Channel 8 Photography Feature (with Video)

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Channel 8 Photography Feature
– Text by Melody Tan


Image: Screen Grab of the Featured Photographers.

04th March 2022, Singapore – Channel8 News ran a feature today on their Morning Express Segment this morning. The topic was on specialized photography that includes dramatic landscapes/ cityscapes & infrared photography.

Out of the 4 photographers (including our Founder & Chief Editor AL Lee), 3 are Members from Shutter Journey (Singapore) – which is managed by Ourshutterjourney.com. We are really proud of these guys!

(Video after the jump)

 


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Here’s the Video!

In case the vid is not working, you may view here too.

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Jun Hao (Steiner)

Jun Hao was one of the pioneering members of Shutter Journey who excels in landscapes/ cityscapes.

Follow Jun Hao here.

 

Jimmy Chiau

Jimmy is one of the senior members of Shutter Journey, he dabbles with Infrared since the day we know him.

Follow Jimmy here.

Stanley Chan

Stanley Chan is a known Macro photography enthusiasts as well as a Light Painting Master by the photography circle. He is not a member of Shutter Journey (yet) and we hope one day he will be part of our group and maybe even become a Trainer for our Academy.

Follow Stanley here.

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AL Lee

Lastly, our Founder and Principal Trainer for our academy, AL Lee is not new to the photography circle in Singapore. Being the 1st person to hold an IR Photography Exhibition in Singapore, he is responsible for over 11 photography groups in Singapore.

Follow AL Lee here.

Congratulations to all the photographers who got featured – from all of us at Ourshutterjourney.com !

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Contributing Editor – Melody Tan
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Loves quiet walks along beaches, has a mind of her own and decides everything in life in either black or white with nothing in between. Her priority these days revolves around her 2 lovely kids & teaching them music or photography. A lover of yoga and an avid traveler, Melody aims to visit at least 30 countries before she reach 40 years old – from what we know, she had completed 27 as of 2018.
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Posted in Featured Photographers, Featured Photography Groups, Photography Articles & Videos | Tagged | Leave a comment

Featured Photographer – Neo Jin Ju

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Featured Photographer – Neo Jin Ju
– Interview by Editor AL Lee
– Behind-the-scenes Photographer Serene Ong (Serene Digital Crafts)

Image: Left: Neo Jin Jun, Right: AL Lee 


10th December 2021, Singapore
– I last saw Neo Jin Ju (梁金菊) exactly 30 years ago (Dec 1991) – that was when I left Yuhua Secondary School after completing my O Levels. Rewind another 4 years, back in 1988, Jin Ju or “Miss Neo” as she was commonly known, was my Art & Craft Teacher. As one of those naughty boys back then, I had countless brushes (pun intended) with Jin Ju – she even got me to stand outside the class once as a punishment. I cannot remember what had I done, but it was certainly enough to have pissed her off at that time. Fast forward to today, I think back of those days and I realized I actually enjoy the art lessons as those classes took me off the academic grind and offers me (and many of us) a good mental relief.

Through social media, I got connected to Jin Ju somewhere in Nov 2015 but did not interacted much with her until her name keeps showing up on my feeds with her bird images – I was thrilled. Jin Ju is a Birding Photographer & a famous one at that! I decided to connect with Jin Ju & interview her as part of our Featured Photographer Series and to take this chance to connect with a teacher that I had once terrorized in school (more to rekindle all the wrongs that I had done wrong in her class.).

Image: It’s yesterday once more, Jin Ju sharing with AL Lee on the types of common birds at SBWR

 

And so, I invited Jin Ju out to Sungei Buloh Wetland Reserves on a Sunday morning for “birding walk”. I had mixed feelings but Jin Ju came across as someone completely different from my vivid & faraway memories of her – she was chatty, laughs a lot and most willing to share her knowledge, as compared to her “teacher” image that I had of her.

Image: Teacher & Student again, after 30 years.

 

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Here’s the interview with Jin Ju

AL: You seem to be very knowledgeable with the birds ID, how & where did you learn about the birds?

JJ: I usually look at my peers’ (fellow birders) and see the bird names that they posted. I also did a fair bit of research online too, and that includes books on birds that I frequently read up or refer to.

 


Image of Scarlet-backed Flowerpecker by Neo Jin Ju during our walk


AL: Is it important to know the name of the birds?

JJ: Yes it is, I contribute articles to ZaoBao & pictorials to WanBao and all the information given must be accurate and factual.


Images: some of Jin Ju’s articles from the various newspapers

 

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AL: How long have you been shooting birds and contributing to the newspapers? 

JJ: Since 2017, I had contributed mainly articles to ZaoBao and pictorials to WanBao.

AL: Wow! Can you recall roughly how many articles were published?

JJ: If I remember correctly, it should be approximately 20+ articles on ZaoBao and over a hundred images published on WanBao.


Image of Crimson Sunbird by Neo Jin Ju during our walk

 

 

Image: Waiting for Birds

AL: May I know if there is a specific time or a best time to catch the birds in action?

JJ: I will say the best timing will be roughly between 7.00am to 11.00 am. That’s the feeding time for majority of the birds. However birds can also be spotted at other time if the weather is cooler. Usually during hot weather, the birds tends to hide a lot.

AL: Do birds feeds all day?

JJ: Some birds, they will feed and within an hour or so after they digested the earlier feed, they will fly out to get more food. So you can say they do eat all day.


Image of Oriental Pied Hornbill by Neo Jin Ju during our walk

 

AL: Can you share with me & our readers One tip about bird behavior or spotting?

JJ: Food. If a tree has a particular fruit or source of worms that the birds like, they will return to the same spot over & over again, day after days until the food source runs out. So if you spotted a particular bird that you want to shoot, it is quite safe to return to the same spot to wait for the bird to appear.

Image: “I never dream that I will be shooting side by side with Jin Ju” – AL

 

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AL: I know there are several places in Singapore that many birders like to go like Pasir Ris Park, Jurong Lake Gardens, Botanic Gardens, Gardens by the Bay, Lorong Halus, Sungei Buloh Wetland Reserves etc but which one is your favorite?

JJ: Personally I like Botanic Gardens, I frequent the area near Eco-Lake, Healing Garden & Fragrance Garden. Fragrance Garden in particular are a hot favorite for migratory birds. I am currently writing an article on this, do look out for it on Zaobao.

Image: Birding Walk & Interview

AL: So what system have you been using to shoot birds?

JJ: I started with Nikon system and had moved to Sony system.

AL: For beginners who wish to learn shooting birds, is there like a “beginner lens”?

JJ: Any lens with a minimum focal length of 300mm will be a good lens to start. However I will advise those who are seriously passionate about birding to invest in better lenses.

AL: Lastly, what is the best tip you can advise budding birding photographers?

JJ: Patience is everything.

Editor’s Note:
Thank you Jin Ju for agreeing to this interview. I am sure our readers will be inspired! Thank you for your time & taking me on this walk while letting me discover another side of you. This meant a lot to me personally.
老师,谢谢! THANK YOU!

Please follow Jin Ju here.

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Interviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

Contributing Editor – Serene Ong (Behind the Scenes)
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Started photography with a strong affinity in Long Exposure and Macro, Serene has created a following under the name of “Serene Digital Crafts”. She is an experimental photographer who will keep trying until she gets the shots that she had envisioned on her mind. Of a joyful character and friendly personality, Serene had started to contribute to gear review during her free time – when she is not shooting, she will be dedicating her time taking care of her 2 lovely kids.

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Sigma DC DN 18-50mm F2.8 (C)

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Sigma 18-50mm F2.8 DC DN (C)
– Reviewed by Editor AL Lee

Image: Editor AL with the Sigma 18-50mm DC DN (C) mounted to a Sony a7r. 

 

29th November 2021, Singapore – Just a week ago, I posted a project for diorama shooting using the Sigma 18-50mm DC DN (C) and I had received a lot of questions from our members & followers about this lens. You can check out my diorama project here. And if you had been looking for a lens with wide aperture, super minimum focusing distance, compact and light weight, zooms from wide to mid tele, this is the super lens that you need. Why? Because with this lens, likely you will not be changing lenses so often and I mean it.

When I first received the lens from Sigma Singapore, my first was impression was “wah so small?!?!” – well this tiny lens measures at 61.6mm × 76.5mm and weighs only 290gm! This is super compact given its F2.8 aperture and a zoom, usually such lenses will come in monster size and weights like a ship – but the Sigma 18-50mm is tiny! I have the old Sigma 18-50mm F2.8 EX DC and I was guessing if this is the “replacement” and I later found it is not. The new 18-50mm DC DN is designed from ground zero and takes not resemblance to the EX version in any way be it cosmetically or optically. And the new 18-50mm can be mounted on a Full Frame body while the old EX cannot.

 

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The external of the lens are pretty much everything you will expect from a Sigma, well made, body barrel made from TSC, grippy zoom/focusing rings and the familiar layout are user-friendly to all users. It is also optimized for “Dust & Splash” so it is safe to use this lens in most shooting environment outdoor!

Inside the lens, the optics are arranged in 10 groups with 13 elements including 1 SLD element & 3 aspherical elements for optimum optical quality and sharpness. That is amazing since such configuration are usually found in more expensive lenses etc. Comparing to the previous EX version where ghostings are prominent, the new DC DN version has completely eliminated that phenomenon. And the images turned out super sharp and detailed. (The front element is also equipped with the Super Multi-Layer Coating)

The aperture are made up of 7 rounded diaphragm blades that gives you near-perfect circular bokehs while the focused area are tack sharp. Powered by a stepping motor (sadly not Sigma’s Hypersonic Motor “HSM”), I was pleasantly surprised that the focusing are very fast and accurate despite it is not Sigma’s famous HSM. And the focusing is so quiet that I had to check several times during the review to make sure the lens are focusing – yes it is that quiet!

 

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This tiny monster has a super mini-focusing distance of ONLY 12cm (Measured) and it has a magnification ratio of 1:2.8 which means, you can do a lot of really decent close-ups photography with this lens! (Not Macro though).

Inside the retail, a dedicated Petal Type Hood (LH582-02) is supplied too.

So I took the lens out to Singapore’s Orchard Road and shot everything that caught my attention. Check out the images below!

(All images are adjusted for rotational horizon and cropped for framing. No other edits was done)

 

The Bokehs are delicious! While the focused area are very sharp and full of details. I also like the color, it is a perfect match for Sony’s sensor.

18-50mm is useful for wide-angle shooting (top) through mid-telephoto range like portraits (below).

I had decided to crop out a section to check out the bokeh (below)

I decided to crop out the red area above.

After the crop, check out the bokeh shapes. They are near “perfect-circle”, thanks to the 7 rounded aperture blades.


The Sigma 18-50mm DC DN (C) is super versatile and it performs really well even when darkness fell. The colors rendering are good, like I mentioned earlier, this lens is a superb match with Sony’s sensors.

 

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Summary – Made & designed as a Contemporary line lens, the Sigma 18-50mm F2.8 DC DN covers a missing link in the lens market for the need of a super lens for APS-C users. Although I used it on a Full Frame body, the auto-crop function works amazingly well. Throughout the review, I did not have to change the lens as it covers almost everything that I wanted to shoot during my walk at Orchard Road. (I have the 50mm F1.4 & 85mm F1.8 with me). Light & compact, paired that with a good zoom focal range and a large aperture (F2.8) – that is none other than the Sigma 18-50mm F2.8 DC DN (C).

Do check out the rest of the images from this lens here.

Buying this Lens
If you need a wide to mid-tele zoom lens that does almost everything, the Sigma 18-50mm F2.8 DC DN (C) is our best recommendation, you should go ahead & buy this lens.
Buy from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

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Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/

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Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

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Diorama Shooting Demo – Koon Seng Road

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Diorama Shooting Demo – Koon Seng Road
– Demo by Editor AL Lee

Image: Editor AL’s set up for 1/64 scale diorama of Koon Seng Road.

21st November 2021, Singapore – Recently a photographer got featured for shooting a miniature diorama of Koon Seng Road in Singapore. And many of our students started asking me for tips on shooting diorama. I managed to get the exact same print-out from a reliable source and I decided to do up this article along with a video (below) to show how this is being done.

Check out the video!

 

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I set up a portable table in the middle of the neigbourhood park in the direction of the sun.

The background/ backdrop scene was pre-printed on a sticker sticked to a foam board. Likewise the road are harvested from other images. The road were adjusted to fit into this scene.

As mentioned in the video, the cars used are from Takara Tomy in 1:64 scale. This is important, buying a wrong scale car will destroy the scale management of this scene.

 

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Below is what I’ve gotten before I crop to size.

Below: After Cropping.

To view the full set of images from this project, click here.
To view the other images that I had done with this diorama set, click here.

 

I used my Sony a7R and paired it to the new Sigma DC DN 18-50mm F2.8 (C). It was designed for APS-C cameras – what I am really getting is about 27-75mm F2.8 once it is mounted on my full frame body. This is one underrated Sigma lens – designed as a budget walkaround lens with a wide aperture (F2.8), this lens amazed me with its focusing speed powered by a stepping motor and it is exceptionally quiet and very fast.

The external design is pretty standard. The front takes 55mm filters and generally a small-looking lens (61.6mm×76.5mm) and weight only 290gm). Inside the lens, the real surprise here are the lens elements. The optics are arranged in 10 groups with 13 elements including 1 SLD element & 3 aspherical elements for optimum optical quality and sharpness. That is amazing since such configuration are usually found in more expensive lenses etc. The lens has 7 rounded diaphragm blades that produces nice and smooth bokehs. Another feature that I was very impressed with – the minimum focusing distance is only about 12 cm!!!!!  Add that to the magnification ratio of 1:2.8, this lens is capable of doing many close-ups! (Not exactly macro, but close!) The lens also comes with a dedicated Petal Type Hood (LH582-02) which was supplied in the retail box.
Note: We will be back with a full review for the Sigma DC DN 18-50mm F2.8 (C) 

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In Summary, shooting a diorama is similar to shooting miniature toys. Just that a scenery of the same scale are added thus the importance of scale management. A wrongly scaled vehicle or fixture will destroy the overall composition easily and that is pretty obvious why.
Use good lighting and make use of the outdoor sun. Shadows adds a “reality touch” which adds to the feel of the final image delivery. Remember, you are trying to create a real scene with toys but still leaving hints of reality so that your viewers can be optically confused -and that is the desired effect of such diorama images.

