Canon launches EF-S 55-250mm f/4-5.6 IS II lens

Posted on September 24, 2011 by Editor AL

– for photography enthusiasts to capture details both near and far.
– Maximize details with new affordable telephoto lens.
Singapore, 23 September, 2011 – Canon today revealed the new EF-S 55-250mm f/4-5.6 IS II telephoto lens, with an extensive zoom range that allows photographers to get intimately close to the action from a safe distance. Nature, wildlife and sports photo enthusiasts will enjoy the benefit of the crop factor to get maximum detail at long distances.

 “Photographers are constantly seeking to learn about the various genres of photography,” said Andrew Koh, Senior Director & General Manager of Canon Imaging & Information Products Group. “The Canon EF-S 55-250mm f/4-5.6 IS II lens is a good starter lens for photographers interested in taking up telephotography with its compact form factor, extensive range and affordability.”

 A Higher Image Quality
The Canon EF-S 55-250mm f/4-5.6 IS II lens allows users to take picturesque long-range photographs. Photographers can expect sharper shots with the inclusion of an Ultra-Low Dispersion (UD) lens element, which allows the user to maintain high image quality across the entire zoom range.

In addition, Canon’s four-stop[i] Image Stabilization technology lets photographers  take pictures in low light settings with ease, and with automatic panning detection, users need not miss high speed shots anymore.

Portrait-oriented photographers can look forward to creating unique images with the Canon EF-S 55-250mm f/4-5.6 IS II’s new 7-bladed circular aperture capability that creates a smooth out-of-focus effect for pleasing and professional-looking pictures.

Enhanced Mobility and Environmentally Friendly
With a long zoom range yet weighing in at only 390g, the Canon EF-S 55-250mm f/4-5.6 IS II is ideal lens for photographers seeking an affordable and versatile lens for general-purpose telephoto photography.

Environmentally conscious users will also be pleased to know that all of the glass elements used in the lens’ optics are completely lead-free.

Price & Availability
The EF-S 55-250mm f/4-5.6 IS II will be available from early October at authorized Canon dealers at the recommended retail price of S$499.

-Four-stop image stabilization: Hand-held images that require a shutter speed of 1/250 to eliminate camera shake can now be taken hand-held at a shutter speed of as slow as 1/15.
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Editor’s Note
This consumer targeted lens is in its 2nd incarnation since the previous version. Although it is expected that Professionals will shun this lens opting for the better built “L” brethens to the likes of  EF 70-200mm F2.8L IS USM II or the long serving EF 100-400mm F4.5-5.6L IS USM, this EF-S 55-250mm is really targeting at beginners who wish to have access to super telephoto range without breaking their bank. As the competition heats up with replacement lens models, Canon had updated their “Kit Lens” with the new EF-S18-55mm F3.5-5.6 IS II and had given a better quality lens with good image quality recently, this EF-S55-250mm will be the “Partner lens” that was expected to be updated. And Canon did just as expected.

The EF-S 55-250mm has the 35mm equivalent range of 88-400mm on a typical Canon APS-C (1.6 crop). This is value for money in any sense. I am unable to comment on the image quality and handling at press time as I have not personally tried the lens, but based on the specs, asking price and expected improvement, I am sure this another Fantastic Plastic.

Will be back with a review if I manage to lay my hands on one of this. 🙂 

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About Canon Singapore Pte Ltd
Canon is a global leader in photographic and digital imaging solutions.  Canon Singapore Pte Ltd is the headquarters for South & Southeast Asia driving sales, marketing and service strategies. Besides handling the domestic market, the company leads 18 other countries including subsidiaries in India, Malaysia, Thailandand a representative office in Vietnam. The parent company Canon Inc has a global network of more than 200 companies and employs more than 160,000 people worldwide.  It is dedicated to the advancement in technology and innovation and commits about 10% of its total revenue each year to R&D.  Canon is consistently one of the top few companies to earn the most number of patents over the last 18 years.  As a Fortune Global 500 company, Canon is guided by its kyosei philosophy that focuses on living and working together for the common good.  More information is available at www.canon.com.sg

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Sigma Launch 12-24mm F4.5-5.6 DG HSM II

Posted on September 10, 2011 by Editor AL
Following the recent update by competitor Tokina with their ATX12-24mm F4 PRO Mark II, Sigma had just launched a new lens unit into this segment with it’s new Mark II of 12-24mm with HSM. I am sure landscape photographers will not be bothered with the aperture as most of them are shooting in the region of F8 & beyond. Meanwhile, let’s hope Tamron is working hard on their offering for the same range too. See below for the specs for the new Sigma 12-24mm – the Ultra Wide Angle Zoom lens. 
– Designed for use with full frame digital cameras. May also be used with smaller APS-c size sensors with a corresponding effective increase in focal length to about 17-35mm with most cameras
– One SLD and Four FLD glass
– Minimum focusing distance of 11 inches
– A front cap adapter, front/rear lens cap and carrying case are included with the lens.Sigma’s new 12-24mm F4.5-5.6 II DG HSM is an update to the 12-24mm F4.5-5.6 EX DG ASP HSM, which has been a photographer favorite since it was first introduced in 2002. Revisions to the lens include the inclusion of one Special Low Dispersion (SLD) glass element and four of the company’s new “F” Low Dispersion FLD glass elements to compensate for color aberration and provide high imagequality. FLD glass is the highest level, low dispersion glass available with extremely high light transmission and performance equal to fluorite glass. The new 12-24mm contains three glass mold elements and one hybrid aspherical lens for advanced performance and compact and lightweight construction. It also features Super Multi-Layer Coating to reduce flare and ghosting, and a Hyper Sonic Motor (HSM) to ensure quiet and high-speed autofocus, while allowing full-time manual focus override. Its minimum focusing distance is 11 inches throughout the entire zoom range; its maximum magnification ratio is 1:6.4.PRODUCT OVERVIEW

