Featured Photographer – Peilin Lim-Ergul

 
Peilin Lim-Ergul, Mrs Ergul.

Peilin, better known as "Mrs Ergul" among us, is an experimental photographer and an expert baker. Browsing through her albums, we found great photography works and some of them are sinfully delicous too! Most of you who knows Peilin personally will remember her signature smile, always cheery and sunny. Her main genres are Still Life, Portraiture & Macro which includes Food Photography. We like her food photography most, as it never fails to make us reach out for the cookie jar at home. We went through almost all her album photos and selected a few for sharing here. (without her permission of course!) Enjoy!

Ways to Contact Peilin;
Email: limpeilin@gmail.com
Web: http://www.facebook.com/pages/Singapore/Mrs-Ergul/120105974666927
Facebook: http://www.facebook.com/limpeilin
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ArtWorkFoto – Get Personal

 
ArtWorkFoto – Get Personal
 
Before I start……………..
This is a NEW article category. "Featured Merchant" serves as a reference and a review of photography stores. I am going to start this series with the shops that left me deep impression, both good & bad. If you have shopping experiences to share, do drop me a note at ourshutterjourney@live.com
 
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ArtWorkFoto – Get Personal. 
Since the day I re-started my photography again, I went through (again) what almost every photographer will eventually go through. This "compulsory" culture is none other than Buying Things. (lolz).

Recently I was acquiring gears for the mobile studio which I will be using for some serious work. While asking fellow photographers for a good shop that carries a comprehensive inventory for lights & strobes, a name popped up, and I got curious. When I happened to be around that area recently, I went in and enquire about some strobes and soft boxes. I found myself in ArtWorkFoto.

The shop was well stocked with photography accessories. From Filters to Caps, from Flash to Strobes, there is something for everybody! If he starts to stock up more cameras, this will be the next "One Stop" shop soon. Though a little messy at the moment (they just moved in to this address recently), it is comprehensive!

Michael served me. He showed me what I asked for and he even gave me a demo. Without me asking, he showed me the alternative options to acheive what I need to acheive too. This is my first visit to this shop and I found the service rendered was somewhat memorable. Michael is a warmth chap, smiling and calm, most importantly, he understand what I am looking for and what I really need. This personalisd service and hospitality left a deep impression in me. I bought a studio strobe and a soft box from him eventually. I will be returning to ArtWorkFoto next week for another light stand. By the way, did I mentioned Michael is the Boss and he offered me a drink too. :)~

My Shopping Experience Rating: 8/10

ArtWorkFoto is located at 122 Middle Road, Midlink Plaza #01-06,S188973. 
Opens 11am to 8pm Daily. (Except Sunday)
Tel: 6338 6959
Email: artworkfoto@gmail.com
Web: http://www.artworkfoto.com/

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Featured Photographer – Benson Lin

 
Benson Lin

Benson is a quiet person right from day one when we first knew him. Very quiet. Quiet he may be, his photos are loud testimonials of what he is capable of when he is behind the shutter. He speaks through his photographs, and we mean it.  He is sort of an all-rounder photographer if a short description can best describe him. He is well versed in portraits, landscapes, events & abstracts. (At least that was what we found out!) We managed to go back in history and also found out Benson started with a Canon DSLR, moved to Panasonic Lumix and eventually to a Nikon DSLR.

His works speaks profoundly for himself and his photography skills. An expert with lights and composition, his photos are awe-inspiring to admire and enjoy. We took some time to browse through his Flickr and Facebook Albums and discovered that Benson is also a very experimental photographer. During his early days, his albums shows he went through the full cycle of "experimental photography" to what he is today, an accomplished photographer with great photos to his name & fame. Our favourites are his landscape photos and travel photos. These are the photos that actually allows you to be immersed into the mood, the story and the culture of the originating source for the shot taken. Don’t understand? Go browse his albums. (Links below). We have selected a few of his works to be featured on this article (without his permission) for our "selfish" enjoyment. Enjoy!  