Hope all of you had learn something about shooting diorama today, take care and I will be back with a full review of this Sigma lens too. Ciao.

Buying this Background
This printed background was found to had been extracted from Wikipedia. It was size adjusted and printed on sticker which was transferred to a foam board. If you are keen, I will be happy to help you print and ship it to you for a token fee.

Buying the Cars
All the cars used are from Takara Tommy in 1:64 scale. All Takara Tomy cars have their scale printed on the retail box, so please check carefully before buying. Using a wrong scale car WILL destroy your image. These cars are available in selected pretol kiosks, Toys R’ Us & Don Don Donki (in Singapore).

Buying this Lens
If you need a wide to tele zoom lens that does almost everything, the Sigma 18-50mm F2.8 DC DN (C) is our best recommendation, you should go ahead & buy this lens.
Buy from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Posted in Brand: Sigma, Brand: Sony, Ourshutterjourney Reviews, Photography Articles & Videos | 1 Comment

Sigma 24mm F3.5 DG DN (C)

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Sigma 24mm F3.5 DG DN (C)
Reviewed by Editor AL

Image: Editor AL & his Sony a7R & Sigma 24mm F3.5 DG DN (C).

28th September 2021, Singapore – Right, as promised this is like the “Part 4” review for the Sigma iSeries (DG DN) – this round, the Sigma 24mm F3.5 DG DN (C). (Check out the previous reviews for 35mm F2, 45mm F2.8, 65mm F2). While the NEW 24mm F2 DG DN (C) was recently announced and we had yet to get our hands on the 90mm F2.8 DG DN (C), we noted that the iSeries has total of 6 lenses and the 24mm F3.5 DG DN had been one of the best-selling wide angle lens from the iSeries so far.

If you are comparing the 24mm F3.5 with the NEW 24mm F2, I will say apart from the aperture, there are only slight differences on the size, the weight & the lens elements. We shall not comment further on the F2 until we get to review it. Now let’s take a look at why the 24mm F3.5 had been such a best-seller.

As a super compact lens, the nearly-all-metal construction is the same as the rest of the iSeries lenses. Measuring at 64mm×50.8mm (slightly longer than the L-Mount version) and weights only 225gm, this is the smallest lens in the series.

Featuring the same type of metal lens hood that is magnetic and has grip lines, it has the same design cues as the rest of the series lenses. Likewise, the lens feels really solid and it is also made weather-proof in case of the sudden rain.

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I did mentioned in my previous reviews that I like the aperture ring a lot. It’s the clicking type that feels very premium. The focusing ring is smooth and the button layout is the same as the rest of iSeries lenses. Very good layout for quick operations.

The front of the lens takes 55mm filters and has a minimum focusing distance of only 10.8 cm. Very versatile in my view.

 

Inside the lens, the optics are arranged as 10 elements in 8 groups – including 01 x SLD glass and 03 x aspherical elements. The 7 rounded blades aperture focuses from F3.5 to F22 which is pretty standard.

As I had been very sick for a week, and after serving the Stay Home Notice and getting myself “stamped” as Covid-Negative, I finally found some strength to take a walk with this lens to a nearby park near my house. I went to NTU’s heritage garden to try out the 24mm F3.5 let’s check out the images.

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The Sigma 24mm F3.5 DG DN (C) being a Wide Angle lens, I reckon it will be nice to test out this lens while strolling at a park, the wider coverage allows me to shoot large structure/ subjects even when I stand closer to shoot.

All images on this review are minimally cropped with no editing except adding of watermarks. You can see the amount of details captured with this lens + camera combo. As the 24mm that was issued to me came in Sony Mount, and with my preference to a7R, this combination is superb for capturing lots of details and the given allowance to crop later if I want during editing.

 

Like the previous iSeries lenses that I had reviewed, the 24mm is so light that throughout the walk, it was really effortless to handheld it all the way. I like the focusing a lot. It somehow reminded me of the Sigma 35mm F2 DG DN (C) that I had reviewed recently. The focusing was fast and accurate, almost spot on every time. And the park was very quiet, I cannot even hear the lens doing it’s focusing, that is very quiet-focusing by the way.


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In Summary, the Sigma 24mm F3.5 DG DN (C) is a very versatile lens. Well worthy to be a landscape lens (or event) given its sharpness and the image quality. Colors are awesome and no ghosting which is a common phenomenon for such focal length lenses. Although Sigma had released a “higher” version of the 24mm in the guise of F2, still the 24mm F3.5 does cater to a larger group of photographers who may not be professionals but needed the wide angle and superior image quality. There is a price difference of about $160 between the F3.5 and the F2 so it really depends what you really need and what you use the lens for. And yes, it does not matters if you are using this lens purely for landscape and shoots outdoor in the day if night shooting in F2 is not exactly your thing,

Buying this Lens
If you need a wide angle lens that does almost everything, the Sigma 24mm F3.5 DG DN (C) is probably your best choice, you should go ahead & buy this lens. Buy from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/

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Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Posted in Accredited Merchants, Brand: Sigma, Ourshutterjourney Reviews, Photography Articles & Videos | Tagged , , , , , , , , | Leave a comment

Sigma 35mm F2 DG DN (C)

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Sigma 35mm F2 DG DN (C)
Reviewed by Editor AL

Image: Editor AL at a local farm with his Sony a7R & Sigma 35mm F2 DG DN (C).

13th September 2021, Singapore – I was planning to go downtown to review the Sigma 35mm F2 DG DN (C) & do my usual street photography – then an idea struck me. There’s a private Farm who had extended their invitation to me & our group to visit them so I decided to review the Sigma 35mm F2 DG DN (C) via a farm visit instead.

This review also doubles up as a “Part 3” to the “i” Series lenses that I had reviewed (or still reviewing). We had reviewed the 45mm F2.8, 65mm F2 and now the 35mm F2. (We will be doing the 24mm F3.5 soon too while waiting for the 90mm F2.8).  These new DG DN lenses are designed to be extremely tough with its “mostly” metal construction, the retro yet elegant design & lastly compact and small despite the bigger aperture. Designated under Sigma’s popular Contemporary (C) line of lenses, these DG DN lenses had been widely touted that it is much more premium than the earlier (C) lenses and the overall build & image quality are really closer to Sigma’s Top-of-the-Line ART (A) line lenses.

 

 

The Sigma 35mm F2 DG DN (C) – like its “brothers”, are super compact. I was issued the  Sony E mount which measures only 70mm × 67.4mm (the L Mount version is slightly shorter) and weights only a mere 325gm. For a F2 lens, this is considered very light by most standards. As mentioned earlier, the lens barrel is made from a mix of TSC, Aluminum and even the lens hood (LH636-01) is made from metal too.

 

The Design is (expectedly) similar to the other 3, with a selectable aperture ring, an oversized MF/AF switch and a metal focusing ring, which had proven to be very functionable with great ergonomics being thought out for handling. I like the rounded hump on the MF/AF switch which was very easy to locate while keeping my eye on the viewfinder, it is also very comfy to the touch.

 

 

Inside the lens, the optics are arranged in 10 elements in 9 groups including 1 SLD glass and 3 aspherical glass that helps a lot on cutting flares and ghosting while rendering incredible sharpness. The aperture are made from 9 rounded blades that opens from F2 to F22 which is pretty standard. The minimum focusing distance is a mere 27cm and has a magnification ratio of 1:5.7 , very very decent in my view.

 

 

The front of the lens takes 58mm circular screw-on filters which is common. Personally I like the metal lens hood a lot. Sigma claimed that it is a magnetic lens hood, but you still have to screw-click this hood. Still I like it cos when I sling my camera to a side and walking on the street, those senseless people who expect you to give way to them or tried to walk straight onto you while walking past you will be sure to walk away with a bruise or a cut, thanks to the threaded grip design on the metal hood. People should learn to walk on the street and avoid photographers’ cameras – Sigma thanks for this.

 

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While many people cannot really get along with 35mm and opted for 50mm or 24mm, the 35mm range is one of my favorite as it is very good for framing street subjects, the F2 aperture allows quick focusing in low light condition and the bokeh from this 35mm is awesome too.

Instead of shooting street photography, I brought this 35mm out to a local farm over the weekend and tried to shoot whatever I came across just with this lens. Check out my images below!

 

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Above: The above are not your regular food chicken. These are prized pets!

Below: I am shocked that farmers here had managed to climatize Grape vines for our crazily hot Singapore.

The Sigma 35mm F2 DG DN (C) was fast in focusing and great to use for this visit. The short minimum focus distance really helps a lot for my close-ups.

 

 

The color – when the Sigma 35mm F2 was paired to my Sony a7R, both complimented
each other like a perfect match. I got great colors, lots of details, high quality and contrasty images. Really a joy to use!

35mm is also a great focal length (for me) as I always rather pick 35mm over 50mm due to the slightly wider angle of view so that I may frame both near and far away subjects easily.

 

After the farm visit and a quick dinner, I decided to take the Sigma 35mm F2 to Chinatown for a walk and check out the light-up for Mid Autumn Festival. The 35mm turned into a night monster easily. The F2 aperture just gave me lots of added advantage in low light.

Above: Positioned my camera on the floor and got the above shot with a slow shutter.

Below: Bumped into another Photographer (Janice) who was out cycling so took this chance to test the bokeh too.


In Summary, the Sigma 35mm F2 DG DN (C) is definitely my favorite so far after I had shot with the 45mm and 65mm. 35mm has always been an “in-between” range (between 24mm & 50mm) and it is also a very popular focal length for street photographers. The fast & silent focusing is accurate and the big aperture coupled with a close focusing distance and a high magnification ratio, this is the One lens that you need to cover a lot of genre and shooting  in various situations.

Like my previous review, I strongly feel that Sigma should have given these new DG DN lenses a new naming convention rather than just designating them under the Contemporary (C) line. They are really more ART (A) then just being Contemporary (C) – pun intended.

Buying this Lens
If you are feeling adventurous & curious about this Sigma 35mm F2 DG DN (C), then you should go ahead & buy this lens. Buy from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

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Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

apd

Posted in Accredited Merchants, Brand: Sigma, Group Test & Reviews, Ourshutterjourney Reviews | Leave a comment

Camera Rental Centre Promotion Extended to End 2022

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Camera Rental Centre Promotion Extended to End 2022
Text by Lee Shi Qing

07th September 2021, Singapore & Malaysia – We are pleased to announced that we had received news from our rental Partner – Camera Rental Centre Singapore – that our partnership for rental deals for Ourshutterjourney Card Members will be extended till 31st December 2022!

Ourshutterjourney Card Members
– will continue to enjoy 20% OFF for your first rental and subsequent rental* will be fixed at 10% till 31st December 2022! So remember to quote your card number when you are booking an equipment for rental!
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*Limited to Photography Equipment ONLY!

 

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Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/ 

 

 

=========================
Contributing Editor – Lee Shi Qing
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A firm believer of Self-Sufficient living and gives no f**k to anyone getting in her way to reaching her goals in life. Kind in nature & Dangerous when provoked. Loves Mcdonald’s Fries and hates all the burgers there. While she helps out in gear reviews, Qing is currently serving as an Online Administrator for Ourshutterjourney.com Facebook Groups and Online Shop.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Posted in Uncategorized | Leave a comment

Sigma 65mm F2 DG DN (C)

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Sigma 65mm F2 DG DN (C)
Text by Editor AL

Image: Editor AL with the new Sigma 65mm F2 DG DN (C) paired to a Sony a7R posing here with Masterpiece Megatron somewhere in Singapore.

06th September 2021, Singapore/ Cybertron Recently Sigma Singapore sent us the Sigma 65mm F2 DG DN (C) lens along with the 24mm & 35mm which we will be reviewing them separately. The 65mm F2 is part the new “i” series lenses from Sigma that are super compact, built like a tank & promises performance. Following the success of the 45mm F2.8 (C) which we reviewed last year, Sigma releases the 65mm F2 (C), 24mm F3.5 (C) & the ever popular 35mm F2 (C) as part of the “i” series lenses from Sigma.

Although designated as a C (Contemporary line) lens, the 65mm (and the other 3 too) feels like a wrongly badged lenses as they produces great images, fast apertures and built super solid. This review unit is a Sony mount, let’s start from the size – measuring at 72mm × 76.7mm (L Mount is slightly shorter), this is a tiny lens given that the focal length is 65mm and a mid-telephoto.  At the front, the 65mm take 62mm circular filters and comes with a dedicated metal lens hood. (Sigma LH-656-01)

Also read: Sigma 45mm F2.8 DG DN (C) here.

 

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The aperture ring reminds us of an era from another dimension. I like how the aperture ring clicks when I want to adjust it manually but most of the time, I left it in “A” as I personally like to adjust my aperture using dials.  The whole lens barrel are made from Sigma’s TSC compound along with aluminum making the lens very weighty but still pretty light at 405gm.

 

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Inside the lens, the optics are arranged in 12 elements in 9 group with a 9 blade (rounded) aperture. The 65mm starts focusing from as close as 55cm and has a magnification ratio of 1:6.8 which is very decent. The aperture opens from F2 to F22 and the sweet spot for this lens has to be around F2.4-F2.8 as that was when I got the best bokeh and the focused subject is the sharpest. I am not sure if this is limited to this Sony mount example or it applies to the L mount example too – this I am not too sure.

 

And so I took the 65mm out to Evolution Garden at Botanic Gardens and doing a dual review as I am also reviewing a toy at the same time. Let’s check out the images!