SPECIFICATIONS

Lens Construction 17 Elements in 13 Groups
Angle of View 122-84.1 degrees
Number of Diaphragm Blades 6
Mininum Aperture fF22
Minimum Focusing Distance 28 cm / 11 in
Maximum Magnifications 1:6.4
Dimensions
(Diameter x Length)		 85×120.2 mm/3.3×4.7 in
Weight 670g / 23.6oz.
Corresponding Mounts
Sigma  HSM
DG
Nikon  HSM
DG
Canon  HSM
DG
HSM – Hyper-Sonic Motor
DG – DG for Digital* Nikon mounts do not have an aperture ring. Some functions may not work depending on the camera model. * FLD glass is the highest level low dispersion glass
available with extremely high light transmission. This optical glass has a performance equal to fluorite glass which has a low refractive index and low dispersion compared to
current optical glass. It also benefits from high anomalous dispersion. These characteristics give excellent correction for residual chromatic aberration (secondary spectrum)
which cannot be corrected by ordinary optical glass and ensures high definition and high contrast images.
* The appearance and specification are subject to change without notice.
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WALTER – ADVENTURES OF A CURIOUS COLOSSAL BUNNY

Posted on September 8, 2011 by Editor AL

Singapore’s favourite bunny WALTER is hopping to Marina Bay on his next adventure around the city! There will be lots of exciting activities during the month including a photo art exhibition describing his curious adventures, Rabbits 101 by the House Rabbit Society, exciting bunny story-telling sessions and a mobile library, free HP photo prints with WALTER, children’s art sessions at Marina Bay Link Mall and more! Visit www.marina-bay.sg/walter for details.

WALTER is local artist Dawn Ng’s pet project involving guerrilla installations of a curious colossal bunny who pops up across Singapore’s standard landscape of flats and heartland enclaves. By using Walter to create and photograph scenarios packed with surprise and wonder, Dawn draws attention to commonly overlooked and over familiar spaces across our landscape, while dodging cops and people with no sense of humour. WALTER is a celebration of our ordinary by helping us look at this city as children again.

Date: 1 September 2011 – 30 September 2011

Website: www.marina-bay.sg/walter

Program summary:
1st weekend(3 & 4 Sep): Talks by House Rabbit Society

2nd weekend (10 & 11 Sep): Mid-Autumn Festival Celebrations – Taiji By the Bay, Balloon Sculptures, Chinese Calligraphy, Lantern Walkabout @ 7.30pm

3rd weekend (17 & 18 Sep): Story-Telling and Mobile Library by National Library Board + HP ePrints with WALTER the Curious Colossal Bunny + Rhythms by the Bay

4th weekend (24 & 25 Sep): Meet-the-artist on 24 Sep (3pm) + Story-Telling and Mobile Library by National Library Board

Full details: http://www.marina-bay.sg/walter/activities.html

Event Photos: http://on.fb.me/mY1md0

Art Competition Entries:

Junior Category: http://on.fb.me/mUFPtZ

Open Category: http://on.fb.me/pVAVdo

Organiser:
Urban Redevelopment Authority

Venue:
Marina Bay City Gallery
11 Marina Boulevard
Singapore 018940

Contact:6592 5336

Ticket prices: Free

Nearest MRT station: Marina Bay, Raffles Place (Exit J)

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NEW “Hoodless” Tokina AT-X 107 NH

Posted on August 18, 2011 by Editor AL

The Tokina AT-X 107 NH is a fish-eye lens that gives the digital photographer an approximate 180° field of view with dramatic curvature of field or “fish-eye” effect. The AT-X 107 NH only differs from the AT-X 107 DX in that the built-in hood as been removed allowing for a wider image area and more coverage on full-frame sensor (FX) cameras.*

The front element of the AT-X 107 DX has a newly formulated WR or “Water Repellent” optical coating on the glass. This new coating makes marks such as spots left by water or finger-prints much easier to clean than standard multi-coating. With the built-in hood removed the lens also fits in a wider variety of underwater housings.

The rear optical group of the lens contains 1 SD (Super-Low Dispersion) glass element to reduce the number of elements (pieces of glass) in the optical design in order to make the lens more compact, light-weight and faster focusing.

*Full corner to corner image can be achieved on an FX camera between approx. 14.5-17MM depending on the camera model, at 10-14MM there is a semi-circular view.

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Tamron’s 60th anniversary project has started with 60 photographers using B008

Posted on August 17, 2011 by Editor AL

Eternity at a Moment – The Vision of 60 Photographers.

In commemoration of the 60th year anniversary of the company‘s establishment, Tamron will begin showing works of 60 photographers on August 30, on a special website made for the anniversary project

The 60 photographers used 18-270mm F/3.5-6.3 Di II VC PZD (Model B008) to capture how they perceive “Eternity at a Moment”, at this point in time.

In October 2011 Tamron will also hold an photo exhibition bringing works by the 60 photographers together under one roof.

Tamron is pleased to showcase each of the interpretations of “Eternity at a Moment” by these 60 photographers.

Special Website: http://www.tamron60.com
Teaser Site Open to Public on July 15
Full-website Open to the Public on August 30t

The latest news on the anniversary project will be delivered on a blog linked from the special website.

Power and greatness of photos and attractiveness of the 18-270mm lens is something to look forward to.

Project Schedule

July 15, 2011: Teaser site Launch
August 15, 2011: Announcement of 60 photographers on the blog
August 30, 2011: Full Website Launch / Start showing works of 60 photographers*
* Works of 60 photographers will be uploaded continuously.
October 5, 2011: Photo Exhibition Launch

Photo Exhibition

Place: 3331 Arts Chiyoda
Address: 6-11-14, Sotokanda, Chiyoda-Ku, Tokyo JAPAN
3331 Arts Chiyoda Official Homepage: http://www.3331.jp/
Period: Wed, October 5, – Tue, October 11, 2011
Hours: 12:00-19:00　*Last entry 30 minutes before closing
Admission: Free
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Sigma SD1 DSLR Firmware Upgrade (Version 1.02)

Posted on August 16, 2011 by Editor AL

Sigma Corporation is pleased to announce that firmware Ver.1.02 for the SD1 is now available for download.

SIGMA SD1 firmware [Ver.1.02]
Benefits of the firmware update

  • Corrects various bugs to achieve more stable operation.
  • Corrects the phenomenon of camera freeze when in Custom White Balance Mode.
  • Improved image quality at high sensitivity (ISO3200, ISO6400) only for RAW file.

SIGMA SD1 firmware Ver.1.01 is available for download here:
http://www.sigma-sd.com/SD1/firmware.html

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Samyang 7.5mm 1:3.5 MFT – Sample Images Released!

