SHUTTER JOURNEY SINGAPORE

2014 Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C)

Posted on February 23, 2014 by Editor AL

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2014 Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C)

Photo: The Sigma 18-200mm MarkII & the 2014 Sigma 18-200mm Contemporary

Day February 2014, Singapore – Sigma’s latest release surprises the industry again. Since Sigma announced the Global vision, the company has been re-organizing their product lines and releasing new lenses after lenses and many of these new releases had even won multiple awards. So Sigma must be on the right track for that matter. Their latest Contemporary line lens – the Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C) came as a surprise to many photographers, industry watchers as well as the competition. As if the Sigma 24-105mm F4 (C) had not caused enough hypersonic waves with an outward open challenge to Canon’s 24-105mm F4L, the 2014 new 18-200mm is up against more than just Canon now, every brand with a 18-200mm is targeted.

Photo: The range is useful for many applications. This is shot at 18mm. (27mm equivalent on 35mm)

Photo: Lens creates nice color rendering and contrasty sharp images.
Since the new 18-200mm is under the Contemporary (C) line of lenses, improvements are granted but what makes this lens another winner when put alongside with the competition? We are going to take a very close look and careful comparison among the few 18-200mm lenses that has “been around” for a while. While this site is not a technical site, today we will try to be slightly technical but casual at the same time. So bear with us if the technical details & comparisons bore you. If reading tech specs is not your cup of tea, just look at the photos. 🙂

Photo: Lens performance had highly exceeds the expectations of most photographers.

OK, let’s first identify the similar lenses that are available in the market now.
1) Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C)
2) Sigma 18-200mm F3.5-6.3 II DC OS HSM
3) Tamron AF 18-200mm F3.5-6.3 Di II LD Asp. IF XR Macro
4) Nikon AF-S 18-200mm F3.5-5.6 GII VR
5) Canon EF-S 18-200mm F3.5-5.6 IS

For the easy reading of this article we shall name the above lenses to;

1) 2014 Sigma (C)
2) Sigma II
3) Tamron
4) Nikon
5) Canon

Age
Let’s start with their age. 2014 Sigma’s (C) version had just replaced its own 2012 Mark II version. This seems legit especially with the re-organizing of their product lines. However, slightly older are the versions from Canon & Nikon that were released in 2009. That is 5 years in human time and 20 years in photography technology time! And if that is not old enough, the oldest of the lot here has to be Tamron who have been around since 2005. (You kidding me?!?!) Every year we see new cameras being launched into the market, and how well will the crop of old lenses (able to) keep up with the newer bodies?

Photo: Shot at 18mm

Photo: Shot at 28mm

Photo: Shot at 35mm

Photo: Shot at 50mm

Photo: Shot at 80mm

Photo: Shot at 135mm

Photo: Shot at 200mm

Optics
Buying lenses is buying optic glass. But what kind/type of glasses the manufacturer employs does make a difference to the final image and this matters to all photographers. As a photographer, you will agree with me that it is not the brand, but the final output as that determines the result. Let’s see what glasses we are really buying.
– Sigma (C) 16 elements in 13 groups inclusive of 3 Aspherical glass + 4 SLD glass
– Sigma II 18 elements in 14 groups inclusive of 3 Asperical glass + 2 SLD glass + 1 FLD glass
– Canon 16 elements in 12 groups inclusive of 2 UD glass + 2 Aspherical glass
– Nikon 16 elements in 12 groups inclusive of 3 Asperical glass + 2 ED glass
– Tamron 15 elements in 13 groups inclusive of 1 XR Refractive glass + 8 LD glass + 3 Aspherical glass

Looking at the chart above, it is very obvious that the 2014 Sigma (C) lens has the best glass combo among the competition. SLD glass is actually the same as Canon’s famed Fluorite compound and this is the 1st time that Sigma actually packs 4 of these glass into 1 lens! So images are expected to be razor sharp, contrasty and full of details. Looking at the review photos, the 2014 Sigma (C) version did not disappoint. So finally we get a super-zoom (wide focal range all-in-1 zoom lenses) that gives the user a good focal range coverage but with good image quality too!

Photo: Shot at 200mm – Check out the details gotten from 200mm range. See next photo
for the real distance between me & the subject.

Photo: Behind-the-scene, this was how far I was from the subject.
Photography by Alistair Leo.

F Stops & Aperture
There isn’t much to compare for F Stops as all the 5 lenses here are comparatively similar. However, the aperture plays an important role here. The new Sigma (C) version comes with a 7 blades aperture that is modeled after a rounded iris which produces natural looking bokehs – but tack sharp images. The Sigma II (7 blades), Nikon (7 blades) & Canon (6 blades) versions uses a Rounded diaphragm that gives reasonably round bokehs that are acceptable in most photography standards while the Tamron (7 blades) has a non-rounded configuration that gives an “edgy bokeh blur”. Not putting Tamron down but in year 2005, that was probably the best configuration that a lens can get.

Minimum Focusing Distance & Magnification Ratio
Although some of these lenses here has the word “Macro” on it, please get this clear. These are NOT macro lenses. The “Macro” here means either the lens can be used at a much closer focusing distance than other regular lenses or the lens is able to produce a higher magnification so that you can crop a lot more without losing details from the original photo. The winner here has to be the 2014 Sigma (C) version as it can focus from as near as 39cm. The Sigma II, Tamron, & Canon are focusing from 45cm and Nikon starts to focus only from 50cm away from the subject. This is important if you like to shoot close-up photos like the occasional flower or stamps from your table top. The closer you can get to the subject, the more details you get.

The magnification ratio below seems to pair off with the minimum focusing distance as reported above. See for yourself what are these lenses capable of magnifying.
2014 Sigma (S) = 1:3
Sigma II = 1:3.8
Tamron = 1:3.7
Nikon = 1:4.5
Canon = 1: 4.2

Photo: The “Macro” is not exactly a real macro, but capable of nice close-ups. The closer focusing distance helps a lot.

Photo: At 50% crop from the photo above, the subject did not suffer from any detail loss.

Photo: Behind-the-scene, see how close I was really shooting from the subject above.
Photography by Alistair Leo.

Autofocus
Well focusing speed is another point to note. Made as “super-zoom” lenses, many such lenses suffer badly from slow focusing or incorrect focusing resulting in blur or out-of-focus photos. All 5 lenses here are IF (Internal focusing) lenses. But the focusing motors are different. The 2014 Sigma (C), Sigma II & Nikon uses super fast motors. Sigma’s proven Hypersonic motors (HSM) & Nikon’s Silent Wave motor (SWM) allows super fast & near-silent focusing while Canon & Tamron uses the traditional Micro motor drive that are much slower and seriously loud during operation. Hopefully the next 18-200mm from Tamron will have the PZD (already fitted on Tamron 18-270mm) and Canon will have their Ultrasonic motor (USM) fitted to their next 18-200mm.

Size & Weight
For super zoom, most of the time the lens is targeted at fuss-free shooters who views convenience as an important buying factor. It can be a travelling lens, or a lens that is going to be used in harsh weather condition where changing of lens is really not possible. So size can be the next important factor here. Among the 5 lenses here, the 2014 Sigma (C) has the smallest barrel diameter of 70.7mm while Tamron has the largest barrel diameter of 83.7mm. The shortest of them all has to be Tamron with a length of 73.8mm while the longest lens here is Canon at 102mm. Both Canon & Nikon uses 72mm filters while the 2014 Sigma (C), Sigma II & Tamron uses 62mm filters. The new 2014 Sigma (C) beats the rest here by having a very petite overall dimension of 70.7 x 86mm.

Weight wise, the light weight champion here is none other than Tamron at a mere feather weight of 398gm. As the scale progresses on, the new 2014 Sigma (C) weights 430gm, the Sigma II at 490gm, the Nikon at 563gm and the heaviest of the 5 lenses here are Canon’s version standing at 595gm. Canon wins the lot here by being the heaviest lens. Weight is subjective to many too, personally I will love a weighty lens, but not one that feels heavier by the minute especially when I am trekking or climbing a mountain. For this section, I will say the 2004 Sigma (C) has to be my choice – although it is slightly heavier than the Tamron, but adding up the specs that I had given earlier above, the decision is pretty obvious isn’t it?

Finishing, Barrel Material & Color
The external finishing of a lens does determines how much abuse it can take and when used under different weather elements.
The new 2014 Sigma (C) version is the only lens here that has a Matt metallic finish while the rest of the lenses here came with Matte plastic finishing. On the Color department, the new 2014 Sigma (C) came in Metallic Dark Grey (almost gun metal) while Sigma II & Tamron has their version in Matt black. Nikon opted for darker grey while Canon decided on the light grey. No matter what color a lens is painted with, it does not affect your image (for the un-initiated). But most photographers of today prefers a darker and meaner looking lens so the new 2014 Sigma (C) once again scores with the younger & modern photographers.

Except the new 2014 Sigma (C), all the other 4 lenses has their lens barrel made from standard engineering plastics and this is where the new Sigma scores again. Incorporating the use of Thermally Stable Compound – or better known now as TSC in short, this is a new material which we first seen on the company’s 35mm F1.4 (A) art line lens. The TSC exhibits little structure variation in extreme temperature conditions with almost negligible thermal shrinkage, and it shares its material properties closely with aluminum. So would you prefer TSC or plastic?

Photo: Tried the new 2014 Sigma (C) on an infrared converted Canon DSLR and find that very slight hotspotting are present.
However when I tried shooting in another different direction of the sun light and the hotspots were gone. See below photos.

*Note, for infrared, results may differ due to the camera or the IR filter use.

Others
With a super zoom, chances of hand shakes at telephoto focal ranges are common. Both the new 2014 Sigma (C) & Sigma II lenses comes with the company’s Optical Stabiliser (OS), Nikon has its version equipped with Vibration Reduction (VR) & Canon also has their Image Stabilizer (IS) built into their 18-200mm. Tamron did not add their Vibration Control (VC) which totally puzzles me. Then again, this is a 2005 lens.

Summary
The new 2o14 Sigma 18-200mm F3.5-6.3 DC Macro OS HSM (C) has changed the way photographers look at the super zoom lenses. Long focal range lenses are not just for covering various focal length anymore, now it can produce high quality & sharp images. Sigma takes APS-C users seriously if you have been following Sigma’s past lenses, you will agree with me that Sigma made the most market-leading APS-C lenses since the digital photography boom. This 2014 Sigma 18-200mm (C) is no exception and this continues the legacy of placing photographers above profit and making lenses that creates high quality images with a reasonable asking price.

