medium telephoto range.

Some Photo Samples
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Picture: 100%

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Picture: 50% Crop.

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Picture: 25% Crop

When used with APS-C DSLRs, this 150mm effectively becomes a 225mm* telephoto lens allowing the user to do more like sports or even birds photography. (*240mm on Canon APS-C & 195mm on Canon APS-H sensor bodies) To ensure this 150mm lives up to its claimed performance, Sigma included the company’s long proven Optical Stabilizer (OS) in 3 operating modes to ensures the user will be ready to shoot with assist in any shooting situation, a blazing fast Hyper Sonic Motor (HSM) for that spot-on focusing in fraction of a second. The HSM is noted for their accuracy, almost silent high-speed focusing.

More photo samples shot with the Sigma 150mm Macro.
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Focusing range is selectable from 3 pre-set range allowing the user to tailor the focusing distance and speed to their shooting. On the exterior, apart from the excellent lens finishing, the handling are user-friendly. The AF/MF switch, the Focus Range switch & the OS Mode switch are thoughtfully arranged and the focusing ring is smooth and very easy to operate. At 1150kg, the 150mm is considered light weight for handheld shooting and it comes with a tripod mount ring for that added versatility should the user decides to use a monopod or tripod with this lens. APS-C users will be glad to know that in the retail box, Sigma had included an APS-C hood adaptor together with the hood so that users using this lens on APS-C bodies will not compromised on stray lights or other light pick-ups. (Phenomenon where long lenses are used on smaller sensors which are positioned nearer to the lens.

Picture Below: 100% vs 15%
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Below:  The Sigma 150mm is great for portraits too. Shot at F2.8.
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With all the goodies incorporated into the 150mm, the package will not be complete without Sigma’s Super Multi-Layer Coating. Known for its ability to reduce flares & image ghosting, color rendering are also near perfect at an approximate 95% (color chart test at Auto WB) which is perfect – for what it was designed for. The 150mm is a true macro lens with 1:1 (life size reproduction) and it focuses as near as 15 inches as claimed by Sigma. On our field test, this lens is still focusing accurately at 10 inches! This lens is sharp – very sharp as expected from a true macro lens. Internally there are 19 elements in 13 groups which I did not expect due to the light weight. Personally, I am more concerned with the final image quality which this lens pleases me.

Fully compatible with Sigma’s full range of accessories, the 150mm will be best purchased with the company’s tele-convertors and the macro flash which are individually known for their proven capabilities.

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Picture: Me with Sigma 150mm F2.8 EX DG OS HSM Macro.
Photo Courtesy of Eugene Toh

For more information on this lens, please visit here.

For Sigma 50mm Macro Review please visit here.
For Sigma 70mm Macro Review please visit here.
For Sigma 105mm Macro Review please visit here.
For Sigma 180mm Macro Review please visit here.
For SigmaDG Macro Flash Review please visit here.

Sigma will be announcing another new DC lens later this week. Stay tuned.

Ed.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
c02_c_img
Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
c02_a_img
Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
c02_s_img
While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

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Reaching Out to 80,000+ Photographers Monthly?

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22nd January 2014, Singapore – Under the repeated requests by several of our accredited merchants, we are pleased to announce that we have officially launch our advertisement banners service today at 17.30 hours GMT +8.

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Our beta testing had been running for the last 7 days without a glitch and the search engines & ping servers are actively picking up clicks and activities from this site. We ran a few other compatibility tests and all advertisement banners (both static  animated) are working well on ALL Smart phones, Tablets & Computers of all formats. The Ads Banners are also on our EDMs email blasts as well to ensure maximum view for your business.

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Our advertisement rates are priced nicely so that it is easy on your pocket and you can pass on the savings to our members, followers, subscribers and viewers from Singapore and regionally. Reaching out to 80,000+ photographers monthly has never been easier now with ourshutterjourney.com – (when compared to the messier layouts of other sites/ forums). Our website style layout ensures that the right audience (type of photographers) are viewing your ads at the right page where you advertised.

We are also pleased to share that our Accredited Merchants will enjoy a straight off 50% Discount Off our Published Advertising Rates on a permanent basis in appreciation of the support that we have received from our Merchants.
Together with this announcement, we are accepting advertisement bookings now so hurry before your preferred space is taken up!

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For Advertisement Booking or Information, please email us at media_world@live.com today!

For Accreditation or Information, please email us at ourshutterjourney@live.com.sg

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Fujifilm Instax Mini 90 NEO Classic

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Fujifilm Instax Mini 90 NEO Classic

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Picture: Gift from my dear wife, the FujiFilm Instax Mini 90 NEO Classic

18th January 2014, Singapore – The “instant photo system” (IPS) – as what Fujifilm calls their cameras under the Instax product line is currently the most popular IPS cameras among the youth now. The Instax line are setting trends for pop culture and bringing back the retro-feel called “instant gratification” cameras since the popularity picks up steam again in 2010. Although it is publicly known to the photography market that almost all entry-level Instax cameras are cheap and attractively packaged for the younger crowd, I was truly surprised by Fujifilm’s latest Top-of-the-line Instax Mini 90 Neo Classic. The Neo Classic was only launch in Sep 2013, less than 6 months ago.

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Picture: The NEO Classic is elegant and well designed.

My wife gave me the 90 Neo Classic as a gift (Pictured above) just a couple of days ago and man I was really excited. I have heard so much positive reviews about this camera. From what I heard, the Neo Classic is loaded with more functions than any other Instax ever made and it has loads of improvements from the cheaper models.

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Picture: LCD Screen, Mode Buttons, Viewfinder & the camera feels solid on hand.

 

On first look, the Neo Classic is far from anywhere near pop culture. The retro look that was made and designed to look like a rangefinder/slr will attract a totally different crowd in my view. Sorry ladies, the Instax is no longer cute. This time, real photographers will be attracted to get it not just for its looks, but for its useability too.

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Picture: The Neo Classic is for the slightly more serious crowd. Sorry Ladies, Instax is NOT Cute this time.

So what are the key functions of this beautiful instant camera?
Stop dreaming you are getting a Fujinon lens – but this lens is not too bad as it is still a 2 components, 2 elements lens with a fixed focal range of 60mm and an aperture 0f 12.7. (Automatically shift to F22 when Macro Mode is switched on) Although the films that I bought are ASA800, that does not means that I am invincible now when clubbing, from the combined specs (lens + shutter + flash) I still think this is an outdoor camera.

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Picture: The 60mm Instax Lens. Maybe Fujifilm will squeeze a Fujinon Lens into the next Instax?

Fujifilm claimed that the Neo Classic comes with a High Performance Flash. After fumbling with the camera, my guess is the flash to linked up to a meter which actually controls the amount of flash require for each shooting scene. I will rather call it smart flash. Then there is a Party Mode. After trying out a few shots, i gather that this is what we call “shadow correction” + “Slow Sync flash” in DSLR language. Still, it is a good try for an instant camera don’t you think so?

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Chart: The Neo Classic currently stands on the product hierachy as the Top End Camera.

 

The Kids Mode employs a faster speed shutter, while Landscape Mode & Macro mode are more of telling the user where are the minimum focusing to infinity distance, it does not really change the photo in anyway. However, the Bulb Mode was a really good try. Before you try mounting ND Filters on the Neo Classic, please understand that the Bulb Mode in Instax context means 10 full seconds only. Although this Bulb mode is not for real, but it is definitely a breakthrough for Instax to be able to do this. (with a tripod of course). The other feature I really like was the Double Exposure, who says instant photos cannot shoot twice on a same frame? Neo Classic did it.

I welcome the use of a proper rechargeable battery (like a compact camera) over the AA off the shelves type. FujiFilm claimed that a full charge will last the user 10 packs of film, not bad in my view for an instant-do-all camera. The LCD Panel at the back are excellent so that you know what you are doing or end up shooting in the wrong mode accidentally. With “Bulb” mode available now, the Neo Classic comes with a tripod socket so that you don’t have to place your Neo Classic on everywhere or hold your breath for 10 seconds, so far so good? yeah, I think so. I like what I see and what I’ve gotten from the camera and I think this is an instant camera that all photographers should have.

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Picture: Trying the Various Modes and the Neo Classic yielded excellent & fun results!

My wife bought this unit from sgcamerastore.com for me and I am truly thankful for this gift.
Interested to get one too?

More information on the Fujifilm Instax Mini 90 Neo Classic read here.
Quick Specs here.
You may also wish to read up more on the Instax line here.

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Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged , , , , | Leave a comment

Peter Lee Custom Macro Flash Diffuser

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Peter Lee Custom Macro Flash Diffuser

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Picture: Peter Lee, Macro Photographer, Instructor & Inventor.


16th January 2014, Singapore
– Macro photography is catching on a lot of interests in the recent years in Singapore. This is not surprising as Singapore is a tropical country, the climate and humidity plays host to over thousands of species of insects and nature wildlife. Being a garden city helps too – boasting a very strong ecology where the balance of plants & insects population thrives. That explains why so many photographers takes an interest to macro photography.

While we all (or most photographers) know that macro equipment are not cheap, photographers started to innovate their techniques & gear – yes, gear too. Although most of us can just pick up what we needed from the photography store, sometimes the equipment still cannot satisfy our quests for better results. This is where customization kicks in.

Peter Lee, a well-known professional macro photographer and an instructor finds himself into such a situation a few years ago. His issue was flash lighting. While macro dedicated flashes are available in the market by proprietory brands & third party makers, he understand that most photographers entering the macro genre will be more likely to own a regular flash gun (hot-shoe mounted) than to immediately purchase a macro dedicated flash which costs as much as a mid-focal range macro lens. Seeing how harsh the lighting had caused by the flash gun, Peter started thinking & experimenting – finding a way, finding a method or an equipment that are able to diffuse the flash light to soften the light cast while not compromising on the effective light throw distance and final illumination.

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Photo by Peter Lee using his invention.

Addressing the lighting needs of macro photography, Peter decided that he should invent a flash diffuser and he did. Using a combination of materials, he calls it “Custom Diffuser”. This is because before he make a new diffuser, he will custom the size of the diffuser to the camera+lens combo that the person is using so the results will be as intended and promises no light loss and easy ease of use. For the rest of us in the photography circle/ community, we have given Peter’s diffuser a better name – we call it “Peter Lee Custom Diffuser” or “PLCD” in short. This name is catching on really fast among photographers as this diffuser works really well and promises excellent results. (Remember how Gary Fong shot to fame with his light dome?)

Out of curiosity, we contacted Peter and requested for a review unit. After explaining to us how to use the diffuser and other related information, we took the diffuser back to our studio and put it to the test. Check out the photos below.

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Picture: Our set up without the Diffuser.

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Picture: Our set up with Peter Lee Custom Diffuser.
(Please note the diffuser was meant for Nikon 60mm but we only had 105mm at test time, but we ended with good results anyway!)

We decided that my favorite toy car inside the studio toy box should be the subject and we took 2 shots of it. 1 without the diffuser and 1 with it. Check out the difference.

The 1st shot below is without the PLCD and the 2nd shot is with PLCD.

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Picture: Test Shot with Flash gun without PLCD.

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Picture: Test Shot with Flash gun with PLCD.

As we can see from the above, the results are pretty obvious. The PLCD created a more balanced cast/ exposure across the frame than the shot that was shot without the PLCD. The end result created was more “studio-like” and when I showed the above 2 photos to few fellow photographers, they commented that PLCD actually allows a much softer diffusing and yet not compromising on the final exposure output. This means, apart from macro, this diffuser is also very suitable for portraiture use and other table top applications.

Interested to own a PLCD? At the moment, Peter is making these diffusers on requests and mostly making for his students for the macro photography class, but you can order yours too from the below contact details.

Order Today!

Enquiry/ Order: +65 96340805 or shswck@gmail.com
Facebook: https://www.facebook.com/lee.shiuhhwa

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10 Types of Impossible Photographers

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*Important Disclaimer Note: Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead.  I Already said is coincidental, what more you want?  
 