Posted on August 15, 2011 by Editor AL

The long-hoped for Samyang 7.5 mm MFT lens will be finally released at the turn of August and September 2011. Before the expected premiere, we wish to present several exemplary photos taken with the lens and Olympus PEN E-P1.


Sample Photos Below.
 
 

Posted in Brand: Olympus, Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Photography Articles & Videos | Tagged , , | Leave a comment

OLYMPUS SZ-11

Posted on August 12, 2011 by Editor AL

Perfect for travel and sports events! Stylish ultra-zoom that fits in your pocket!

Olympus Imaging Corporation (President: Shuichi Takayama) is pleased to announce the OLYMPUS SZ-11, a compact digital camera that is perfect for travel and sports events. It features 20x ultra-zoom lens, DUAL IS*1, and HD movies*2. It is scheduled to go on sale in Japan in August 5, 2011.

Main Features

  1. 14-Megapixel CCD*3, 20x optical zoom lens, DUAL IS to reduce picture blur, and Multi-motion function for stabilizing the image during movie shooting while walking
  2. Magic Filters*4 can be recorded in HD movie (MPEG-4 AVC / H.264)
  3. 3-inch, 460K dots High-resolution LCD monitor to enjoy viewing photos you just took

The OLYMPUS SZ Series is a digital camera that is perfect for travel and sports events. Thanks to its advanced optical expertise, Olympus has been able to incorporate in a compact, palm-size camera the same high-powered super-telephoto capability that normally makes SLR cameras so bulky and heavy. Because it is so small, this camera is an ideal travelling companion, offering the power of a full-size camera and lenses without increasing the amount of luggage. The SZ Series is an easy-to-use “all-in-one” camera that makes it possible anyone to enjoy the pleasure of advanced photography.

The Olympus SZ-11 covers a remarkably wide shooting range with focal lengths ranging from 25mm*5 wide-angle to 500mm*5 telephoto with the super-telephoto 20x optical zoom lens. It can capture big, up-close images of even the most distant subjects, creating high-impact pictures by capturing details that cannot be seen with the naked eye, such as the facial expressions of children in athletic or theatrical events or athletes in professional sport competitions. To reduce the picture blur commonly associated with telephoto shooting effectively, the SZ-11 features DUAL IS using a CCD-shift image stabilization mechanism and high-sensitivity image capturing. It also features dedicated Movie REC button to immediately shooting movies and Magic Movies to enhance your camera life. Moreover, you can enjoy the SZ-11 in your usual life as well with the full array of functions such as 3D Photos*6, Beauty Mode*7, Beauty Make, and Pet Mode.

HD movie (MPEG-4 AVC / H.264) recording
High-quality movies are available in 1280 x 720-pixel high-definition quality. Movie recording can be manipulated by a dedicated movie REC button. Multi-motion function for stabilizing the image during movie shooting while walking.

Magic Filters
The SZ-11 features an expanded range of 10 Magic Filters, Pop, Pin Hole, Fisheye, Drawing, Soft Focus, Punk, Watercolor and Sparkle*8 inherited from the previous model, and newly added Reflection*9 and Miniature*9. Furthermore, Magic Movies recordings are available in Pop, Pin Hole, Fisheye, Drawing, Soft Focus, Punk, Watercolor and Reflection delivering distinct look and artistic feel.

Reflection:  Applies an effect like a reflection on a lake in a night scene or a landscape for a fantasy effect.
Miniature:  Converts real-world images into magical images of a toy world.

3D Photo Shooting Function
You can shoot dynamic 3D photos in any mode from usual life to landscape. Recreate a sense of depth like that of the original scene. You can then enjoy the full power of 3D images on compatible TV sets and computers. Simply select the 3D Photo in Shooting mode and then release the shutter and slide the camera sideways to easily get a 3D photo. During 3D Photo shooting, a 3D file and regular JPEG files are recorded at the same time. There are two modes to shoot 3D photos;

MP Format (Multi Picture Format)
This is a format standardized by CIPA to handle multiple images under a single image file. When you use the 3D Photo Shooting function, the images for the right and left eye are recorded in a single MP format file.

Pet Mode*10
The camera automatically detects dogs’ and cats’ faces. Selecting the [Pet Mode – Dog] or [Pet Mode – Cat] from the scene mode, the camera will quickly detect your pet’s face and automatically focus on it before shooting the photo. The camera will detect up to 10 faces of different dogs or cats.

Auto Release
The camera captures perfectly your pet’s cute expressions. Use the Auto Release function to have the camera automatically shoot the photo the moment the dog or cat who is the main subject turns to face the camera. You will never again miss your pet’s whimsical facial expressions.

Eye-Fi Card Compatible*11
Eye-Fi Cards are SDHC memory cards with built-in wireless LAN functionality. The images that you take can easily be uploaded wirelessly to your computer and to photo printing services and online albums.

*1  Image stabilization effect varies depending on shooting conditions
*2  Recording time per session is limited to less than 29 minutes. Recording is terminated automatically when the file size reaches 4GB
*3  Effective pixels
*4  Image size is limited to 5M or smaller in Drawing, Soft Focus, Watercolor and Sparkle. The types of Magic Filters that can be used for shooting movies is limited.
*5  35mm camera equivalent
*6  The 3D effect cannot be obtained when shooting moving subjects. Movies cannot be recorded. The 3D file recorded conforms to the Multi-Picture Format standardized by CIPA. During 3D Photo shooting, a 3D file and regular JPEG files are recorded at the same time.
*7  Image size is limited to 5M or smaller. Beauty Mode effect varies depending on shooting conditions
*8  Filter is not effective on LCD monitor
*9  Image size is limited to 5M or smaller
*10  The number of pets automatically detected is limited to 1 when Auto Shutter Release is set to ON, or up to 10 when it is set to OFF. Depending on the subject and shooting conditions the camera may not be able to correctly detect faces. In Pet mode, the flash and face detection of people’s faces cannot be used.
*11  The use of Eye-Fi cards is limited to the original country of purchase. Observe all the applicable laws of the country of use. Turn off the Eye-Fi setting or refrain altogether from using Eye-Fi cards inside airplanes or in other places where wireless communication is restricted or forbidden. Single files (images or movies) exceeding 2GB cannot be transferred wirelessly. Files recorded using the 3D shooting function (MP files) are supported only by the X2-Pro card. For any inquiries regarding Eye-Fi cards please contact the card’s manufacturer.