With the amount of design improvements and know-hows from Sigma’s extensive lens-making experience, this new lens is on its way to bag another award soon.

Photo: Editor with the new 2014 Sigma 18-200 (C).
Photo by Alistair Leo.

To view the rest of the photos from this lens, please visit here.

Special Thanks to Sigma Marketing (Singapore) for the lens and providing all the confidential information that made this review possible.

Ed.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

C Lens = Contemporary Lens Line

Featuring the very latest technology, and combining optical performance with compactness, Sigma’s high-performance Contemporary line covers a wide range of needs. Lenses in this category are Standard zoom lenses, telephoto zoom lenses, high-magnification zoom lenses.

A Lens = Art Lens Line

Designed with a focus on sophisticated optical performance and abundant expressive power, Sigma’s Art line delivers high-level artistic expression. Lenses in this category are Large-aperture prime lenses, wide-angle lenses, ultra-wide-angle lenses, macro lenses, fisheye lenses.

S Lens – Sports Lens Line

While offering sophisticated optical performance and expressiveness, Sigma Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. Lenses in this category are Telephoto lenses, telephoto zoom lenses, super telephoto lenses, super telephoto zoom lenses.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

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Posted in Brand: Sigma, Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged 18-200mm, DSLR, Gear Review, Infrared, Lens, Sigma | 6 Comments

Win A 1-to-1 Photography Workshop with Allan Lee

Posted on February 21, 2014 by Editor AL

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Win A 1-to-1 Photography Workshop with Allan Lee

Picture: Allan Lee, Founder of ourshutterjourney.com
Photo by Dyan T.

21st February 2014, Singapore – Certified PA Trainer for Photography (People’s Association) & Accredited Photography Instructor at The Photographic Society of Singapore (PSS), Allan Lee is not new to the photography education industry locally. Famed for his informative curriculums and structure classes, Allan has taught more than 4,000 students in various institutions. Apart from the CCs/RCs & PSS, he had left traces with National Heritage Board (NHB), National Youth Council (NYC), National Trade Union Congress (NTUC Ulive), Housing & Development Board (HDB Corp) and for companies like Sigma, Pentax Ricoh, Cathay Photo, Canon Singapore & so on. Allan also conduct workshops at trade shows/ exhibitions like Sitex etc.

A regular judge at photography competitions, Allan is a specialist on product photography – many of his works had appeared on local advertisements and websites. Most recently, a few restaurant chains are using Allan’s photos for their menu, wallpaper and interior displays. Having conferred “Photographer of the Year 2013” by Canon EOS World under the Photography Education category, this further affirms his capability and committment to photography education in Singapore.

Now you have a chance to have a 1-to-1 Photography Workshop with the man. It will be a 2 hour session where you can understand how perspectives are created, trick shooting techniques & get to hands-on to try some of the best Sigma lenses ever made!

Contest details below.
* The session is open to beginners to intermediate level.

How to Win?

1) Like Sigma Marketing (Singapore)’s Facebook Page at https://www.facebook.com/SigmaSingapore

2) Send a Screen shot that you have LIKED the page and email to sjscontest@live.com
by 28th February 2014 1800hrs.

3) Winner will be Notified via email.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

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Posted in Brand: Sigma, Photography Articles & Videos, Photography Contests | Tagged Allan Lee, EOS, Sigma, Sigma Lenses | Leave a comment

Bhutan with Pentax SMC DA* 16-50mm F2.8 ED (IF) SDM

Posted on February 20, 2014 by Editor AL

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Bhutan with Pentax SMC DA* 16-50mm F2.8 ED (IF) SDM

Photo: The mighty Pentax SMC DA* 16-50mm f/2.8 ED [IF] SDM

20^th February 2014, Singapore – Launched in 2008, the Pentax SMC DA* 16-50mm f/2.8 ED [IF] SDM has never aged. In fact this wonder lens is still current and very much relevant to Pentax photographers. Created as a DA* lens, this lens is under Pentax’s professional line of optics. Equivalent to 24-75mm on 35mm format, the 16-50mm is no doubt the best lens for all its digital SLR cameras. Fully compatible with all new Pentax DSLRs & all the back-run camera bodies, this is a very affordable lens that promises excellent images and interesting colors.

A weather proof lens, the lens build is of excellent quality and it seems like the lens can take lots of heavy uses (& abuses too). The SP coating (Pentax Super Coating) further proves that this lens was designed for outdoor too as it repels dusts, dirt, water dews and even grease. The SDM (Silent Drive Motor) are another point worth mentioning. The focusing is extremely fast and near total silence when in operation. To compare blankly, the SDM is as fast, as quiet & as efficient as Canon’s USM, Nikon’s SWM & Sony’s SSM.

Picture: A local Bhutanese processing the rice grains.

Picture: Took a shot of my wife while she shoots the padi field with her Pentax Q. This lens is great for portraits too.
The Pentax 16-50mm produces contrasty and sharp images with no loss of details. Use it with the creative filters in most Pentax cameras, your next set of travel photos can be exciting like mine too.

Picture: A shy monk stand watch while I took the shot.

Picture: A Bhutanese temple.

Photo: A giant Buddha overlooking the city of Paro, Bhutan.

Internally, Pentax 16-50mm creates beautiful bokehs with its 9 blades aperture and I was really hoping that Pentax will release a F2 version so that at 50mm, this lens can double up as a big aperture portrait lens. Pentax spared no effort on the optics too, this mid sized lens has 15 elements in 12 groups, among the glasses, and there are 2 Aspherical elements and 1 SD element, impressed? No? Well with all the goodies included, this lens only weights a mere 565g – light enough for shooting in any situation & anywhere.

Picture: A monk walking down Tiger Nests Temple, Bhutan. Shot at 50mm

Picture: Colorful Bhutan with Pentax Colors. Shot at 35mm

I took this lens to Bhutan a couple of months ago for my honeymoon and have it paired to a Pentax K-30. The Pentax K-30 is also a weather-sealed DSLR so it is perfect to have the 16-50mm on it. I used this lens 90% of the time while I was at Bhutan and I find that there isn’t much need to switch lenses although I have with me a fisheye & a 35mm. This lens performs well and I have most of the focal range covered seamlessly. Do check out the photos in this article that I had shot at Bhutan with the Pentax 16-50mm.

To summarize, the Pentax SMC DA* 16-50mm f/2.8 ED [IF] SDM is an excellent walkabout & travel lens. Covering from wide angle landscape to mid tele for street portraits and zooming in to architectural details, this lens does it all. So if you are looking to purchase a tough Pentax walkabout lens, get this lens!

Ed.

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About Pentax Ricoh Imaging Company, Ltd

PENTAX RICOH IMAGING CORPORATION was originally founded in 1919 under the name Asahi Optical Joint Stock Co. In the 1950s, launched the first SLR camera, the Asahiflex I, and the company haven’t stopped since. From the Asahi PENTAX single-lens reflex camera to the Spotmatic and to our most recent K-5IIs and incredibly tiny Q10, Pentax empowers and inspired photographers around the world.
For information on Ricoh, click here.

About APDS (Exclusive Distributor for Singapore)

Audio & Photo Distributor (Far East) Pte. Ltd. formerly known as MHE Consumer (S) Pte. Ltd was founded in 1973.

Since its inception Audio & Photo has had been the distributor of many well-known international consumer brands such as Konica cameras from Japan, Kenwood and Nakamachi hi-fi products from Japan, and Metz flash and accessories, Rollei cameras and Jos Schneider enlarging/professional lenses from Germany, to name a few.

Currently Audio & Photo Distributor is the sole distributor of Pentax & Ricoh cameras from Japan . With over 35 years of marketing experience and history, Audio & Photo has developed a strong network of dealers located islandwide in Singapore with whom it enjoys close rapport and support.

Audio & Photo Distributor (FE) Pte Ltd bides by its belief that it exists because of the customer, and therefore it will always strive to serve the needs of its customers with full dedication and commitment.

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Posted in Brand: Pentax, Group Test & Reviews, Photography Articles & Videos | Tagged 16-50mm, Bhutan, DA*, Pentax | Leave a comment

Reliving Lensbaby Composer

Posted on February 19, 2014 by Editor AL

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Reprising Lensbaby Composer

Picture: Meet My Lensbaby Composer

19th February 2014, Singapore – The Lensbaby Composer lens was released since 2010 and it had been replaced by the Composer Pro in June 2011. Many had asked me what are the differences between the 2 focus-shifting lens – which I simplied as new vs old. That saved me the hassle of explaining how both works exactly the same and yet built differently.

Picture: Lensbaby Composer allows creativity to run wild.

Those who are new to Lensbaby may find the literature available from their website to be a little intimidating to read. Well, do not fret, we are not technical here either but rather, we would like to show you what kind/ types of photos you can get from using the Composer. (Effects from the newer Composer Pro will be very similar)

We took the Lensbaby Composer out recently for a walk and we came back with the photos below.

Picture: Composer Pro focus shift are useful for accentuating a subject.

Available in many camera mounts, almost everyone with any DSLR can use the Lensbaby Composer (same for the Pro).
It has a focal range of 50mm with a complete set of interchangeable aperture discs so you can choose what you wish to use to create the effect that you desire. Take out the aperture blade you will be shooting at a sweet F2.0 and this was what I did for this article. A pretty small lens (2.25×2.5 inches), and almost “weightless” (104.9g), the Lensbaby deserved to be carried to everywhere & anywhere.

Personally, I feel that the Composer is a fun lens to use. It distorts reality in a fun way and it brings focus to any part of the photo. However it takes a little getting used to before one can fully use the lens to its full potential. With a reasonable asking price now for the Composer Pro, I am sure you will enjoy using Lensbaby as much as I do. You can read up more here about Lensbaby and all its other products/optices. I got mine from Cathay Photo in Singapore. You can too.

To read other Lensbaby Review, please click here.

Ed.

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About Cathay Photo Store Pte Ltd

Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.
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About Lensbaby

Lensbaby is a Portland, Oregon based manufacturer of award-winning Creative Effects SLR & mirrorless camera lenses. Lensbaby was launched in February 2004 by Craig Strong, a professional photographer and the inventor of the patented Lensbaby Creative Effects SLR lens system. Lensbaby sells to photographers all over the world through its website, http://www.lensbaby.com, by direct calls, at trade shows, in leading photo retailers, and through a growing global network of international distributors.

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Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged Cathay Photo, Composer, Lensbaby | Leave a comment

Sony A6000 – Speed with Versatility.