 

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At 65mm, it’s a “weird” focal length since most will likely go for 50mm or 85mm for full frame users however, when I was on the review, I discovered that 65mm with a close focusing distance was actually very useful and in fact purposeful.

I super like how the colors turned out when I paired it with my Sony a7R. And the 65mm focuses really fast and super quiet. At some point during my walk, I came to a part of the garden which was eerily quiet. Still, I can’t hear the lens focusing, well I am impressed.

 

 

And to add, the 65mm focuses very accurately and very fast. I will give it “less than half a second” and the focus landed accurately every single time. As my expectations of Sigma lenses had increased over the years (since I started reviewing Sigma back in 2008), I felt that Sigma had upped the ante a lot over the years too. In simple words, Sigma has kept up with the demands of photographers throughout all these years.


Image: Uncle Koh (OldKingKoh) taking a shot of Serene from Serene|Digital|Crafts who was also present at the Evolution Garden when I was doing the review.

 

I am not exactly a portrait person when I am not shooting commercially although I provide portrait services for various genres, you can say that I prefers to separate my work with leisure. The 65mm in my view – is more than just a simple mid-telephoto lens, it is also a superb street photography lens, a good walkabout lens if you are someone who likes to take a closer view to small subjects, while wanting a better range to shoot faraway subjects (and crop later).

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OK, let me reveal a shot of the toy that I was reviewing. It’s a Masterpiece Megatron from G-Mierch.

 

In summary, the Sigma 65mm F2 DG DN (C) lens gave me more than I expected. In fact, I hope Sigma will start a new line for the “i” lenses as it definitely feels much better quality than the earlier “C” (Contemporary line) lenses and it is very close to the “A” (Art line). Quiet and super fast focusing, light weight and solidly built, I almost forget I was using a Sigma, it’s an experience that you have to experience it yourself to understand how I came to this conclusion. The 65mm is inexpensive and definitely a great lens to use with my Sony system!

OK here’s a part shot from Serene|Digital|Crafts. Do check out my sweat! Hahahaha!

Buying this Lens
If you are feeling adventurous & curious about this Sigma 65mm F2 DG DN (C), then you should go ahead & buy this lens. Buy from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

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Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: https://camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

apd

Posted in Accredited Merchants, Brand: Sigma, Brand: Sony, Group Test & Reviews, Ourshutterjourney Reviews, Photography Articles & Videos | Tagged | Leave a comment

Random Rent & Shoot Outing with CRC

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Random Rent & Shoot with CRC
– Text by Melody Tan

Image: Team Ourshutterjourney at Camera Rental Centre Collecting Pre-assigned Gear 

30th August 2021, Singapore – We decided to do something different and interesting for our August 2021 outing. After much thought, the Editorial Team suggested to our Chief (AL) why not do a “Random Rent & Shoot” outing. He accepted the idea citing this will be a good test of one’s ability to adapt and operate other brand’s gear and so the outing was planned for August’s official outing. Due to the foregoing restrictions on social gathering up to 5 pax, the team was split into 2 teams of 3 pax.

The concept of this outing – photographers are usually very familiar with the gear that they are using (native) and there are always fear of using another brand’s equipment – unfamiliar menus, camera/lens behavior, finding settings etc. So this outing is to get the guys to rent a camera/lens that are not familiar to them. As usual, we roped in our rental partner – Camera Rental Centre – and shared with them this idea. They requested for the attendees’ current system so that they can planned and issue a set of equipment that is NOT native to the user. (sounds like Fun!) It’s like the good old “Tik Kam” – its like a lottery.

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The 2 teams went to collect the gear from Camera Rental Centre  at their given time slot and they were in for a surprise!


Image: Peggy Teo collecting her “tik kam” gear from CRC.

 

Peggy is a known Sony user and Camera Rental Centre  decided to issue her a Fujifilm XT-4 with a Fujifilm XF 8-16mm F2.8R LM WR lens.

 


Image: Uncle Koh a.k.a OldKingKoh collecting his “tik kam” gear from CRC.


Uncle Koh is a known Fujifilm/Nikon/Samsung user and Camera Rental Centre decided to issue him a Canon M6 Mark II with a Canon EF M18-150mm F3.5-6.3 IS STM lens.

 

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Image: Nash collecting his “tik kam” gear from CRC.


Nash is a known Olympus user and Camera Rental Centre decided to issue him a Nikon Z6 Mark II with a Nikon Z 14-30mm F4 S lens.

 

Image: Serene collecting her “tik kam” gear from CRC.


Serene (Serene Digital Craft) is a known Olympus user and Camera Rental Centre decided to issue her a Canon R6 with a Canon RF 50mm F1.2L USM lens.

 

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Image: Kennedy (KK) collecting his “tik kam” gear from CRC.

Kennedy is a known Olympus user and Camera Rental Centre decided to issue him a Nikon D4 with a Nikon AF-S 35mm F1.8 G lens.

 


Image: AL collecting his “tik kam” gear from CRC.

 

AL (our Chief Editor) is a known multi-brand user and Camera Rental Centre decided to issue him a surprise Medium Format Fujifilm GFX 50R with a Fujifilm GF 32-64mm F4 R LM WR lens. (Thanks Jason for the surprise!)

 

And so, after collecting their “Tik Kam” gear, the team spent about 5 mins orientating themselves with the new gear and there was so much laughter as suddenly this group of season photographers became “beginners” again. Apparently lost, everyone tried to find the usual controls for their shutter, aperture, ISO etc and in 5 mins, they are good to go.

The route selected for this outing is from CRC (CMO Building)> Clarke Quay> Clemenceau & back. Time given was 2 solid hours to use the “Tik Kam” gear and shoot whatever the attendees wants. Let’s see what they said about their “Tik Kam” gear and check out some of the images they shot during this outing.

AL LEE
Let’s start with our Chief Editor, AL. He was issued a Fujifilm GFX 50R with a Fujifilm GF 32-64mm F4 R LM WR lens. Let’s check out some of his images and his comments below.

AL: “I was surprised when I was issued the Fujifilm GFX 50R with a Fujifilm GF 32-64mm F4 R LM WR lens. Its a digital Medium Format camera. Although I have a few Fujifilm mirrorless cameras, the GFX is a monster by any standard. From a first time user, I find that everything is easy to navigate and definitely user-friendly on the GFX50R. Its quite a sizeable camera (medium format camera hallo?!?!)”

AL: “Walking through Hong Kong Street to Clarke Quay, I realised the GFX is actually quite a superb street camera – the amount of details captured is unimaginable. Apart from the size which I kinda got used to, this is a very enjoyable camera to use. To add, since the Pentax 645D, the Fujifilm GFX is another great medium format camera that one can use for street or even portraits.”

AL: “I chanced upon an interesting restaurant – WINGS Bar – the facade features a replica 1942 bomber which is a crowd-puller – then I met the service staff – super friendly when I asked about the menu and also invited them for a photo – they happily obliged. Their service uniforms are air force inspired too. They serves various types of chicken wings, beers and lots of finger food options as well as main courses! Do check them out!~ They are located at 3D, River Valley Road, #01-02, Singapore 179023 (near the centre main fountain area).”

 

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Peggy Teo
As a native Sony user, she is known for her experimental shots and a great lover for Sun rise/ Sun set photos. She was issued a Fujifilm XT-4 with a Fujifilm XF 8-16mm F2.8R LM WR lens. Sony to Fujifilm is not (quite) easy given the menu layout is very different, so let check out Peggy’s images & her comments below!

Peggy: “Without prior information nor knowledge nor a manuel, it was indeed daunting to handle an unfamiliar camera. A quick run through the camera with the help of Mr. Koh, I did a quick check to figure out the settings/dials, to understand some quirks and hidden functions i might not otherwise be aware of in this unfamiliar camera.” 

 

Peggy: “Went out on my rounds to gain real shooting experiences, tikam tikam to see how lighting changes, understand the characteristics of the camera/lenses, with much assistance from along the way. It was nonetheless fun to live out the challenge!”

 

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Uncle Koh Lye Huat a.k.a OldKingKoh
One of the famous photography Uncle in Singapore, JB and some say Batam, he is an all-rounder photographer although it is noted that he loves shooting flowers & historic sites in Singapore. He is also widely known as a huge fan of Fujifilm but he also uses Samsung & Nikon often too. For this outing-challenge, Uncle Koh was issued the Canon M6 Mark II with a Canon EF M18-150mm F3.5-6.3 IS STM lens. Let’s check out his images & comments!

Koh: “The event was officially announced to be held on the 28th August 2021 – coded named “Random Rent & Shoot” and in a group of 5 fully vaccinated participants. The gear will be rented from Camera Rental Center on a totally random basis – means I won’t know what I will be getting until the collection time. Totally random & unexpected, they gave me a Canon M6 Mark II.”

Koh: “The above shot was shot from opposite the river. The 18-150mm was surprisingly good in terms of image quality and details. I had not used this camera before since whatever gear we were given, we have to use & shoot.”

Koh: “We went on a rampage around the area around Clarke Quay and blasted away. Some of us even came back with 2000+ shots, but as for me I was armed with an unfamiliar Canon M6 Mark2 with an 18-150mm lens.  Honestly I did no justice with it as I came back with only 117 shots at the end of the day. But it’s quality over quantity right? Anyway the Canon M6 Mark 2 is a very manageable camera for walks like this.”


 

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Nash Teh
An Olympus user who had tried almost every Olympus Zuiko lens ever made, he was issued the Nikon Z6 Mark II with a Nikon Z 14-30mm F4 S lens. The Z6 being a very different camera (Nikon), switching between Olympus & Nikon is by no means an easy task. The handling, the layout and menu is contrasting on a different level. Let’s check out Nash images & comments below.  

Nash: “My hunch was right, I will be getting a NIKON! But I never expect to be given a Z6 mark II. I was thinking maybe I’d get some other Nikon models – comparing with my current system, the Nikon Z6 Mark II is indeed much superior in many ways. I am so happy about it.”

 

Nash: “The Z6 Mark II is light-weight, comes with touch screen, and a flipable screen. Best of all, it is not overly-sensitive when my face touches the camera screen. Although the Z6 is optimized for video shooting, it is very competent for still photography too. In addition, the multiple-focus points on the screen is very useful when it comes to shooting street with people.”

 

 

Nash: “As an ‘Electronics-Savvy’ person, I would say, it did not take me a lot of time to master the basic controls of this camera. It is an easy camera to use. I would really love to get my hands on this camera one day.”

 

 

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Serene Ong
Widely known as “O Se Re” or “Serene from Serene Digital Crafts”, she is also our contributing Editor for gear reviews. An avid Olympus user, she was issued a Canon R6 with Canon RF 50mm F1.2L USM lens. Some say seeing Serene without an Olympus on her hand is weird, (actually) we agreed to that saying too. Let’s check out her images & comments below.

Serene: “Before the camera was issued to me, I was nervous and worried as I do not know which camera/lens I was going to be issued. Especially if its a camera that was unfamiliar to me.”

 



Serene: “
However, After receiving the camera (Canon R6), I was able to feel less anxious as (luckily) I was once a Canon user. With Uncle Koh’s kind assistance, I was able to familiarise fast. The R6 was easy to operate and manage.”

Serene: “Overall, the experience was extremely enjoyable and exciting. This ‘Tik Kam’ outing is superb and very fun! Thanks CRC for co-organising this event and I was able to get a cheaper price for renting a camera beyond this outing as an Ourshutterjourney Card member.”

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Kennedy Lim (KK)
One of the few photographers that we know who lives, eat & breathe Olympus cameras, probably the best way to “sabo” him will be to issue him a completely different camera. He was issued the mighty Nikon D4 with a Nikon AF-S 35mm F1.8 G lens.

 
Kennedy: “I was surprised & excited when I was issued the Nikon D4 with a 35mm prime lens. The D4 is a legend camera when it replaced the D3 and the specs are way ahead of time. Although the D4 had aged, it is still a very competent performer a definitely made for the pro users.”

 



Kennedy: “The FPS are crazy, just imagine, when the D4 was launch a few years ago, it was the industry’s fastest FPS DSLR with a ridiculously high dynamic range. I used it for this outing and I like the crazy speed.”

Kennedy: “While many cited that the D4 is a great sport or birding DSLR, I personally think it is also a superb Street Photography camera. I love the images that I’ve gotten from this outing. The ‘Tik Kam’ idea was damn good and creative. Else I do not think I will have a chance to use this camera.”

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Well it seems that it had been a very fun outing for the group! Renting a camera randomly and learning it within minutes is definitely challenging but also fun at the same time!

Thinking to rent a camera or lens to try before purchasing? Do check out our appointed Vendor Camera Rental Centre!

THANK YOU CAMERA RENTAL CENTRE FOR MAKING THIS HAPPENED!
– from ALL of us at Ourshutterjourney.com

PS: Ourshutterjourney Card Members Enjoys Special Rental Deals!

Here’s a Parting Shot~

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Contributing Editor – Melody Tan
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Loves quiet walks along beaches, has a mind of her own and decides everything in life in either black or white with nothing in between. Her priority these days revolves around her 2 lovely kids & teaching them music or photography. A lover of yoga and an avid traveler, Melody aims to visit at least 30 countries before she reach 40 years old – from what we know, she had completed 27 as of 2018.
========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

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Posted in Brand: Canon, Brand: Fujifilm, Brand: Nikon, Brand: Olympus, Brand: Sony, Uncategorized | Leave a comment

Pang Teng Lin (冯廷莲) Featured on 银色嘉年华

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Pang Teng Lin (冯廷莲) Featured on 银色嘉年华
Text by AL Lee

Image: Pang Teng Lin in Action.


Featured Video after the jump

10th July 2021, Singapore
– One of our group Trainer (and Senior Member) – Pang Teng Lin got featured on 银色嘉年华 (or Silver Carnival) on 7th July 2021. It was a special feature for seniors in Singapore who live life to the fullest after retirement. Feature includes seniors who live their lives differently after they retires & those who hone their hobbies into professional level.