14th January 2014, Singapore – There has been lots of arguements among the photography community here about how a photographer should be. This is highly subjective in many perspectives. Like for example, there are people who claimed to be a photographer just because they own tons of photography gears while their photos cannot even be considered a photo, or the poor working photographer who owns pretty amateur gears but produces world class images. So where does this stops (or begins)? I have compiled a little list here from my working experience as a photographer regionally, you have every right to disagree, as I already mentioned earlier, this is my personal views.

If you have more to contribute, please feel free to email me so that I may add on to the list.

10 Types of Impossible Photographer
*Important Disclaimer Note:
Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead.  I Already said is coincidental, what more you want?

Type 01. The Gear Collector
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It is definitely easy to sift out the Gear Collectors from your photography friends. The gear collector is only interested in the latest equipment, the higher end equipment or legacy equipment rather than producing decent photos. The person is likely to be posting his/her latest purchase all over social media and will always be seen with his/her latest purchase. The person will likely to be posting photos that your Grade 1 kid can already produce – sometimes worse than what your kid can produce. The same person will also be enthusiastically discussing about equipment purchase more than brushing techniques in photoshop.

I call this a “Gear Race”, especially when people of the same mentality comes together and start to outdo & outbuy equipment whether by brand, by class or by price. I am pretty amused whenever I come across such a (sometime heated) conversation. Don’t get me wrong, I am happy that people are spending to support the manufacturers that I purchase equipment from. Lastly, most real professionals does have a big & expensive inventory of equipment, but they use them, not display them or brag them. What is there to brag when professionals uses the gear to make a living while the gear collectors uses the gear to make a statement or or their presence?

Editor’s Note
I must admit that I was once a collector for rare lenses and cameras, but it came to a point where/when I realised I only have 2 hands and 2 legs and it does not makes sense for me to be filling up my dry cabinet with equipments that I seldom use. Rather than having those rare pieces of equipment in my dry cabinet, I am sure somebody out there will enjoy using it than having it for my own viewing pleasure. In the end I sold most of these lenses & cameras while making space for the equipment that I really need. Although I am still maintaining 5 camera brands systems, this is purely for my photography classes where I learn the various systems’ operating menus and loaning them to my students.

Type 02. The Announcer
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A very interesting group of people here. You will know exactly where this person is, what he is doing and worse, how bad/good his/her business is/are. Announcing publicly on social media every time you have an assignment is not very smart. For a simple reason, likely you will also have competitors in your network, and people can count. When people start counting your assignments for a period of 12 months, it will also be publicly known how many (or little) assignment you’ve done for a year. Worse, with the market rates that are so open these day, people can also count how much (or little) you have earned in a year. Not a wise choice right?

Photography is a very competitive market segment in Singapore, by announcing what you are doing and where you are doing it by checking in location, you are also telling your competitors who you are (likely) to be shooting for. Where do you think this will lead to? More businesses? Think again. Whether you are a amatuer or a working professional, think hard where this will leads to.
See my editor note below.

Editor’s Note
I used to check-in a lot whenever I am doing an assignment or commercial work. I thought that was fun until I paid dearly for a lesson that I will never forget. That was exactly 3 years ago if I remember correctly. I was shooting frequently for a shoe company for their safety shoes and industrial grade footwear for advertisement copies. Then 1 day when I was packing my equipment for another shoot for the said company, I received a call from the Marketing Manager who contracted me to shoot their shoes. Here’s an edited conversation.

Shoe Guy: Hey Allan, I know we had agreed on a rate for your fees. Can you lower it by another 25%?

Me: Hi, but it is already very low and I am able to give you this rate as you are giving me monthly jobs to shoot.

Shoe Guy: You really sure? I have a photographer guy who called me yesterday and told me he can do a better job than you and he charges almost 50% less than your fees.

Me: (shocked), I have been shooting your shoes and producing great advertising copies and we are working well together, this came as a shocker to me. Is price an issue?

Show Guy: Sorry but yes, businesses keep cost low to ensure higher profits. If you are not able to adjust, I am afraid I have to appoint that guy to be our photographer from now on.

Me: Fine, I am disappointed but it’s ok, good luck.

It finally dawn on me what exactly happened. A fellow photographer on my Facebook had been monitoring my check-ins and all he did was to google the location/ company that I checked in to, then make a call to the company and requested to speak to the person in charge of engaging photographers, then made his pitch with a huge attractive discount and I lost my income. Low life? Yes, we have a lot of such people in our life especially on social media. Since then, I have stopped Checking-in to locations where I will be doing my commercial work, so no one really knows who I am shooting for or what I am exactly shooting these days. I still check in whenever I am teaching photography classes though, this is more for my students to know where to find me and that I have already arrived.

Type 03. The Attention Seeker
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As mentioned in my earlier point, photography business is competitive and some times tough in Singapore. And you make it worse by bringing more attention to yourself. Some may look at it as advertising, but it is really working?
I am so very sure you wil have 1 or 2 (or more) “friends” on your social media circle that are constantly posting “little trivial status/updates” about what they are doing a few times a day. And they expect people to “LIKE” it or comment on it.

Here’s some examples (There are certainly more):

“Finally completed XXX assignments and I have 3000+ photos to process.”

“Shooting another wedding back to back later – feeling meh.”

“Trying out my new XXXX brand camera later.”

“Setting up photo booth for a D&D shoot later.”

“Rushing XXXX photos now.”

“Can’t believe some people (do this) & (do that) at the event that I was shooting.”

“Some people blah blah blah blah.”

Above is a few examples and I am sure you can easily relate them to some people on your social media circle.
Ask yourself, will a real professional photographer do that? With a reputation and impression to upkeep, the above just kill it all. Imagine to be branded as a “nagging photographer”, or a “bitchy political photographer” or anything that does not sound nice at all. Such are the common behavior of amateur photographers who are trying to gain an audience. You may beg to differ as you would probably be updating your status/shout-outs more frequently, but it is the content (like above) that kills everything.

Editor’s Note
Seriously? You have every right to do the above since it is your social media account and you are the “King” on your little cyber space. But have you spare a thought for the rest of us on your account circle? Imagine having not less than 20 updates in 24 hours about your rantings and little shout-outs are irritatingly unbearable. You may argue that if that irritates me then don’t view it – well, that means deleting you or blocking you completely – does that make sense if we are real friend offline and not a friend anymore online? Will you question me why I deleted you off my friends list later? Why create a situation like this when you can actually prevent it – by ranting less and expecting every person on your friend list to like it. And when a person did not LIKE your update, do you regard the person as a competitor or enemy? Go figure.

Type 04. The Professional Commentor
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On social media, I am sure everyone of you would have a good mix of photographers in your list – comprising of beginners, amateurs, semi-professionals, professionals, suppliers, dealers, educators, repairers or related services etc. Among the list, you will definitely have a photographer whom post more comments than real images. Whether these people are real pros or pretending to be pros, this person will be commenting on photos all day – finding faults. And it had came to light that most of these people are really amateurs pretending to be pros.

Most call them the professional commentor as most of them do not (probably cannot) even produce decent photos to start with. They speak with the same tone taken off some photography magazines/ websites and they are also the same lot of people who will constantly “correct” you on your photos. Please do not be confused with real comments from genuine friends who are trying to help you improve your art, the genuine comments are straightforward, with tips on how to improve and sometimes ends (usually) with an encouragement. However on the other end, the comments made by the professional commentor are mostly blunt, sarcastic without really assigning a reason to why or what was wrong with your photo in the first place. And when you try to clarify with such a person, you will likely be greeted with more defensive and harsher words. Encountered such a person before?
Don’t worry, professionals don’t do this. Your photo is probably fine.

Editor’s Note
In my view, the professional commentors are trying to cover up their incapabilities with words rather than showing some real work that they have produced. Their comments are not designed to help others improve but instead, outward discouraging and calculated to put you down. By putting you down, they will be “above” you. And they are everywhere! From photography forums, to facebook, to instagram, you can easily spot out such persons from their comments on others’ photos. When asked how a photo can be done better, they will usually offer some very basic or amateurish advice which makes you wonder if there was a need for the same person to comment negatively in the first place. Remember, real photographers (whether new or pro) who are genuinely trying to help you will offer you a point-out, a suggestion to improve & an encouragement.

Type 05. The Price Warrior
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I had mentioned above that the photography market in Singapore is tough and very competitive. So one of the easiest shortcut that (not all but) most struggling photographers took was to launch a price war. And what these “price warriors” did was more than just killing the industry, it had cheapened the art and the profession and worse, it has became a factor for decision for potential clients. In the good old days, the deciding factor to engage a photographer was the person’s work, the standard, the artistic approach by the photographer, not the price he/she charge. Sadly all these had evolved.

It will be different if everyone can charge what they are really worth, when that happens, the cycle will be reversed. Then it will be the photographers who will choose who they wish to shoot for, and not the other way round. Just take an example from other non-related industries. The minute price war starts, the consumers gains, the industry produces cheaper quality to meet the demands and trying to make a profit by the volume – now think, can we duplicate this to the photography industry? Now our clients are the consumers and we represent the industry in the above example, means we have to shoot a lot more for less money, isn’t this suicide?

Editor’s Note
It does not matter if your are a professional, a semi-pro with a full time job, an amateur learning the ropes of this industry or simply taking out your first step as a beginner. Charge accordingly to your level so that the industry will have several price brackets for clients to choose from. This will also separates the different types of paying scales from the clients. This will ultimately drives the message across that “you get what you pay for”. Isn’t this better for everybody? Waging a price war is waging a war on yourself. Think twice before you give that huge discount. Ask yourself, is it worth it at all.

Type 06. The Contestor
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Another (common) type of photographer amongst us are no doubt the contestor. This person will enter every photo competition available and will try to win it. Some of them are already very accomplished photographers producing excellent photos with good standards, but this is not enough. They will resort to many tricks and ways just to ensure they win. I am not sure why but I know some of these people likes to be called “An Award-Winning Photographer” and what I am going to reveal here might shocked you.  I have been a Judge for numerous photography competitions/ contests and there are some things/loopholes that I noticed.

– It is always the same group of people entering contests/ competitions.
– Some re-cycle their old photos to enter many competitions.
– Some uses another person’s name to enter the competition so there’s a higher winning chance.
– Some process their photos so much that it is hard to believe those are real photos.

While some are out to win the fame and to better their personal portfolio (this is perfectly legal), there are some who are out solely for the monetary gains. If a cash prize is up for grabs, be prepared to see a rocketed record of entries, if a DSLR is the prize, you will see slightly lesser entries – usually the prize is an entry-level DSLR that wouldn’t fetch much money in the resale market. If the top prize is a holiday trip or a professsional line DSLR, the mob goes wild again, get the drift? See my Editor notes below for some of the tactics employed by some backsheeps to win competitions/contests.

Editor’s Note
Same group of people – yes. This is very common. From 2010-2013, I have been invited to be on the judging panel of many public as well as private photo competitions/ contests and after a few rounds of judging, some names had caught my attention. Because their names keep showing up – everywhere! Singapore may be small, but not to the extent of having the same Mr. XXXX entering in almost every competition known to me. In fact I almost suspected that this group of people compete in competitions full time. For fame or the prize, I cannot comment, but what irks me are those who re-cycle their photos. For example in 2011, there was a competition with a theme “Celebrations 2011” and as expected, many submitted their fireworks photos. Then there was an excellent photo by a famous (award-winning) photographer which I decided to do a check. We checked the exif data and found out that the photo was shot in 2009, then we checked the terms & conditions, there was a clause that clearly states that the photo submitted must be shot in 2011, so needless to say, the photo was disqualified immediately. Had I not noticed the “famous name”, I would not have discover this and may even foolishly graded this person’s work.