 

Ways to Contact Benson;
Email: Not Stated.
Web: http://www.flickr.com/photos/benosaurous
Facebook: http://www.facebook.com/bensonlin
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Change of Event Invitations Format

 
**ANNOUNCEMENT**
>> With Immediate Effect <<

Hi Photographers, Future Event Invitations Will ONLY Be Sent To Photographers Who Had Attended At Least One Shoot.

If You are New here & interested to join our themed photoshoot, Please browse the Events Tab on the Group Page & RSVP for Details & Updates.

Thank You.

Allan & Ling.

 
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Featured Photographer – Royston Ang

 
Royston Ang, The Film Guy

We came to know Royston from another photography group some months ago. Since then, Royston has joined us for more than 7 group outings. Royston is known as the "film" guy in the group as he uses film cameras as his main medium. From our sources, we know he owns a BlackBirdFly (TLR), a SuperSampler, a B&B 135, a Holga 135BC, a Seagull 205 & a Minolta XG-1. We suspect there could be more cameras hiding in his house. He plays an important part in the group (along with a few other film users) with his film-based influences and that actually resulted in more photographers venturing into film photography lately. We are not spared from his "poison" too, today we have inherited a Yashica MG-1 (RF), a Konica C-35 AF (PnS), a BlackBirdFly (TLR), a Canon EOS 5 (SLR) & a Canon EOS 3000QD (SLR) and sometimes shoot with a borrowed Rolleiflex (120 TLR). (Thanks hor Royston – :)~)

On a side note, Royston (sort of) evoked memories of my early SLR days which I gave up shortly after failing to learn the fundamentals and I always ended up with bad photos. But that’s another story. (lolz) And by the way, did I mentioned that Royston is our favourite model during shoots too? (he is very photogenic by the way) – Ladies, he is TAKEN.

Royston is a very humble and quiet guy, but very friendly when approached. He is very open about what knows and shares it with anyone who asked. We hope to learn more about film from him in the near future. With that, I am featuring some of his works (using the various cameras mentioned above) below for your viewing enjoyment.
 

 
Ways to Contact Royston;
Email: Not Stated.
Web: http://www.flickr.com/photos/37297520@N02/
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Canon EF 28-80mm F3.5-5.6 II

Lens Number 15 joined my lens stable today. It came in the form of EF 28-80mm F3.5-5.6 II, an old SLR kit lens dating back to 1999. Since it is on EF system, that means it can be used on the newer DSLR by Canon too. I am pretty fond of collecting Canon’s "oldies" lens and also in the name of testing it for IR Photography compatibilty (Infra Red). This is an EF, so it is compatible with my EOS 5D Mark II & my cropped bodies like the EOS 500D & EOS 350D-IR (with corresponding increased range to 45-128mm) . Best of all, it can also be used on my film SLR EOS 5 & EOS 88 (3000QD)!  


* picture: Canon EF 28-80mm F/3.5-5.6 II

If you surf the net, you would have came across numerous articles about this lens. Made as a "cheapo" kit lens (1999 mass consumer market), the "plasticky" build is very similar to the current kit zoom lens the EF-S 18-55mm F3.5-5.6 IS. Now you know where the lens designers took the cue from. Of the famous 3 "cheapo" range (and their Mark II & Mark III versions), the EF 35-80mm series, EF 28-80mm series & EF-S 18-55 series, I would safely say this EF 28-80mm F3.5-5.6 II is definitely not the worst here. I own all 3 series and felt that the worst are the 35-80mm series. The plastics are similar to those made-in-God-knows-where cheap plastic toys and they simply looked too fragile to be used as a lens!


* picture: Canon EF 28-80mm F/3.5-5.6 II

 
Externally, this lens is really not too bad. Though the lens feels a little filmsy, one can easily mistook this lens as the 18-55mm brother. The design, the weight, the size, the handling are uncannily similar. Picture quality are (of course) expected to be the same too. This 5 apeture blade lens performed reasonably well on SLRs, however when used on the DSLRs, the pictures turned soft. Even at F10, subject shows inconsistent shades and lines. However the magnification is really good (0.29x) so this lens can double up as the low budget (near) macro lens.