Posted on February 18, 2014 by Editor AL

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Sony A6000 – Speed with Versatility.

New Mirrorless Camera Features Impressive AF, 24 MP APS-C Sensor, BIONZ® X Processor, OLED Tru-Finder™ and more

18th February 2014, Singapore (originally announced at SAN DIEGO on 11th Feb 2014) – Sony Electronics’ new α6000 camera pushes the limits of mirrorless camera innovation, boasting the world’s fastest AF performance1 at just 0.06 seconds.

The speedy new camera (model ILCE-6000) is also equipped with a high-resolution 24.3 MP image sensor and powerful BIONZ X processor. This powerful combination of features ensures that still images, full HD videos and all fleeting moments are captured in sharp focus and incredible detail.

“With the world’s fastest autofocus system1, the ability to capture a blazing 11 frames per second and a 24.3 MP sensor, the new α6000 rivals even the best DSLRs in the market today in terms of performance, and does this in half of the size and weight at an extremely attractive price point,” said Neal Manowitz, director of the alpha interchangeable lens camera division at Sony. “It’s an ideal choice for photo enthusiasts eager to ‘go light’ and take their photography to the next level.”

Mike Fasulo, President and COO of Sony Electronics, added “The new α6000 camera is simply the latest in a recent line of awe-inspiring product introductions from our digital imaging group – one of the key pillars of our core electronics business. As a leader in the imaging industry, we’re continuing to push the limits of innovation, offering products and experiences that only Sony can deliver.”

New ultra-fast AF system

Even quicker than most professional DSLRs, the phenomenal autofocus speed of the α6000 camera is powered by Sony’s advanced Hybrid AF system. The new model features a focal plane phase-detection AF sensor with an extremely wide autofocus coverage area – 179 focal points– that is teamed with high-precision contrast-detection AF. This potent combination allows the camera to accurately track and respond to a subject moving through nearly the entire frame, and to shoot at an eye-popping speed of up to 11 frames per second with continuous autofocus. It’s an unprecedented combination of speed and frame coverage in today’s market.

Design and Controls

The new camera’s clear, bright OLED Tru-Finder lets you see a live preview of all setting adjustments before the shot is taken, so what you see is exactly what you get. Conveniently placed mode and control dials on top of the camera give easy access to commonly used settings. Additionally, a ‘Function’ button and two additional customizable buttons give quick access to any one of 47 assignable functions. There’s also a built-in flash for extra flexibility in any shooting situation.

Wi-Fi® and PlayMemories™

The α6000 camera has built-in Wi-Fi, giving consumers one-touch connection with Xperia® or NFC-compatible Android™ smartphones or tablets for instant image transfer and sharing2. A single touch also activates Smart Remote Control, linking the camera with a smartphone or tablet for a live image preview, to fire the shutter from a distance and to review shots instantly.

For devices without NFC one-touch capabilities, users can wirelessly transfer images and videos and activate Smart Remote Control through Sony’s free PlayMemories Mobile™ application, available for the iOS and Android platforms.

The camera is also compatible with downloadable Sony PlayMemories Camera Apps, adding a range of exciting and creative capabilities. Currently there are a total of 10 different applications available with several others to be released this spring. Learn more at www.sony.net/pmca .

Pricing and Availability

The Sony α6000 compact interchangeable lens camera will be available in April 2014 in black and silver in a kit with a compact, versatile 16-50mm motorized zoom lens (model SELP1650) price to be announced on arrival to Singapore. It will also be offered separately as a body..

Sony has also announced the price of its previously announced full frame E-mount 70-200mm F4 G OSS telephoto zoom lens (model SEL70200G). This lens will be available in March too – price to be advised on arrival.

The new camera and all compatible lenses and accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

Sony α Lenses Assortment

The α6000 camera is compatible with Sony’s ever-growing assortment of E-mount interchangeable lenses, and uses the same Sony E-mount as the α3000, α5000 and acclaimed α7 and α7R models, as well as all the previous α ‘NEX’ cameras. All Sony ‘FE’ and ‘E’ lenses are compatible with all E-mount cameras.

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2014 Cameras Coming Our Way!

Posted on February 17, 2014 by Editor AL

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17th February 2014, Singapore – 2014 seems like an exciting as more new cameras hit our shores. Below are the list of cameras from the respective manufacturers which I have consolidated & sourced from various websites. These are the concrete ones and not rumoured. 🙂 So start saving up.

Canon Powershot N100
Fujifilm X100S Black Edition
Nikon D4s
Nikon D3300
Olympus OM-D EM10
Panasonic Lumix LZ40
Panasonic TZ60
Polaroid SocialMatic
Ricoh WG-4
Samsung Galaxy Camera 2
Samsung NX30
Sigma DP Quattro (1,2 & 3)
Sony A5000

So are you exhilarated or disappointed?
Once the official specs are out, you decide for yourself.

Ed.

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Posted in Brand: Canon, Brand: Nikon, Brand: Olympus, Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Brand: Sigma, Brand: Sony, Group Test & Reviews | Tagged 2014 cameras | Leave a comment

OLYMPUS OM-D E-M10 Launch Event at Vivo City

Posted on February 17, 2014 by Editor AL

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OLYMPUS introduces the hotly anticipated OM-D E-M10 with a launch event at Vivo City

– Have fun and enjoy the Olympus experience at different interactive stations!
– Receive exclusive free gifts and limited edition premiums!
– Stand a chance to win Olympus cameras!

Date              :   17 February – 23 February 2004
Time              :   11am – 8pm daily
Venue          :   Vivo City, East Boulevard A (opposite UNIQLO)

17th February 2014, Singapore – Olympus Imaging Singapore unveils the hotly anticipated OLYMPUS OM-D E-M10 at a week-long launch event at Vivo City from 17 February 2014 to 23 February 2014. From today till Sunday, the launch event will be packed with interactive activities, limited edition premiums, free gifts and chances to win Olympus cameras, the event presents a total Olympus experience not to be missed!

The launch event showcases the prowess of the OLYMPUS OM-D E-M10 experience under a fun and realistic setting to give consumers a true sense of what are in store in this super premium ultra-slim stylish camera.

The interactive activities and premiums that consumers can enjoy include:

Scrapbook Area

Take a photo with your loved ones with the new OLYMPUS OM-D E-M10
Decorate your photo with scrapbooking materials
Upload to Facebook to stand to win an OLYMPUS STYLUS XZ-10

Touch & Try Corner

Use the props to test the Photo Story & Art Filter function to create your own Photostory
Upload to Facebook to stand a chance to win an OLYMPUS STYLUS XZ-10
Test the effectiveness of the Olympus image stabilisation that corrects horizontal and vertical angular blur and optical rotational blur, making difficult panning shots and filming while walking a breeze

Free Camera Cleaning & Checking

Bring down your Olympus camera to enjoy this free service
Only on 22 & 23 February, 12 noon to 3pm, 4pm to 6pm and 7pm to 8pm

Exclusive Free Gifts

Purchase the Olympus OM-D E-M10 Single Lens kit from 15 February to 2 March 2014 to receive

– $100 Olympus Accessories Voucher

– 2 years local extended warranty worth $160

– Leather cooper bag worth $168

So what are you waiting for? Head down to Vivo City anytime this week to check out the OM-D E-M10 and have fun at the event!

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About Olympus Imaging Singapore

Olympus Imaging Singapore is the unparalleled industry leader in opto-digital technologies, delivering award-winning digital imaging products for the consumer and professional markets in Singapore. Driven by a strong commitment in providing innovative products and solutions of the highest quality, Olympus Imaging Singapore works closely with industry partners, customers and other Olympus business units in producing leading-edge products. These include analogue and digital cameras, professional SLR imaging systems, and voice recorders, amongst others. Olympus Imaging Singapore’s unrelenting efforts in superior customer service also bear testimony to its brand promise of delivering the best user experience to all consumers and professional users in the imaging field.

For more information, please visit http://www.olympusimage.com.sg

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Welcome Advertisers!

Posted on February 13, 2014 by Editor AL

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Welcome Advertisers!

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14th February 2014, Singapore – Since our earlier announcement of launching advertisement banners for our site, we have received tremendous responds from our accredited merchants and other merchants/ organisations.

Pending the official run from 1st March 2014, we have secured advertisements from many industry leaders like;

1) Cathay Photo Store
2) Sigma Marketing Singapore
3) Pentax Ricoh (APDS)
4) Sgcameratore
5) Xing Asia
6) P & G Photographic Centre
7) Roy Chuang Productions
8) P@P

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Spaces are running out and we have very little advertising spaces left.
If you are a camera brand company, photography dealers, selling accessories, photography school or in any part of the industry wanting to expand your reach, this is your opportunity. Our advertising rates are attractive yet guarantees a solid reach. So if you are keen to reach out to 80,000++ photographers monthly, please contact us soon.

ourshutterjourney.com Accredited Merchants enjoys 50% Off the advertising rates!

**Note:
– Only ourshutterjourney.com will show you the actual Traffic Statistics, we log on live to show you our dashboard.
– We do not claimed traffic figures plucked from the sky.

Book your space today!

Ed.

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Win a Limited Edition Pentax Q Watch!

Posted on February 12, 2014 by Editor AL

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Win a Limited Edition Pentax Q Watch!

13th February 2014, Singapore – The Pentax Q has attained cult status in Singapore with its strong sales and popularity amongst the casual photographers in Singapore. The tiny Pentax Q – touted as one of the cutest cameras in the world has full shooting functions and interchangeable lens like a DSLR. It is easy to note why people are snapping up the Pentax Q from the stores. To coincide with the Pentax Q, the company commissioned a limited edition watch specially for the Pentax Q back during its launch – as luck have it, we have 2 to be given away. Read on.

How to Win?
Since the Pentax Q comes in 100 colors combinations and we would like to reward Q owners with a Limited Edition Pentax Q Watch. Made from stainless steel in Japan, this accessory will compliment any Pentax Q Series camera perfectly.

All You need to do is
(1) take a photo of yourself with your Pentax Q creatively and
(2) email the photo to sjscontest@live.com by 10th March 2014 6pm to enter the contest.
(3) Just remember to leave your name, contact details behind so that we will be able to contact you should your photo won!

It’s that simple! We have posted 2 examples in the article for your kind reference. (above & below)

Send us soon!

Thank You APD Singapore for the Pentax Q watches!

Ed.

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About Pentax Ricoh Imaging Company, Ltd

About APDS (Exclusive Distributor for Singapore)

Audio & Photo Distributor (Far East) Pte. Ltd. formerly known as MHE Consumer (S) Pte. Ltd was founded in 1973.