Another scam (as I call it), a photographer enters a set of 3 photos into a competition/ contest. Then this photographer enters another 2 sets of photos (3 photos per set) using his wife & his son’s names. Going by the law of averages, that means the same person now has 09 photos with a bigger ratio chance that he might win the competition. So can you imagine if this photographer enters 20 sets of photos (60 photos) into the competition, what are the likelyhood that this photographer will win? It works on a very simple logic here, if any of the entries won the contest, the “person with the borrowed name” who submitted will get a cut from the photographer. So any of the entries won, the same photographer still wins, get it?

Competitions are designed to allow the community to better themselves in the craft, not a tool for people to profit out of this. If you are good, there’s no need to enter multiple entries. If you are poor, go get a job or do more assignments, don’t deprive of others’ works to rightfully win a prize.

Type 07. The Politician
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Although personally I encourage all my students and fellow photographers to make more friends rather than enemies, there will certainly be rivalry in the circle/ industry. Beware of “Frienemies”, a common term coined to describe the kind of people on your social media circle who are “friends” by cyber-connection but Not exactly a friend to start with. This is the kind of photographer who are also commonly known as the “2-headed snake” or the “undercover” – i call them politician, whichever you call them, be really careful. What you posted on your social media may ended up as a full thread discussion on your posting as the politician will seize every opportunity to bring you down while (still) putting on a good friendly front. In many cases that I have encountered, the victims usually got themselves into deep trouble and without knowing who exactly double-crossed them.

These malicious serpents are politically correct when they speak to either party and they are always seen as the neutral person when fronting either sides. You may wish to make a mental list of such people who are surrounding you and be really careful of comments you made about another photographer. To save yourself from unnecessary misunderstandings, compliment others instead of commenting on others. Seriously what other photographers do is none of your business. Agree?

Editor’s Note
I believe everyone of you would have encountered, or know of someone who have been a victim of double-crossing. Think again why would anybody sought discort for the stupidiest of reasons? Think hard, if both parties fell out over a misunderstanding caused by such a politician, the last one standing will be the poisonous snake, agree?

After having been a victim and admittedly tried the role of a snake myself, I find it all too childish and a waste of precious time. Since then, I have never trusted a single person in my life including my family and I watch carefully what comes out from my mouth ever since. Importantly, anything I say, it has to be politically correct. So be careful the next time when someone try to gossip with you about another photographer, keep all the things you badly want to say to yourself because you really won’t know is this friendly person in front of you is a politically correct snake.

Type 08. The News Bringer
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At times, there is really no need to read the news. From the latest camera/ lens launch to weather forecast, there will be a photographer on our social media circle who will bring you the latest news, faster than Fox News at times. This person is also the number 1 sharer of postings from other sources so try to make such a person to your advantage. The person may not have any ill intention for doing what he/she is doing, but flooding your updates/ timeline with non-photography related stuff may eventually kill you in a irritating way.

Imagine you posted an update of a great wedding couple that you have just shot, then the headlines scream “Photographer Shot Couple at Wedding”.
I leave the rest to your imagination.

Editor’s Note
For the very same reason above, I kept a separate account that is non photography-related and I would prefer to see what photos others are shooting rather than what they had for lunch. Those, I will have them on my other account that is not related to photography. It is not easy, personally I had messed this up. When I am in the mood to view photos, I am greeted with tons of lunch photos, when I am in the mood to see what my friends are up to, all that I saw was weird news shared from other weird sites. Today, I have given up trying to sort this out and I simply enjoy everything that my friends posted. Yes, even their lunch.

Type 09. The Brand Fan Boys
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Brand rivalry is nothing new to photographers. We are all part of this. Since the day you decided on a brand of camera, you live, work & swear by it. There will be arguements on which brand might be better, but it really boils down to user preferences & ease of use. Importantly, it is the final image that you give your clients, not what you used.
It is evident that we have many such Fan Boys around us. All it takes to spark things off will be the classic question of “Which is Better? Canon or Nikon?” then you will see how the Canon & Nikon users “fight” while the brand owners are having coffee at the Japan Camera Association meeting with the Canon President & Nikon CEO having green tea and laughing.

I can understand why most people swear by a certain brand. Camera equipment are not cheap by any standard, so after spending a big sum of money on a system, will the person say bad things about the camera he/she bought? No right? (majority will swear by it.) So everyone is entitled to their preference and there is no need to put others down.
Let the skills & images talk instead.

Editor’s Note
Every 4 out of 5 arguements on photography forums are always ignited by brand talks where fan boys tries to belittle the rival brand. There is no need to as every system has their Pros & Cons. If you have not fully understand your own system, don’t even comment on another brand. If a brand really sucks, then the brand will not be here today and still producing cameras. Spend your time on better things.

Type 10. The Socialite
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This photographer is well received by everyone. This person will likely to be extremely sociable, makes friends with everyone, like every status updates/ shoutouts & photos – even bad ones. This person encourages everyone, this person will greet every birthdays & anniversaries. This person is “google-ready” and always have answers to your questions within seconds. This person is usually harmless and basically has too little assignments/ outings but have too much time to spare. This person stalks every other persons on his/her friend list and is always there – spooky.

At times you even wonder if this person is real or is it a “Social Bot” programmed to be behave like this.
Nevertheless, please be mindful that such a socialite may turned out to be the Type 04 or 07 mentioned above, so be very careful when someone suddenly takes an extra interests at your online activities.

Editor’s Note
I have a couple of socialites on my social media circle. Some of them are accomplished & well known photographers while there are some really questionable ones which I had never seen a decent photo produced by them. I later came to understand that some of these people enter the photography circle to find company, find friends, find a relationship/ spouse and there are some who are simply shamelessly looking for a swing.
Friends with benefits get it?

To end the series, I have decided to add on a “Bonus”, the Type 11 – The Sex Driven.

Type 11. (Bonus) The Sex Driven
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I had published an article recently (link) about how both nude models & nude photographers can protect themselves due to many cases being reported officially and unofficially. I can understand that people have needs and we are all just humans. But ethically & professionally, we must understand that during such a shoot, the models can take off their pants but the photographers must wear a pants. Photography is an art, not an art of exploitation. Sadly there are many sex-driven nude “photographers” who are more interested in “shooting” you in a different way. (Pun intended).

Editor’s Note
So check out my list and please be careful of suggestive comments/ hints from the photographer or the model – whoever started first.

Hope all of you enjoyed reading this list. remember my disclaimer at the top of this page but I am going to just post it here one more time.

*Important Disclaimer Note:
Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead.  I Already said is coincidental, what more you want?  

Will be back soon.

Ed.

*All screen shots are faked and created for the illustration of this article.

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20 Tips to Prevent Modesty Outraged by Photographer

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20 Tips to Prevent Modesty Outraged by Photographer
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Photo Courtesy of http://www.studioprague.com/

08th January 2014, Singapore – Since June 2013, there’s an article titled “Beware of these 15 Wanted Guys with Cameras 2” circulating within & outside the photography circle and modelling agencies. The list included the full name of the photographer, their online nicks, weblinks and emails etc. It is claimed by the author that the 15 photographers listed are known to have outraged the modesty of the models they shot, or tried their luck with other sexual advances taking advantage of their position as the photographer. Someone posted a reply with a link reference to the Singapore Penal Code too. Although there are always two sides to every story, I would like to urge every photographer to keep the profession professional and for every model to stay safe and know the line.

Although there isn’t any rules or laws to govern what goes on for a nude/semi-nude/lingerie/themed with partial nudity photography session behind doors, I am sharing my personal checklist of Dos & Don’ts for everyone’s reference which is heavily based on common sense and ethics. The list below applies to both photographers & models. If you have more suggestions, please feel free to email me so that I may add on to the list so that more people can be protected.

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Photo Courtesy of http://www.studioprague.com/

Pre-Shoot Checklist
1) Arrange to meet the photographer together with a friend/fellow model at a public place for a discussion.
2) Have your accompanying friend to record down the conversation. (Or Video)
3) Discuss & draw out the perimeters of what is to be done and what are the requirements.
4) Models should state the things that she disallowed like type of attire, nudity level, certain poses etc.
5) Find out more about the shoot location, the photographer’s portfolio.
6) After all the discussion, have ALL the points compiled & documented, email a copy to the photographer and have him/her to agree and reply via the email as an acceptance of the terms which also means full compliance is expected.
7) Do your research online on the typical “accepted poses” and also search up on the photographer for reviews/ comments/ discussion revolving or involving the photographer. Also check with other fellow models too.
8) Inform a close friend/ siblings that you are doing a shoot with details like time, date, location and name of photographer.

Session Checklist
1) If possible, arrive at the shoot location earlier than the photographer and “walk the ground”, check the surroundings, find an escape route and probably locate the nearest main road or Police station.
2) Show up with a buddy/close friend/sibling if possible, in the name of hairstylist/make-up artist etc.
3) Once inside the shoot location, move around to check for hidden cams, especially inside the toilet/changing room.
4) Avoid changing your clothes openly, if there is no toilet/changing room at least find a blind.
5) If any adjustment is to be made to anything from hair to clothes, inform the photographer that you will do it yourself or the accompanying person to do it. Remember, there is certainly no such thing as the photographer helping you to adjust your bra, panties or even shaving your public hair off bikini line.
6) Trust not your 6th sense but your common sense.
7) If a requested pose is making you uncomfortable, reject the request politely and suggest alternate pose. It is a fine line between Art & Porn.
8) All other camera-enabled equipments like tablets/cell phones belonging to everyone present should be placed in a basket or a prominent place once the shoot commences.
9) If the photographer starts to get touchy, or crossed the line, stay firmed and warn the person that you will make a Police report if the advances continues.
10) After the shoot, have your friend stay with the photographer while you change.
11) Collect all payments due and have the photographer sign on a hard copy of the email (terms & agreement) that you had sent prior to the shoot. Make sure the photographer’s full name, ID number, signature, time & date are writen clearly.
12) Make sure you left nothing behind at the shoot location before you exit.

For aspiring Nude Photographers, here’s a great link for your reference too.
Just for the record, there are also male models who got more than just a photoshoot from their female photographers – there are always 2 sides to every story.

Although the above list is my personal checklist, this is compiled through horror stories that I’ve heard from other professional photographers & models alike. Nude photography is an Art, not an exploitation tool for photographers to outrage the modesty of a model by taking advantage of their position. There are many great Nude Photographers out there and there are just as many Blacksheeps too.

Keep the industry clean, let Art be Art.

#6 Trust Not Your Sixth Sense, But Your Common Sense.

Ed.

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Mercedes-Benz W124 – The Timeless Icon

Originally Posted on Singapore Media Owners.

Our editor, Allan Lee recently changed his car.
And we were expecting this to come.

All photos by ourshutterjourney.com

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Photo: The Mercedes-Benz Classics Gathered at a Secret Location in Singapore.

04th January 2014, Singapore – German maker Mercedes-Benz is one of the most sought after car brand in Singapore due to its proven reliability and strong parts support. Today, likely we will see variants of the three pointed star almost everywhere we go. As Mercedes rolls out more updated model after model, many would have noticed that older yester-years models are fast disappearing from our roads. Just a clarification on my earlier sentence, no, please don’t get me wrong, it is not that older Mercedes are not road-worthy anymore, just that our local system & culture has potential car buyers going after the latest and newest models every few years – thus discarding older cars for the new.

However, there is a particular Mercedes that had stand the test of time, for over 2 decades, it has survived the scrutiny of car ownership system in Singapore, it survived 4 other later models who replaced it, it is still a handsome ride on the road running side by side with the modern cars & counterpart models, it does not even look dated or ancient, it exudes an air of classic yet bearing the spirit of Mercedes-Benz in the most elegant way. To the world, this is the most iconic Mercedes-Benz ever made (and with all its variants), this is the W124 (1985-1996), the iconic model that opened the doors of innovation & possibilities for all the later Mercedes-Benz that we have today.