Basic Performance

Effective pixels 14 megapixels
Optical zoom 20x
Wide-angle shooting 25mm (35mm camera equivalent)
Image stabilization DUAL IS
LCD size 3.0-inch, 460,000 dots
LCD type TFT colour
Movie recording 1280 x 720 pixel HD movie (MPEG-4 AVC/H.264)

Other Features

  • Zooming the subject up to 50 cm with the zoom of 500 mm (35mm camera equivalent) during macro shooting
  • Magic Filter effects for creative imaging and Beauty Mode to touch up human faces for more attractive results
  • Scene Modes for one-touch shooting adjustment in difficult environments including dedicated underwater scenes as well as in standard conditions
  • HDMI output control for operations including picture selection and frame-by-frame advancement using a TV’s remote control
  • Face Detection AF with which the camera detects and focuses on human faces automatically
  • iAUTO function that analyzes the current composition and optimizes camera settings automatically
  • In-body panorama composition function that lets you shoot a panorama picture by simply panning the camera as guided
  • USB battery charging enables the camera battery to be recharged from a PC while automatically storing and organizing recorded data in the PC
  • AF Tracking to keep a moving subject in focus by tracking it automatically
  • Photo-surfing allows you to search desired pictures according to recording keyword such as “date”, and “subject”.
  • Compatible media: SD/SDHC/SDXD/Eye-Fi memory cards
Posted in Brand: Olympus, Photography Articles & Videos | Tagged | 3 Comments

Buying DSLR Lenses on Shoestring Budget?

Posted on August 11, 2011 by Editor AL

As a commercial photographer, I was often asked what are the brand, model, lenses to buy etc.

Usually I will recommend based on the user’s applications & purpose of buying the equipment.

Recently, many asked me, “hey Allan, what if I just want to try (fill this up) photography and I am buying lenses on a budget, what would you recommend?” I will take that as you are buying a Lens to explore new genre, not using this for serious commercial work and you will probably sell or give away the lens once you got sick of it.

Below are some of the lenses that I will usually recommend. They are not too bad though, and it certainly gives the big boys a run for their money. Let’s see what I’ve compiled here.

Ultra Wide Angle Prime.
Samyang 14mm f/2.8 IF ED UMC Aspherical

Samyang Optics, a Korea Optical outfit have been churning out incredible lenses at a great price and of good acceptable quality. This lens has a bright constant aperture of F2.8 and lens has good coating to reduce CA and flare. It even has aspherical elements! Although the downside of this lens is only available in manual focus, you really don’t have much to complain about comparing this lens with your proprietary brand’s equivalent which usually costs 7 times more.

This lens also comes under the brand of Rokinon and maybe other Brands not known to me.
(I heard Opteka is also Samyang – not confirmed)

Online Price: SGD $480.00 with Shipping (USD $388.00) available in various Mounts.

Fisheye Lens
Zenitar 16mm F2.8 Fisheye

 

Made by Krasnogorsky Zavod from Russia, this lens is one of the most popular Fisheye in the market today. Cheap as it is, this lens produces great fish eye images with a constant aperture of F2.8. Comes multi-coated, lens is good for most outdoor applications. Built with solid metal housing, this lens looks like it can last more than a decade. Usually packaged with dropped-in filters in 3 colors & a little pouch, this is a super-value-for-money hobby lens. Comes in manual focus only, but considering the asking price of less than half of those offered by proprietary brands, this is a steal.

Just to add, this lens can be dismantled for a thorough cleaning without the need for screwdrivers and complicated precision tools, all you need to do is unscrew. I did that recently to remove a speck of dust in between the elements, amazing! 

Online Price: SGD $256.00 with Shipping (USD $207.00) available in various Mounts.
NOTE: * Sony Alpha Mount cost slightly more.

Super Telephoto Zoom
Opteka 650-1300mm HD F8-16

Well, no one really knows where Opteka comes from. Though brand stronghold is in the USA, there have been talks that these cheap super telephoto zoom lenses could be manufactured elsewhere likeKorea(think Samyang) or even China. That doesn’t bother me though. Opteka has an incredible range of super telephoto lenses. Look at their lenses carefully you will notice that it is basically just a simple adaptation of using telescope with a lens mount to mount it to your DSLR. With that, you get incredible range. Optical quality suffers in some ways, but you get to shoot things that you never thought was possible. Comes in manual focus, these lens are reasonably built with metal housing and comes with tripod mounts. Try asking Canon or Nikon how much is your usual EF 800mm or a Nikkor 800mm, you will remember Opteka.

Online Price: SGD $358.00 with Shipping (USD $290.00) available in various Mounts.

Note that I had recommended the extreme ends of the range because no one in the right mind will go buy a lens from 17-400mm range to “play”. These are the lenses that became shoe string options that many will consider when compared with a proprietary equivalent that autofocus and has other added features. I will say you just want to have a “feel” of these range. Like I mentioned earlier, you will probably give or sell away these lenses after a while.

As a disclaimer, I will not say that the above 3 lenses will give you National Geographic Standard photos, but it will offer you the experience of shooting in a very different range away from your usual range,  at a shoe string budget of course.

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Nikon the new official sponsor of Getty Images Gallery

Posted on August 11, 2011 by Editor AL

Nikon U.K. Ltd., a subsidiary of Nikon Corporation (Makoto Kimura, President) in the United Kingdom, has completed a sponsorship agreement with Getty Images Gallery, London, making Nikon the official sponsor of all exhibitions to be held at Getty Images Gallery between June 2011 and June 2013.

Getty Images Gallery

This sponsorship agreement was reached between Nikon, which continuously strives to offer high-quality, highly functional products that enable the creation of photographic works that surpass user expectations and services with added value, and Getty Images Gallery, which aims to surprise, engage and highlight the best and most memorable imagery from the early days of photography through today. Cooperation between Nikon and Getty Images Gallery provides a place for activities and announcements on a global level, as well as contributing to the expansion of photographic culture.

Nikon has long been engaged in activities that support photographers, beginning with its Nikon Professional Service (NPS), which offers special services and support to member professional photographers from around the world, and including sponsorship and support of a wide variety of international sporting events. As the official sponsor of Getty Images Gallery, Nikon is in a new position to fortify the services it offers to photo enthusiasts, both professional and amateur, who are active around the world. As a leading manufacturer in the professional imaging market, Nikon will also be able to strengthen its support organization through its partnership with Getty Images Gallery.