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Tenglin first joined the group in 2016 and she had been with us since, rising up from a regular member to a trainer in the span of 5 years. She had won multiple awards – including awards from our competitions and her work had also been exhibited in our national-level exhibitions (SnapShots Series) winning accolades from other photographers. To add, she was also a graduate from our Academy’s Street Photography Masterclass which she graduated with full competency.

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I first met Tenglin in 2013 during an event by Canon Singapore that I was leading. She came across to me as a very humble learner as well as someone with a great learning attitude. It was much later that I found out that she was a retired educator herself.


Image: Can you spot Tenglin & AL?

 

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Let’s check out the Featured Video!

 

Tenglin is active with many photography groups in Singapore and she has built up a following for her work throughout the years. Her images are mostly on public view so you may wish to check out her work here.

A little snippet, I once asked Tenglin why she never stopped learning despite having gained lots of experience in shooting and had followed many photography teachers over the years. Her answer is:

“I never stop learning as I believe no one will be able to learn everything, so I continue learning as much as I can, for as long as I could.”. – Pang Teng Lin

Personally as an Educator, I have seen my fair share of learners who are stubborn, refused to embrace new things, new skills, new technologies but Tengling is definitely a different breed. From her former background as a Teacher, she fully understood what educators had gone through. Thus she is very appreciative of all her photography teachers as she views those knowledge that she has gained is far more precious than gold.

Some of her teachers are:
(in alphabetical order)
Allan Lee (SJS/OSJ)
Andrew JK Tan (Mentography)
Edwin Koo (KIO)
Francis Lee (Private)
Goh Kim Hui (PSS)
Goh Koon Peng (PSS)
Guohaoshui (Private)
Jeffrey Wong (PSS)
Paul Hui Man Yan (PSS)
Wilson Wong (SPIN)

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Despite all the awards that Tenglin has won in photography, she remains humble and is always ready to share what she knows with fellow photographers. She is selfless and most willing to teach if anyone is keen to learn. We got a lot to learn from Tenglin. Congratulations Tenglin for the recognition & keep up the good work!

Do check out her work or follow her here.

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Reviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Posted in Uncategorized | 1 Comment

Mitakon Zhongyi 20mm f/2 4.5x Super Macro

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Mitakon Zhongyi 20mm F2 4.5x Super Macro
Reviewed by Editor AL Lee, Guest Reviewer Koh Lye Huat (OldKingKoh)

 

19th June 2021, Singapore – Following our recent interest in China-brand lenses, we did a run with Mitakon Zhongyi 20mm F2 4.5x Super Macro. This lens belongs to Uncle Koh (more fondly known as OldKingKoh), which I invited to co-review the lens. Why? I just can’t seem to shoot anything with this Super Macro from Mitakon.

This Mitakon Super Macro was originally designed for use with DSLR systems however, mirrorless versions were made available and for the review, it’s a Fujifilm X mount. So the 20mm focal range became 30mm (APS-C) on our test cam. So what were we expecting? 20mm is wide angle, but coupled with a 4.5X magnification, this is one confusing lens (at least for me. Specialized super macro lens is designed for working with close-up subjects and provides a maximum magnification of 4.5x and a minimum magnification of 4.0x.

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Like most China-brand lenses, the Mitakon Super Macro came as a full metal constructed lens – but with a weird twist. The front of the lens are super tiny while the barrel are much larger giving it a weird proportion. It kinda feels like a microscopic lens attached to my camera.

The Super Macro is average-size, measuring at 62 x 60mm with the weird tiny dick-like head, and weighs a mere 230gm. As light as it is, it feels solid and weighty during use, but not heavy enough to tires you out.

Inside the lens, there are 6 elements in 4 groups which apparently does nothing except to magnify the magnification – although Mitakon claimed this optic arrangement is to provide edge to edge sharpness, I will say, this is utter nonsense. This manual Super Macro has a “fine-adjusting” of aperture from F2 to F16 and the focusing is also very fine and sensitive. Having said that, if you have shaky hands, you can forget about shooting anything decent with this lens unless you have a focusing rail and tripod. (I even added a LED light to help out with the exposure).

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The Super Macro has a minimum focusing distance of 0.8 inch (about 2cm) – this means it will be challenging if you are attempting to use this lens to shoot anything that moves – yes, this lens is not friendly for your little insect friends unless they are dead. And the Super Macro does not have an infinity focus so basically this lens is only good for anything that is near and requires a super magnification. While this Super Macro offers a 4X to 4.5X magnification, trust me, more is less, it makes everything super near and the slightest wind or movement will guarantee you a blur image.

 

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And so, before I fucked up the review, I invited Uncle Koh to join me for this review. Let’s check out the images. I had combined images of how close each of the review shots were done.

The lens/camera are mounted on a focusing rail and on a tripod. It is simply impossible to handheld this lens and shoot. Additional lights are useful giving the images an added constrast/ shadows – and since the depth of field is damn shallow, you need to to focus stack. However for this review, I simply fuck care and shot as it is. Because whatever I am getting right out of the camera will be the same if you buy this lens so I will rather show what you will be getting.

 

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I never enjoyed this lens throughout the review. I find it terribly hard to use this lens and a lot of patience is required. If you do not have patience, I will suggest NOT getting this lens – as it will drive you crazy starting from your first shot. However, this Super Macro may be a great “in house” lens – where you shoot little stuffs around & inside your house, with little wind movement and probably with a large LED light panel.

 

 

 

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Well, I won’t say this Super Macro is completely useless, but you have to learn & understand this lens before you bring this out to the field. The 20mm (30mm) wide angle with a 4.5X magnification may sounds interesting, but using it for anything practical is far from easy. Not forgetting that this is a manual-focus lens and it simple makes everything much harder. Buying this Mitakon Super Macro is cheap, but you may end up having to buy 2 x focusing rail, a solid tripod and additional LED lights etc which may adds up to a lot. Now think twice if you want to buy this lens.

Here’s a parting shot from us.

Buying this Lens
If you are feeling adventurous & curious about this Mitakon Zhongyi 20mm f/2 4.5x Super Macro and needed to burn some money, then you go ahead & buy this lens. But I am sure our accredited merchants will rather not sell this lens!

Renting this Camera/Lens – (Please check for availability first. CRC sometimes do not carry nonsense gear like this lens)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably NOT available for rental at our appointed rental merchant:

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Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
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Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom.

Guest Reviewer: Koh Lye Huat aka OldKingKoh

Senior Group Member & Outing Trainer of Ourshutterjourney.com – Koh Lye Huat is known to many photographers as “Uncle Koh” or “OldKingKoh”. He loves shooting flowers, macro and street photography especially at heritage area of interests. If you are a photographer in Singapore do not know who is Uncle Koh, you need to know this legend. Follow Uncle Koh at https://oldkingkoh.blogspot.com/

 

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

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Rockstar 10mm F8 Fisheye

sigma

Rockstar 10mm F8 Fisheye
Reviewed by Editor AL Lee

Image: Editor AL with the new Rockstar 10mm F8 Fisheye mounted on a Fuji Camera.

 

13th June 2021, Singapore – And so, recently I have been dabbling with quite a number of China-Brand lenses. One of them recently caught my attention – its a diagonal Fisheye eye lens, fixed aperture at F8, tiny Pan cake design and costs only SGD $55.00 via Aliexpress. the construction of the lens are uncannily similar to the Pergear 10mm F8 Fisheye but with a little twist. The distance selector on the Pergear are at the front of the lens bottom facing outwards while the Rockstar 10mm F8 Fisheye distance selector are on a focusing ring like a regular manual focus lens. Before we deep dive, check out the unbox video below. The review and images will be after the jump.

 

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First and foremost, this new Rockstar 10mm F8 Fisheye appear on eBay and soon all other online platforms somewhere between Oct-Dec 2020. It was quite costly back when it first came out as from our research, it costs around SGD $120 back in 2020 and today it costs merely SGD $55.00 – and delivered right to your door.

Let’s get to the specs. Not much information was available on the internet about this lens so I have to do a little more work than usual. The Rockstar 10mm F8 Fisheye is a tiny lens measuring (estimated) 50mm x 12mm buts weights a weighty 80gm (other mount may differ). This little pancake is made from a full metal construction thus explains the weight.


Image: Rockstar 10mm F8 Fisheye mounted on a Fuji Camera. 

 

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As mentioned in the unbox video above, there isn’t any distance scale on the lens except two markings – left 0.3 to right Infinity. I dismantled the lens to confirm the elements and it turned out to be an exact copy of the Pergear 10mm – there are 5 elements in 4 groups and 2 of the elements looks like special elements (sorry I forgot to take some images of the elements). There are 5 fixed aperture blades which I wondered why wouldn’t they just made it as an aperture ring like Lensbaby.

The lens starts focusing from about 35cm when I set the focusing to the “0.3” marking and there is no filter thread so no screw-on filter can be used. Even the lens cap are the friction-lock type. The front element are tiny, about 1.4cm in diameter and the lens are finished with a red ring that does nothing to the lens except to make it look slightly more special than the Pergear 10mm.

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Let’s take a look at the images!

I noticed that the colors rendered are terribly wrong. My white balance are set to Automatic most of the time and I realised the Rockstar 10mm F8 really screwed me on the color department. There are strange & uneven hues of purple at corners and there is also very visible vignetting (light fall off) on the corners. No choice but to keep changing my white balance settings at the later part. Conveniently I just edit the images to monochrome.

 

Noticing the weird color rendering, I continued with the review and try to use this lens to shoot whatever I came across during the walk.

It is really an unpredictable lens, some of the colors came out correct while some simply looks like they are shot in Pluto.

The Rockstar 10mm F8 Fisheye gave me 16mm on my camera (crop factor) and I am using it like a distorted ultra wide angle lens rather than a true blue Fisheye. The distortions are mild and not exactly visible unless shooting architectural images from a nearer distance.

The 2-mode (near or far) focusing does allows me to quickly change focus distance to shoot random subject easily though.

 

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Using the Rockstar 10mm F8 Fisheye, I used it as a mild-distorted-Ultra-Wide-angle lens. Kinda have the love-hate feeling. It is a competent lens as an UWA but I cannot accept the surprises from the unpredictable color rendering. Gave myself a mental note that I should never use this lens for any serious assignment but as a leisure lens or for days that I am drunk.

 

 

 

I was trying to “like” this lens through the whole review process and it had been hard. I was not able to resonate with it no matter how I tried. The only thing that I enjoyed was the tiny size and the curious look of other photographers whom I met on the streets. They kept staring at my camera. 

The color rendering was so unpredictable to the point that I simply try to concentrate on the framing and composition rather than checking on the colors or sharpness. Yes I was very irritated and frustrated at that point.

 

anigif

 


Image: Bon Jovi was here.

In summary, the Rockstar 10mm F8 Fisheye is a Nonsense-lens. Yes, it may be cheap (SGD $55.00), small pancake design which you can put in your pocket, a futuristic looking external design, but, the “surprise” color rendering which 80% of the time are inaccurate, the not-so-easy to focus which may get your subject blur even with focus peaking, the crazy vignette, which I almost wanted to throw this lens into the Singapore River.  I will say, don’t waste your f**king time with this lens. Save your money or check out the better China-Brand lenses here.

Buying this Lens
If you are feeling adventurous & curious about this Rockstar 10mm F8 Fisheye and needed a good spank on your butt, then you buy this lens. But I am sure our accredited merchants will rather not sell this lens!

Renting this Camera/Lens – (Please check for availability first.)
For those of you who wish to try out this lens before purchase, we are pleased to share that this camera & lens is probably NOT available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom. 

========================
About Ourshutterjourney.com
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Hawkers v.2021

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Hawkers v.2021
Text by AL Lee
Contributing Photographers: Audrey Wong, Nash Teh Peng Wee, Peggy Teo & Serene Ong (Serene Digital Crafts).  

Image: Pasir Panjang Food Centre by AL Lee

 

30th May 2021, Singapore – Due to an increase of unlinked cases, Singapore announced the Covid-19 Phase 2 (Heightened Alert) which takes effect from Sunday, 16 May 2021 through to Sunday, 13 June 2021. One of the restrictions includes “No Dining In” to which we saw all the tables and chairs are (once again) sealed/blocked just like our Phase 1 in May 2020. On 19th May 2021, I announced to our Telegram group that I am intending to do a project on Hawker Centres without the actual brief then I was informed that the idea had been plagiarized by other photographers. I cannot imagine what would have been if I had shared the full project brief.

Back to the project, there are many things that will definitely go down in Singapore’s image history, one of them will definitely be how our Food Centres looks like right now. Already the businesses are suffering due to the restrictions, and our hardworking hawkers have to take another blow due to the recent increased cases. It is akin to what we saw during Phase 1, tables & chairs are sealed up/ cordoned off or blocked. And so, I decided to combine a few elements together for this project.

1. Silence of the Night – This project was carried out after 11pm at night and all images are shot between 11pm through 3am. A busy place in the day that turns creepily quiet and solemn in the cover of the night.
2. Tables & Chairs – Different Food Centres uses different ways, different methods, different materials to enforce the restriction. We noted the use of Safety Tapes, White Tapes, Cling Wraps, Black Trash Bags, Cloth Tapes and many others. And these were utilized in many ways and patterns.
3. Heritage Food Centres – While there are certainly many hawker centres/ food centres in Singapore, these hawker centres made it to this project list for several reasons. Many are famous food centres, some dating back to the 1970s, some are popular due to the offerings and some are places that holds dearly to my heart.