Covering a long list of equipment – considered as extravagant in those days, the W124 is still considered a well equipped large car even by today’s standard. Luxury fittings are standard on every Mercedes but it is the drivability that actually sold the W124 wordlwide. I have provided a link at the end of this article if you are keen to read up more on the W124 specifications.

In Singapore, a reliable source informed me that we have a total of 70+ W124 that are still registered for road use today, quite a healthy number for an iconic classic car. We rounded up a few friendly W124 owners for a little “W124 meet-up” recently and managed to have them share a few words & experience on owning the iconic W124.

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Photo: Kelvin with his W124 modded to Lorinser Edition.

Owner Profile:
Kelvin Tan, 35
Station Manager
Mercedes-Benz W124 200E (E200)
Other Mercedes Owned
Yr 81 W123 200, Yr82 W123 200

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Photo: Kelvin with his W124 modded to Lorinser Edition.

“Classic Mercedes, it grows on me, every day, it makes me want to drive it every day. I go by the simple logic that “I maintain it well, so it will served me well”. The W124, is the last of the “no-expenses spared” policy model which Mercedes had before the merger with Chrysler, which resulted in W210, which was designed & manufactured under heavy cost-savings measures. The W124 was built to last and has a “bulletproof” engine.

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“For those looking to owning a classic Mercedes, remember, Mercedes is to be driven, BMW is to drive” – said Kelvin.

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Photo: Daniel with his V124 6 Doors.

Owner Profile:
Dr Daniel Tan TM, 47
Managing Director
Mercedes-Benz V124 6 Doors
Other Mercedes Owned: Mercedes-Benz 200 / E200 / 280SL.
Currently own: Mercedes-Benz V124 6 doors / 1951 Mercedes-Benz 170Va / 1961 Mercedes-Benz 190 Ponton.

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Photo: Daniel with his Boys.

“Mercedes are practical and reliable cars with an everlasting looks. The V124 (variant of W124) was beautifully crafted & designed. Coupled with its rarity (6 doors), it is highly sought after by Mercedes collectors & serious enthusiasts.

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“For those looking to own a classic car (of any brand), do look for very rare model with a normal, everyday drivability with good parts support. Mercedes classics are a good example.” Daniel shared.

(Editor’s Note)
If our information is correct, there were only 9 V124 sold locally and 5 is still on the road today! Amazing!

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Photo: Marcus with his Mercedes-Benz 300CE-24V AMG Coupe.

Owner Profile:
Marcus Tan, 36
Pilot
Mercedes-Benz W124 AMG 300CE-24V 1990

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Photo: Marcus as cool as the coupe he is driving.

“There is a distinct beauty in the detail and robust engineering of an older Mercedes – everything is mechanical and connected, totally independent on software and built to last.”

“This model (300CE-24V) was the last hurrah of the type, when engineers, not accountants, determined how cars were made. Mine came with mechanically-controlled injection and ignition, a straight-six with double-overhead cams, and a RPM redline of 7000rpm. The pillar-less profile and frameless windows are timeless, while other features like the seatbelt extenders, are not found in many present-day coupes. On top of all that, it’s been remarkably comfortable, reliable, and practical!”

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Photo: The Mighty Mercedes-Benz 300CE-24V AMG Coupe.

“Looking to own a classic Mercedes? Find the one that you like best and go for it!” added Marcus.

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Photo: Rafi’s mighty Mercedes-Benz 300TE24V 1990, the trunk seems to swallow anything!

Owner Profile:
Rafi Marjan, 47
Creative Director
Mercedes-Benz 300TE24V 1990
Other Mercedes-Benz currently own: Mercedes-Benz 300 SEL 1991

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Photo: Looks that stands the test of time – Mercedes-Benz 300TE24V 1990

“I am a fan of classic Mercedes-Benz because of timeless styling, understated elegance & superb engineering of the car. As a person who values reliability and cars that last, fuel economy comes last to my mind.”

On Rafi’s Mercedes-Benz 300 SEL, Rafi shared that this is a very stately looking car and it has aged gracefully among the new breeds of Mercedes-Benz. The 300 SEL ensures every drive is refinely smooth and an experience to enjoy. It is road-worthy and has no problem sharing the modern road with modern cars. Rafi added that “the 300 SEL is a class of its own, designed to impress in an understated manner yet memorable to anyone who experience it”.

As for Rafi’s Mercedes-Benz 300TE 24V, he claimed that this is the most versatile variant in the 124 line (which we agreed) for its tremendous appettite for load lugging or the option to convert it into a people mover with 7 seats and the straight-six engine that comes in this estate. Self-levelling rear suspension are standard on all Mercedes-Benz estate variants.

“My Mercedes-Benz 300TE 24V has been driven to Cambodia & back without a hitch!” said Rafi.
“Classic Mercedes-Benz are relatively affordable today and hassle-free to run since they are built to last a lifetime or two.” – Rafi.

(Editor’s Note) According to our research, the 300TE 24V variants was also used as a van, a caravan, an ambulance, an off-roader and even a hearse!

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Photo: Allan Lee (Editor) with his W124 modded to AMG Masterpiece Edition.

Owner Profile:
Allan J Lee, 38
Professional Photographer & Editor
Mercedes-Benz W124 200E (E200)

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Photo: W124 modded to AMG Masterpiece Edition.

“A solid car by today’s standard. The W124 was engineered to last “a million miles” mechanically, touted as one of the top favorite executive car in the 90s, today the W124 is the favorite collectors’ car by enthusiasts all over the world. I was totally sold when I was hunting for my W124, parts support are strong and surprisingly cheap! And when I finally found a unit, I bought it within hours.”

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“Reasonably priced now for most used W124, you are in luck if you managed to find a decent copy at the dealership” said Allan.

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Photo: Classic Mercedes-Benz with their owners at Seletar Airport.

So if you are thinking of dumping your ride for a classic Mercedes soon, do take note of W124, they are usually sold out really fast.

Classic Mercedes is not for everyone, but certainly for those who knows them.

We have a little community over at http://www.sgmerc.com/ where Mercedes owners “meet” & share notes. Although all Mercedes owners of any models are welcome to join, we have a good number of classic Mercedes owners inside – ready to give advice and share leads. Do pop by & say “Hi!”.
For information & specifications of the Mercedes W124, check out the Wiki link http://en.wikipedia.org/wiki/Mercedes-Benz_W124

If you found your way here while looking for the owner’s Manual, please feel free to email me at media_world@live.com and I will be glad to email you a PDF copy.

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EOS Photographers of the Year 2013

Originally Posted at EOS World.

photographers

3rd January 2014, Singapore – EOS World Singapore recently announced the “EOS Photographers of the Year 2013” on 30th December 2013 as a recognition and appreciation to the photographers whom had “made a difference” with varying contributions to EOS World Singapore and to the photography community.

Our Chief Editor, Allan Lee was conferred

“EOS Photographers of the Year 2013 – Photography Educator Category”

alongside with some of his peers like Justin Ng & Cheryl Tay who are fellow professional photographers.

ourshutterjourney.com would like to Congratulate  All the 12 professional photographers whom had been conferred the title!

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Site Traffic Report 2013

02nd January 2014, Singapore – We have received our site’s traffic report from WordPress and we are really pleased to share some of the information with you – our valued readers, members, photography brand owners & photography merchants.

A copy of the original report can be requested for verification, please feel free to email me.

Thank you everyone who have helped made this site a true success!
Whoever you are, Wherever you are!

Ed.

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Crunchy numbers

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 280,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 14 days for that many people to see it.

In 2013, there were 140 new posts, growing the total archive of this blog to 432 posts. There were 917 pictures uploaded, taking up a total of 3 GB. That’s about 3 pictures per day.

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Attractions in 2013

These are the posts that got the most views in 2013.

1.  2013 Sigma 30mm F1.4 DC HSM ART Review  April 2013 16,398 Views
2. 20 Most “Over-Shot” Photography Places in Singapore April 2011 15992 Views
3. Unexpected Access with Sigma 17-70mm 2013 Edition February 2013 11890 Views
4. The Best Sigma DSLR Lenses That I Will Personally Pick. March 2011 11449 Views
5. The Best Pentax DSLR Lenses That I Will Personally Pick. March 2011 10,734 Views

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How did they find you?

Some visitors came searching, mostly for sim lim, camera shutter, camera lens, camera reviews, dslr user review, dslr lens review, best sigma lens, best sigma lenses, and best pentax lenses.

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Where did they come from?

Country Views
Singapore FlagSingapore 193,019
United States FlagUnited States 139,886
United Kingdom FlagUnited Kingdom 115,167
Canada FlagCanada 110,066
Australia FlagAustralia 69,964
Germany FlagGermany 69,294
Malaysia FlagMalaysia 57,484
India FlagIndia 57,006
Philippines FlagPhilippines 56,774
France FlagFrance 56,423
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Merry Christmas & A Happy 2014! – A Word of Thanks.

wes
Photo: Allan & Ling, Founders of ourshutterjourney.com
Photo Credit: Dyan Tjhia.

24th December 2014, Singapore – As the year comes to a close, I would like to take this chance to thank everyone for your continous support towards this site. If not for all of you, we wouldn’t have hit an average readership of 1,500 daily hits. Special thanks to the kind souls who shared my reviews to dpreview & photography-on-the-net and the hits rocketed 3 folds during certain months. I was indeed overwhelmed by the traffic.

The Thank You List
– Special Thanks to our Accredited Merchants for all your kind support to ourshutterjourney.com otherwise I was not able to set up our dealers network in such a short period of time to serve our members.

– Special Thanks to Sigma Marketing (Singapore), APD (Pentax/Ricoh), Olympus Singapore, Canon Singapore (and Canon EOS World), Cathay Photo (Lensbaby, Lowepro & Tokina) & MP Associates (sgcamerastore) for all the privileges to review exciting photography equipments through 2013.

– Special Thanks to the Phan Brothers David & Andrew of P & G Photographic Centre for all the back end camera support and introducing me to world class photographers through your network.

– Special Thanks to our members, supporters, photography students, photography groups & event regulars who supported our photo-events/talks. We hope to bring you more exciting events in 2014.

– Special Thanks to CapitalMall (Funan Digital Life Mall) & People’s Association for opening up so many opportunities for me in 2013.

– And Special Thanks to Wong Renhao for everything. Thank you Bro.

While the list may continue to infinity, I would like to apologize if I had accidentally left anyone out of the list.
A final Thank You for impacting our lives in so many ways.
We are taking a well-deserved break for the holidays and we will be back in 2014!

We wish everyone a Merry Christmas & a Happy New Year (2014)!

from

Allan Lee & Yu Ling
Founding Photographers & Editors
ourshutterjourney.com

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Ourshutterjourney.com Polo Shirts – Accepting Orders Now!

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Picture: Front View of the Polo Tee.
Photo Credits: Ardyanthi S Sjarif

20th December 2014, Singapore – Seen SJS photographers on the streets before? Or the person shooting your wedding was spotted wearing the same Polo Tee? SJS photographers are everywhere. From Casual Shoots to commercial projects or charity events, we are prominently seen & recognized.

Be Part of the action!
Due to many requests, we are taking orders again for Q1 2014. This is your chance to own your
very own ourshutterjourney.com Polo Tee. Made from 50% dri-fit for the sweat management while
you are on outdoor shoot, the other 50% is made from microfibre, means you can use it to clean
your lens front element without scratching it too.So how does it looks like on me?
Here’s how it looks like.

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Picture: Back View of the Polo Tee.


How Do I Know my Size?
Measure yourself as below the Chest wide + Body length.

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Then check against the Size Chart below.

3

Once you have your size, you are ready to order.


Who can Order?

Photographers who had attended our outings,
classes, courses, workshops, seminars, talks
or any photography related events.