About Getty Images Gallery

Getty Images Gallery, owned by Getty Images, is London’s largest independent photographic gallery and was founded in 1996 in Chelsea. The Gallery was later relocated to Eastcastle Street near Oxford Circus, a popular travel and shopping destination for tourists.
The Gallery’s location provides approximately 280 square meters (3,000 sq. ft.) of exhibition space, and has established a reputation for showcasing original and unique photographs and imagery year round.
Getty Images Gallery website:

About Getty Images

Getty Images is one of the world’s leading creators and distributors of still imagery, footage and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries. It is the first place creative and media professionals turn to discover, purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and websites.
Getty Images website:

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Getty Images Raises its Presence at Spikes Asia 2011

Posted on August 10, 2011 by Editor AL

Getty Images to partner with The Brand Union in support of the inaugural SpikesAlso photography competition

SINGAPORE, 10 August, 2011 – Getty Images will once again partner with The Brand Union to support the inaugural SpikesAlso event at the Spikes Asia festival, which runs from 18 – 20 September, 2011. SpikesAlso is a new project that will showcase the personal artistic talent of the creative community across the Asia Pacific.

The SpikesAlso event follows the success of Getty Images’ involvement at the Cannes Lions Festival in June 2011, where Getty Images partnered with The Brand Union to bring CannesAlso, a unique exhibition of photography by creatives, to life.  Entries were judged by world-famous photographer Rankin, and exhibited in the form of a giant book installation.

Similarly, SpikesAlso takes the form of a photography competition, with entries to be exhibited during the Spikes Asia festival. The competition is open to professional and amateur photographers across Asia Pacific, with the aim of highlighting the region’s creative talent through the compelling medium of photography.

Entitled Look Twice, the SpikesAlso theme celebrates the rediscovery of everyday life as an art form.

The competition will be judged by renownedSingaporephotographer John Clang, whose work is influenced by the concept of finding inspiration in the world around.

“An image that inspires is one that brings us face to face with our own existence. It pulls the stranger standing next to us into the intimate radius of our life… It connects,” comments competition judge and curator, John Clang.

Getty Images is pleased to offer the top entrants the chance to become a Getty Images contributor.

Entrants will also be given the opportunity to have their work reviewed by a member of the Getty Images creative team, who will be at the SpikesAlso exhibition space, conducting portfolio reviews and offering advice to aspiring photographers and photography enthusiasts.

Stuart Hannagan, Director of Photography Asia Pacific at Getty Images, said: “It is immensely rewarding to recognize and help foster talent within the creative community and the opportunity to do so as part of the region’s oldest and most prestigious creative festival is hugely exciting. SpikesAlso is a fantastic platform to unearth and showcase the impressive depth and range of photographic talent that exists within the Asia Pacific.”

Stuart Hannagan continues: “Alongside SpikesAlso’s lead sponsor, The Brand Union, we are really looking forward to seeing the variety of entries submitted on display during the festival – and being inspired, of course, to “look twice”.”

The competition is open for entry from today through until 5 September, 2011. Entry is free and entrants are invited to submit up to three examples of their personal photography. For more information, specifications and how to enter, visit www.spikes.asia/also.

###

About Getty Images
Getty Images is one of the world’s leading creators and distributors of still imagery, footage and multimedia products, as well as a recognized provider of other forms of premium digital content, including music.  Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover purchase and manage images and other digital content.  Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and Web sites.  Visit Getty Images at www.gettyimages.com to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life.

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NIKKOR AF-S DX 40mm f/2.8G Micro

Posted on August 10, 2011 by Editor AL

TOKYO – Nikon Corporation is pleased to announce the release of the AF-S DX Micro NIKKOR 40mm f/2.8G, a normal Micro lens for Nikon DX-format digital-SLR cameras offering a focal length of 40mm and a maximum aperture of f/2.8.

As a normal Micro lens that easily enables close-up shooting as close as 0.163 m for life-size images exhibiting pleasing blur characteristics, the AF-S DX Micro NIKKOR 40mm f/2.8G is a new model in the DX-format lens lineup. It is a compact and lightweight lens available at a very reasonable price for those new to digital-SLR cameras and those currently looking to add to a lens purchased as a set with a Nikon digital-SLR camera. In addition to a built-in Silent Wave Motor(SWM) that enables the quiet autofocus operation vital to close-up photography of insects and animals, the AF-S DX Micro NIKKOR 40mm f/2.8G also offers a number of convenient features, including two focus modes—M/A (autofocus with manual override) and M (manual).

 

Nikon has long had the support of professional and advanced amateur photographers for its consistent development of innovative products that respond to the demands of users and are equipped with the optical technologies Nikon has spent years cultivating as a manufacturer of optical devices. Nikon intends to continue to expand and strengthen the NIKKOR lineup with the steady release of new, high-performance lenses that offer advanced functions.

AF-S DX Micro NIKKOR 40mm f/2.8G Primary Features

  • A bright and fast, normal Micro lens for DX-format cameras offering a 40mm fixed focal length and a maximum aperture of f/2.8
  • Enables the life-size reproduction and pleasing blur characteristics possible only with a Micro lens
  • Enables extremely close-up shooting with a minimum focus distance of just 0.163 m
  • Equipped with a Silent Wave Motor (SWM) for extremely quiet autofocusing
  • Equipped with two focus modes: M/A (autofocus with manual override) and M (manual)
  • A size and weight that makes it very portable

    AF-S DX Micro NIKKOR 40mm f/2.8G Primary Specifications

    Focal length 40mm
    Maximum aperture f/2.8
    Minimum aperture f/22
    Lens construction 9 elements in 7 groups
    Angle of view 38°50′
    Minimum focus distance 0.163 m*(1:1)

    • *from focal plane
    Maximum reproduction ratio 1x
    No. of diaphragm blades 7(rounded)
    Filter attachment size 52 mm
    Dimensions Approximately 68.5 mm diameter x 64.5 mm (distance from camera lens mount flange)
    Weight Approximately 235 g
    Supplied accessories 52 mm snap-on Front Lens Cap LC-52, Rear Lens Cap LF-4, Bayonet Hood HB-61, Flexible Lens Pouch CL-0915

 

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Be Interesting. Go Q

Posted on August 9, 2011 by Editor AL

Pentax have started to accept pre-order for their latest “Q”. Featuring a unique Q-Mount, this camera looks like it is going to give the guys at Olympus, Panasonic, Sony & even Samsung a hard time. As of now, I only have the below details from Pentax’s USA site.