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Posted in Brand: Pentax, Group Announcements & Notices, Photography Contests | Tagged Pentax, Q, SJS Contest | 1 Comment

Sigma 150mm F2.8 EX DG OS HSM Macro Revisited

Posted on February 11, 2014 by Editor AL

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Sigma 150mm F2.8 EX DG OS HSM Macro Revisited

Picture: Test Set up – Sigma 150mm F2.8 EX DG OS HSM Macro + Canon EOS 1D MarkIV + Sigma DG Macro Flash.

11^th February 2014, Singapore – For some strange unexplained reason, my earlier (2012) review of the Sigma 150mm F2.8 EX DG OS HSM Macro went missing in cyber-pandora. Due to many requests from my students & friends who are big fans of macro photography, I had decided to do up this review to “complete” my set of user reviews on Sigma macro lenses.

Picture: Sigma 150mm F2.8 EX DG OS HSM Macro, this is actually MarkII. Note the lens finishing is awesome.

The current version of the Sigma 150mm F2.8 EX DG OS HSM Macro is actually a Mark II (1^st version has no OS and uses the old peel-when-aged body coating) which many keen eyes will be quick to point out that the lens was built using a much better material than its predecessor. Looks like engineered plastics, the fact is, the barrel was made from TSC (thermally stable compound) and was used as a test run for the current versions of new Sigma Art, Contemporary & Sport line lenses.

Picture: Sigma 150mm F2.8 EX DG OS HSM Macro, the switches are well placed for ease of use.

Made as a premium Sigma lens, this high performance macro lens are designed to fill in the focal range gap for between 90/100/105mm & 180mm which makes lots of sense. A full frame lens, this 9–Blades (aperture) 150mm offers excellent bokehs (at F2.8) that creates stunning portraits while the 150mm also gives the user a good working range when photographing tiny insects from a distance or for general table top studio uses. Designed for high versatility and general use, this 150mm is the “almost-all-you-need” lens for medium telephoto range.

Some Photo Samples

Picture: 100%

Picture: 50% Crop.

Picture: 25% Crop

When used with APS-C DSLRs, this 150mm effectively becomes a 225mm* telephoto lens allowing the user to do more like sports or even birds photography. (*240mm on Canon APS-C & 195mm on Canon APS-H sensor bodies) To ensure this 150mm lives up to its claimed performance, Sigma included the company’s long proven Optical Stabilizer (OS) in 3 operating modes to ensures the user will be ready to shoot with assist in any shooting situation, a blazing fast Hyper Sonic Motor (HSM) for that spot-on focusing in fraction of a second. The HSM is noted for their accuracy, almost silent high-speed focusing.

More photo samples shot with the Sigma 150mm Macro.

Focusing range is selectable from 3 pre-set range allowing the user to tailor the focusing distance and speed to their shooting. On the exterior, apart from the excellent lens finishing, the handling are user-friendly. The AF/MF switch, the Focus Range switch & the OS Mode switch are thoughtfully arranged and the focusing ring is smooth and very easy to operate. At 1150kg, the 150mm is considered light weight for handheld shooting and it comes with a tripod mount ring for that added versatility should the user decides to use a monopod or tripod with this lens. APS-C users will be glad to know that in the retail box, Sigma had included an APS-C hood adaptor together with the hood so that users using this lens on APS-C bodies will not compromised on stray lights or other light pick-ups. (Phenomenon where long lenses are used on smaller sensors which are positioned nearer to the lens.

Picture Below: 100% vs 15%

Below: The Sigma 150mm is great for portraits too. Shot at F2.8.

With all the goodies incorporated into the 150mm, the package will not be complete without Sigma’s Super Multi-Layer Coating. Known for its ability to reduce flares & image ghosting, color rendering are also near perfect at an approximate 95% (color chart test at Auto WB) which is perfect – for what it was designed for. The 150mm is a true macro lens with 1:1 (life size reproduction) and it focuses as near as 15 inches as claimed by Sigma. On our field test, this lens is still focusing accurately at 10 inches! This lens is sharp – very sharp as expected from a true macro lens. Internally there are 19 elements in 13 groups which I did not expect due to the light weight. Personally, I am more concerned with the final image quality which this lens pleases me.

Fully compatible with Sigma’s full range of accessories, the 150mm will be best purchased with the company’s tele-convertors and the macro flash which are individually known for their proven capabilities.

Picture: Me with Sigma 150mm F2.8 EX DG OS HSM Macro.
Photo Courtesy of Eugene Toh

For more information on this lens, please visit here.

For Sigma 50mm Macro Review please visit here.
For Sigma 70mm Macro Review please visit here.
For Sigma 105mm Macro Review please visit here.
For Sigma 180mm Macro Review please visit here.
For SigmaDG Macro Flash Review please visit here.

Sigma will be announcing another new DC lens later this week. Stay tuned.

Ed.

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IMPORTANT NOTE:
** Sigma had re-organized their whole lens line into 3 category.
They are “C” Lens, “A” Lens & “S” Lens.

Sigma Marketing Singapore Pte Ltd. is a subsidiary of Sigma Japan Corporation.

For more information, please visit http://www.sigma-global.com

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Posted in Brand: Sigma, Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged Sigma, Sigma 150mm Macro, Sigma Macro Flash | 2 Comments

Reaching Out to 80,000+ Photographers Monthly?

Posted on January 22, 2014 by Editor AL

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22nd January 2014, Singapore – Under the repeated requests by several of our accredited merchants, we are pleased to announce that we have officially launch our advertisement banners service today at 17.30 hours GMT +8.

Our beta testing had been running for the last 7 days without a glitch and the search engines & ping servers are actively picking up clicks and activities from this site. We ran a few other compatibility tests and all advertisement banners (both static animated) are working well on ALL Smart phones, Tablets & Computers of all formats. The Ads Banners are also on our EDMs email blasts as well to ensure maximum view for your business.

Our advertisement rates are priced nicely so that it is easy on your pocket and you can pass on the savings to our members, followers, subscribers and viewers from Singapore and regionally. Reaching out to 80,000+ photographers monthly has never been easier now with ourshutterjourney.com – (when compared to the messier layouts of other sites/ forums). Our website style layout ensures that the right audience (type of photographers) are viewing your ads at the right page where you advertised.

We are also pleased to share that our Accredited Merchants will enjoy a straight off 50% Discount Off our Published Advertising Rates on a permanent basis in appreciation of the support that we have received from our Merchants.
Together with this announcement, we are accepting advertisement bookings now so hurry before your preferred space is taken up!

For Advertisement Booking or Information, please email us at media_world@live.com today!

For Accreditation or Information, please email us at ourshutterjourney@live.com.sg

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Posted in Featured Photography Merchants, Group Announcements & Notices, Non Photography, Uncategorized | Tagged Accredited Merchants, Advertising, Group Announcement, ourshutterjourney.com | 123 Comments

Fujifilm Instax Mini 90 NEO Classic

Posted on January 18, 2014 by Editor AL

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Fujifilm Instax Mini 90 NEO Classic

Picture: Gift from my dear wife, the FujiFilm Instax Mini 90 NEO Classic

18th January 2014, Singapore – The “instant photo system” (IPS) – as what Fujifilm calls their cameras under the Instax product line is currently the most popular IPS cameras among the youth now. The Instax line are setting trends for pop culture and bringing back the retro-feel called “instant gratification” cameras since the popularity picks up steam again in 2010. Although it is publicly known to the photography market that almost all entry-level Instax cameras are cheap and attractively packaged for the younger crowd, I was truly surprised by Fujifilm’s latest Top-of-the-line Instax Mini 90 Neo Classic. The Neo Classic was only launch in Sep 2013, less than 6 months ago.

Picture: The NEO Classic is elegant and well designed.

My wife gave me the 90 Neo Classic as a gift (Pictured above) just a couple of days ago and man I was really excited. I have heard so much positive reviews about this camera. From what I heard, the Neo Classic is loaded with more functions than any other Instax ever made and it has loads of improvements from the cheaper models.

Picture: LCD Screen, Mode Buttons, Viewfinder & the camera feels solid on hand.

On first look, the Neo Classic is far from anywhere near pop culture. The retro look that was made and designed to look like a rangefinder/slr will attract a totally different crowd in my view. Sorry ladies, the Instax is no longer cute. This time, real photographers will be attracted to get it not just for its looks, but for its useability too.

Picture: The Neo Classic is for the slightly more serious crowd. Sorry Ladies, Instax is NOT Cute this time.

So what are the key functions of this beautiful instant camera?
Stop dreaming you are getting a Fujinon lens – but this lens is not too bad as it is still a 2 components, 2 elements lens with a fixed focal range of 60mm and an aperture 0f 12.7. (Automatically shift to F22 when Macro Mode is switched on) Although the films that I bought are ASA800, that does not means that I am invincible now when clubbing, from the combined specs (lens + shutter + flash) I still think this is an outdoor camera.

Picture: The 60mm Instax Lens. Maybe Fujifilm will squeeze a Fujinon Lens into the next Instax?

Fujifilm claimed that the Neo Classic comes with a High Performance Flash. After fumbling with the camera, my guess is the flash to linked up to a meter which actually controls the amount of flash require for each shooting scene. I will rather call it smart flash. Then there is a Party Mode. After trying out a few shots, i gather that this is what we call “shadow correction” + “Slow Sync flash” in DSLR language. Still, it is a good try for an instant camera don’t you think so?

Chart: The Neo Classic currently stands on the product hierachy as the Top End Camera.

The Kids Mode employs a faster speed shutter, while Landscape Mode & Macro mode are more of telling the user where are the minimum focusing to infinity distance, it does not really change the photo in anyway. However, the Bulb Mode was a really good try. Before you try mounting ND Filters on the Neo Classic, please understand that the Bulb Mode in Instax context means 10 full seconds only. Although this Bulb mode is not for real, but it is definitely a breakthrough for Instax to be able to do this. (with a tripod of course). The other feature I really like was the Double Exposure, who says instant photos cannot shoot twice on a same frame? Neo Classic did it.

I welcome the use of a proper rechargeable battery (like a compact camera) over the AA off the shelves type. FujiFilm claimed that a full charge will last the user 10 packs of film, not bad in my view for an instant-do-all camera. The LCD Panel at the back are excellent so that you know what you are doing or end up shooting in the wrong mode accidentally. With “Bulb” mode available now, the Neo Classic comes with a tripod socket so that you don’t have to place your Neo Classic on everywhere or hold your breath for 10 seconds, so far so good? yeah, I think so. I like what I see and what I’ve gotten from the camera and I think this is an instant camera that all photographers should have.