How to Order?
Step 1: Size. (XXS,XS,S,M,L,XL,XXL,XXXL)
Step 2: Quantity (1 or 2)
Step 3: Email to ourshutterjourney@live.com
Step 4: Please Include Your Name & Contact Number.
*You Will be guided on the payment Options.
*You Will be informed on the collection dates. *IMPORTANT
Closing Date for Ordering.
16th Jan 2014 (5pm Closed)


ORDER TODAY!

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Special Feature: Taking to the Skies – Tommy Chia (Part 3)

Aerial photographer Tommy Chia

19th December 2013, Singapore – In our previous article (Part 2), we asked Master Photographer Tommy Chia to share with our readers on his job, his experiences and his area of work as an Aerial Photographer. As a professional photographer myself, I would like to share that his job is not for anyone. Aspiring photographers who wish to enter aerial photography must know what are the risks involved and it is not anything easy or simple. If you think shooting a wedding is complicated, aerial photography is easily 10 times more complex. Aerial photography is a very specialized area of work whereby the photographer will need more than just photography skills.

This is Part 3 & the final episode of this Special Feature Series. This is in fact the biggest Feature of 2013 by our site for a single photographer. In this part, we chatted with Tommy on his viewpoints, his perceptions and as expected, we were very inspired by his sharing. We hope you will too.

Stand at the door of MI17 helicopter in Vietnam.

Editor:  There are rare experiences that have the ability to evoke our emotions and draw curiosity from our minds. Share with us some of the challenges faced by you in attempting to capture these rare experiences.

Tommy: I’ve always seen things (objects, scenery, people, etc.) differently from others and I tend to forget that this is what differentiates me. But when I’m out on a shoot, I always look for that wow factor and I seldom fail when on assignment.

Editor: As a photographer, there are some things that might seem strange to others but caught your eye nonetheless. What do you usually do to explore this “lead” and deem whether it’s worthy of a photograph shot?

Tommy: At this moment most of my time is focused on my aerial work and I do not have much time for casual photography. But throughout the years, I’ve been accustomed to walking around with “a viewfinder stuck to my eye” so said because I look at things like what I would be seeing through the lens. I tend to pre-crop scenes in my mind and just enjoy the bits of excitement I find there. Most of the time now, I carry a camera wherever I go and I would snap at every opportunity I could. I would not want to miss any little detail of my surroundings as everything I captured never fails to fascinate me again & again. It is even more so now that it is the digital age, cameras are able to produce even more wonders, which actually does leave me with hundreds or thousands of images stored in my hard disc to be revisited again. (haha) In recent years, I am very much involved with our church outreach work in Cambodia and the Philippines, giving me a chance to continue enjoying photographing the people, their lifestyle and their habitat.

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Editor: In your journey as a photographer, as in life, we are sure you have faced both victories and setbacks. With regards to setbacks, do you think perception plays a key role in how we handle them? Describe a particular incident.

Tommy: There was the first financial crisis in the 80’s and then I barely survived the global financial crisis of 90’s, which was followed closely by the 2000 financial crunch. I’d thought I had everything in the 90’s, what with the booming wedding business and a big staff strength of 16; but I almost lost everything for being too wrapped up in my own business. Should I have had the sense to think about the factors around me, I should have known what I learnt now, that every factor counts. I.e. how small Singapore’s economy is and how easily it gets affected by other countries. How these factors would in turn affect our own environment, costing people their jobs during the financial crisis and thus budgets. “If only” I had seen that coming, the phrase every man would learn from losing something. Had I dwelt in my misery and loss of self-confidence, I do not think I would be who I am today. Therefore it is true to me that perception is important, and especially what a person learns from his setbacks. Although I paid the highest price for learning to run a business, but it is also from this that I learnt why humbleness is important.

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Editor: It’s a fascinating world we live in. Sadly, many of us get too caught up in our lives to even notice the details that encompass our surroundings. Just how inquisitive are you as an individual? Do you let things slip by or do you have a natural curious eye? Tell us more about it.

Tommy: I am very curious about the world we live in. I would love to travel and capture things that I’ve see. I wish I had have more time to travel but due to family and work I am not able to travel to places too far. Fortunately my present works take me to neighbouring countries and the chance to fly. Once a year for a few days, I make time to visit Cambodia and the Philippines to support our church work there and help the people.

Recently I bought a Samsung NX300 an APS-C camera and have been carrying it around where ever I go, I get to use it when I see an interesting subject.

Editor: Looking at the world through the lens versus through the naked eye. How do they differ? Would you feel more inclined to be curious about a certain subject if your intention was to photograph it versus just a passer-by’s observation?

Tommy: Because I’ve been in photography for a major part of my life, I have a build-in view finder which I mentioned earlier. Everything I see through the naked eye is as if through the lens. I guess I’ve forgotten what’s it like to see things ‘normally’. Or as my wife sometimes reminds me, she’d tell me to stop staring at things.

Editor: I can understand how that feels, Usually my wife ask me to stop staring when I am staring at ladies passing-by (haha). And, When you shoot a subject, do you intend for it to tell a particular story, or do you leave that up to the viewer to interpret?

Tommy: Photographers are light painters. As a painter and artist I always capture my pictures so that they tell a story, a story as interpreted by me. But there are also times when people see my pictures and add on their own versions to that story. It is fun at the same time.

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Editor: That makes sense. Have you ever gotten feedback from a viewer about how your photographs have affected them in a special way? If yes, please elaborate.

Tommy: My lifestyle wedding pictures were based on my perceptions and my understanding of the wedding couples. I drew out their characters and personality in their expressions thus making their wedding pictures more personalised and intimate as we can almost see them bearing their soul and love for each other. So even though I’ve focused mainly on aerial now, I still get calls from past wedding couples and they’d remember me on chance meetings on the streets and our conversations would always be to reminiscence on the photos; testimonies on the delightful memories I had help to capture.

Editor: Do you feel that a photograph, no matter how simple, has the potential to draw a viewer in emotionally?
Why so?

Tommy: Photographers are like time stopper, we capture that moment in time. New ships start rusting the moment they launch into the sea and it will not look the same again. Wedding couples progress in their lives to have families and they introduce me to their children as the uncle who took their happy wedding pictures. So these pictures taken through time, will always allow someone to look back at it and reminiscence. Like now when my past wedding couples and their children come to me to have their family portraits taken, they’d say this was the uncle who took their wedding pictures. At the same time, I have the privilege of meeting my past wedding couple’s children, capturing their pictures when they were children, and now, they’re in their 20’s.

From my visits to Cambodia and the Philippines, I have also come to love taking pictures of the poor children and streets kids as they very fun and adorable. I would capture these moments with a fast tele lens, isolating the subject from the background, to make as if that ‘time’ was captured right there and then.

Editor: Are there any techniques that you use to draw yourself closer to viewers, i.e black & white/sepia/bokeh photography?

Tommy: I am an old school photographer. For portrait, I still advocate fast tele lenses by isolating the subject from the background. Watch out for the objects, colour and reflections behind for they may still be an eye sore for critiques like me. Pay attention to the focus point (usually the eye) and to expressions because that is what is going to stand out.

For landscape, I like to do a very light HDR. To achieved a light HDR effect I usually layer the 2 similar images (one with HDR effect added) and adjust the opacity to the desired lighter tone.

Editor: What equipment do you shoot with? Share with us what your favourite gears are and in what instances you use them.

Tommy: For daily walkabout, I carry the Samsung NX300 with 3 lenses. Being an APS-C, the images captured are sharp and it is very light and portable in a small bag. For my professional work, I use 2 Canon 5D Mk3 with battery grips, lenses are 24-70 f2.8, 17-40 f4 and 70-200 f2.8, my 3 usual suspects. Also have with me the 100mm macro for close-up shots. As my work subjects are huge, short tele and wide angles are my favourite choices.

Editor: That’s quite an asernal of gears. In the course of your photography journey, tell us about your discovery of new shooting locations?

Tommy: My work has taken me to many places. For me, Cambodia’s temples and streets are great places to shoot, Philippines’s beaches are good for recreations with awesome scenes for sunrise, sunset and blue skies. As in any travel, personal safety is paramount and so is being considerate for the country’s culture and beliefs.

Tommy with Robinson R66


Editor: Do you always know what you are going to shoot, or do you experiment a lot? Like the type of vessels, how they looked like, what are they used for, etc.

Tommy; No more experiment at my stage of work. As mentioned earlier, I would have known the type, size, speed and even the colour of the vessel so as to guide the pilot and let him know the height and angle at which to fly. As I’ve been working with most of them regularly, there is a special bond between us allowing me to grab the shots that I want.

Editor: What elements in your photography do you feel appeal most to people? How do you keep them captivated, wanting to see more from you?

Tommy: A lot of my clients have said that the ships I shot look very fierce, strong and exciting to look at. I guess the years of shooting has created a style that come from the feel of that high sea chase moment.

Editor: In your opinion, what differentiates a great photo from one that is just visually appealing?

Tommy: A photographer who shoots with passion will be reflected in his work. Because he will take the extra step, raise the extra height, make the extra turn and go the extra distance just to capture that moment. He will definitely create the extra smiles and appreciation as compared to a picture that looks just visually pleasant. A sort of ‘life’ will be in the photo you capture, and also tell the story the photographer wants to say.

Aerial Photographer Tommy Chia


Editor: Do you have any types of photography/project that you plan or want to do but not done yet?

Tommy: Maybe a personal exhibition and to catch the Northern lights with my camera.

Editor: Any advice for budding photographers?

Tommy: Passion has kept me alive. Do not always follow what others are doing, creativity is non-conformist. It is OK to make mistake(s) when you are young but learn from it.

For Jesus believers, if you run out of power and fill like giving up, Start Praying. That is tapping into God’s power, let go and let God be in control and that was what I did.

Editor: Thank You Master Tommy.

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We have come to the end of the biggest Feature series of 2013.
Special Thanks to Master Photographer Tommy Chia for taking time out of his busy schedule and opening up his life for all the readers here. I am sure, many of you will be as inspired as me after learning about what Tommy has went through at the various point of his life. Although bitter-sweet, through his preserverence, he is now a “houshold name” in the area of professional aerial photography.

Thank you Master Tommy Chia.
We wish you all the very bests and thank you for granting us the opportunity to bring your story to our readers and allowing us to document your life experiences into a good reference for many others.

Ed.

View Taking to the Skies – Tommy Chia Part 1
View Taking to the Skies – Tommy Chia Part 2

=================

Master Photographer Tommy Chia can be contacted at
Email: tommy.photo@yahoo.com
Social media links: http://www.facebook.com/AerialPhotographerSG
Website: http://www.aerialphotographer.com.sg

=================

Posted in Featured Photographers, Photography Articles & Videos, Uncategorized | Tagged , , , | 2 Comments

Special Feature: Taking to the Skies – Tommy Chia (Part 2)

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18th December 2013, Singapore – In our last episode, Part 1 of this Special Feature, Master Photographer Tommy Chia shared with us his humble beginings, how he survived the industry and competition to where he is today. Trust me, when I was editing Part 1, I did it with a really heavy heart as I can fully understand what he had went through, every words he said and every situation he has been into. Although I suffered a different level of “modernized problems”, I dare to say that what Tommy had went through, commonly coined as the “phases of digital changes”, many of the younger photographers of today will not be able to fully understand.

This is Part 2 of a 3-Parts Series where we enter Tommy’s life as a Professional Aerial Photographer. In this part, we were given an opportunity to learn more of what makes up his job, his area of expertise, his specialized job in general and more! This part was done in an interview style and let the man speaks for himself.

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Editor: This is dangerous by everyday standard, how do you protect yourself?

Tommy: On the contrary, flying is not as dangerous as most people perceive it to be. Pre-flight checks by the pilot are necessary, and passengers have to be briefed on safety and evacuation procedures before the flight. During the flight, every passenger has to ensure their safety harness is secured. Thus in my perception, the danger here may only be probably the height that we fly at.

Editor:  What kind of satisfaction do you get whenever you completed an aerial shoot?