KEY FEATURES

  • The Q features the world’s smallest and lightest Interchangeable Lens Camera body. Experience the PENTAX Q. The Camera. Evolved.
  • Newly designed PENTAX Q-mount lens system for specialty Q lenses including prime, zoom, fisheye lenses and more.
  • Exceptional image quality in 12.4 megapixels with a backlit CMOS image sensor designed specifically to produce very low noise at high levels of sensitivity for both 12 bit DNG RAW and JPG files.
  • Surprisingly durable, sporting lightweight, scratch-resistant magnesium-alloy covers.
  • Combines traditional DSLR shooting modes (P, Av, Tv, M) with powerful automatic modes (Auto Picture, Scene).
  • Choose from a variety of creative modes, Smart Effect options or camera settings to assign to the Q’s Quick Dial.
  • In-camera HDR capture mode blends 3 images of varying exposures into a single, highly detailed shot.
  • Full 1080p HD video at 30 frames per second using high quality h.264 compression for superior color and detail.
  • Sensor-shift Shake Reduction system with integrated DRII Dust Reduction for stabilized, blur- and dust-free images, even in low lighting.
  • Large 3-inch LCD monitor features HVGA resolution with 460,000 dots, as well as wide viewing angles.
  • Capture up to 5 FPS continuous shooting mode for fast-action situations.
  • Effortless bokeh control with a dedicated bokeh filter designed to enhance lens depth of field for casual and experienced shooters.
  • New Smart Effects modes enhance digital photography by applying a series of effects to achieve high-quality finishing.
  • Powerful USER modes save a series of favorite camera settings, filters and custom image modes for instant reuse.
  • Shutter speeds range from 1/2000 to 30 seconds with bulb mode.
  • Built-in popup flash with extra-high extension covers 23 feet at 200 ISO.
  • A built-in micro HDMI port outputs video and sound to modern HDTVs.
  • Optional shoe-mounted viewfinder attachment is available for glare-free image composition.

What’s in the Box:

  • USB Cable I-USB7
  • Li-Ion Battery D-LI68
  • Battery Charger Kit K-BC68
  • Strap O-ST115
  • Hotshoe Cover FK
  • Body Mount Cover Q
  • Software CD-ROM S-SW115

Optional Accessories:

  • AC Adapter Kit K-AC115
  • AV Cable I-AVC7
  • HDMI Cable 3 ft (Micro, Type-D, v1.4)
  • Remote Control WP
  • Remote Control F
  • Q Leather Vintage Case
  • 02 Standard Zoom Lens
  • 03 Fish-Eye Lens
  • 04 Toy Lens Wide
  • 05 Toy Lens Telephoto
  • Viewfinder O-VF1 47mm (for 01 Standard Prime Lens)
  • 100 PL Polarizing Filter 40.5mm
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Hasselblad offers for Singapore National Day 2011

Posted on August 8, 2011 by Editor AL

Shriro (Singapore) Pte Ltd, Singapore’s Distributor for the medium format Hasselblad Camera is pleased to announce special deals in conjunction with the nation’s birthday.   

Hasselblad H4D 40 with Hc 2.8/80mm Deluxe set at $ 26,000 before 7%gst .
(Includes  1.7x Teleconvertor.)

Hasselblad  H4D 50 with Hc 2.2/100 mm Imperial set at $ 32,000 before 7%gst .

Don’t Miss This!

Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Featured Photography Merchants | Tagged | Leave a comment

“Captain America: The First Avenger” Action Shots Captured With Canon EOS 5D Mark II Digital SLR Cameras

Posted on August 8, 2011 by Editor AL


Full 1080P HD Capture, 24p Frame Rate and Canon EF Lenses Provide Compatibility and Creative Options for Movie Production

LAKE SUCCESS, N.Y., August 1, 2011 – Canon U.S.A., a leader in digital imaging, announced today that the highly anticipated feature film, “Captain America: The First Avenger”, used Canon EOS 5D Mark II Digital SLR cameras to capture many of the movie’s action shots. Throughout the super hero action picture, the 5D Mark II was used to shoot motion sequences that were seamlessly integrated with the production’s 35mm film footage.

More compact and lightweight than traditional motion-picture cameras, the 5D Mark II offers creative advantages such as compatibility with Canon’s wide range of high-performance EF lenses, user-selectable frame rates, including 24p (23.976 fps), the standard for motion-picture cinematography, and full 1920 x 1080 HD imagery captured by the camera’s high-resolution 21.1-megapixel (36mm by 24mm) Canon CMOS sensor. According to Jonathan Taylor, second unit director/director of photography on “Captain America: The First Avenger”, these features made the 5D Mark II an excellent choice for the capture of dramatic POV (point-of-view) action shots.

“The challenge with a lot of action photography is getting the camera in the right position,” Taylor noted. “I’m always looking to get the camera into impossible to reach places because those kinds of shots make action sequences much more exciting. Most 35mm motion-picture cameras and even the leading digital cinematography cameras are just too big to get into interesting positions.”

Action scenes in “Captain America: The First Avenger” in which Taylor used 5D Mark II cameras for POV shots include a car chase and crash, and a high-speed motorcycle pursuit. The small size of the camera enabled Taylor to mount it on the interiors and exteriors of moving vehicles to capture dramatic action shots. The camera’s size also ensured that it was “invisible” to the film cameras shooting the same scene from a distance.

“The thing with action is that the more angles you can shoot, the faster the cuts you can use, and the more energy you get into a sequence,” Taylor added.

Previously, the Canon EOS 5D Mark II cameras and EF lenses were used for action shots in the blockbuster hit “Iron Man 2”.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2010†, with global revenues of more than US $45 billion and is listed as number five in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2011 list. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

###
 † Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

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Getty Images Announces the Launch of Flickr Select

Posted on July 28, 2011 by Editor AL

New Flickr Select Collection Represents the Best of Getty Images’ Flickr Artists

SINGAPORE– July 28, 2011 – Getty Images, a leading creator and distributor of visual content and other media, today announced the launch of Flickr Select, a distinctive collection of professionally curated imagery representing the best of the highly dynamic Flickr Collection on Getty Images.