Picture: Trying the Various Modes and the Neo Classic yielded excellent & fun results!

My wife bought this unit from sgcamerastore.com for me and I am truly thankful for this gift.
Interested to get one too?

More information on the Fujifilm Instax Mini 90 Neo Classic read here.
Quick Specs here.
You may also wish to read up more on the Instax line here.

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Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged Fujifilm, Instant Camera, Instax Mini, Instax Mini 90, NEO Classic | Leave a comment

Peter Lee Custom Macro Flash Diffuser

Posted on January 16, 2014 by Editor AL

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Peter Lee Custom Macro Flash Diffuser

DSC07476_01
Picture: Peter Lee, Macro Photographer, Instructor & Inventor.

16th January 2014, Singapore – Macro photography is catching on a lot of interests in the recent years in Singapore. This is not surprising as Singapore is a tropical country, the climate and humidity plays host to over thousands of species of insects and nature wildlife. Being a garden city helps too – boasting a very strong ecology where the balance of plants & insects population thrives. That explains why so many photographers takes an interest to macro photography.

While we all (or most photographers) know that macro equipment are not cheap, photographers started to innovate their techniques & gear – yes, gear too. Although most of us can just pick up what we needed from the photography store, sometimes the equipment still cannot satisfy our quests for better results. This is where customization kicks in.

Peter Lee, a well-known professional macro photographer and an instructor finds himself into such a situation a few years ago. His issue was flash lighting. While macro dedicated flashes are available in the market by proprietory brands & third party makers, he understand that most photographers entering the macro genre will be more likely to own a regular flash gun (hot-shoe mounted) than to immediately purchase a macro dedicated flash which costs as much as a mid-focal range macro lens. Seeing how harsh the lighting had caused by the flash gun, Peter started thinking & experimenting – finding a way, finding a method or an equipment that are able to diffuse the flash light to soften the light cast while not compromising on the effective light throw distance and final illumination.

Photo by Peter Lee using his invention.

Addressing the lighting needs of macro photography, Peter decided that he should invent a flash diffuser and he did. Using a combination of materials, he calls it “Custom Diffuser”. This is because before he make a new diffuser, he will custom the size of the diffuser to the camera+lens combo that the person is using so the results will be as intended and promises no light loss and easy ease of use. For the rest of us in the photography circle/ community, we have given Peter’s diffuser a better name – we call it “Peter Lee Custom Diffuser” or “PLCD” in short. This name is catching on really fast among photographers as this diffuser works really well and promises excellent results. (Remember how Gary Fong shot to fame with his light dome?)

Out of curiosity, we contacted Peter and requested for a review unit. After explaining to us how to use the diffuser and other related information, we took the diffuser back to our studio and put it to the test. Check out the photos below.

Picture: Our set up without the Diffuser.

Picture: Our set up with Peter Lee Custom Diffuser.
(Please note the diffuser was meant for Nikon 60mm but we only had 105mm at test time, but we ended with good results anyway!)

We decided that my favorite toy car inside the studio toy box should be the subject and we took 2 shots of it. 1 without the diffuser and 1 with it. Check out the difference.

The 1st shot below is without the PLCD and the 2nd shot is with PLCD.

Picture: Test Shot with Flash gun without PLCD.

Picture: Test Shot with Flash gun with PLCD.

As we can see from the above, the results are pretty obvious. The PLCD created a more balanced cast/ exposure across the frame than the shot that was shot without the PLCD. The end result created was more “studio-like” and when I showed the above 2 photos to few fellow photographers, they commented that PLCD actually allows a much softer diffusing and yet not compromising on the final exposure output. This means, apart from macro, this diffuser is also very suitable for portraiture use and other table top applications.

Interested to own a PLCD? At the moment, Peter is making these diffusers on requests and mostly making for his students for the macro photography class, but you can order yours too from the below contact details.

Order Today!

Enquiry/ Order: +65 96340805 or shswck@gmail.com
Facebook: https://www.facebook.com/lee.shiuhhwa

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Posted in Group Test & Reviews, Photography Articles & Videos | Tagged Peter Lee, Peter Lee Custom Diffuser, PLCD | Leave a comment

10 Types of Impossible Photographers

Posted on January 14, 2014 by Editor AL

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*Important Disclaimer Note: Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead. I Already said is coincidental, what more you want?

14th January 2014, Singapore – There has been lots of arguements among the photography community here about how a photographer should be. This is highly subjective in many perspectives. Like for example, there are people who claimed to be a photographer just because they own tons of photography gears while their photos cannot even be considered a photo, or the poor working photographer who owns pretty amateur gears but produces world class images. So where does this stops (or begins)? I have compiled a little list here from my working experience as a photographer regionally, you have every right to disagree, as I already mentioned earlier, this is my personal views.

If you have more to contribute, please feel free to email me so that I may add on to the list.

10 Types of Impossible Photographer
*Important Disclaimer Note:
Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead. I Already said is coincidental, what more you want?

Type 01. The Gear Collector

It is definitely easy to sift out the Gear Collectors from your photography friends. The gear collector is only interested in the latest equipment, the higher end equipment or legacy equipment rather than producing decent photos. The person is likely to be posting his/her latest purchase all over social media and will always be seen with his/her latest purchase. The person will likely to be posting photos that your Grade 1 kid can already produce – sometimes worse than what your kid can produce. The same person will also be enthusiastically discussing about equipment purchase more than brushing techniques in photoshop.

I call this a “Gear Race”, especially when people of the same mentality comes together and start to outdo & outbuy equipment whether by brand, by class or by price. I am pretty amused whenever I come across such a (sometime heated) conversation. Don’t get me wrong, I am happy that people are spending to support the manufacturers that I purchase equipment from. Lastly, most real professionals does have a big & expensive inventory of equipment, but they use them, not display them or brag them. What is there to brag when professionals uses the gear to make a living while the gear collectors uses the gear to make a statement or or their presence?

Editor’s Note
I must admit that I was once a collector for rare lenses and cameras, but it came to a point where/when I realised I only have 2 hands and 2 legs and it does not makes sense for me to be filling up my dry cabinet with equipments that I seldom use. Rather than having those rare pieces of equipment in my dry cabinet, I am sure somebody out there will enjoy using it than having it for my own viewing pleasure. In the end I sold most of these lenses & cameras while making space for the equipment that I really need. Although I am still maintaining 5 camera brands systems, this is purely for my photography classes where I learn the various systems’ operating menus and loaning them to my students.

Type 02. The Announcer

A very interesting group of people here. You will know exactly where this person is, what he is doing and worse, how bad/good his/her business is/are. Announcing publicly on social media every time you have an assignment is not very smart. For a simple reason, likely you will also have competitors in your network, and people can count. When people start counting your assignments for a period of 12 months, it will also be publicly known how many (or little) assignment you’ve done for a year. Worse, with the market rates that are so open these day, people can also count how much (or little) you have earned in a year. Not a wise choice right?

Photography is a very competitive market segment in Singapore, by announcing what you are doing and where you are doing it by checking in location, you are also telling your competitors who you are (likely) to be shooting for. Where do you think this will lead to? More businesses? Think again. Whether you are a amatuer or a working professional, think hard where this will leads to.
See my editor note below.

Editor’s Note
I used to check-in a lot whenever I am doing an assignment or commercial work. I thought that was fun until I paid dearly for a lesson that I will never forget. That was exactly 3 years ago if I remember correctly. I was shooting frequently for a shoe company for their safety shoes and industrial grade footwear for advertisement copies. Then 1 day when I was packing my equipment for another shoot for the said company, I received a call from the Marketing Manager who contracted me to shoot their shoes. Here’s an edited conversation.

Shoe Guy: Hey Allan, I know we had agreed on a rate for your fees. Can you lower it by another 25%?

Me: Hi, but it is already very low and I am able to give you this rate as you are giving me monthly jobs to shoot.

Shoe Guy: You really sure? I have a photographer guy who called me yesterday and told me he can do a better job than you and he charges almost 50% less than your fees.

Me: (shocked), I have been shooting your shoes and producing great advertising copies and we are working well together, this came as a shocker to me. Is price an issue?

Show Guy: Sorry but yes, businesses keep cost low to ensure higher profits. If you are not able to adjust, I am afraid I have to appoint that guy to be our photographer from now on.

Me: Fine, I am disappointed but it’s ok, good luck.

It finally dawn on me what exactly happened. A fellow photographer on my Facebook had been monitoring my check-ins and all he did was to google the location/ company that I checked in to, then make a call to the company and requested to speak to the person in charge of engaging photographers, then made his pitch with a huge attractive discount and I lost my income. Low life? Yes, we have a lot of such people in our life especially on social media. Since then, I have stopped Checking-in to locations where I will be doing my commercial work, so no one really knows who I am shooting for or what I am exactly shooting these days. I still check in whenever I am teaching photography classes though, this is more for my students to know where to find me and that I have already arrived.

Type 03. The Attention Seeker

As mentioned in my earlier point, photography business is competitive and some times tough in Singapore. And you make it worse by bringing more attention to yourself. Some may look at it as advertising, but it is really working?
I am so very sure you wil have 1 or 2 (or more) “friends” on your social media circle that are constantly posting “little trivial status/updates” about what they are doing a few times a day. And they expect people to “LIKE” it or comment on it.

Here’s some examples (There are certainly more):

“Finally completed XXX assignments and I have 3000+ photos to process.”

“Shooting another wedding back to back later – feeling meh.”

“Trying out my new XXXX brand camera later.”

“Setting up photo booth for a D&D shoot later.”

“Rushing XXXX photos now.”

“Can’t believe some people (do this) & (do that) at the event that I was shooting.”

“Some people blah blah blah blah.”

Above is a few examples and I am sure you can easily relate them to some people on your social media circle.
Ask yourself, will a real professional photographer do that? With a reputation and impression to upkeep, the above just kill it all. Imagine to be branded as a “nagging photographer”, or a “bitchy political photographer” or anything that does not sound nice at all. Such are the common behavior of amateur photographers who are trying to gain an audience. You may beg to differ as you would probably be updating your status/shout-outs more frequently, but it is the content (like above) that kills everything.