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The selected Food Centres/ Hawker Centres as below;

  1. Pasir Panjang Food Centre
  2. Maxwell Food Centre
  3. Amoy Street Food Centre
  4. People’s Park Food Centre
  5. Jurong West Hawker Centre & Market
  6. Taman Jurong Market and Food Centre
  7. Seah Imm Food Centre
  8. Tanjong Pagar Plaza Market & Food Centre
  9. Hong Lim Market & Food Centre
  10. Boon Lay Place Market & Food Village
  11. Yuhua Village Market and Food Centre (Jurong East)
  12. West Coast Market Square
  13. Clementi 448 Market & Food Centre (Clementi Central)
  14. Tanglin Halt Food Centre
  15. Redhill Food Centre
  16. ABC Brickworks Market & Food Centre
  17. Holland Village Market & Food Centre
  18. Bukit Timah Market & Food Centre
  19. Chong Pang City Wet Market & Food Centre, (Yishun)
  20. Ang Mo Kio Central Market & Food Centre
  21. Toa Payoh Lorong 5 Food Centre
  22. Circuit Road Market & Food Centre
  23. Bendemeer Food Centre
  24. Old Airport Road Food Centre & Shopping Mall
  25. Eunos Crescent Market and Food Centre
  26. Bedok Interchange Hawker Centre (Bedok Central)
  27. East Coast Lagoon Food Village
  28. Marine Parade Central Market and Food Centre
  29. Pasir Ris Central Hawker Centre
  30. Changi Village Hawker Centre

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That’s 30 Food Centres/Hawker Centres to cover! So I decided to rope in some help from a few photographers. The project team was formed with Audrey Wong, Nash Teh, Peggy Teo, Serene Ong from Serene Digital Crafts & myself.

So each of us will visit 6 locations (total 30) after 11pm at night and try to capture the current situation with the above theme at these locations.

Let’s Start!

Pasir Panjang Hawker Centre – by AL Lee
121 Pasir Panjang Rd, Singapore 118543

 


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Boon Lay Place Market and Food Village – by Serene Ong (Serene Digital Crafts)
 221A Boon Lay Pl, Singapore 641221

Chong Pang City Wet Market & Food Centre, (Yishun) – by Peggy Teo
105 Yishun Ring Rd, Singapore 760105

 

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Ang Mo Kio Central Market & Food Centre – by Audrey Wong
724 Ang Mo Kio Ave 6, Singapore 560724

ABC Brickworks Market & Food Centre – by Nash Teh Peng Wee
6 Jalan Bukit Merah, Singapore 150006

anigif

Maxwell Food Centre – by AL Lee
1 Kadayanallur St, Singapore 069184



Seah Imm Food Centre – by Serene Ong (Serene Digital Crafts)

2 Seah Im Rd, Singapore 099114

Old Airport Road Food Centre & Shopping Mall – by Peggy Teo
51 Old Airport Rd, Singapore 390051


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Circuit Road Market & Food Centre – by Audrey Wong
80 Circuit Rd, Singapore 370080

anigif

Bukit Timah Market & Food Centre – by Nash Teh Peng Wee
51 Upper Bukit Timah Rd, Singapore 588215

anigif

Amoy Street Food Centre – by AL Lee
7 Maxwell Rd, Singapore 069111

 

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Tanjong Pagar Plaza Market & Food Centre – by Serene Ong (Serene Digital Crafts)
6 Tanjong Pagar Plaza, Singapore 081006

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Toa Payoh Lorong 5 Food Centre – by Peggy Teo

75 Lrg. 5 Toa Payoh, Singapore 310075

 

Eunos Crescent Market and Food Centre – by Audrey Wong
4A Eunos Cres, Singapore 402004

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Clementi 448 Market & Food Centre – by Nash Teh Peng Wee
448 Clementi Ave 3, Singapore 120448

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People’s Park Food Centre – by AL Lee
32 New Market Rd, Singapore 050032


 

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Hong Lim Market & Food Centre – by Serene Ong (Serene Digital Crafts)
531A Upper Cross St, Singapore 051531

 

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Changi Village Hawker Centre – by Peggy Teo
2 Changi Village Rd, Singapore 500002



Bedok Interchange Hawker Centre (Bedok Central) – by Audrey Wong

208B New Upper Changi Rd, 462208

anigif

Holland Village Market & Food Centre – by Nash Teh Peng Wee
 1 Lor Mambong, Singapore 277700


 

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Jurong West 505 Market & Food Centre – by AL Lee
505 Jurong West Street 52, Singapore 640505

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Yuhua Village Market and Food Centre – by Serene Ong (Serene Digital Crafts)
254 Jurong East St 24, Singapore 600254

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Marine Parade Central Market and Food Centre – by Peggy Teo
84 Marine Parade Central, Singapore 440084


East Coast Lagoon Food Village – by Audrey Wong
1220 ECP, Singapore 468960


Redhill Food Centre – by Nash Teh Peng Wee
85 Redhill Ln, Singapore 150085

Taman Jurong Market and Food Centre – by AL Lee
3 Yung Sheng Rd, Singapore 618499


anigif


West Coast Market Square – by Serene Ong (Serene Digital Crafts)

726 Clementi West St. 2, Singapore 120726

Pasir Ris Central Hawker Centre – by Peggy Teo
110 Pasir Ris Central, Singapore 519641



Bendemeer Market & Food Centre – by Audrey Wong

29 Bendemeer Rd, Singapore 330029

 

04 Photo Courses - Blackrapid Breathe Strap


Tanglin Halt Food Centre – by Nash Teh Peng Wee

1A Commonwealth Dr, Singapore 141001

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Project Objective

– to capture the silence of the night of popular heritage hawker centres during the Phase 2 (Heightened Alert) from Sunday, 16 May 2021 through to Sunday, 13 June 2021. The tables & chairs are being sealed off once again to public as no dine-in allowed. Combining this and the silence of the night, these popular hawker centres return to silence and a worser state of disconnection from reality while struggling on to stay afloat during this pandemic.

Let’s meet the Photographers for this Project!





 

Editor’s Note.
“As much as we are still fighting the pandemic, we must not forget the hawkers who are working hard to feed us. This set of photos from this project team will go down in history where these food centres are (once again) sealed. Through the passage of time, it will be something that we can all remember and becomes part of our covid memories as well as a page in the history of Singapore.” – Editor AL Lee

 

Here’s a parting shot.

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KamLan 28mm F1.4

sigma
KamLan 28mm F1.4
Reviewed by AL Lee

Image: Editor AL out with the KamLan 28mm F1.4 at Geylang Serai.


09th May 2021, Singapore
– Many of you would have made a joke on Kamlan’s brand name since it translate into a swear word in the Hokkien dialect that was widely used by Chinese in the south east asia. On the contrary, the word Kamlan actually translate into “金蘭” which means “Golden Orchid”. Amazed? Let’s get to the review. Since I have been reviewing a few Chinese Brand lenses for the last 2 reviews (Meike & Laowa), I have since received mixed reactions from our readers. Some are very curious and some are just simply unconvinced.


Image: KamLan 28mm F1.4 mounted to a Fujifilm camera.

All review images posted on our articles are not resized and posted as 100%, all you need to do is – double click on any of the review images, select 100% view or simply use an EXIF Checker. I fully understand why the scrutiny because I was once  skeptical like this group of photographers who are anti-Chinese lenses. We will continue to maintain our stand with what we want to do and share with our readers what we discovered while testing out the Chinese lenses.

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Back to Kamlan, one of our FB Group Trainer – Uncle Koh Lye Huat – recently read my reviews and offered to loan me his Kamlan 28mm F1.4 as well as the Zhonyi Mitakon 20mm Super Macro. I happily accepted his offer and I decided to review the Kamlan 28mm F1.4 on the very same day he passed me.


Image: KamLan 28mm F1.4 mounted to a Fujifilm camera.

 

The first thing that struck me was – the Kamlan 28mm F1.4 was super compact yet weighty. Weighing at 348gm, at size of 66mm x 58mm (without hood), so the weight to size ratio puts the Kamlan 28mm on the heavier scale.


Image: KamLan 28mm F1.4 mounted to a Fujifilm camera.

Small & compact, and made from almost 100% metal (except the lenses of course stupid), the lens does feels very solid and ready to take on harsh uses. Designed as a manual lens (like most Chinese lenses), the Kamlan does have some niceties up its sleeves. To start, it is definitely one of the cheaper standard wide angle prime lenses with a F1.4 aperture out there. The next thing that I noticed was, most 28mm lenses out there has a “pop-up” front element while the Kamlan 28mm’s front element spotted a caved-in design.


Image: The front element is Caved-In.

 

Small Group Tours gif.gif 

Inside the lens, the optics are arranged in 8 elements in 7 groups – including 6 High Refractive Index Elements, and the lens starts focusing from as close as 25cm (minimum focusing distance). The lens focuses from F1.4 to F16 via its 11 (circular) iris blade aperture that produces very nice bokeh. The Kamlan 28mm F1.4 takes takes 52mm filters at the front and it comes with a slightly larger dedicated lens hood.

 

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And interestingly, the Kamlan 28mm F1.4 comes with its own branded lens cap that comes in Graphite Grey color!

The Kamlan 28mm also spotted a Yellow ring line (Meike has Red, Laowa as Blue) on the lens barrel. It is available in Fuji X mount, Sony E mount, Canon M mount and Micro Four Third Mounts (Olympus/Lumix).

 

So how did the lens performed? I received the Kamlan 28mm F1.4 from Uncle Koh right before the start of a mini group outing. The theme of the day was to take a walk through Geylang Serai and capture whatever that is left of the upcoming Hari Raya celebrations (due to covid restrictions). Let’s check out the images!

At 28mm, effectively I am getting 42mm due to the crop factor of my Fujifilm camera. It is an excellent range for shooting on the streets, tight enough for most applications and wide enough to cover everything else.

 

Even at a wider angle, portraits are good enough to cover the person as well as the surroundings. The bokeh are evidently good too in this example where I shot my good friend Ara.

 

 

It was a rainy afternoon, I am glad I am out shooting as the wet weather allows me to shoot a little differently from my usual style and also to try to take advantage of the wet grounds etc.

The Kamlan feels rather weighty on my camera body, but somehow it just feels right for the balance between the body & the lens giving it a 40:60 weight ratio.

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Strangely, I feel that the Kamlan 28mm was much easier to use (manual focusing) with the camera’s focus peaking as compared to the previously reviewed Laowa or even Meike. The focusing ring was super smooth and nice to the feel. Likewise the aperture ring is super smooth too. At 42mm, I took the above shot from one of the tall flats behind Joo Chiat Complex and spotting a setting sun shrouded by clouds.

 

 

I like how the lens easily captured the different scenes that I was doing and it certainly did well. Although in terms of details it is just slightly above average in my view, the colors rendered are pretty good on my little Fujifilm.

anigif

As the night approached, the Kamlan 28mm F1.4 turned into a real monster. I was shooting between F2 to F2.8 and the light bokeh are sweet, round and beautiful – most likely due to the rounded aperture blades.

At wide apertures, the focused area are very sharp and detailed, this is amazing for a
sub-$200 lens.

The Kamlan 28mm F1.4 is certainly a great lens to have. Given its low asking price, solid build and F1.4 aperture, there is certainly nothing to hate about the Kamlan 28mm. The (very) useable focal length allows users to do a wide variety of genres and the easy-to-focus claims that are all over the internet is true, this little prime lens is a street monster. In the dark of the night, the caved-in front elements + the hood had cut many possible flares and stray lights which I personally think this is really well thought of.

If you are looking a fast prime lens at a budget, trust me, get the Kamlan 28mm F1.4.

Buying this Lens
If you are curious about the Kamlan 28mm F1.4 and needed a good prime lens for street use, then you should consider buying this lens from our accredited merchants for a peace of mind!

Renting this Camera/Lens – (Please check for availability first.)
For those of you who wish to try out the camera/ lens before purchase, we are pleased to share that this camera & lens is probably available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom. 

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Laowa 9mm f/2.8 Zero-D

sigma 

Laowa 9mm f/2.8 Zero-D
Reviewed by AL Lee


Image: Laowa 9mm f/2.8 Zero-D mounted to a Fujifilm Camera

02nd May 2021, Singapore – Recently we did an article on China Brand lenses and before that, we did a review for the Meike 35mm F1.7 due to my curiosity – what surprised me for Meike’s review was – it turned out to be an excellent lens. As my curiosity for China Brand lenses grew, I managed to convince a photographer (Daphne Kong) to loan me her  Laowa 9mm for a weekend. The Laowa 9mm F2.8 Zero-D is currently one of the best selling Laowa brand lenses in Singapore with its averagely-low asking price, super ultra wide angle focal range and the various mounts available.

Available mounts: Fuji X, Sony E, Canon EF-M, DJI DL, MFT, L mount

 

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The Laowa 9mm is a tiny lens – possibly the tiniest Ultra Wide Angle lens in the world. Measuring at (ONLY) 60mm x 53mm & weights like a feather at 215gm, this is one of those lenses that can go missing easily due to its compact and negligible size. Jokes aside, the full metal construction (like most China lenses) of the Laowa 9mm feels solid and during the review, I kinda like the handling, the focusing ring was surprisingly smoother than the previously reviewed Meike 35mm and the aperture ring are firmly “clickable” which was good.

Inside the Laowa 9mm, the optics are arranged in 15 elements in 10 groups – including 02 x aspherical glass, 03 x low dispersion glass (LD) the front element came with “Frog Eye” Coating (FEC) – hope no frogs were harmed.

For focusing, the Laowa 9mm came with 07 standard aperture blades, focus from F2.8 and focuses as close as 12cm (minimum focusing distance). The front takes 49mm filters and the Laowa has a magnification ration of 1: 7.5 (this is amazing for a UWA lens)

 

Small Group Tours gif.gif

The Laowa 9mm comes with a detachable metal hood,  and in the retail box, a pouch along some paperwork.

An interesting fact here: If you flipped the Laowa logo, you get the English words “MOVI” or “WON”, not sure if this is intentional or by coincidence, but now, you cannot unsee this.

 

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And so, I took the Laowa 9mm out for a weekend walk with some friends and tried to shoot everything, anything with this lens. Check out the images below (there are more on my FB). We started from Marina Bay Sands’ basement food court Rasapura. The 9mm on my Fuji with a crop factor of x 1.5 which I got a focal length of 13.5mm Ultra Wide – very nice.

 

The Ultra Wide Angle allows interesting perspectives and framing, the below shot allows me to frame all 4 levels of the mall easily.