Tommy: Of course, knowing that I got THE shot gives me satisfaction. However it is not only about the photo shot, but the professionalism and knowledge that I can contribute and which goes to the project. Because I would need to liaise with the ship’s captain on the rendezvous point, not only I need to know the ship’s departure/arrival time, but I also need to possess map reading skills, and the ability to pin and locate the vessels. With these abilities, I am able to spot the ship even faster than the pilot himself and help prevent delays giving me another winning edge. It is with this knowledge and aerial photography skills that gives me confidence and satisfaction each time I complete a shoot.

Apart from maritime vessels, I have also had the first-hand opportunity of photographing local government land projects like new reservoirs, roads and road expansions. I not only get to see these projects before ‘opening’ but also a bird’s eye view of Singapore that is only unique to me and my lens.

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Editor:  Tell us more about the experience – where did you go, and what did you do?

Tommy: It has been 15 years since I first flew and saw more than a hundred types of ships, tankers, oil rigs and sea vessels that I had photographed first using analog, and now digital cameras. I have clocked over 500 hours of helicopter time while on assignments which has taken me to as far as Indonesia, Vietnam and Malaysia, including Sabah & Sarawak.

Editor: That’s incredible! Please may I ask, was there a particular place/vessel/people during that experience that you liked the best for shooting? What was so memorable or compelling about it? Was it planned, contracted or was it a spontaneous decision? Can you describe what happened that day?

Tommy: All my works are commissioned assignment and needs to be planned ahead because of restrictions with chartering of the helicopter and Singapore’s airspace which requires a 7 days notice to apply for a flight permit. The timing of the vessel and cost of hiring a helicopter are also taken into consideration in order to make the shoot more cost efficient.

One of the most exciting assignments that I had done was to shoot a new assault / search & rescue fast craft that was built in Vietnam, designed by Italian. We flew on a huge Soviet built MI 17 helicopter over the scenic Ha Long Bay chasing this fast craft. It was an exuberant feeling being in the air overlooking the entire Bay. I was thinking at the time how unique it was as probably not many people would have had the same experience. After the flight we landed at a military base nearby and all of us (everyone involved in the project; from pilots, aircrew, refilling crew, military coordinator, clients, translator) took a boat out to a floating restaurant at the bay to have our lunch with the fast craft berth beside it.

 

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Another interesting assignment happened this year when we went to Sabah to photograph a special built rig 100 km offshore in the South China Sea. Not long after take-off on the first day we were chased back by a heavy storm. We had to wait to fly again the next day. On the second day, our flight had to take an evasive route to avoid storm clouds and we flew over an hour each way to and from the rig. I was able to see full production oil fields out at sea with all the various types of oil & gas vessels. There were Drilling Rigs, oil Platforms, FPSO, Pipes laying ship, accommodation barges, Anchor Handling Tugs and supply vessels all in one location. I had previously photographed each type of this vessel separately and it was an eye-opener to see them all in one place.

 

FJORD at sun set


Editor: Wow! I can imagine how the sight will be! Breathtaking will be insufficient to describe what you have seen and experienced. My next question will be; What is the thought process behind taking a specific set of photos and does it have any meaning behind it? How did you do it? And What did you learn from this experience?

Tommy: Changing from shooting people to shooting ships may probably look like it’s a vast difference. But to me, be it people or objects, small or big, there are some similarities; after all everything in front of the camera becomes an object to the lens. It is the photographer who depicts how the picture talks. As also with people, shooting ships still requires good social and interpersonal skills in order for me to coordinate with everyone involved to get the ship to the point of shoot. Therefore, besides the angle of the shot, I have to think about my relationship with the people I’m working with, as well as the coordination and planning needed. I have heard of horror stories where the Captain did not give the accurate time on his position and the photographer could not find the ship.

As for the angle of the shot, I believe that be it ships, buildings, products or objects, each has a creator and with that comes the first person’s visualization of that object which I need to search for; that first angle which the architect drew on his drawing block, that’s where the beauty lies. Shooting human is different; we must distinguish the side (angle and profile) to be not pleasant to the eye (camera). Once that is established we should avoid that angle / profile and we will have the better angle / profile in front of our camera.

Tommy Chia on EC120 helicopter


Editor: Well said! Ok, a few years down the road, when you are an even more accomplished photographer, more famous than you already are, what role do you think this experience would have played in your development?

Tommy: It’s already almost 28 years since I became a professional photographer. It is the passion that kept me in this trade thus far. It’s by God’s grace that I am still around to do what I enjoy most and use the talent that He has given me. My work has stretched a vast spectrum of the trade and I believe God can take me higher and I am ready for the next decade.

Editor: I am very sure of that too. Any last words for today’s session?

Tommy: It was God’s that had humble me and his grace that strengthen, gave me wisdom to rediscover myself. Thank God, my Family and friends who believe in me.
“God opposes the proud but gives grace to the humble.” Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. Cast all your anxiety on him because he cares for you. – 1 Peter 5: 5-7.

Editor: Thank you Master Tommy!

Heres a a video from Tommy for your better understanding of what an aerial photographer do.

We will be back with Part 3 of Taking to the Skies with Tommy Chia.

Stay Tuned.

Ed.

View Taking to the Skies – Tommy Chia Part 1
View Taking to the Skies – Tommy Chia Part 3

Posted in Featured Photographers, Photography Articles & Videos | Tagged , , , , | 2 Comments

Special Feature: Taking to the Skies – Tommy Chia (Part 1)

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17th December 2013, Singapore – In a pretty saturated photography market in Singapore, emerging from the competition is never easy. Months ago we featured an Underwater Photographer who took to the depths, and we were really lucky to be able to be introduced to Master Photographer Tommy Chia, the photographer who took to the skies – he is a Professional Aerial Photographer.

In this 3-parts series, we are thankful that Tommy willingly shared with us his story, his experience and his life as a photographer which we hope to inspire other photographers and take a lesson out from Tommy. Life is not a bed of roses for the working photographer, it’s about strong determination, the attitude to learning and the ability to keep going and going. In this Part 1, we take a look at Tommy’s humble beginning and the things that happened in his life that lead him to aerial photography.

It all began in 1972 when Tommy borrowed a Kodak Brownie camera from his aunt during the end of his primary school education for a school excursion trip to Jurong Bird Park. The Kodak uses 120 film (MF) so Tommy was limited to 12 shots so he was “forced” to plan carefully for each exposure. Every shot has to be precised & calculated. After the roll was completed, he sent the roll for processing & developing – and totally fascinated with the final images -just the way he visualized and planned.  After Tommy’s first experience with the Kodak, he started saving through his secondary school daily pocket money. I was informed that he saved $0.50 daily for 240 school days to put together a decent $120. $120 is big money in the 70s if you remembers. To start, Tommy’s family is not well off, his Dad was struggling with a meagre salary as a shipping clerk to support the family and that was why he rather save up his pocket money to purchase a camera. His official first camera was the (now legend) Canon Ftb, a 35mm SLR with a standard 50mm F1.8 lens – for $120.

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Armed with the Canon Ftb, Tommy (and just because he has a camera) became the chairman of his school photography club. Back in 1975 not many students could afford to buy a camera and in the club, there was only 1 other student who has a SLR camera. Tommy started taking photos of his fellow school mates and all the major school events. At this exploration stage, Tommy enjoyed photography in general. He continued as a hobby without guidance or mentoring. Tommy eventually joined a local based photography club with his Ftb & 50mm lens in the hope of learning something from the club but sadly,

“No one wanted to talk to me as everyone else was holding SLRs and medium formats with large lenses and gadgets which I was not familiar with. I felt intimidated but did not despair.” said Tommy.

Not giving up. Tommy decided to “teach himself”, he went to the library and laid his hands on every other photography books that he can find. Tommy added that “Mentoring” was not common in those days. Older photographers (“Shifu” or Master) demanded respect but not too willing to share their craft or let anyone learn the trade secrets.

Tommy bought his first telephoto lens after he worked as an intern on board a passenger ship for a couple of months. There, the sea scene with all its different ships and ocean vessels continued to inspire and fascinate Tommy. After he joined the Republic of Singapore Airforce as a Radar specialist, he upgraded his camera system to a Canon A1 & AE1 and also added a couple of FD lenses. He even joined the (then) new Canon Photography Club as the first batch of committee members. After 6 yrs of service, he left the airforce in 1984 and went to work for a famous professional photographer (Teo Tee Hua of First Photo) who was also the club’s Chairperson. His company was the sole-distributor for a Germany brand of studio lighting, film processor and other brands of photography accessories. With Mr. Teo, Tommy had the chance to make sales call and demonstrations to other photographers. Through his working experience there and with Mr Teo’s fame, Tommy was finally “let in” into the World of Professional commercial photography in a big way.

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Tommy described the experience as “Suddenly all my “windows & doors” were opened and I saw new dimensions, directions and spectrums of the commercial photography trade.” I was extremely excited to see a whole new world of answers before my eyes.”

In 1986, Tommy became a professional photographer and started STUDIO 8 where his main area of expertise was people, corporate and fashion. His ex-colleague – Joe later joined him in partnership after a year and it went on for 4 years of successful partnership. Tommy shared that Joe fine-tuned his skills and that helped him when he went on to shoot for some major local fashion publications latter.

Sometime in 1989, a bride-to-be engaged Tommy to photograph her pre-wedding. By then, Tommy had already developed his unique style of photography, and photographing that wedding secured Tommy another chance of gaining foothold in another photography world – Wedding photography. In the 80s the wedding photography market was dominated by Taiwanese-style creatives which mainly consisted of fanciful gowns and complicated backdrops fit for costume parties. Tommy’s style was simplistic and going with the idea of “less is more” and he  incorporated high key and low key lighting techniques that modelled on the style of fashion shoots. That shot Tommy into instant fame, soon after, he was one of the most sought-after photographer for pre-wedding shoots by young executives (yuppies) couples.

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At this point of time, the studio has 6 staff and business was so overwhelming – Tommy recalls that many times, he had to turn down jobs. In 1995, he took over a wedding gown shop – Inspiration Collection. Tommy was running the business complete with his own in-house design team and seamstress.

“We were the trendsetter at that period and I had many hopes and expectations for myself. Each job I took, each wedding we attended, gave me much satisfaction and further gave me inspiration that my work was recognized.” shared Tommy.

Good times didn’t last long, the global financial crisis of 1997 to 1999 came and the demand for made-to-measure customized gowns and wedding photography were adversely reduced as the public started cutting back on budget & expenditure. Tommy’s businesses suffered great losses.

“I felt myself spiralling in a never-ending freefall; I was very exhausted and burnt out. My confidence took a huge hit. I despaired and it eventually affected the people I love. But still, photography was not something I wanted to give up. I was again blessed with a helping hand when my father’s friend offered me a job, which then led me into the whole new dimension of aeriel photography.” said Tommy.

At this point, Tommy shared that most of the inspiration he had came from himself when he was determined to learn and be better. Of course, he also credits the people that lend assistance to him along the way; people who had a hand in opening the right paths for him and guided me. Running parallel, it was his own fire of passion that kept him going. From the lessons he learnt through his experiences, photography needs aspirations and passion in order to constantly keep pace with time and technology. So back to the story;

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During the tough period of the financial crisis, a friend of Tommy’s father approached him to photograph their company’s new ship. Since Tommy was looking for a job at that time, he accepted the assignment although he had never done it before. He remembered the stories and experiences that one photographer had shared during the time when he was in sales, and taking cues from the magazines and calendars of ships that his father (shipping clerk) had been bringing home for years, Tommy gathered how shooting a ship was to be done and with everything that he knew, he went on to do his first aerial photography shoot.

The assignment was a success.