Editor’s Note
Seriously? You have every right to do the above since it is your social media account and you are the “King” on your little cyber space. But have you spare a thought for the rest of us on your account circle? Imagine having not less than 20 updates in 24 hours about your rantings and little shout-outs are irritatingly unbearable. You may argue that if that irritates me then don’t view it – well, that means deleting you or blocking you completely – does that make sense if we are real friend offline and not a friend anymore online? Will you question me why I deleted you off my friends list later? Why create a situation like this when you can actually prevent it – by ranting less and expecting every person on your friend list to like it. And when a person did not LIKE your update, do you regard the person as a competitor or enemy? Go figure.

Type 04. The Professional Commentor

On social media, I am sure everyone of you would have a good mix of photographers in your list – comprising of beginners, amateurs, semi-professionals, professionals, suppliers, dealers, educators, repairers or related services etc. Among the list, you will definitely have a photographer whom post more comments than real images. Whether these people are real pros or pretending to be pros, this person will be commenting on photos all day – finding faults. And it had came to light that most of these people are really amateurs pretending to be pros.

Most call them the professional commentor as most of them do not (probably cannot) even produce decent photos to start with. They speak with the same tone taken off some photography magazines/ websites and they are also the same lot of people who will constantly “correct” you on your photos. Please do not be confused with real comments from genuine friends who are trying to help you improve your art, the genuine comments are straightforward, with tips on how to improve and sometimes ends (usually) with an encouragement. However on the other end, the comments made by the professional commentor are mostly blunt, sarcastic without really assigning a reason to why or what was wrong with your photo in the first place. And when you try to clarify with such a person, you will likely be greeted with more defensive and harsher words. Encountered such a person before?
Don’t worry, professionals don’t do this. Your photo is probably fine.

Editor’s Note
In my view, the professional commentors are trying to cover up their incapabilities with words rather than showing some real work that they have produced. Their comments are not designed to help others improve but instead, outward discouraging and calculated to put you down. By putting you down, they will be “above” you. And they are everywhere! From photography forums, to facebook, to instagram, you can easily spot out such persons from their comments on others’ photos. When asked how a photo can be done better, they will usually offer some very basic or amateurish advice which makes you wonder if there was a need for the same person to comment negatively in the first place. Remember, real photographers (whether new or pro) who are genuinely trying to help you will offer you a point-out, a suggestion to improve & an encouragement.

Type 05. The Price Warrior

I had mentioned above that the photography market in Singapore is tough and very competitive. So one of the easiest shortcut that (not all but) most struggling photographers took was to launch a price war. And what these “price warriors” did was more than just killing the industry, it had cheapened the art and the profession and worse, it has became a factor for decision for potential clients. In the good old days, the deciding factor to engage a photographer was the person’s work, the standard, the artistic approach by the photographer, not the price he/she charge. Sadly all these had evolved.

It will be different if everyone can charge what they are really worth, when that happens, the cycle will be reversed. Then it will be the photographers who will choose who they wish to shoot for, and not the other way round. Just take an example from other non-related industries. The minute price war starts, the consumers gains, the industry produces cheaper quality to meet the demands and trying to make a profit by the volume – now think, can we duplicate this to the photography industry? Now our clients are the consumers and we represent the industry in the above example, means we have to shoot a lot more for less money, isn’t this suicide?

Editor’s Note
It does not matter if your are a professional, a semi-pro with a full time job, an amateur learning the ropes of this industry or simply taking out your first step as a beginner. Charge accordingly to your level so that the industry will have several price brackets for clients to choose from. This will also separates the different types of paying scales from the clients. This will ultimately drives the message across that “you get what you pay for”. Isn’t this better for everybody? Waging a price war is waging a war on yourself. Think twice before you give that huge discount. Ask yourself, is it worth it at all.

Type 06. The Contestor

Another (common) type of photographer amongst us are no doubt the contestor. This person will enter every photo competition available and will try to win it. Some of them are already very accomplished photographers producing excellent photos with good standards, but this is not enough. They will resort to many tricks and ways just to ensure they win. I am not sure why but I know some of these people likes to be called “An Award-Winning Photographer” and what I am going to reveal here might shocked you. I have been a Judge for numerous photography competitions/ contests and there are some things/loopholes that I noticed.

– It is always the same group of people entering contests/ competitions.
– Some re-cycle their old photos to enter many competitions.
– Some uses another person’s name to enter the competition so there’s a higher winning chance.
– Some process their photos so much that it is hard to believe those are real photos.

While some are out to win the fame and to better their personal portfolio (this is perfectly legal), there are some who are out solely for the monetary gains. If a cash prize is up for grabs, be prepared to see a rocketed record of entries, if a DSLR is the prize, you will see slightly lesser entries – usually the prize is an entry-level DSLR that wouldn’t fetch much money in the resale market. If the top prize is a holiday trip or a professsional line DSLR, the mob goes wild again, get the drift? See my Editor notes below for some of the tactics employed by some backsheeps to win competitions/contests.

Editor’s Note
Same group of people – yes. This is very common. From 2010-2013, I have been invited to be on the judging panel of many public as well as private photo competitions/ contests and after a few rounds of judging, some names had caught my attention. Because their names keep showing up – everywhere! Singapore may be small, but not to the extent of having the same Mr. XXXX entering in almost every competition known to me. In fact I almost suspected that this group of people compete in competitions full time. For fame or the prize, I cannot comment, but what irks me are those who re-cycle their photos. For example in 2011, there was a competition with a theme “Celebrations 2011” and as expected, many submitted their fireworks photos. Then there was an excellent photo by a famous (award-winning) photographer which I decided to do a check. We checked the exif data and found out that the photo was shot in 2009, then we checked the terms & conditions, there was a clause that clearly states that the photo submitted must be shot in 2011, so needless to say, the photo was disqualified immediately. Had I not noticed the “famous name”, I would not have discover this and may even foolishly graded this person’s work.

Another scam (as I call it), a photographer enters a set of 3 photos into a competition/ contest. Then this photographer enters another 2 sets of photos (3 photos per set) using his wife & his son’s names. Going by the law of averages, that means the same person now has 09 photos with a bigger ratio chance that he might win the competition. So can you imagine if this photographer enters 20 sets of photos (60 photos) into the competition, what are the likelyhood that this photographer will win? It works on a very simple logic here, if any of the entries won the contest, the “person with the borrowed name” who submitted will get a cut from the photographer. So any of the entries won, the same photographer still wins, get it?

Competitions are designed to allow the community to better themselves in the craft, not a tool for people to profit out of this. If you are good, there’s no need to enter multiple entries. If you are poor, go get a job or do more assignments, don’t deprive of others’ works to rightfully win a prize.

Type 07. The Politician

Although personally I encourage all my students and fellow photographers to make more friends rather than enemies, there will certainly be rivalry in the circle/ industry. Beware of “Frienemies”, a common term coined to describe the kind of people on your social media circle who are “friends” by cyber-connection but Not exactly a friend to start with. This is the kind of photographer who are also commonly known as the “2-headed snake” or the “undercover” – i call them politician, whichever you call them, be really careful. What you posted on your social media may ended up as a full thread discussion on your posting as the politician will seize every opportunity to bring you down while (still) putting on a good friendly front. In many cases that I have encountered, the victims usually got themselves into deep trouble and without knowing who exactly double-crossed them.

These malicious serpents are politically correct when they speak to either party and they are always seen as the neutral person when fronting either sides. You may wish to make a mental list of such people who are surrounding you and be really careful of comments you made about another photographer. To save yourself from unnecessary misunderstandings, compliment others instead of commenting on others. Seriously what other photographers do is none of your business. Agree?

Editor’s Note
I believe everyone of you would have encountered, or know of someone who have been a victim of double-crossing. Think again why would anybody sought discort for the stupidiest of reasons? Think hard, if both parties fell out over a misunderstanding caused by such a politician, the last one standing will be the poisonous snake, agree?

After having been a victim and admittedly tried the role of a snake myself, I find it all too childish and a waste of precious time. Since then, I have never trusted a single person in my life including my family and I watch carefully what comes out from my mouth ever since. Importantly, anything I say, it has to be politically correct. So be careful the next time when someone try to gossip with you about another photographer, keep all the things you badly want to say to yourself because you really won’t know is this friendly person in front of you is a politically correct snake.

Type 08. The News Bringer

At times, there is really no need to read the news. From the latest camera/ lens launch to weather forecast, there will be a photographer on our social media circle who will bring you the latest news, faster than Fox News at times. This person is also the number 1 sharer of postings from other sources so try to make such a person to your advantage. The person may not have any ill intention for doing what he/she is doing, but flooding your updates/ timeline with non-photography related stuff may eventually kill you in a irritating way.

Imagine you posted an update of a great wedding couple that you have just shot, then the headlines scream “Photographer Shot Couple at Wedding”.
I leave the rest to your imagination.

Editor’s Note
For the very same reason above, I kept a separate account that is non photography-related and I would prefer to see what photos others are shooting rather than what they had for lunch. Those, I will have them on my other account that is not related to photography. It is not easy, personally I had messed this up. When I am in the mood to view photos, I am greeted with tons of lunch photos, when I am in the mood to see what my friends are up to, all that I saw was weird news shared from other weird sites. Today, I have given up trying to sort this out and I simply enjoy everything that my friends posted. Yes, even their lunch.

Type 09. The Brand Fan Boys

Brand rivalry is nothing new to photographers. We are all part of this. Since the day you decided on a brand of camera, you live, work & swear by it. There will be arguements on which brand might be better, but it really boils down to user preferences & ease of use. Importantly, it is the final image that you give your clients, not what you used.
It is evident that we have many such Fan Boys around us. All it takes to spark things off will be the classic question of “Which is Better? Canon or Nikon?” then you will see how the Canon & Nikon users “fight” while the brand owners are having coffee at the Japan Camera Association meeting with the Canon President & Nikon CEO having green tea and laughing.

I can understand why most people swear by a certain brand. Camera equipment are not cheap by any standard, so after spending a big sum of money on a system, will the person say bad things about the camera he/she bought? No right? (majority will swear by it.) So everyone is entitled to their preference and there is no need to put others down.
Let the skills & images talk instead.

Editor’s Note
Every 4 out of 5 arguements on photography forums are always ignited by brand talks where fan boys tries to belittle the rival brand. There is no need to as every system has their Pros & Cons. If you have not fully understand your own system, don’t even comment on another brand. If a brand really sucks, then the brand will not be here today and still producing cameras. Spend your time on better things.