On IR, hotspotting is random. Not sure if this is caused by flares from the sun (not using any filter and without a hood), but the photos are definitely more consistant than the EF 35-80mm which I tested for IR and it didn’t performed too well and hotspotting were too often on photos.

However, all is not lost, like every other Canon’s cheaper kit lenses, this lens needs a little understanding from the photographer to be put to good use. Now you know (too) why Canon kit lenses are known as "good beginner lenses" – it made the photographer learn the limitations of the lens and forced the user to work around its flaws. I have seen photos that were shot with kit lenses, some will even shamed professionals.

Sometimes, it’s the user, really.


* picture: Canon EF 28-80mm F/3.5-5.6 II

Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 58mm
– Lens Hood EW-60C (Sold separately/ same hood for the EF-S 18-55mm F3.5-5.6 IS).
– Average lens for Infra-red Photography (IR), Random Hotspot.
– AF Runs on medium-fast mechanical motor – (and you get medium-level focusing noise). 
– Focal Range when used on bodies with smaller APS-C sensors – 45mm to 128mm.
– Canon EF-Mount is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H).
 
What I Like:
– Good walkabout range when used on any EOS Bodies.
– Light & small.
– Lens Build feels more expensive than it cost.
– Good magnification ratio.
– Nicely Priced.

What I Hate:
– No Distance Scale Meter.
– Focusing is not very fast.
– Hood not supplied.
– Inconsistent results.
– Plastic mount.

*Picture Source Internet.

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What You Pay Is What You Get

This video had been viewed by thousand of photographers all over the world. A "Wedding Photographer" shows up with a Canon EOS Rebel Xti (known as EOS Kiss Digital X in Japan & EOS 400D to the rest of Asia.) & a Canon supplied kit lens EF 18-55mm F3.6-5.6 IS and screwed the couple’s wedding day photos. Couple sued the "photographer", do listen to the dialogues carefully. Yes, I know this video is old, but it is worth a place here, on this web page.

So if you are looking for a photographer to shoot your Once-in-a-lifetime moment, will you trust one that shows up with an entry-level equipment?

            
If you can’t view the embedded video, please watch directly on youtube, the link is here http://www.youtube.com/watch?v=js7RzcdDcMs&feature=player_embedded

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Canon Film SLR Historic Chart

Found this useful Chart on Canon Film SLRs on Wikipedia. Thought this will be useful for those who are venturing into Canon Film SLRs.

Canon Film cameras

This is a list of the 35 mm and APS Canon EOS models in order of introduction:

Model (US) Model (Europe) Model (Japan) Release date
EOS 650 EOS 650 EOS 650 March 1987
EOS 620 EOS 620 EOS 620 May 1987
EOS 750 EOS 750 EOS 750 October 1988
EOS 850 EOS 850 EOS 850 October 1988
EOS 630 EOS 600 EOS 630 QD April 1989
EOS-1 EOS-1 EOS-1 September 1989
EOS RT EOS RT EOS RT October 1989
EOS 10S EOS 10 EOS 10 QD March 1990
EOS 700 EOS 700 EOS 700 QD March 1990
EOS Rebel/Rebel S EOS 1000F QD EOS 1000 QD October 1990
EOS 10S commemorative kit EOS 10 EOS 10 QD August 1991
EOS Elan EOS 100 EOS 100 QD August 1991
EOS Rebel II/SII EOS 1000FN QD EOS 1000S QD March 1992
EOS A2/A2e EOS 5 EOS 5 QD November 1992
EOS Rebel XS EOS 500 EOS Kiss September 1993
EOS Rebel X November 1993
EOS-1N EOS-1N/1N HS/1N DP EOS-1N/1N HS/1N DP November 1994
EOS 5000 EOS 888 January 1995
EOS-1N RS EOS-1N RS EOS-1N RS March 1995
EOS Elan II/IIe EOS 50/50e EOS 55 September 1995
EOS Rebel G EOS 500N New EOS Kiss September 1996
EOS IX EOS IX EOS IX E October 1996
EOS IX Lite EOS IX 7 EOS IX 50 March 1998
EOS-3 EOS-3 EOS-3 November 1998
EOS 3000 EOS 88 March 1999
EOS Rebel 2000 EOS 300 EOS Kiss III April 1999
EOS-1v EOS-1v EOS-1v March 2000
EOS Elan 7/7e EOS 33/30 EOS 7 October 2000
EOS Kiss III L November 2001
EOS Rebel XS N EOS 3000N Canon EOS 66 February 2002
EOS Rebel Ti EOS 300V EOS Kiss 5 September 2002
EOS Rebel GII March 2003
EOS Rebel K2 EOS 3000V EOS Kiss Lite September 2003
EOS Elan 7N/7NE EOS 33V/30V EOS 7s April 2004
EOS Rebel T2 EOS 300X EOS Kiss 7 September 2004
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Featured Photographer – Zul Samsuri

Zul Samsuri, The Minimalist.
 

Zul Samsuri, known to many of us as “Zul”, is famed for his minimalistic approach to photography. This humble but very talented photographer is also an expert digital artist – combining both photography & digital wizardry, his works are incredibly fascinating to appreciate. Taking a different direction from the usual mob is rightfully challenging, however, Zul is one that will never give up until he shot a keeper.Interestingly, Zul always sees things while the rest of us don’t, further to that, he is one photographer that I know who will go to great lengths just to get the shot he envisioned in his mind, way before the rest of us realised it. I’ve hand picked some of the finest work that Zul had produced below for your enjoyment. Do visit his Flickr page (link below) to see more of Zul’s works.

Ways to Contact Zul;
Email: Not Stated.
Web: http://www.flickr.com/people/45748874@N06/
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Featured Photographer – Maureen Ow


Maureen Ow

We first met Maureen at an organized shoot titled "ToyArt". She came across to us as a very bubbly and fun person. Her easy-going personality and bright smiles sure added lots of "X Factors" to outings & shoots. Browsing through her works, I found "gems" among her albums. She may claimed to be an amateur photographer, but some of her works are certainly of professional standards. I personaly felt Maureen is exceptionally good at framing and composition, she is darn good at angles. Today, I’ve hand picked a few of her works to be featured here (without her permission of course! Lolz).

Ways to Contact Maureen;
Email: dreamangel05@yahoo.com – Web: http://www.misstamchiak.com – Facebook: http://www.facebook.com/chiannhuey.ow

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Flowers of Lamentation: POPPY TEARS

 
FOL-EDMlongb.jpg picture by Viviobluerex

Flowers of Lamentation: POPPY TEARS

Presented by The ARTS FISSION Company

 

19 – 21 August 2010 (08:30pm)

Drama Centre Black Box @ National Library

 

 

The poppy flower conjures up stunning images of time past and present:

bygone empires in distant lands; smoke-filled dens and war cannons spitting thunderous black clouds.  Amidst fresh poppy fields sprout soldiers and militia with machine guns. These are no hallucination but real-life events taking place today.

 

How could fragile beauty harbor such violence and destruction?

 

POPPY TEARS is a new collaborative performance between ARTS FISSION Choreographer Angela Liong and the art & design collective, :phunk (hail as one of Asia’s most hip and provocative design collectives).

 

Merging contemporary dance with music from Afghanistan, Syria, and Persia, and cutting-edge graphics through multi-angle projections that carved intriguing theatre space, the performance compresses fractured narrative from the everyday and the imagined to present a movement story from the realm of dreams.