With this new experience and the refreshed passion, Tommy decided to go back to commercial & industrial photography. Tommy described it as tough as he had been absent from the scene for years at that point. Making it tougher, digital media was introduced and changed the photography landscape. Tommy recalled that he had to sell his old film cameras to buy digital cameras and he has to learn the new gadgets all over again. Investing into new gears, new computers and softwares was pretty much at the tip of every photographer’s mouth. With every changing year, kilobytes turned to megabytes than turned to gigabytes than to terabytes than to Petabytes. Many older photographers using films (analog) was not able to adapt to the new media and was “forced” off the trade.
Instead of allowing himself to be “expired”, he spent 5 years rebuilding my commercial portfolio and thus increasing his aerial experiences at the same time.

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In 2007, Tommy’s studio was renamed as STUDIO 8 Pte Ltd. There were new investors and fresh fundings for new cameras, equipment and crew. He did progressively well each year, giving him a stable income and the experience and concentration he needed to enhance his skills in aerial photography. In 2009, videoman Mike joined STUDIO 8 and Tommy took the chance to pick up video photography as well – which added to the overall value and the retail packaging of aerial photography.

This year, 2013, a new chapter of life has started for Tommy, he formed a new company called “AERIAL PHOTOGRAPHER” to concentrate mainly in aerial, maritime, Industrial and commercial photography and video film making.

We will be back with Part 2 of Taking to the Skies with Tommy Chia.

Stay Tuned.

Ed.

View Taking to the Skies – Tommy Chia Part 2
View Taking to the Skies – Tommy Chia Part 3

Posted in Featured Photographers, Photography Articles & Videos | Tagged , , , , | 2 Comments

LightRocket and Getty Images announce content distribution partnership

– to distribute Asian and international content globally

Impressions of Yangon

16th December 2013, Singapore – Global digital media company Getty Images partners with LightRocket to distribute over 50,000 diverse Asian and international images

Hong Kong –12 December 2013: LightRocket, a comprehensive online service for serious enthusiast and professional photographers, and Getty Images, one of the world’s leading digital media companies, have today announced a partnership that sees Getty Images become a key distribution partner for LightRocket, distributing select members’ content across Asia and around the world.

The represented content spans a wide variety of global subject matter with a strong emphasis on Asia, from Tibetan Festivals through to everyday life in Tokyo. LightRocket also brings the latest images from regional news events, such as the plight of Rohingya Refugees in Burma and the recent Anti-government Protests in Thailand to build on Getty Images’ extensive portfolio of editorial assets, which is currently growing by 10,000 to 15,000 images each day.

Stuart Hannagan, VP, Editorial, APAC at Getty Images comments: “Our relationship with LightRocket complements and expands upon Getty Images’ already extensive archive of over 90 million images and will provide our local and global customer base with access to over 56,000 images from the collection”.

“As our customers’ need for a wide range of engaging visual content continues to grow, the LightRocket collection will provide customers with access to an even broader selection of culturally diverse Asian and international imagery.”

Children attend a school in Mae La refugee camp which is

The partnership provides LightRocket’s premium annual members with a unique opportunity to apply to become Getty Images contributors direct from LightRocket’s dedicated Getty Images page

(www.lightrocket.com/getty). Utilising a feed from LightRocket’s online portal, members can upload and distribute images worldwide via Getty Images’ global platform, http://www.gettyimages.com, reaching business customers in over 200 countries.

LightRocket was launched earlier this year by the founders of OnAsia Images, an Asia-based media company that was originally established in 2001. LightRocket went live with a collection of over 200,000 high quality images and is seeing fast growth as new members sign up around the world.

“We are very happy to be partnering with Getty Images,” comments LightRocket co-founder and CEO Peter Charlesworth. “Not only does this serve as a validation of the quality of our existing archive, it also creates a fantastic opportunity for our most talented members.”

Getty Images presence in Asia Pacific continues to grow, with nine offices across the region spanning Singapore, Hong Kong, Bangkok, Kuala Lumpur, Mumbai, New Delhi, Tokyo, Sydney and Auckland.. A leading global creator

and distributor of editorial content, Getty Images is currently strengthening its network of contributing photographers across South-East Asia, and covering a greater number of local sports, news and entertainment events than ever before.

About LightRocket
The LightRocket service is the brainchild of photographers Peter Charlesworth and Yvan Cohen who ran the OnAsia Images photo agency for a decade before launching LightRocket in June 2013. Both have a passion for photography and seek to deliver a product that responds to its members’ needs while reflecting the realities of today’s media industry.

LightRocket curates the content on its home page and galleries and promotes its archive to thousands of image customers worldwide, connecting photographers with potential customers and enabling direct sales opportunities. Contributor members have their own customisable personal websites and access to secure cloud storage and archive management tools.

About Getty Images
Getty Images is one of the world’s leading creators and distributors of still imagery, video and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover, purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and Web sites.

Visit Getty Images at www.gettyimages.com to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life.  Additional information on how Getty Images inspires and powers communications can be found on The Getty Images Blog at blog.gettyimages.com as well as on Facebook at http://www.facebook.com/GettyImagesSoutheastAsia and Twitter at www.twitter.com/gettyimages.com.

Posted in Featured Photography Merchants, Photography Articles & Videos, Uncategorized | Tagged , | 1 Comment

Sigma EM-140 DG Macro Flash User Reviews

What might happened when 2 Guest Editors were given the Sigma EM-140 DG Macro Flash for the First Time.
– Featuring Wong Renhao & Peh Wei Jian

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Photo: Renhao’s Canon EOS 6D with Sigma EM-140 mounted.

5th December 2013, Singapore – The Sigma EM-140 DG Macro Flash (EM stands for Electronic Flash Macro) was designed to work with digital SLR cameras of all-popular brands. The EM-140 DG Macro Flash most ideal for photographing subjects in fine detail when the shadow-less mode is used, and is highly recommended for scientific or medical applications. The dual flash tubes can be programmed to fire simultaneously or separately. Photographers may choose to use only one flashtube creating a modeling effect, which can achieve a three-dimensional feel to the subject.

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Photo: Wei Jian’s Nikon D7000 with Sigma EM-140 mounted.

The flash features a guide number of 14 at ISO 100 which is ample for most close-up works. The Modeling Flash function also made it possible for photographers to instantly check for reflections and shadows before actually taking the shot. A wireless flash function is also available via optical sync, where the EM-140 DG is used as master and the other flashes like the Sigma EF-Series flashes as slave units for creating fine shadow details. High Speed Synchro and Exposure compensation functions are also available for advanced flash photography.

We have the privilege of taking not 1 but 2 EM-140 (1 x Canon & 1 x Nikon) out recently from Sigma Marketing (Singapore) and our Guest Editors were handed the flash to use during a night macro shoot for the first time.Let’s take a look at their photos and hear what they say.

DSC_5421
Photo: Wong Renhao

Wong Renhao
Camera: Canon EOS 6D
Lens: Sigma 150mm F2.8 DG OS HSM Macro
Flash: Sigma EM-140 DG Macro Flash for Canon Mount (TTL).

Renhao2
Photo by Wong Renhao

The EM-140 macro ring flash is a wallet-friendly solution for amateur macro photographers looking for more optimal lighting. At the close focal range demanded by macro shooters, overhead lighting from standard flashguns are often blocked by the lens itself or surrounding foliage. The ring flash can solve such problems by providing head-on lighting. The two constant-light lamps are also useful for photographers who don’t want to deal with an extra torch or LED light panel when searching for subjects in the dark, or when extra light is required to help the camera lock focus accurately on the subject. The ability to turn either flash tube off selectively also allows for more creative lighting as users get more familiar with the flash unit.

Renhao3
Photo by Wong Renhao

With guide number 14 though, this flash is best kept to use at close range. The small tubes mean that as more power is required to obtain correct exposure, photos tend to get harsher in lighting. While the dual tubes perform their intended function of canceling out side-stretching shadows caused by single sided lighting, this should not be taken to mean that shadows are absent.

Renhao1
Photo by Wong Renhao

Depending on location and background, the combined power of the two tubes create a backward-reaching shadow in settings with high depth, something which may or may not work in the user’s favor. I would also have liked to see more even diffusion of light around the ring (most of the light throw stays within the vicinity of the flash tubes) and better direction of light from the tubes (right now it feels like the light reaches out straight ahead, instead of being angled diagonally towards where the subject is expected to be).

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Photo: Peh Wei Jian

Peh Wei Jian
Camera: Nikon D7000
Lens: Nikon AF-S 105mm F2.8 VR Micro
Flash: Sigma EM-140 DG Macro Flash for Nikon Mount (TTL).

DSC_5299
Photo by Peh Wei Jian

My first positive impression of this macro flash was the build quality. Although it is made of engineering plastics, it doesn’t feel cheap on hand. The matted finishing also means that it will not get any scratch marks easily even if abused. The user-friendliness of the flash is pretty straightforward. Without looking through the user manual, I manage to figure out all the required settings which I needed for the shoot with its minimal set of buttons configuration at the back.

DSC_5278
Photo by Peh Wei Jian

The construction of the front ring is made up of 2 flash tubes on the left and right side and auto focus assist light at the top and bottom. This differentiates it from the cheaper LED ring flash which runs fully on manual adjustments as it is able to produce a more powerful output with its dual flash tubes. The front ring adaptor is mounted to a custom threaded mount which made it easy to rotate the entire ring during shoot. That allows me to re-position the flash either on the left and right of the subject or top and bottom effortlessly. The new TTL exposure system work great for me throughout my entire night macro shoot.

DSC_5224
Photo by Peh Wei Jian

The down side of this flash is the duration of the auto focus assist light. It is a good thing that the has a build-in constant AF assist light, but the duration of that constantly on AF light can only lasted for 20 seconds, after which you have to press the lamp button again to toggle it on for another 20 seconds. This duration might be too short if you are doing night macro as it gets harder to find the subject and lock the focus. It would have been great if there is an option to keep it on for another 10 seconds or so.

To find out more about the Sigma EM-140 DG Macro Flash, please visit here.

Thank you Sigma Marketing (Singapore) Pte Ltd for allowing this to happen.

Ed.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
c02_c_img
Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
c02_a_img
Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
c02_s_img
While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Canon, Brand: Nikon, Brand: Sigma, Featured Photographers, Group Test & Reviews, Photography Articles & Videos | Tagged , , , , , | 1 Comment

InfraRed Photos Exhibited at Funan Digitalife Mall

_SDI5099
Photo: “The Eighth Colour” – An InfraRed Photo Exhibition by Allan Lee at Funan Digitalife Mall.

 

4th December 2013, Singapore – A series of infrared photos are currently being exhibited at Funan Digitalife Mall. This is an initiative by CapitalMall & Punggol CC’s CACC Interest Group, better known as P@P (Photographers@Punggol). Curated by ourshutterjourney.com & supported by Ministry of Culture, Community & Youth. This initiative is a pilot program to use hoarding space for exhibiting photos from contributing photographers and use the space as a showcase and exhibition space. Roping in ourshutterjourney.com as the curating party for all the photos submitted, a panel will select the submitted photos for exhibiting at the mall.

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Photo: Allan Lee, Punggol CC P@P IG Advisor & Solo Exhibitor of “The Eighth Colour”.

For a start, Punggol CC’s P@P Advisor & Editor of ourshutterjourney.com – Allan Lee, will have his photos exhibited to kick start the initiative. He had selected the infrared theme and called it “The Eighth Colour”. Soon to follow will be a combined pool of photos from the P@P Executive Committee as well as public submissions so do look out for the next run of exhibited photos.

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This is a creative way to use hoarding spaces, instead of printing stock photos, this (program) actually created a showcase platform for fellow photographers and it actually help to bring up the voice of photography into Funan Digitalife Mall. I hope to inspire more photographers to come forward and to showcase their work at Funan Digitalife Mall.” said Allan.

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Do catch “The Eighth Colour” at Funan Digitalife Mall soon!

Keen to find out more about P@P (Photographers@Punggol) Photography Interest Group?
Visit P@P at https://www.facebook.com/pgatpg to make contact.

Want to know the submission criterias & themes for 2014?
Visit ourshutterjourney.com at https://www.facebook.com/groups/ourshutterjourney/ to make contact!