Type 10. The Socialite

This photographer is well received by everyone. This person will likely to be extremely sociable, makes friends with everyone, like every status updates/ shoutouts & photos – even bad ones. This person encourages everyone, this person will greet every birthdays & anniversaries. This person is “google-ready” and always have answers to your questions within seconds. This person is usually harmless and basically has too little assignments/ outings but have too much time to spare. This person stalks every other persons on his/her friend list and is always there – spooky.

At times you even wonder if this person is real or is it a “Social Bot” programmed to be behave like this.
Nevertheless, please be mindful that such a socialite may turned out to be the Type 04 or 07 mentioned above, so be very careful when someone suddenly takes an extra interests at your online activities.

Editor’s Note
I have a couple of socialites on my social media circle. Some of them are accomplished & well known photographers while there are some really questionable ones which I had never seen a decent photo produced by them. I later came to understand that some of these people enter the photography circle to find company, find friends, find a relationship/ spouse and there are some who are simply shamelessly looking for a swing.
Friends with benefits get it?

To end the series, I have decided to add on a “Bonus”, the Type 11 – The Sex Driven.

Type 11. (Bonus) The Sex Driven

I had published an article recently (link) about how both nude models & nude photographers can protect themselves due to many cases being reported officially and unofficially. I can understand that people have needs and we are all just humans. But ethically & professionally, we must understand that during such a shoot, the models can take off their pants but the photographers must wear a pants. Photography is an art, not an art of exploitation. Sadly there are many sex-driven nude “photographers” who are more interested in “shooting” you in a different way. (Pun intended).

Editor’s Note
So check out my list and please be careful of suggestive comments/ hints from the photographer or the model – whoever started first.

Hope all of you enjoyed reading this list. remember my disclaimer at the top of this page but I am going to just post it here one more time.

*Important Disclaimer Note:
Any similarity to any real persons in real life in any real situation as described in this article are purely coincidental and not intended. This article is shared as a personal view with no intent or malice or defamation to any persons living or dead. I Already said is coincidental, what more you want?

Will be back soon.

Ed.

*All screen shots are faked and created for the illustration of this article.

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Posted in Photography Articles & Videos, Uncategorized | Tagged Impossible Photographers, Personal Views | 1 Comment

20 Tips to Prevent Modesty Outraged by Photographer

Posted on January 8, 2014 by Editor AL

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20 Tips to Prevent Modesty Outraged by Photographer

Photo Courtesy of http://www.studioprague.com/

08th January 2014, Singapore – Since June 2013, there’s an article titled “Beware of these 15 Wanted Guys with Cameras 2” circulating within & outside the photography circle and modelling agencies. The list included the full name of the photographer, their online nicks, weblinks and emails etc. It is claimed by the author that the 15 photographers listed are known to have outraged the modesty of the models they shot, or tried their luck with other sexual advances taking advantage of their position as the photographer. Someone posted a reply with a link reference to the Singapore Penal Code too. Although there are always two sides to every story, I would like to urge every photographer to keep the profession professional and for every model to stay safe and know the line.

Although there isn’t any rules or laws to govern what goes on for a nude/semi-nude/lingerie/themed with partial nudity photography session behind doors, I am sharing my personal checklist of Dos & Don’ts for everyone’s reference which is heavily based on common sense and ethics. The list below applies to both photographers & models. If you have more suggestions, please feel free to email me so that I may add on to the list so that more people can be protected.

Photo Courtesy of http://www.studioprague.com/

Pre-Shoot Checklist
1) Arrange to meet the photographer together with a friend/fellow model at a public place for a discussion.
2) Have your accompanying friend to record down the conversation. (Or Video)
3) Discuss & draw out the perimeters of what is to be done and what are the requirements.
4) Models should state the things that she disallowed like type of attire, nudity level, certain poses etc.
5) Find out more about the shoot location, the photographer’s portfolio.
6) After all the discussion, have ALL the points compiled & documented, email a copy to the photographer and have him/her to agree and reply via the email as an acceptance of the terms which also means full compliance is expected.
7) Do your research online on the typical “accepted poses” and also search up on the photographer for reviews/ comments/ discussion revolving or involving the photographer. Also check with other fellow models too.
8) Inform a close friend/ siblings that you are doing a shoot with details like time, date, location and name of photographer.

Session Checklist
1) If possible, arrive at the shoot location earlier than the photographer and “walk the ground”, check the surroundings, find an escape route and probably locate the nearest main road or Police station.
2) Show up with a buddy/close friend/sibling if possible, in the name of hairstylist/make-up artist etc.
3) Once inside the shoot location, move around to check for hidden cams, especially inside the toilet/changing room.
4) Avoid changing your clothes openly, if there is no toilet/changing room at least find a blind.
5) If any adjustment is to be made to anything from hair to clothes, inform the photographer that you will do it yourself or the accompanying person to do it. Remember, there is certainly no such thing as the photographer helping you to adjust your bra, panties or even shaving your public hair off bikini line.
6) Trust not your 6th sense but your common sense.
7) If a requested pose is making you uncomfortable, reject the request politely and suggest alternate pose. It is a fine line between Art & Porn.
8) All other camera-enabled equipments like tablets/cell phones belonging to everyone present should be placed in a basket or a prominent place once the shoot commences.
9) If the photographer starts to get touchy, or crossed the line, stay firmed and warn the person that you will make a Police report if the advances continues.
10) After the shoot, have your friend stay with the photographer while you change.
11) Collect all payments due and have the photographer sign on a hard copy of the email (terms & agreement) that you had sent prior to the shoot. Make sure the photographer’s full name, ID number, signature, time & date are writen clearly.
12) Make sure you left nothing behind at the shoot location before you exit.

For aspiring Nude Photographers, here’s a great link for your reference too.
Just for the record, there are also male models who got more than just a photoshoot from their female photographers – there are always 2 sides to every story.

Although the above list is my personal checklist, this is compiled through horror stories that I’ve heard from other professional photographers & models alike. Nude photography is an Art, not an exploitation tool for photographers to outrage the modesty of a model by taking advantage of their position. There are many great Nude Photographers out there and there are just as many Blacksheeps too.

Keep the industry clean, let Art be Art.

#6 Trust Not Your Sixth Sense, But Your Common Sense.

Ed.

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Posted in Photography Articles & Videos, Uncategorized | Tagged Molest, Molested by Photographer, Nude Photography, Outrage of Modesty, Porn Photographers, Sexual Exploitations | 4 Comments

Mercedes-Benz W124 – The Timeless Icon

Posted on January 4, 2014 by Editor AL

Originally Posted on Singapore Media Owners.

Our editor, Allan Lee recently changed his car.
And we were expecting this to come.
All photos by ourshutterjourney.com

Photo: The Mercedes-Benz Classics Gathered at a Secret Location in Singapore.

04^th January 2014, Singapore – German maker Mercedes-Benz is one of the most sought after car brand in Singapore due to its proven reliability and strong parts support. Today, likely we will see variants of the three pointed star almost everywhere we go. As Mercedes rolls out more updated model after model, many would have noticed that older yester-years models are fast disappearing from our roads. Just a clarification on my earlier sentence, no, please don’t get me wrong, it is not that older Mercedes are not road-worthy anymore, just that our local system & culture has potential car buyers going after the latest and newest models every few years – thus discarding older cars for the new.

However, there is a particular Mercedes that had stand the test of time, for over 2 decades, it has survived the scrutiny of car ownership system in Singapore, it survived 4 other later models who replaced it, it is still a handsome ride on the road running side by side with the modern cars & counterpart models, it does not even look dated or ancient, it exudes an air of classic yet bearing the spirit of Mercedes-Benz in the most elegant way. To the world, this is the most iconic Mercedes-Benz ever made (and with all its variants), this is the W124 (1985-1996), the iconic model that opened the doors of innovation & possibilities for all the later Mercedes-Benz that we have today.

Covering a long list of equipment – considered as extravagant in those days, the W124 is still considered a well equipped large car even by today’s standard. Luxury fittings are standard on every Mercedes but it is the drivability that actually sold the W124 wordlwide. I have provided a link at the end of this article if you are keen to read up more on the W124 specifications.

In Singapore, a reliable source informed me that we have a total of 70+ W124 that are still registered for road use today, quite a healthy number for an iconic classic car. We rounded up a few friendly W124 owners for a little “W124 meet-up” recently and managed to have them share a few words & experience on owning the iconic W124.

=========================

Photo: Kelvin with his W124 modded to Lorinser Edition.

Owner Profile:
Kelvin Tan, 35
Station Manager
Mercedes-Benz W124 200E (E200)
Other Mercedes Owned
Yr 81 W123 200, Yr82 W123 200

Photo: Kelvin with his W124 modded to Lorinser Edition.

“Classic Mercedes, it grows on me, every day, it makes me want to drive it every day. I go by the simple logic that “I maintain it well, so it will served me well”. The W124, is the last of the “no-expenses spared” policy model which Mercedes had before the merger with Chrysler, which resulted in W210, which was designed & manufactured under heavy cost-savings measures. The W124 was built to last and has a “bulletproof” engine.

“For those looking to owning a classic Mercedes, remember, Mercedes is to be driven, BMW is to drive” – said Kelvin.

=========================

Photo: Daniel with his V124 6 Doors.

Owner Profile:
Dr Daniel Tan TM, 47
Managing Director
Mercedes-Benz V124 6 Doors
Other Mercedes Owned: Mercedes-Benz 200 / E200 / 280SL.
Currently own: Mercedes-Benz V124 6 doors / 1951 Mercedes-Benz 170Va / 1961 Mercedes-Benz 190 Ponton.

Photo: Daniel with his Boys.

“Mercedes are practical and reliable cars with an everlasting looks. The V124 (variant of W124) was beautifully crafted & designed. Coupled with its rarity (6 doors), it is highly sought after by Mercedes collectors & serious enthusiasts.

“For those looking to own a classic car (of any brand), do look for very rare model with a normal, everyday drivability with good parts support. Mercedes classics are a good example.” Daniel shared.

(Editor’s Note)
If our information is correct, there were only 9 V124 sold locally and 5 is still on the road today! Amazing!

=========================

Photo: Marcus with his Mercedes-Benz 300CE-24V AMG Coupe.

Owner Profile:
Marcus Tan, 36
Pilot
Mercedes-Benz W124 AMG 300CE-24V 1990

Photo: Marcus as cool as the coupe he is driving.

“There is a distinct beauty in the detail and robust engineering of an older Mercedes – everything is mechanical and connected, totally independent on software and built to last.”