Photo Credits: 108467530, Baobao Ou/Flickr Select

Combining the powerful authenticity and fearless creative edge of the Flickr community with the knowledge and expertise of Getty Images art directors and editors, Flickr Select is a meticulously curated rights-managed collection of real moments.  It showcases some of Getty Images’ most creative imagery and offers a different perspective to the more constructed, art-directed content available across collections such as Stone or Amana.  

“Because of the nature of Flickr we’ve found that all aspects of life are being documented and reflected,” said Andrew Saunders, Head of Content, Vice President of Creative Imagery at Getty Images. “What sets Flickr Select apart are one-of-a-kind pictures hand-picked by our editors and art directors that illustrates life as it’s being lived – real moments captured by everyday people.”


Photo Credits: 116231844, Nga Nguyen / Flickr Select

The Flickr Select collection debuts with nearly 6,000 images. Additional content will be added on a monthly basis. Content for Flickr Select is chosen by Getty Images’ editors based on their expertise in licensing digital content and insights into customers’ visual communication needs.

“Quality content is the cornerstone of great communication and consumer culture is becoming less passive and more participatory. Consumers now regularly expect to be the producers of the media that they consume, and Flickr allows them to do so,” explains Saunders.

When launching the original Flickr Collection in March 2009, Getty Images aimed to curate a unique collection, preserving the inspirational and unexpected nature of the images that are prevalent on Flickr. Since then, Getty Images’ editors have been exploring the vast Flickrverse to identify the most appropriate content to include within various collections.


Photo Credits: 114988134, Yiu Yu Hoi / Flickr Select

Getty Images enters the next phase of this groundbreaking partnership with Flickr and continues to create an engaging experience for customers seeking quality content within a user-generated world. The Flickr Select collection expands the depth, breadth and unrivalled high-quality content that is unique to Getty Images and unavailable anywhere else.

For more information and to view the Flickr Select collection, please visit www.gettyimages.com/flickr. 

About Getty Images
Getty Images is one of the world’s leading creators and distributors of still imagery, footage and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and websites. Visit Getty Images at www.gettyimages.com to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life.

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Canon Lens Code aka Date Code

Posted on July 27, 2011 by Editor AL

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Canon Lens Code aka Date Code
27th July 2011, Singapore – Have you ever wondered what are those letters & numbers at the rear of your Canon lenses stands for?
That row of marking painted in grey?


Picture: Canon EF Lens Rear.

Look to the rear of your lens where the lens mount is, you will find a row of Alpha+numeric code there. Why is it important to know what are these numbers? Buying a new lens in the open market can be deceiving. Let me share an example. Some shops may quote you say for a NEW Canon EF 50mm F1.8 MarkII for SGD $130.00, while some may sell you the very same lens, also NEW at a mere SGD $75.00. Why so? Both are new and still in their factory packaging! Well, lens code is at play here. You may wish to translate that to “Date of Production”. The SGD $75.00 lens may be older than you. 🙂

This code, also help those who buy used lens or vintage lenses from the used market as Canon marks their lenses way back from the pre-FD days (1960) till the Film-to-Digital Revolution where EF (now) rules (90s to Present).
So what exactly are those Codes? What they stands for?


Picture: FD Lens Rear with just the Year without the Name of Plant.

I will use EF lenses as the guide here as it is the current line of lenses from Canon. Canon Lenses are made from all over the world. Or should I say assembled. From the lens boxes, usually I see “Made In Japan”, but upon close scrutiny of the lenses, I discover markings like “Malaysia”, “Taiwan”, “Thailand”, “China”, etc. I hope these are just limited to accessories and not the physical lens and its elements though.

According to reliable sources, Canon has 3 main plants for manufacturing lenses. They are Canon Fukushima Plant (est. 1970), Canon Utsunomiya Plant (est. 1977) & Canon Oita Plant (est. 2007).

So,
if your lens code starts with a “F”, it means this lens was manufactured in Canon’s Fukushima Plant.
if your lens code starts with a “U”, it means this lens was manufactured in Canon’s Utsunomiya Plant.
if your lens code starts with a “O”, it means this lens was manufactured in Canon’s Oita Plant.

So now you know the first letter of your lens. So what about the 2nd letter?

Well, it stands for the year the lens was made. Canon used “A” for the first Canon lens in 1960 and it lasted Canon till 1985 when the lens year coding reached “Z”. So from 1986, Canon restarted from the letter “A” again and the last 3 lenses I bought between July 2010 to July 2011 was coded as “UY”. I was told that “UZ” has started too, so very soon, we may see the cycle restarted again. 🙂

Here’s a quick overview of the alphabets and the year they stands for.
1960 – A
1961 – B
1962 -C
1963 – D
1964 – E
1965 – F
1966 – G
1967 – H
1968 – I
1969 – J
1970 – K
1971 – L
1972 – M
1973 – N
1974 – O
1975 – P
1976 – Q
1977 – R
1978 – S
1979 – T
1980 – U
1981 – V
1982 – W
1983 – X
1984 – Y
1985 – Z
1986 – A
1987 – B
1988 – C
1989 – D
1990 – E
1991 – F
1992 – G
1993 – H
1994 – I
1995 – J
1996 – K
1997 – L
1998 – M
1999 – N
2000 – O
2001 – P
2002 – Q
2003 – R
2004 – S
2005 – T
2006 – U
2007 – V
2008 – W
2009 – X
2010 – Y
2011 – Z
2012 – ?

OK, I am unable to confirm that Canon will continue and restart the code system from “A” again for lenses manufactured from year 2012 onwards, but it seems pretty likely they will continue as it had worked well for the last 51 years.

So by now, you know where your Canon lenses were made and in which year they were put together. So what about the numbers?

A quick search on the internet reveals that the next 2 numbers are the “Month” of the manufacturing year. For example;
a lens code with “UT0736” means this lens was manufactured from Canon’s Utsunomiya Plant in year 2005, in July.
Easy isn’t it?

Now as for the last 2 numbers, it is also rumoured & perceived as the batch number in 1,000. So for example,
“UT0736” means this lens is in the 36th batch of lenses between lens number 36,000 to 36,999.

Voila! Now you know what Lens Code stands for.
Hope this article help you in your next Canon Lens purchase from your local retailer or from the used market.