 

 

Performance concept: 

The performance begins at the Drama Centre Black Box lobby with a huge tent that casts patterned shadows on the floor.  A DJ spins traditional music for the dance.  The audience is then guided through a mini maze like path to enter into the pitch dark theatre where they are greeted with multimedia visual narrative. 

 

The black box theatre is staged like a dark gallery to accommodate slow milling of the audience.  They can choose to take up their own vantage points around the performing area either by standing or sitting on the floor.   They can also rove slowly to change their viewing angles throughout the performance. 

 

The presentation format aims to give the audience a physical spatial sensation that is intimate and enclosing.  The near proximity of the projection and performers with the audience at the same time provides a highly charged experience similar to standing in a club’s dance floor with moving lights and visual images and sound vibration as the performance unfolds.     

EVENT INFORMATION

Event name

Flowers of Lamentation: POPPY TEARS

Genre (Music, Theatre, Dance, etc.)

Contemporary Dance

Date(s)

19 – 21 August 2010

Time(s)

08:30:00 PM

Venue

Drama Centre Black Box @ National Library

Ticket prices

$19.00 – $35

Where tickets may be purchased (SISTIC, tickets.com, etc.)

SISTIC

Website: www.sistic.com.sg

Hotline: (65) 6348 5555

Enquiry tel line (if applicable)

6238 6469 / tafcl@singnet.com.sg

  * Photography Prohibited by Public except Official Photographers (Shutter Journey (Singapore) Photography Group).

“The Arts Fission Company is Singapore’s blossoming performing arts scene at its best

—innovative, eclectic, willing to take risks, richly human.”

Brian Mertens, WINGSPAN ANA Magazine

FOL-EDMlongd.jpg picture by Viviobluerex

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Artfission.jpg picture by Viviobluerex

About The Arts Fission Company (TAFC)

ARTS FISSION is a Singapore based dance laboratory with the vision to rekindle human spirit by a new genre of dance theatre informed by Asian traditions, cultures, and aesthetics.  Poised in Southeast Asia, ARTS FISSION creates its dance works in sync with the pulses of new Asia. 

 

Many of ARTS FISSION’s original creations are acute responses to the emerging contemporary Asian identity amidst the rapid developing urban environment.   These works aim to experiment and reinvent vernacular gesture and movement into a new dance vocabulary that cross-references between urban Asia and old Asia.  This artistic direction marks ARTS FISSION with a distinct dance profile. The 16-year-old company has presented over 60 full-length productions locally and internationally to date. www.artsfission.org

 

 

About :phunk

Described as The Champion of Singapore’s Graphic Scene, :phunk began its life in 1994 when its members were fellow design students of LASALLE College of the Arts.

 

:phunk has propagated a visual signature that seamlessly blends and reinterprets their diverse influences such as traditional Chinese mythology, craft, philosophy and folklore, Hong Kong wuxia, Japanese manga and otaku subculture, Western popular culture, art and design movements into a singular creative thought that reflects their multi-cultural identity, background and environment. The concept of "universality" in the age of modern globalization is a constant theme in their works.

 

 

About Brandon Tay

Brandon Tay is a motion designer and interactive designer for non-web spaces based in Melbourne and Singapore. With 6 years commercial experience in the field of music videos, motion graphics, and visual programming, he has worked with music video collective KROZM on clips for bands like Cut Copy, Van She and the Midnight Juggernauts. He has also worked on commercial projects for MTV Asia, Sci-Fi Channel and Animax. In Singapore, he has created the visual accompaniment for bands like the Observatory and participated in the Singapore Design Festival 2009.

 

He has worked on projects with noted media artists Ulf Langheinrich and Gina Czarneki on large- scale media installation works. A project “LAND” which he assisted Langheinrich with has been featured among others, the Liverpool Biennial and the Shanghai EArts festival 2009.