 

Next I wanted to test out the magnification ratio since it was spec-ed at 1:7.5, I am curious if that is true, then my friends alerted me to this lotus/lily flower right outside the Artscience Museum – and there was 2 moths on it. So I took a shot.

then I cropped a little tighter from the red box below.

And I got this. (Below)

I want to push it a little more and I decided to crop more from the red box area below.

And I got the below image after 2 rounds of cropping. (Can you see both the moths?)
The Laowa is NOT a macro lens but the magnification ratio allows the user to crop in to see details but this is highly dependable on the camera that you are using. The Fuji that I am using has 24 megapixels and a decent image size which allows me to crop more than I should. Do take note of this.

 

  

 

Yes, many of you knows I shoot a lot of toys – but shooting with the Laowa 9mm allows me to shoot toys with a very different perspective. Which was the not the usual toy images that I will shoot.

(Below) And of course the minimum focusing distance of 12cm allows me to shoot close to the subject, but with a wider perspective.

I am not too impressed with the bokeh at F2.8 then again this is not a portrait lens. So I am not expecting too much, but the Laowa 9amm does gives you bokeh (as below) but the bokeh looks like those from a mirror-lens. I call it “distorted bokehs”.

 

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As an Ultra Wide Angle lens, the Laowa does its job well covering the focal length, but I do notice some light dropoff on the corners for some of my shots.

 

In terms of details, I will say not too bad for a lens of this price. But maybe its just me, you have to test for yourself.

Color wise, I will say it will be unfair for me to comment as I switches around the color profiles on my Fuji camera a lot. But being a UWA lens, it certainly performed up to its intended standard.

anigif   

 

I find the Laowa 9mm to be useful for “abstract” shots of building structures or non-commercial shots. You can see (below) next 2 examples of what I meant.

Although I was told the “Zero-D” on the lens code means zero distortion, I am sorry to report that the distortion is crazy.  Just look at the below example.

The Laowa 9mm may be an Ultra Wide Angle lens. Inexpensive and tiny, a lens that you may consider having it as part of your lens repertoire, not exactly a bad lens – just an usable lens to cover the widest of angles. Image quality is acceptable and the lens distortion is something else. If you really need a UWA lens and do not wish to spend a bomb, then consider the Laowa 9mm.

Buying this Lens
If you are curious and had never owned an Ultra Wide Angle lens in your life, then consider buying this lens from our accredited merchants for a peace of mind!

Renting this Camera – Please check for availability first.
For those of you who wish to try out the camera/ lens before purchase, we are pleased to share that this camera & lens is available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom. 

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

apd

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Know Your China Lenses

sigma

Know Your China Lenses
Text by Lee Shi Qing


28th April 2021, Singapore –
China-Made lenses had been around for the longest time. Dating back to film days, I am sure many of you (of my age) would have heard of ; or used brands like Mitakon lenses for your systems. These lenses are some of the cheapest that one can buy back then and since the asking price is rock-bottom low, many of these lenses are flawed & faced many issues with optical quality, build quality etc.

Fast forward to the early 2000s, many of you would have remembered Yongnuo’s release of the 50mm F1.8 which was widely touted as an exact copy of Canon’s EF 50mm F1.8 – although Canon took a legal stand, nothing (really) can be done. Priced cheaper than Canon, the Yongnuo went on to open up the lens market from China to the world’s stage.

Today, China made lenses are everywhere, in almost every photography store, in almost every country. The recent years (in Singapore) had also seen the rise & success of many China brand lenses. In this article, we will share some of the China brand lenses that are really popular today. While Some won by price point, some won by quality and some simply won because they are from another universe.

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Handevision

Image: HandeVision IBELUX 40mm F0.85

 

Handevision is a hybrid brand that was created by Shanghai Transvision Photographic Equipment Co. Ltd & IB/E Optics GmbH (Germany). Many of you have not heard either of these companies but I am dead sure you would have heard of the brand “Kipon” as it is also from this company. Kipon rise to fame for the array of lens adaptors that are of high quality and very affordable.

The current HandeVision IBELUX 40mm F0.85 offers the fastest aperture in this focal range and built like a German tank with its full metal construction. (anodized aluminum for the lens barrel and main structural parts and brass for focusing parts and stainless steel for everything else)

Not the cheapest of China brand lenses, it will be interesting to watch HandVision’s new releases, probably more F0.85 lenses will be on their way.

See Below for Kipon’s Lens

 

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Jaray & Kaxinda


Image: Jaray/Kaxinda 14mm f/3.5

Very little is known about Jaray/ Kaxinda, except that we found out that Kaxinda specializes in OEM for camera lenses for other brands. According to reliable sources, Kaxinda is also involved with R&D with “Japanese Camera Brands” and from what we had gathered, Kaxinda produces lenses that are of international quality and offering at a relatively low asking price.

At the moment, the Jaray/Kaxinda 14mm f/3.5 is one of the most talk-about ultra-wide angle lens in the mirrorless world. Do google on it. If you have any information to share about Jaray/Kaxinda, please feel free to email to us at media_world@live.com

 

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7Artisans

Image: 7artisans Photoelectric 35mm f/2 Lens


This is an interesting company. Based in Shenzhen, 7Artisans is a group of Chinese camera enthusiasts who met up for a dinner in Summer of 2015. They discussed their passions over the dinner table. Some were interested in optical design while others were more skilled at running factory production lines, and one was an avid Leica lens collector. Everyone who participated came to the same conclusion: “If we involve our skills and work together, we can create new high quality original camera lenses.” That is how the 7Artisans Project began. (Taken from 7Artisans website)

7Artisans is loosely translated into “7 Craftsmen” in mandarin, and their rise to fame is their 50mm f/1.1 lens which was targeted at Leica users.

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Kipon

Image: Kipon 90mm/f2.4 

The KIPON brand was created in 2007 by Shanghai Transvision Photographic Equipment Co. Ltd, who are famed for their various high quality Lens Adapters. From simple functional Mechanical Adapters to Auto-Focus Adapters, Optic Adapters, Tilt & Shift Adapters, Kipon had took the world with their highly affordable offerings.

(You may scroll up and read on Handevision)

Through strategic partnerships, Kipon decided to launch their own series of lenses. Combining the expertise from the various partnerships & coupled with Kipon’s production capabilities, Kipon gave the world Kipon 90mm/f2.4 which had been making headlines in the world of portraiture photography.

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Laowa

Image: Laowa 15mm F2 Zero-D.

One of the fastest growing China lens manufacturer, Anhui Changgeng Optics Technology Co., Ltd (also known as Venus Optics) was established in 2013. The company was formed by a group of photography enthusiasts & industry experts. The company claimed that they had previously designed lenses for Japanese and German brands (which we suspected Tamron & Leica), and as their company expanded, Venus Optics decided to create their own line of lenses bearing the Laowa brand.

Venus Optics’ HQ (along with their manufacturing facility) are located at Hefei, located at the eastern part of China near to Shanghai. However their sales and marketing head office is located in Hong Kong along with a distribution office in the United States.

Laowa currently has many great lenses especially the popular Laowa 15mm F2 Zero-D. Their lenses’ pricing are not exactly cheap, but definitely gives a bang for the money.

 

anigif   

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Meike


Image: Meike 35mm F1.7

Hongkong Meike Digital Technology Co., Ltd was founded in 2005 in Hong Kong, Started as a company that manufactures camera accessories, the company’s biggest selling product was battery grips/ vertical grips (MK Brand, remember?) for many brands. Followed by Meike’s success with Flashes & a few other flagship products, Meike launched four Micro Four Thirds manual focusing lenses. (According to sources, those are not designed by Meike, but rather rebranded versions of existing Kaxinda lenses. Aiming at the lower budget market, the lenses are not exactly bad lenses too. Recently we reviewed the Meike 35mm F1.7 and we instantly fell in love with it. You can read our review here.

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Mitakon / Zhongyi


Image: Mitakon Speedmaster 50mm f/0.95 III

Image: Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens

As one of the pioneering lens brand from China, Shenyang Zhongyi Optical & Electronic Co., Ltd  was established in 1984 as a joint venture company with a Japanese investor. It was pretty obvious who the “Japanese Investor” was – as Mitakon started producing a lot of lenses for the Pentax Asahi Company back in the 80s. And soon after, Mitakon has lenses for every other system mounts. Although Mitakon lenses has a really bad reputation in those days – lots of quality issues, bad quality images, it was one of the few lens brand that are really affordable. As technology progressed, Mitakon too had caught up with improved quality, still affordable but great leaps ahead. Currently all their lenses are produced and are labelled as “Zhongyi”, “Mitakon” & “Zhongyi Mitakon” brands. Among the China lens brands, Mitakon has presence in more than 30 countries today.

Two of their highly popular lenses are Mitakon Speedmaster 50mm f/0.95 III & Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens.

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Neewer

Image: Neewer 35mm F1.2

Neewer  is a lens brand from Shenzhen Neewer Technnology Co., Ltd (also known as Shenzhen Xing Ying Da Industry Co., Ltd) is a vibrant multinational company founded in 2010. Neewer entered the industry via cheap flashlights to today’s On-Camera LED lights, their latest cash cow has to be the LED Ring Light that had saturated the online market. Neewer prided itself as a company who believes in online retail, online advertising and in turn saved a lot of money from traditional media, distributorship etc and passing the savings to their consumers keeping their lenses price low and very affordable.

The Neewer 35mm F1.2 had been their most popular lens due to its sharpness when wide open and some say the image quality can match German’s little red dot.

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Sainsonic / Kamlan / Zonlai 

Image: SainSonic Kamlan 50mm f/1.1


Image: Zonlai 22mm f/1.8 lens

Based in Dongguan, Guangzhou, Dongguan Sainstore E-Commerce Ltd Co, was founded in 2011. The company specializes in manufacturing 3D glasses, camera lenses and many home audio items. Among the brands, Zonlai & Kamlan had made quite a name here in Singapore with the Kamlan 50mm f/1.1 & Zonlai 22mm f/1.8 lens. A quick check on SainSonic website also shows Meike lenses – we are really confused right here.

If you have more, or correct information on SainSonic or the brands Zonlai / Kamlan, we welcome you to send us more information to media_world@live.com

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Viltrox


Image: Viltrox 85mm F1.8

 

Established in 2009, Viltrox is a brand by Shenzhen Jueying Technology Co., Ltd. An aggressive company that had made a name with their quality & affordable products –  Camera Lenses, Mount Adapters, LED Lights, Video Monitors and Camera Cages etc.

Shenzhen Jueying Technology Co., Ltd. started to produce photographic equipment since  2007, the company designs and produces every product without a 3rd party. In Singapore, the most popular Viltrox lens is none other than the Viltrox 85mm F1.8.

If you have more, or correct information on Viltrox’s company, we welcome you to send us more information to media_world@live.com

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Yong Nuo

Image: Yongnuo YN 50mm F1.8

Shenzhen Yong Nuo Photographic Equipment Co. Ltd. has four factories, eight direct-sale stores in Beijing, Shanghai, Guangzhou, Chengdu, Hangzhou and Harbin, and sales company in Hong Kong (HK YONGNUO LIMITED). Started and made a name in the industry with its budget flashes, triggers/receivers, cable release, LED panels etc, Yongnuo moved into lens manufacturing in 2014. Their first lens – the Yongnuo YN 50mm F1.8 caused a storm as it was 99.9% uncannily similar to Canon’s best selling EF 50mm F1.8 but selling at a fraction of Canon’s price. Since then Yongnuo launched a few other lenses which are less controversial but still, the rest of the Japanese brands are watching Yongnuo closely.

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And so, the above China-brand lenses has made waves and giving the Japs & Germans a run for their money. Since China became the “World’s Factory”, we are seeing a huge improvement on build quality and image quality from these lenses. Photography equipment are not cheap to start with, the Chinese had gotten something right – the price point – which is still relatively low as compared to the Japanese/Germany brands. And now the Chinese are capturing the market with better optic quality, offering more for less and this trend will likely to continue for the next few years.

Our Editor AL Lee which was never a fan of Chinese lenses had recently fell in love with the Meike 35mm F1.7 and he will be doing a review for a Laowa lens soon. Do stay tuned.

If you have any information on any of the brand in this article or would like to inform us to add any brand that we missed in this article, please feel free to email us at editorial_ourshutterjourney@hotmail.com

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Contributing Editor – Lee Shi Qing
SQ.jpg
A firm believer of Self-Sufficient living and gives no f**k to anyone getting in her way to reaching her goals in life. Kind in nature & Dangerous when provoked. Loves Mcdonald’s Fries and hates all the burgers there. While she helps out in gear reviews, Qing is currently serving as an Online Administrator for Ourshutterjourney.com Facebook Groups and Online Shop.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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LEICA APO-SUMMICRON-M 90 f/2 ASPH

sigma 

LEICA APO-SUMMICRON-M 90 f/2 ASPH.
Review by Editor AL Lee, Text by Lee Shi Qing

Image: Editor AL with his Leica 90mm APO Summicron mated to a Leica M10.


14th April 2021, Singapore –
Recently, my reviews for the Leica 50mm Summilux & Leica 18mm Super Elmar had garnered quite a high number of views from other Asian countries like Thailand, Indonesia and Philippines. I was rather curious as our articles are usually viewed by Singapore, Malaysia and USA. However from the editorial point of view, we are reading it as – there are still many people who are into Leica and the brand following is still (obviously) strong.


Image: Leica 90mm APO Summicron mated to a Leica M10.

By the way, I had sold the 50mm to a new owner after the review was published. The 18mm is still available and I am also letting go this 90mm too. More details at the end.