Have fun!

Ed.

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Ventizz Acquires Hasselbald

Posted on July 7, 2011 by Editor AL

Originally Announced 30th June 2011, Announced (Singapore) 5th July 2o11.

Hasselblad is now part of the Switzerland- and Germany-based private equity firm’s Ventizz Capital Fund IV .
The premium medium format camera manufacturer, is planning a rapid expansion of cutting edge capture products and is set to target new imaging markets following the company’s acquisition by Ventizz Capital Fund IV, LP, a private equity investor exclusively advised by Swiss- and Germany based Ventizz Capital Partners AG.

Ventizz has said to want to provide new capital for a growth strategy. Ventizz also mentioned they have “no major structural or key management changes” at Hasselblad. They plan to develop Hasselblad cameras to appeal to a wider circle of ambitious photographers.

Announcing the move Dr. Larry Hansen, Hasselblad Chairman & CEO said: “After eight years of ownership by the Hong Kong-based Shriro group, Hasselblad is now moving back to its European roots. History shows that for over half a century we have been the leading manufacturer and partner for photographers working in the medium format environment and seeking highest quality and ongoing innovation. In 2002 we pioneered the revolutionary Hasselblad H-Camera System – the most comprehensive digital camera system of its kind available today, with its unique advancements such as True Focus and instant lens correction in our Phocus software.”

He added: “Ventizz has a very impressive funding pedigree in the technology marketplace and our joint focus now will be on both maintaining our market-leading position with ongoing, advanced high-end camera products and also on exploiting the potential we see in brand new markets.”

Hasselblad has recently launched the H4D-200MS, a top end multi-shot camera delivering unprecedented 200 megapixels.

Locally in Singapore, Shriro (Singapore) Pte Ltd – distributor for Hasselblad ,  Profoto  ,  Linhof  ,  Gossen , Gitzo  , HPRC  , Lastolite  , Tamrac  , Zeiss ikon will remain contracted to distribute Hasseblads for minimum another 5 years.

Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Photography Articles & Videos, Uncategorized | Tagged | Leave a comment

Looking for Interesting Place to Shoot?

Posted on July 7, 2011 by Editor AL

Singapore is just small.

Face it.

Whether you are a beginner or serious enthusiasts, you will find yourself one day staring at your camera and ponder where to shoot next? Like thousand others, we sometimes returning to a location or site more than once to yield new subjects & perspectives. Now, what about place that can offer you different perspectives & new subjects every time you re-visit?

I know saying the word “Marina Bay” may sounds lame here. Since Marina Bay Sands was constructed, new interests were injected to this part of Singapore with the addition of many photo locations like the MBS Towers, the Helix, the Park by the Esplanade, Art Science Museum, Marina Barrage & even the Singapore Flyer has gotten a new leash of life with the hoards of activities happening everyday at this part of Singapore!

I did mentioned & listed before in one of my earlier article that MBS is one of the photo locations that was (and still is) “shot” to death by thousands of photographers on a daily basis. However, on a personal basis, I’ve returned to this part of Singapore over 10 times in a span of 10 months, each time returning with new photos of different subjects. I have peers who swear by the sunrise in this area as they too, visit Marina Bay more than 4 times a week (that’s 16 times in a month!) just to capture the perfect sunrise, while others compile albums after albums of the Helix, the MBS Towers at different time of the day or simply work their shutters on the largest observation wheel in Asia. (SingaporeFlyer).

Personally, I have discovered & rediscovered Marina Bay as a prime area for photography, there are so much to do apart from just shooting scenic views, people or iconic structures, there are shopping belts, fine F&B outlets, arts events or performances, entertainment happenings & many more things going on at the same time!

You may wish to plan your visit by visiting Marina Bay’s website to check out the happenings before making your way down. Visit http://www.marina-bay.sg/Funfinder/ to get the latest updates, listing of event/ performances and pack your gear appropriately. At least you know you will be well equipped with the right gear and you know what you will shooting for the day. 🙂

See you at Marina Bay!

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New Old Stuff

Posted on July 6, 2011 by Editor AL

Recently, I have been quietly picking up stuff from used gear stores & eBay.

Looking at the old stuff that I had collected the last few months left me a conclusion, cameras & lenses has a better built quality in the past than now. You don’t have to agree with me, but let me share what led to this conclusion.

It all started when my Dad gave me his Yashica MG-1. I am not into rangefinder but I took the opportunity to learn how to use it and eventually learnt to appreciate it. The camera looks as if it’s from the showroom as my Dad takes extremely good care of it. Along with this camera, he also handed down 2 other old cams to me – an Olympus M-UII & a Nikon EF200. After trying out all the cameras, I found these cams of yesteryears works well even today. Everything is very much mechanical and the material used was solid. Either it comes in full metal or engineering plastic and the plastics seems to last better than those newer DSLRs made from recycled plastic. (Read your Manual).  🙂

These 3 cams got me venturing & understanding deeper into “film culture”, which I soon followed up with a BlackBird Fly – a plastic TLR (Twin Lens Reflex) camera, a Canon EOS 5, EOS 88, a Minolta Dynax 5, a LubitelII, a Lomo FishEyeII & the latest addition being a Nikon F90X (also known as F90s in US) & a digital Nikon D1X from 2001.

I have spent considerable time with each and every cam above and I found 2 things very interesting, film mechanism are fun to meddle with and old cams has very solid construction. These cams (apart from the BlackBird Fly & Lomo Fisheye which are the remake editions of the actual models) have very simple design and basic function (much lesser functions as compared to the newer digital camera) but hey, they works like the way they should and when handled, these cams feels like they will live forever! They produced excellent film photos!

If by now, you are still not sure about cameras of yesteryears, visit your local used gear dealers and pick up one that’s launched before 2000. A Film SLR is a good way to start. A classic cam in your dry cab also starts conversations.

Lastly, I came to know that the Yashica MG-1 was launched & bought in the year that I was born, on this day in 1975.
My Dad bought it to shoot his first born, that’s me.

*Read my review on Yashica MG-1 in the archive.

——————————————————————————————
On a totally unrelated note, I found this photo on the internet & I would like to share it here.
It’s a 1980s Canon SLR,  the famous AE-1 Program – but with a twist.
Check it out.

AE-1 Program with Digital Back & LCD Screen? No F**king Way!
But check out the next pic!

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