 

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Tamron 28-300mm F/3.5-6.3 XRDi LD Aspherical IF Macro

Finally completed my "Aliens Lens" Collection today. Got my Lens Number 14 (should have been 17th – gave 2 spare kits lens to 2 colleagues weeks ago and gave one spare to an expert repairer a month ago). This time, it’s a Tamron – to complete my "Famous Four" of Cosina, Sigma, Tamron & Tokina. Of course, there are other Canon-Mount Lens like Vivitar (Cosina Made), Mamiya, Carl Zesis, Zenitar, Samyang and a few other lesser brands, but the "Famous Four" is probably the most popular among the 3rd party brands. This Tamron is a Di lens, that means it is compatible with my 5D Mark II & my cropped bodies like the 500D & 350D-IR (with corresponding increased range to 44-465mm) . Best of all, it can also be used on my film SLR EOS 88 (3000QD) (also using EF Series Lens)!


* picture:  Tamron 28-300mm F/3.5-6.3 XRDi LD Aspherical IF Macro

First impression of the lens was really good. The build quality is better than Tokina but slightly lower than of Sigma. What I like is the range (and price) of this lens which made this lens a super walk about lens covering a wide angle to super telephoto. Photos turned out sharp and crisp and when the apeture is wide open at F3.5 (28mm stop), this lens gives very nice bokeh when the subject is about 4 metres away. At the 300mm end, picture quality suffer a bit unless you are shooting in bright-lighting-sunny condition. At F6.3, the widest at 300mm stop, pictures can be good if compensated with ISO as this lens has no Vibration Control (VC – similar to IS, VR, SS, OS, etc.) So it is a tad challenging if the subject is moving and you don’t have a tripod with you. For the price I paid, this can be ignored or somewhat negligible. Just compare this lens with the Canon’s nearer equivalent, the Canon EF 28-300mm F3.5-5.6L IS USM, this Canon multi-purpose zoom is selling at a RRP of SGD $4599 (Street Price Differs) and I paid less than 10% of the Canon’s RRP. And weight/ size wise, this medium sized Tamron is way smaller than Canon’s EF.

EF 28-300mm F3.5-5.6L IS USM
Diameter 92mm x Length 184mm
Weight 1670gm.

Tamron 28-300mm F/3.5-6.3 XRDi LD Aspherical IF Macro
Diameter 54.6mm x Length 91mm
Weight 420gm


* picture:  Tamron 28-300mm F/3.5-6.3 XRDi LD Aspherical IF Macro

Though this lens is built much smaller than most of its competing counterparts, this lens is solid in build and the feel of the lens is good. Zoom is smooth (smoother than Tokina) and it feels more expensive than it really is. However, when zooming to 300mm, the lens erects out "extensively" and it became much longer than other similar lenses in the same category. This is however, a like or hate thing depending on individuals. Oh yes, this Tamron can do Macro too. Though not exactly a real macro lens (Real Macro Lens are Prime Lenses) , the magnification capability is close to the real thing (1:2.9). Focusing speed is not super fast, but acceptable as "quite fast".  

For Infra Red Photography, this lens is average. Hotspot sometimes appears randomly. Most of the time hotspots appear when the lens is at 28mm, when zoomed, hotspot does not appear – please note.

Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 62mm
– Lens Hood AD06 or 1D4FH (Supplied with Box).

– Average lens for Infra-red Photography (IR), Random Hotspot.
– AF Runs on fast mechanical motor – Can be noisy sometimes when it hunts more than it should. 
– Focal Range when used on bodies with smaller APS-C sensors – 44mm to 465mm.
– Tamron’s "Canon EF-Mount -Di (Digitally Integrated)" is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H).
– Understanding Tamron Terms for Tamron 28-300mm F/3.5-6.3 XRDi LD Aspherical IF Macro; 
XR = Extra Refractive Glass Elements used in the construction of lens group. (used to reduce Chromatic abberation)
Di = Digitally Integrated (compatible on FF, APS-C, APS-H, 35mm Film)
LD = Low Dispersion Glass used in the construction. (Reduce area of image plane for sharper photos)
ASL = Aspherical (Used for creating great zoom range while maintaining the compact size of the lens construction)
IF = Internal Focusing (For creating a shorter minimum focusing distance and faster focusing)
Macro = High Magnification Capability (Possible for good close up shots, near real macro).
ZL = Zoom Lock. (This lens comes with a Zoom Lock for preventing lens strays, but not reflected on Lens Model Name) 