For those new to Leica lenses, here’s a quick introduction.
Lens type: Elmar – These are entry-level “slower” lenses with a max aperture of F3.8-F4.
Lens type: Elmarit – These slightly faster lenses comes with a max Aperture of 2.8
Lens type: Summarit – Latest Leica lens-line with a max Aperture of 2.5
Lens type: Summicron – The premium line of F2 lenses.
Lens type: Summilux – The “First Class” fast & sharp lenses with 1.4 Aperture.
Lens type: Noctilux – Out-of-this-World lenses with F0.95 Aperture with an unworldly price. (Note: previous Noctilux lenses come in F1.0)

 

Most Leica users who had tried the 90mm Summicron will instantly fall in love with it. Created as a Portrait lens for Leica’s M System users, this lens went on to become the most sought-after lens after Leica users discovered its strength – capable of shooting Portraits, Landscape, Street Photography etc – and the Summicron designation (F2.0) rendered the 90mm as a super fast lens and an all-rounder performer in all lightning conditions.

I used this lens mainly for indoor studio works and when I was doing this review, I realised this very lens had not really seen much of the sun. So I decided to take it out for a walk and write a “goodbye review” since I am selling this lens.

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While most Leica users will described the 90mm Summicron as a large lens, it is by far one of the smaller 90mm when compared to other systems. It weights a mere 473gm and measures just 77mm x 84mm, a little on the weighty side and still a “tiny” lens in my view.
Spotting a full metal construction similar to its sibling-lenses, the 90mm is solid and  built like a tank. I didn’t lost an arm after holding it after a 3 hours walk so likely you will survive this lens. (Hey Leica users, we are stronger than that, so stop complaining or else you just use your 35mm and shut up)/

 

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Inside the lens, the optics are arranged in 5 elements in 5 groups including an aspherical element and the “APO” stands for apochromatic, pretty similar to Nikon’s ED glass or  Canon’s UD glass. The aperture has 11 blades which many users credit this to its wonderful bokeh (when used at F2.8). For a mid-telephoto lens, it starts focusing as close as (approximately) 90cm which I personally like it. My other 90mm (non Macro) lenses starts focusing from about 1.8 metres t0 2.5 metres – so there is nothing to complain here really.

The front of the lens takes 55mm filters and the 90mm Summicron has a built in hood which retracts when required. What might surprise you are the magnification ratio of 1:9 – for the record, not many 90mm can achieve such a magnification ratio, go google about it.

 

I took the 90mm Summicron out for a long walk with my friends – starting from Chinatown and I picked the heritage route for early migrants that passed through parts of Chinatown, towards Cantonment and eventually ended up at Spottiswood area. I wanted to try shooting from the sky park at Pinnacle but due to Covid-19, they closed the sky park to public thus the plan B which is Spottiswood.

Let’s check out the images!

 

Usually I can’t find the link between a portrait lens & a street photo lens. However, the 90mm Summicron bridged this nicely. I was rather surprised at the ease of use and I can get my subject in focus fast and accurately.

 

 

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The amount of details captured are crazy. I stood rather far away (about 6 metres away) and shot the above shot.

I marked out the focused area (red box) and did a crop. See below.

Amazing details! That’s more than 80% crop from the original photo!

 

Next on my list, people. I started shooting my friends who were walking with me. The Bokeh is legendary and what many Leica users will die for.  Creamy, Smooth and yet certain details are still visible, check out the below images.

 


Find her familiar? Yes, this is Serene from Serene Digital Crafts!

From the above images, you have seen for yourself what I meant by – creamy bokeh yet with details – in simple terms, unlike other wide aperture lenses where the bokeh will be just a shade of blurred colors and patches, the Leica 90mm Summicron still retains key details so you can make out what’s in the background which also helps to “pop” the subject into a dreamy 3D-like effect.

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Most of the shots for this review were shot in an moment of “impulse”. Moments that becomes available for a rather small window and it is that Shoot-it-or-lose-it kind of situations. I am glad the 90mm Summicron performs as fast as it is expected even outside the studio which it was mostly used.

 

Even the regular Bougainvillea flowers that lined our streets looks more attractive after I shot it with the 90mm Summicron. (Stop laughing, it’s true)

 

anigif   

 

As a mid-telephoto lens, the 90mm is expected to have minimal corner distortions and it is also capable for shooting building details which I tried and I love what I’ve gotten.

 

No, the above photo is not Melbourne, it’s Singapore.

While chasing after sun, we came across the below scene.

Although the sun eventually got masked by the clouds and we didn’t get a sunset, we had lots of fun.

The Leica APO-Summicron-M 90mm F/2 ASPH may seem intimidating at first, but the joy of using it and appreciating it comes after the warm up. It produces great bokeh even at F2.0 (I recommend F2.8) while making visible details on the bokeh is really something that you will never get from another 90mm. The colors rendered is also “Leica Standard” which is constant across the M line. It is not expensive to start with and it gives a lot of value to the user in return.

Buy My Lens
Yes, as mentioned, I am letting go of this lens. If you are keen, please email me at media_world@live.com
This is unit is in great condition, no scratches or brassing, inside the lens is clean, no dust and no fungus. Email me if keen.

Buying this Lens
If you have a few more thousands to spare & intend to buy new then buy from our accredited merchants for a peace of mind!

Renting this Camera – Please check for availability first.
For those of you who wish to try out the camera/ lens before purchase, we are pleased to share that this camera & lens is available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom. 

=========================
Contributing Editor – Lee Shi Qing
SQ.jpg
A firm believer of Self-Sufficient living and gives no f**k to anyone getting in her way to reaching her goals in life. Kind in nature & Dangerous when provoked. Loves Mcdonald’s Fries and hates all the burgers there. While she helps out in gear reviews, Qing is currently serving as an Online Administrator for Ourshutterjourney.com Facebook Groups and Online Shop.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

apd

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Meike 35mm F1.7 – Good Lens?

sigma

Meike 35mm F1.7 – Good Lens?
Review by Editor AL Lee, Text by Lee Shi Qing

09th April 2021, Singapore – As cheap Chinese lenses are flooding the worldwide market over the recent years, many of our readers had asked us if these lenses are of any good. While most seasoned photographers will tell you that cheap does not equals to quality while quality comes with a price, we decided to take a step further and went on to try and check out some of these lenses. We decided to start with the cheapest (almost), someone pointed us to the Meike 35mm F1.7 and we did.

Like most Chinese lenses, most of these lenses are constructed the same way from the yesteryears, with minimal parts, 1980s style and mostly made from metal. For those new to Meike, the brand is also known as Neewer in other market and had been manufacturing photographic equipement and accessories for a pretty long while before they added lenses to their brand line-up. Do you remember the popular battery grip “MK Battery Grip”? Suprise! That’s by Meike! MK is Meike.

With their HQ based in Hong Kong, it is unknown where the actual manufacturing is carried out. Then again, it doesn’t matter where it is made, if it works, it works right?

 

 

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The Meike 35mm F1.7 is a tiny lens when compared to many other 35mm with a large aperture. Weighing just a mere 176gm and measuring just a 4cm x 6cm, this little lens has a Multi-coated front element with an optical set up of 6 elements in 5 groups which is pretty standard for a manual focus prime lens. Meike called it the “All Metal” lens based on its barrel construction all the way to the bayonet mount.

The front takes 49mm filters and this lens starts focusing from about 25-30cm and the magnification is not bad although no official information was available. This Meike 35mm F1.7 is designed as an APS-C lens so it gives an equivalent to about 53mm on 35mm format. Comes in various mounts (Canon, Nikon, Sony, M4/3 & Fujifilm) – we gotten a copy for Fujifilm X mount.

 

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Pairing it with an old Fujifilm X-T100, I took it out for a walk and see how good is this lens as claimed to be by many netizens. I took a walk from Bugis to Gardens by the Bay with a group of friends and I tried to shoot whatever I can using this Meike 35mm F1.7.

I used a variety of aperture from F1.7 to F22 and it was a gloomy day right after a storm. So it became a little more challenging to shoot. And as Manual Focus lens, it just gets harder as I am relying heavily on the focus peaking function on the X-T100.

Let’s check out the photos!

 

The Meike 35mm F1.7 takes a little warming up for me before I can really use it properly. The handline feels almost identical to my old Minolta lenses from the previous era. The focusing was surprisingly smooth and easy to get my subjects into focus, the aperture control ring is smooth as butter.

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There are however, some visible chromatic aberration if you cropped a little too much and and there is a strange purple outline that appears when I was shooting at F22. Then again, this happens only in about 4 images among 116 images that I had shot. So I guess this is negligible. This is like a SGD $129 lens, I shouldn’t expect too much right?

 

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I was pleasantly surprised at the bokeh though. The below shot of an Ixora plant was shot at F1.7, blow this image up you will see how sharp the focused area is and how blue the background bokeh is. Unlike some Chinese lenses that gave you “structural bokeh” akin to those made by mirror lenses, this Meike 35mm’s bokeh is really something to shout about.

 

 

anigif   

 

After a couple of hours of using the the Meike 35mm F1.7, I find it competent for a wide variety of use. It is also good enough to be a walkabout lens if you are into street photography. I shot quite a lot of buildings during this walk as I wanted to take advantage of the focal range  (52.5mm after x 1.5 crop factor on the X-T100) to reduce distortion.

And the Meike 35mm did well for night photography too.

Incredible Bokeh.

 

The Meike 35mm F1.7 may be a cheap Chinese-made little lens. There are certainly some flaws and some part which they did great. Price point is attractive, one of the cheapest new lens you can buy, small and well built, the large aperture and nice bokeh – super value for money in my view. The down side as mentioned earlier, there is the occasional CA becoming visible on your image, and it is a manual focus lens that many probably don’t even know how to use it properly.

If you are looking for a cheap lens that will another world war and all you need is nice bokeh, I will say get this lens.

Buying this Lens
If you have a few more thousands to spare & intend to buy new then buy from our accredited merchants for a peace of mind!

Renting this Camera – Please check for availability first.
For those of you who wish to try out the camera/ lens before purchase, we are pleased to share that this camera & lens is available for rental at our appointed rental merchant:

crclogo-small.jpg
Camera Rental Centre is Conveniently Located at:
50 South Bridge Road, CMO Building,  (very near to Clarke Quay MRT)
#02-18. Singapore 058682
Website: http://sg.camerarental.biz/

=========================
Reviewer: Chief Editor AL Lee
IMG_7567.JPG
Chief Editor & Founder of Ourshutterjourney.com Worldwide and Principal Trainer at Ourshutterjourney Photography Academy. AL is a commercial photographer as well as an educator who believes in the art of digital memories. An ambassador of several photography brands, AL is well versed in many camera systems. Someone once told us AL’s man cave looks more like a camera store than a bedroom. 

=========================
Contributing Editor – Lee Shi Qing
SQ.jpg
A firm believer of Self-Sufficient living and gives no f**k to anyone getting in her way to reaching her goals in life. Kind in nature & Dangerous when provoked. Loves Mcdonald’s Fries and hates all the burgers there. While she helps out in gear reviews, Qing is currently serving as an Online Administrator for Ourshutterjourney.com Facebook Groups and Online Shop.

========================
About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

=========================

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Ourshutterjourney Online Shop Migration

sigma

Ourshutterjourney Online Shop Migration
Text by Melody Tan

26th March 2021, Worldwide – We are pleased to announce that the migration of our Online store had been completed and the new Online Store is fully operational now.

In 2017, we left eBay to supported local brand Carousell, at that point, it seems like the right thing to do as most of the sellers and buyers are based in Singapore. That also means a saving on shipping fees and easier interaction between a buyer & a seller. This helps businesses a lot in terms of costs and accountability.

Things changed when Carousell introduced a listing limit last year in Q4, during a time when our economy was almost destroyed by the Covid-19 pandemic. As more businesses moved online to stay afloat and survive, Carousell chose to impose the listing limit to a 30 listing – unless you pay – via their Carousell Coins which have to be purchased using real cash. Fully understand that Carousell is a business and they need revenue to survive, but imposing such a limit may be unbearable to many small businesses that are almost drowning. Not forgetting the high number of individual sellers (non-company) who are relying on online selling to make ends meet and to put food on the table.

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After much deliberations & careful considerations, we had come to a conclusion to leave Carousell and migrate our Online store (back) to eBay.

As an established brand, eBay reaches an international audience which are many folds of what Carousell can reach. When we were doing the migration, eBay accommodated to our migration by up-limiting our items and retail value which had made our migration smooth and seamless.

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This is how our new Online Store on eBay looks like.

 

For the record, we joined eBay since May, 2011.

And to celebrate the migration, all Ourshutterjourney Card Members enjoys a $50 Cash Back when they shop at our new Online Store on eBay. (Valid till Sep 2021).

Shop Now.

 

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anigif    

 

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Contributing Editor – Melody Tan
melody.jpg
Loves quiet walks along beaches, has a mind of her own and decides everything in life in either black or white with nothing in between. Her priority these days revolves around her 2 lovely kids & teaching them music or photography. A lover of yoga and an avid traveler, Melody aims to visit at least 30 countries before she reach 40 years old – from what we know, she had completed 27 as of 2018.
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About Ourshutterjourney.com
Visit Our Online Store
Join Our Membership.

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OM-D E-M10 III vs X-T100 vs M50 vs a6000

sigma

Olympus OM-D E-M10 III vs Fujifilm X-T100 vs Canon M50 vs Sony a6000
Text by Editor AL Lee


23rd March 2021, Singapore – 
This is probably the hardest review to write. Brand rivalry has always been an entertainment to many photographers from all over the world. In the past, most of us will laugh it off as most of the camera brands from Japan – they are all in the same association. (I am not going to touch on brands from Germany or China here.) So somewhere in December 2020, we received a few requests for an updated review for the above 4 cameras – which we had previously reviewed all 4, but we had only published the review for 2 out of the 4. And do not ask why.

I am putting the Sony a6000 into this comparison as they are on the same camera class or should I say these are the current Entry Level Mirrorless cameras from the various brands. After like 5 drafts, I decided to do this in a different way. By using scores. So I won’t sound biased in any way or getting accused for siding any brand. While most of you knew that I had been a Olympus Visionary (ambassador) for a few years and I parted ways with Olympus Singapore after the brand’s digital imaging operation pulls out from Singapore and appointed a distributor instead. So I am sharing that to assure you that I have nothing to do with Olympus while this article was being prepared.