_SDI5114
Photo: Left to Right – Yu Ling (Hon.Secretary P@P), Allan Lee (IG Advisor P@P), KC Low (CACC Chairman BRPCC), Hazel Q Magpuyo (Member P@P)

Posted in Featured Photographers, Featured Photography Groups, Photography Articles & Videos, Uncategorized | Tagged , , , , , | 1 Comment

Sigma 24-105mm F4 DG OS HSM (A) Review

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29th November 2013, Singapore – Following our earlier article on Sigma’s latest release; the Sigma 24-105mm F4 DG OS HSM, we are back with a review after taking the this lens and its closest competitor (well) the Canon EF 24-105mm F4L IS USM out for a walk. Together with our Guest Editor, Mr. Wong Renhao, we took both the lenses out to Balestier, a sleepy old estate near central Singapore.

Before we start, I would like to remind everyone that at ourshutterjourney.com, we are only interested in real world, layman user review here, should you be looking for technical reviews and specs, please visit here.

Here we go.

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Above is a Signboard off a restaurant at Balestier. On first look, both lens looks like they did the job well.
Let’s take a closer look after a 50% crop.

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Apparently Both Lenses are holding up well on the sharpness department.
Let’s crop another 25% percent off. The next 2 photos will be a surprise.

ALNL0314 _MG_3464

From the above, we were pleasantly surprised that Sigma’s Art lens is (so much) sharper than the Canon’s L-series lens. (Those who wish to see the original photos, please feel free to email me)
And that was just the first test photo we took!

The next 2 photos was shot at a junction at Balestier road comprising of old shop houses against newer modern buildings.

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Looked pretty much the same right? Let’s take a tight crop out and check out the image.

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Both lenses performed pretty well in our opinion.

Let’s check out other shots.

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Let’s take a closer (cropped) look.

ALNL0337 _MG_3493

Looking at the bokeh produced, there is visible differences. Although the Sigma has 1 addition aperture blade, the bokeh blur from the Canon 24-105mm seems smoother and creamier. Here’s another 2 shots, taken off Balestier Road at Whampoa area.

_MG_3504 ALNL0352

Let’s just take another crop.

ALNL0352

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Well, after looking through the set of photos produced by both lenses, here’s our verdict.

– Both Canon & Sigma’s 24-105mm F4 lenses are comparable for sharpness. But the Canon is slightly & minimally sharper in our view.
– Canon has a slightly more creamier bokeh as compared to the Sigma.
– Sigma has a better control on the CA & Corner Distortion than the Canon unit.

In Conclusion, we feel that Sigma had produced a lens that has attained the “L-Series” standard, this should send professional photographers thinking should they pay the premium to get the Canon’s “L-Series” lens. Between brand loyalty and working equipment, I am sure the Sigma will serve the needs for professionals who needs the quality but not willing to pay a premium for the red ring. On overall, Sigma has surprised us with their latest Art lens which exudes class and quality from the cosmetics to the imaging department. Fully compatible with Sigma’s USB Hub for fine adjustments and calibrations, this added convenience just sweetens the overall package.

While Canon’s aging 24-105mm soldiers on, Sigma’s new 24-105mm with its much lower asking price will find its Fans – we are very sure.

Ed.

Here’s some behind-the-scenes photos by our guest photographer Peh Wei Jian.

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=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
c02_c_img
Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
c02_a_img
Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
c02_s_img
While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Canon, Brand: Sigma, Featured Photographers, Group Test & Reviews, Photography Articles & Videos | Tagged , , | 1 Comment

Sigma 24-105mm F4 DG OS HSM (A)

R0011431
Picture: Sigma’s latest Art Line 24-105mm F4 DG OS HSM.

22nd November 2013, Singapore – Finally, the review unit for the much awaited Sigma 24-105mm F4 DG OS HSM (A) had reached my hands. While a practical review is in progress, we bring you a quick in-the-face comparison with a lens that Sigma had came for – The Canon EF 24-105mm F4L IS USM. While the market speculates on why Sigma decides to go after Canon’s 24-105mm F4L and not after Nikon’s 24-120mm F4, I guess the reason is obvious. Since Sigma embarked on the Global Vision with new lens announcements after announcements, Sigma had been re-inventing itself as a lens & camera manufacturer that offers more than just value. Apart from releasing lenses with matched quality that gives consumers the option of choices, Sigma is constantly brewing up surprises which sort of read consumers’ minds & wants from an optical company.

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Picture: Sigma & Canon’s 24-105mm F4 side by side. (Pardon the pic quality)


Canon’s 24-105mm is an “L-series” lens which is under their high end professional line.

Sigma’s 24-105mm is an “Art” lens, which is under the their premium professional line.
So how different are both the 24-105mm? Let me take you through some of the key differences and similarities between the Sigma & Canon equivalent.

R0011434
Picture: Sigma & Canon’s 24-105mm F4 side by side with their respective hoods on.
(Pardon the pic quality)


Key Differences:

Aperture-
Sigma has a 9 Blade Aperture
Canon has an 8 Blade Aperture.
This probably means Sigma has a creamier bokeh.
(We will verify this when the review is ready)

Size-
Sigma is 88.6 x 109.4mm
Canon is 83.5 x 107mm
So Sigma’s unit is slightly more beefy than Canon’s unit.

Angle of View-
Sigma sees 84.1-23.3 degrees
Canon sees 84-23.2 degrees
This means both the Sigma & Canon has a slight 0.1 degree advantage on each focal range end which is totally negligible.

Optics-
Sigma has 19 elements in 14 groups
Canon has 18 elements in 13 groups
In this aspect, Sigma has more glass than the Canon, but will this translate into sharper photos with less distortions? We will check this for the review.

Weight-
Sigma weights 885gm
Canon weights 670gm
With a 215gm difference, Sigma is the heavier lens here, but we all know this must be due to the advanced construction that corrected the misgivings of the lens that it is based on.

Filter Thread-
Sigma works on 82mm Filters.
Canon works on 77mm Filters.
With a large front element on the Sigma, 82mm was expected.

Price-
Sigma is asking for USD $899 RRP (via BHPhoto)
Canon is asking for USD $1,149.00 RRP (via BHPhoto)

Age-
Sigma’s unit born October 2014
Canon’s unit born October 2005
This means Canon is a senior citizen here. We will be concerned if Canon’s ageing unit can keep up with the newer EOS bodies.

Tuning & Calibration-
The Sigma’s 24-105mm works with their USB Dock for fine calibration & adjustments.
Canon does not have an USB Dock yet.

From the above, we observed that Sigma had made a lens that is of a different breed although it is based on Canon’s unit (focal range). Before I conclude, let’s take a look at the similarities that both lenses shared.

R0011440 R0011437 (2)

Key Similarities:

Motor-
Sigma runs on HSM (Hyper Sonic Motor – which is similar to ultrasonic motor)
Canon runs on USM (Ultrasonic Motor – which is similar to hypersonic motor)
In short, they are on the same motor that gives super fast & near-silent focusing.

Minimum Focusing Distance-
Both Sigma & Canon’s 24-105mm will start to focus only from 45cm.
Both lenses will not focus if you try your luck to focus on anything that is 44.9cm

Focus Override-
Both Sigma & Canon’s 24-105mm can be manually focus-adjusted after the autofocus has locked.

Stabilizer-
Sigma uses OS (Optical Stabilizer)
Canon uses IS (Image Stabilizer)
Both employs similar stabilizing systems.

Aperture Values-
Both Sigma & Canon starts accepting light from F4 to F22.

In the box-
Sigma gives you 1 lens, 1 hood, 1 pouch, 1 instruction book & 1 warranty paper.
Canon gives you 1 lens, 1 hood, 1 pouch, instruction book & 1 warranty paper.

Compatibility-
Sigma calls it a DG lens.
Canon calls it an EF lens.
Well, both lenses are made for Full Frame Cameras.
They are both compatible with APS-C & APS-H cropped bodies too.

R0011441 R0011439 (2)
To conclude, we have pointed out 10 key differences & 6 similarities between the 2 rivaling lenses. In theory, seems like Sigma has made a lens to replace Canon’s aging 24-105mm with an updated lens plus lots of bonus goodies. But the fact is, Sigma’s 24-105mm is of a different breed – yet with a humble asking price. We shall see how both lens performed when we pit them together. We will be back with the review soon.

Ed.

=================================

IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line
c02_c_img
Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line
c02_a_img
Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line
c02_s_img
While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

SIGMA-NEW-LOGO
Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

Posted in Brand: Sigma, Group Test & Reviews, Photography Articles & Videos | Tagged , | 2 Comments

Olympus Stylus 1 Announced

stylus1_front_cap_open
Picture: No, this is Not OM-D, Meet Olympus Stylus 1

05th November 2013, Singapore – Olympus announced the upcoming release of “Stylus 1”, the company’s flagship compact which specifications are closely “pegged” to other DSLRs in the market. The Stylus 1 will surprise both Olympus fans as well as users from other brands. Featuring a magnificient optical zoom of 10.7x (focal range of 28-300mm) at a constant aperture of F2.8, Olympus packaged the Stylus 1 in a sleek & compact body to sweeten the deal.

Let’s take a look at the Official Key Features of the Stylus 1.

1. An optical 10.7x (28-300mm), constant aperture f2.8 i.ZUIKO DIGITAL zoom lens packed into a compact, slim body.

2. Equipped with a built-in large-size, high-image quality, high-resolution EVF (Electronic Viewfinder) for checking versatile shooting conditions.

3. Shooting style of enhanced operability and stability inherited from OM-D, and a premium compact, slim design

4. Full-featured controls and customisation let users focus on shooting

5. Built-in Wi-Fi for easy image sharing and wireless shooting
From the official specs above, the Stylus 1 certainly looks promising and designed to thrill. While many (regular consumers to professional photographers) had predicted the “end” of compacts, this is far from true. If some of you remember, leading up to the Stylus 1,  Olympus had “tested” the market with XZ-1, XZ-2, XZ-10 and many Olympus certainly didn’t expect the Stylus 1 to be announced (so fast at least).

Targeting at family users who are likely to use the Stylus 1 for a wide variety of photography, the Stylus 1 seems like a possible pick up for professional photographers too. For obvious reasons – try to fix a 28-300mm F2.8 Lens onto your DSLR then you put the duo on a weighing machine. Either that or you can have the Olympus Stylus 1. For a super focal range from wide angle to super telephoto, the Stylus 1 also promises high quality images which are second to none. The fixed Zuiko lens with its strong track record had never disappoint – Olympus users will know what I mean.

stylus1_tilt02(1)

Other goodies includes a “borrowed” EVF system from its Pen Mirror-less series couterparts, a super Image Stabilizer, a sub dial, built in wi-fi and many more. On first look, the Stylus 1 does resembles the OM-D, only “younger” on the overall impression. Now I’ve got you all excited over the Stylus 1, do check out more details on Olympus’s website.

The Stylus 1 is expected to reach Singapore by November 2013 and will be out at the stores by December 2013.
Since it will be then the Christmas season, my advice, call your dealer to reserve one.

Ed.

————————————–

About Olympus Imaging Singapore

Olympus Imaging Singapore is the unparalleled industry leader in opto-digital technologies, delivering award-winning digital imaging products for the consumer and professional markets in Singapore. Driven by a strong commitment in providing innovative products and solutions of the highest quality, Olympus Imaging Singapore works closely with industry partners, customers and other Olympus business units in producing leading-edge products. These include analogue and digital cameras, professional SLR imaging systems, and voice recorders, amongst others. Olympus Imaging Singapore’s unrelenting efforts in superior customer service also bear testimony to its brand promise of delivering the best user experience to all consumers and professional users in the imaging field.

For more information, please visit http://www.olympusimage.com.sg

Posted in Brand: Olympus, Group Test & Reviews, Photography Articles & Videos | Tagged , | 1 Comment