“This model (300CE-24V) was the last hurrah of the type, when engineers, not accountants, determined how cars were made. Mine came with mechanically-controlled injection and ignition, a straight-six with double-overhead cams, and a RPM redline of 7000rpm. The pillar-less profile and frameless windows are timeless, while other features like the seatbelt extenders, are not found in many present-day coupes. On top of all that, it’s been remarkably comfortable, reliable, and practical!”

Photo: The Mighty Mercedes-Benz 300CE-24V AMG Coupe.

“Looking to own a classic Mercedes? Find the one that you like best and go for it!” added Marcus.

=========================

Photo: Rafi’s mighty Mercedes-Benz 300TE24V 1990, the trunk seems to swallow anything!

Owner Profile:
Rafi Marjan, 47
Creative Director
Mercedes-Benz 300TE24V 1990
Other Mercedes-Benz currently own: Mercedes-Benz 300 SEL 1991

Photo: Looks that stands the test of time – Mercedes-Benz 300TE24V 1990

“I am a fan of classic Mercedes-Benz because of timeless styling, understated elegance & superb engineering of the car. As a person who values reliability and cars that last, fuel economy comes last to my mind.”

On Rafi’s Mercedes-Benz 300 SEL, Rafi shared that this is a very stately looking car and it has aged gracefully among the new breeds of Mercedes-Benz. The 300 SEL ensures every drive is refinely smooth and an experience to enjoy. It is road-worthy and has no problem sharing the modern road with modern cars. Rafi added that “the 300 SEL is a class of its own, designed to impress in an understated manner yet memorable to anyone who experience it”.

As for Rafi’s Mercedes-Benz 300TE 24V, he claimed that this is the most versatile variant in the 124 line (which we agreed) for its tremendous appettite for load lugging or the option to convert it into a people mover with 7 seats and the straight-six engine that comes in this estate. Self-levelling rear suspension are standard on all Mercedes-Benz estate variants.

“My Mercedes-Benz 300TE 24V has been driven to Cambodia & back without a hitch!” said Rafi.
“Classic Mercedes-Benz are relatively affordable today and hassle-free to run since they are built to last a lifetime or two.” – Rafi.

(Editor’s Note) According to our research, the 300TE 24V variants was also used as a van, a caravan, an ambulance, an off-roader and even a hearse!

=========================

Photo: Allan Lee (Editor) with his W124 modded to AMG Masterpiece Edition.

Owner Profile:
Allan J Lee, 38
Professional Photographer & Editor
Mercedes-Benz W124 200E (E200)

Photo: W124 modded to AMG Masterpiece Edition.

“A solid car by today’s standard. The W124 was engineered to last “a million miles” mechanically, touted as one of the top favorite executive car in the 90s, today the W124 is the favorite collectors’ car by enthusiasts all over the world. I was totally sold when I was hunting for my W124, parts support are strong and surprisingly cheap! And when I finally found a unit, I bought it within hours.”

“Reasonably priced now for most used W124, you are in luck if you managed to find a decent copy at the dealership” said Allan.

=========================

Photo: Classic Mercedes-Benz with their owners at Seletar Airport.

So if you are thinking of dumping your ride for a classic Mercedes soon, do take note of W124, they are usually sold out really fast.

Classic Mercedes is not for everyone, but certainly for those who knows them.

We have a little community over at http://www.sgmerc.com/ where Mercedes owners “meet” & share notes. Although all Mercedes owners of any models are welcome to join, we have a good number of classic Mercedes owners inside – ready to give advice and share leads. Do pop by & say “Hi!”.
For information & specifications of the Mercedes W124, check out the Wiki link http://en.wikipedia.org/wiki/Mercedes-Benz_W124

If you found your way here while looking for the owner’s Manual, please feel free to email me at media_world@live.com and I will be glad to email you a PDF copy.

Posted in Non Photography, Uncategorized | Tagged media owners, w124 | 1 Comment

EOS Photographers of the Year 2013

Posted on January 3, 2014 by Editor AL

Originally Posted at EOS World.

3rd January 2014, Singapore – EOS World Singapore recently announced the “EOS Photographers of the Year 2013” on 30th December 2013 as a recognition and appreciation to the photographers whom had “made a difference” with varying contributions to EOS World Singapore and to the photography community.

Our Chief Editor, Allan Lee was conferred

“EOS Photographers of the Year 2013 – Photography Educator Category”

alongside with some of his peers like Justin Ng & Cheryl Tay who are fellow professional photographers.

ourshutterjourney.com would like to Congratulate All the 12 professional photographers whom had been conferred the title!

Posted in Brand: Canon, Featured Photographers, Photography Articles & Videos | Tagged Allan Lee, Canon EOS World, Cheryl Tay, EOS Photographers of the Year 2013, Justin Ng, ourshutterjourney.com, Photographer of the Year 2013 | Leave a comment

Site Traffic Report 2013

Posted on January 2, 2014 by Editor AL

02nd January 2014, Singapore – We have received our site’s traffic report from WordPress and we are really pleased to share some of the information with you – our valued readers, members, photography brand owners & photography merchants.

A copy of the original report can be requested for verification, please feel free to email me.

Thank you everyone who have helped made this site a true success!
Whoever you are, Wherever you are!

Ed.

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Crunchy numbers

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 280,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 14 days for that many people to see it.

In 2013, there were 140 new posts, growing the total archive of this blog to 432 posts. There were 917 pictures uploaded, taking up a total of 3 GB. That’s about 3 pictures per day.

=========================

Attractions in 2013

These are the posts that got the most views in 2013.

1. 2013 Sigma 30mm F1.4 DC HSM ART Review April 2013 16,398 Views
2. 20 Most “Over-Shot” Photography Places in Singapore April 2011 15992 Views
3. Unexpected Access with Sigma 17-70mm 2013 Edition February 2013 11890 Views
4. The Best Sigma DSLR Lenses That I Will Personally Pick. March 2011 11449 Views
5. The Best Pentax DSLR Lenses That I Will Personally Pick. March 2011 10,734 Views

=========================

How did they find you?

The top referring sites in 2013 were:

Some visitors came searching, mostly for sim lim, camera shutter, camera lens, camera reviews, dslr user review, dslr lens review, best sigma lens, best sigma lenses, and best pentax lenses.

=========================

Where did they come from?

Country	Views
Singapore	193,019
United States	139,886
United Kingdom	115,167
Canada	110,066
Australia	69,964
Germany	69,294
Malaysia	57,484
India	57,006
Philippines	56,774
France	56,423

Posted in Group Announcements & Notices, Uncategorized | Tagged ourshutterjourney.com, Site Traffic Report | Leave a comment

Merry Christmas & A Happy 2014! – A Word of Thanks.

Posted on December 24, 2013 by Editor AL

Photo: Allan & Ling, Founders of ourshutterjourney.com
Photo Credit: Dyan Tjhia.

24th December 2014, Singapore – As the year comes to a close, I would like to take this chance to thank everyone for your continous support towards this site. If not for all of you, we wouldn’t have hit an average readership of 1,500 daily hits. Special thanks to the kind souls who shared my reviews to dpreview & photography-on-the-net and the hits rocketed 3 folds during certain months. I was indeed overwhelmed by the traffic.

The Thank You List
– Special Thanks to our Accredited Merchants for all your kind support to ourshutterjourney.com otherwise I was not able to set up our dealers network in such a short period of time to serve our members.

– Special Thanks to Sigma Marketing (Singapore), APD (Pentax/Ricoh), Olympus Singapore, Canon Singapore (and Canon EOS World), Cathay Photo (Lensbaby, Lowepro & Tokina) & MP Associates (sgcamerastore) for all the privileges to review exciting photography equipments through 2013.

– Special Thanks to the Phan Brothers David & Andrew of P & G Photographic Centre for all the back end camera support and introducing me to world class photographers through your network.

– Special Thanks to our members, supporters, photography students, photography groups & event regulars who supported our photo-events/talks. We hope to bring you more exciting events in 2014.

– Special Thanks to CapitalMall (Funan Digital Life Mall) & People’s Association for opening up so many opportunities for me in 2013.

– And Special Thanks to Wong Renhao for everything. Thank you Bro.

While the list may continue to infinity, I would like to apologize if I had accidentally left anyone out of the list.
A final Thank You for impacting our lives in so many ways.
We are taking a well-deserved break for the holidays and we will be back in 2014!

We wish everyone a Merry Christmas & a Happy New Year (2014)!

from

Allan Lee & Yu Ling
Founding Photographers & Editors
ourshutterjourney.com

Posted in Group Announcements & Notices, Non Photography, Photography Articles & Videos, Uncategorized | Tagged APD Singapore, Canon EOS World, Canon Singapore, CapitalLand, Cathay Photo, Christmas 2013, dpreview, Funan Digitall Life Mall, Olympus Singapore, ourshutterjourney.com, P&G Photographic Centre, People's Association, photography-on-the-net, Sgcamerastore, Shutter Journey (Singapore) Photography Group, Sigma Marketing, Thank You, Wong Renhao | Leave a comment

Ourshutterjourney.com Polo Shirts – Accepting Orders Now!

Posted on December 20, 2013 by Editor AL

Picture: Front View of the Polo Tee.
Photo Credits: Ardyanthi S Sjarif

20th December 2014, Singapore – Seen SJS photographers on the streets before? Or the person shooting your wedding was spotted wearing the same Polo Tee? SJS photographers are everywhere. From Casual Shoots to commercial projects or charity events, we are prominently seen & recognized.

Be Part of the action!
Due to many requests, we are taking orders again for Q1 2014. This is your chance to own your
very own ourshutterjourney.com Polo Tee. Made from 50% dri-fit for the sweat management while
you are on outdoor shoot, the other 50% is made from microfibre, means you can use it to clean
your lens front element without scratching it too.So how does it looks like on me?
Here’s how it looks like.

Picture: Back View of the Polo Tee.

How Do I Know my Size?
Measure yourself as below the Chest wide + Body length.

Then check against the Size Chart below.

Once you have your size, you are ready to order.

Who can Order?

Photographers who had attended our outings,
classes, courses, workshops, seminars, talks
or any photography related events.

How to Order?
Step 1: Size. (XXS,XS,S,M,L,XL,XXL,XXXL)
Step 2: Quantity (1 or 2)
Step 3: Email to ourshutterjourney@live.com
Step 4: Please Include Your Name & Contact Number.
*You Will be guided on the payment Options.
*You Will be informed on the collection dates. *IMPORTANT
Closing Date for Ordering.
16th Jan 2014 (5pm Closed)

ORDER TODAY!

Posted in Group Announcements & Notices | Leave a comment

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