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Entry level mirrorless cameras are indeed the door to the world of mirrorless photography. Many who bought their first mirrorless camera were already DSLR users who took a leap of faith and try out something lighter and some claimed even more capable. Apart from those who bought it for their girlfriends and ended up on eBay, who are smartphone users who wanted more for their photography needs & progress.

At the moment, many of these entry level cameras had a Mark II or an updated version – but the fun part is to put all 4 that were launched closest to each other in this article. While we all knew that the Canon M50 & Olympus Em10 Mark III are the newer cameras among the 4, Sony a6000 being the oldest followed by the Fujifilm X-T100, their specs are seemingly close. In fact we imagined all 4 cameras came from the same factory in a country that makes OEM for the world.

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For this article, I am just going to pick the key specifications that are worthy to be compared, because the rest of the specs are closely similar so I shall not waste your time.

Let’s Start!
**I would like to add and disclaim – all comments and comparisons here are my personal views through the hands-on, observation and from feedbacks from users. So don’t send me any love letters.

1. Sensor Size
Canon EOS M50 – APSC 1.6X Crop Factor
Fujifilm X-T100 – APSC 1.5X Crop Factor
Olympus OM-D E-M10 III – Micro Four Third 2X Crop Factor
Sony a6000 – APSC 1.5X Crop Factor

Personally I prefers the Fujifm/ Sony’s 1.5X Crop factor for general use and easier to manage on focal length. The added crop factor for Canon & Olympus may be useful for closeups or macro, then again sensor size does matters. Olympus may have the smallest sensor here but the little capable sensor have more Photodiodes than the bigger sensors  in case you wanna start anything to laugh at Olympus. so size is not a factor here. So between Fujifilm and Sony, I will pick Fujifilm’s X-T100 & Sony’s a6000 here as the winners for this section.

Scores
Canon: 0
Fujifilm: 1
Olympus: 0
Sony: 1

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2. Megapixels
Canon EOS M50 – 25.8 MP
Fujifilm X-T100 – 24.2 MP
Olympus OM-D E-M10 III – 17.2 MP
Sony a6000 – 24.7 MP

While many of you may argue with me that megapixels are not everything, but personally it is important. Just imagine you are shooting birds or macro, the insane amount or cropping will be highly dependent on the megapixel as that determines the amount of usable details capture within the image and how much you can crop before your image becomes a sandpaper art. I came from the era that has 2mp or 4mp cameras and I truly appreciate megapixels of today’s cameras. Maybe its just me. You can argue, but I will ignore you. So it is clear that Canon, Fuji & Sony all 3 wins in this section, but Sony gets the biased vote with the slightly higher megapixel.

Scores
Canon: 1
Fujifilm: 1
Olympus: 0
Sony: 1

 

 

 

3. In-Body Image Stabilization
Canon EOS M50 – Digital, 3-Axis (Video Only)
Fujifilm X-T100 – None
Olympus OM-D E-M10 III – Sensor-Shift, 5-Axis
Sony a6000 – None

I know this section is unfair but it has become a real need in today’s photography. Do not forget these 4 cameras are entry level cameras. While Olympus had prided itself for having in-camera image stabilizer since the Four Third era, I am surprised that Sony had forgotten not included their proven SteadyShot – Sony’s version of in-body image stabilizer. Canon stay true to their DSLR roots by selling you overpriced lens with stabilizer while offering mostly a parallel version without the IS for a cheaper price. offering lens that has image stabilizers. Fujifilm probably forgot that beginners may have shaky hands too. strangely did not try to include this as well. Beginners will appreciate image stabilizers more than you can imagine. This round, Olympus wins.

Scores
Canon: 0
Fujifilm: 0
Olympus: 1
Sony: 0

 

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4. ISO
Canon EOS M50 – Up t0 51200
Fujifilm X-T100 – Up t0 51200
Olympus OM-D E-M10 III – Up t0 25600
Sony a6000 – Up t0 25600

OK, we are not going to talk about which camera can make the best sandpaper art here. Usable ISO without noise usually ranges between 800 to 1600 for these entry level cameras. Canon & Fujifilm understands that most beginners who sucks at photography will push ISO to the max so they allow ISO expansion to a range-topping level of 51200 which in my view is added value for money – although for the Canon EOS-M has slightly cleaner images over the Fujifilm X-T100 at around 3200 ISO. I reckon Olympus & Sony knows how bad it is to put 51200 on their cameras of this price range so they decided to max up at 25600. On the flipside, at 3200, the Olympus OM-D E-M10 III is the cleanest among all 4 cameras here. But based on the numbers and the level of ISO noise, Canon & Fuji wins this round.

Scores
Canon: 1
Fujifilm: 1
Olympus: 0
Sony: 0

 

anigif    

 

5. Shutter Speed
Canon EOS M50
– 1/4000 to 30 Seconds / Bulb Mode

Fujifilm X-T100
-Mechanical Shutter
1/4000 to 4 Seconds in Program Mode, 1/4000 to 30 Seconds, 0 to 60 Minutes in Bulb Mode
– Electronic Shutter
1/32000 to 4 Seconds in Program Mode, 1/32000 to 30 Seconds, 1 Second in Bulb Mode,
– Electronic Front Curtain Shutter
1/32000 to 4 Seconds in Program Mode, 1/32000 to 30 Seconds, 0 to 60 Minutes in Bulb Mode

Olympus OM-D E-M10 III
– Mechanical Shutter
1/4000 to 60 Seconds, 0.5 to 60 Minutes in Bulb Mode
– Electronic Front Curtain Shutter
1/320 to 60 Seconds
– Electronic Shutter
1/16000 to 30 Seconds

Sony a6000
– Electronic Front Curtain Shutter
1/4000 to 30 Seconds, 1/4000 to 1/4 Second in Movie Mode,
Bulb Mode

Before I proceed, I have to remind everyone that these 4 are entry level cameras before you starting jumping on me. And if you do not know the difference between mechanical shutter & an electronic shutter, you shouldn’t even be shooting you should google a bit how both works. The added advantage of having both allows more options and variations when shutter speed is the priority during use. From the list above, you can see that Canon & Sony gave the same “entry level DSLR” kind of specs while Olympus gave more but not too much else the E-M5 will have problem in moving off the shelves but the range-topper here is Fujifilm’s X-T100. Take a second look again at X-T100’s shutter speed. OK You get it now.

Scores
Canon: 0
Fujifilm: 1
Olympus: 0
Sony: 0

 

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6. Exposure Compensation
Canon EOS M50 – -3 to +3 EV (1/3 EV Steps)
Fujifilm X-T100 – -5 to +5 EV (1/3 EV Steps)
Olympus OM-D E-M10 III – -5 to +5 EV (1/3 EV Steps)
Sony a6000 – -5 to +5 EV (1/3, 1/2 EV Steps)

Again, haters are gonna argue   most beginners will not really bother about EV, but do not forget those who are already DSLR users and they are trying out a mirrorless and maybe as their first mirrorless camera, this function now plays a part, a deciding factor. While Fujifilm, Olympus & Sony probably had a secret meeting decides that giving users a wider range from negative 5 to plus 5 is standard, Canon who was not invited to the meeting gave a pretty basic negative 3 to plus 3. But the winner here is definitely Sony – as it is the only camera that offers 1/2 steps and 1/3 steps adjustments as an option.

Scores
Canon: 0
Fujifilm: 0
Olympus: 0
Sony: 1

 

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7. Continuous Shooting (on jpg)
Canon EOS M50 – 10 fps
Fujifilm X-T100 – 06 fps
Olympus OM-D E-M10 III – 8.6 fps
Sony a6000 – 11 fps

Today’s camera specs are really something – just imagine 10 years ago, any camera that can do 8fps & above are mostly Semi-Pro or Pro DSLRs. Today, such features has made their way to entry level cameras and as such, it became the new benchmark for entry level specifications. Fuji failed in this section with the laughable 6 fps while Olympus did a reasonable 8.6 fps while Canon and Sony topped the range with 10fps & 11fps. Clearly Sony won for this section.

Scores
Canon: 0
Fujifilm: 0
Olympus: 0
Sony: 1

 

sigma

 

8. Autofocus Points
Canon EOS M50 – Contrast Detection: 143 / Phase Detection: 99
Fujifilm X-T100 – Phase Detection: 91
Olympus OM-D E-M10 III – Contrast Detection: 121
Sony a6000 – Contrast Detection: 25 / Phase Detection: 179

As a person who uses only 01 center focusing point for the last 18 years, the number of focus points does not matters to me. But for photographers who relies heavily on zone focusing or focus detect, this means a lot to them. Canon, Olympus & Sony all offers Contrast Detection while Fujifilm only offers Phase Detection with 91 points. Sony offers both Contrast Detection 25 points and Phase Detection with 179 points. So Olympus is out. Canon offers both Detections which topples Sony on Contrast but lose out on Phase. But Canon won Fujifilm slightly on Phase. Given the above ratio, the number of points and the type of detection, Canon is clearly taking the lead here.

Scores
Canon: 1
Fujifilm: 0
Olympus: 0
Sony: 0

 

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9. Maximum Flash Sync Speed
Canon EOS M50 – 1/200 Second
Fujifilm X-T100 – 1/180 Second
Olympus OM-D E-M10 III – 1/250 Second
Sony a6000 – 1/160 Second

I do not know what Sony was thinking when they set the speed for Flash Sync for the a6000. Maybe they thought that a6000 users are likely not going to use fast speed flash. Then again, Olympus & Canon gave users flash sync speed of 1/250 & 1/200 respectively which is a marvel for entry level cameras. My vote goes to Olympus & Canon for being thoughtful on this.

Scores
Canon: 1
Fujifilm: 0
Olympus: 1
Sony: 0

 

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10 . Battery
Canon EOS M50 – LP-E12 Rechargeable Lithium-Ion, 7.2 VDC, 875 mAh
Fujifilm X-T100 – NP-W126S Rechargeable Lithium-Ion, 8.4 VDC, 1260 mAh
Olympus OM-D E-M10 III – BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh
Sony a6000 – NP-FW50 Rechargeable Lithium-Ion, 7.2 VDC, 1080 mAh

Lastly, the next thing that matter to me is the battery life. Large capacity battery will ensure more shots to be taken while smaller capacity batteries means frequent change of battery while shooting and incurring more costs to purchase more spare batteries. From the stock batteries for the above cameras, Canon’s battery has the smallest capacity (875 mAh) while Fujifilm top the range with 1260 mAh. A quick research on internet, I saw claims that some Canon users swore by the battery and claim Canon camera consumes lesser power as compared to the rest so the stock battery is smaller capacity. What a load of bullshit. For me, I still feel that it all depends on the user and how the user uses the camera matters more. But for comparative reasons, Fujifilm has the most power here.

Scores
Canon: 0
Fujifilm: 1
Olympus: 0
Sony: 0

The above 10 items that I had chosen to compare are mostly for the reason that there are some noticeable differences in a way or another – the regular specs of other features are vastly similar so I did not use those as a comparative items.

The Total Score.

Scores
Canon: 4 out of 10
Fujifilm: 5 out of 10
Olympus: 2 out of 10
Sony: 4 out of 10

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4th Place
Olympus OM-D E-M10 Mark III
– The latest camera to be released on this list and the one with the most expensive RRP, I am kinda disappointed that the EM10-3 is inferior on specifications – even losing out to the Sony a6000 which was launch 11 months ahead of the E-M10-3. I enjoyed using it as it is light and compact then again the Fujifilm X-T100 has about the same weight and size and far more superior in many ways. The little OM-D is well built and it has the design cue from the 35mm OM which many will appreciate.
I hope the EM10 Mark IV will be able to catch up and outclass the rest one day.

3rd Place
Canon EOS M50 – Clearly made and designed to the likes of Canon’s basic EOS DSLR range. Everything about the EOS M50 is Basic, functional and Easy to use. Slightly plasticky and does not feel as solid as the Olympus or Fujifilm, the M50 made up for the lack of features by compensating with the price point and with the backup & interchangeability of all the EOS EF lenses via adaptors, the Canon EOS M50 will be the best-seller among the 4. Still it loses out to Sony on an overall despite getting the same score as Sony due to the total customisation capability and specs.

2nd Place
Sony a6000
– Its like wine that had aged well. The oldest camera on this list managed to be on the 2nd place of this list. Sony had always used specs to win customers since the Alpha days – think a230, a700, a900 – those DSLRs back then are already ahead of the game but the public are so into Canon & Nikon so Sony indeed lost out back then. Sony’s E mount and subsequent FE mount became the real game changer. After the early E series mirrorless cameras were launched, indeed it had caused a storm and Sony finally showhand with the release of the Full Frame a7 series cameras capturing the hearts of many photographers and capturing a huge market from rivals like Canon & Nikon.

1st Place
Fujifilm X-T100 – The X Series are the Fuji cameras that managed to put Fujifilm back in the race. When people say Fujifilm gives a lot of value for the money you paid, that is true. Banking on the long legacy of Fujinon lenses, the X Series (rangefinder style) cameras are built like a tank, offers many interesting functions – my personal favorite are the digital filter-rendition of films in the digital form. Fujifilm cameras have never been fancy like Olympus, or overly marketed like Canon, or opt for new age design like Sony. Fujifilm had took on the digital face with a classic feel and everything remains Fujifilm – as it is.

I am not forcing you to agree with me or with this list, as mentioned, I did this list based on facts and specs and through usage experience. If you disagree, I can always give you a kite. I am surprised too with the result when I was tallying up the scores. So if you are in the market looking for a used entry-level camera – do go for the Fujifilm X-T100. It’s worth your every dollar.
– AL Lee
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Renting any of the Camera on this article – Please check for availability first.
For those of you who wish to try out the camera/ lens before purchase, we are pleased to share that this camera & lens is available for rental at our appointed rental merchant:

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Reviewer: AL Lee
Chief Editor
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