What I Like:
– Super walkabout range when used on any EOS Bodies.
– Good image quality produced.
– Suitable for Infra Red photography.
– Great Bokeh for portraiture shoot.
– Solid Build and feels more expensive than it cost.
– Supplied Hood.
– Smooth Zooming on all ranges.
– Nicely Priced.
– Zoom Lock prevent Lens Stray.

What I Hate:
– No Distance Scale Meter.

– Focusing is not very fast.

*Picture Source Internet.

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SJS Appointed Official Photography Team for “Poppy Tears”.

 
Shutter Journey (Singapore) Photography Group has been appointed by The Arts Fission Company for their upcoming performance "Poppy Tears" as the Official Photography Team. The team will cover the rehearsal and 3 days performance at the Drama Centre Black Box @National Library from 18th August to 21st August 2010. (19th-21st August performance days). Featuring a Roaming performance covering the Lobby and Theatre, this will be one photography challenge.

This is a 60 minute performance with no intermission and photography is NOT Allowed by the public. Ticketing by SISTIC and More details below.

For Ticketing (SISTC): 6348 5555 or www.sistic.com.sg

 
For Performance Details: 6238 6469 or admin@artsfission.org

FOL-EDMlongA.jpg picture by Viviobluerex
FOL-EDMlongb.jpg picture by Viviobluerex
FOL-EDMlongc.jpg picture by Viviobluerex
FOL-EDMlongd.jpg picture by Viviobluerex

For the last Performance by The Arts Fission Company shot by SJS Photography Team, please visit:
http://www.facebook.com/album.php?aid=6701&id=100000916546037

 
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Travel Photography Talk by Jino Lee

On 28th July 2010, Shutter Journey (Singapore) Photography Group held a Photography Talk at Canon DigitalLab. Featuring Jino Lee (Canon Singapore), a renowned Travel Photographer, he shared about the important tips & fundamentals on Travel Photography. It had been an informative and valuable learning experience for all the attendees. The moderating committee had work hard to make this event possible, and thanks to our sponsors: Canon Singapore, Mrs. Ergul, Johnny Camera Accessories, Singapore Media Owners Hub & Adlib Magazine Singapore.

Here’s some photos from the event.

*Picture: Group Photo after the Talk.

*Picture: Jino Lee, Travel Photographer & Lecturer for the Talk.


*Picture: Allan Lee, Founder of SJS.

 

*Picture: The Moderating Committee left-right – Noel Ong, Allan Lee, Ling Tan, Sheladina Joseph, Celes Fernandez, Julaiha Batcha.


To view the full album for this event, please visit
http://www.facebook.com/album.php?aid=15566&id=100000916546037
 
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New Logo for the Group & Our Facebook Profile

We are changing the Group Logo.

We are replacing the below logo with a New design.


*Picture: Existing Group Logo.

Not exactly sure what or how the next design will look like.

Meantime, A moderators’ group shot is used to represent the group.


* Picture: New Temporary Group Logo.

If you have a design in mind and would like to share with us, please email or PM me.

Meantime, we have decided to change our Facebook Profile Picture to better reflect our unified interest in photography. I selected a photo which we took while kissing against a BALI Sunrise.


*Picture: New Facebook Profile Picture – BALI SUNRISE.

Thank you.

Allan.

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Outings – by Brian Seah

Originally Published on http://outofframe.sg/2010/07/08/outings/ by Photographer Brian Seah.
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OUTINGS! – Brian Seah

For me, I believe that though shooting weddings are fun and all that, with events providing interesting photos, there always can be more ways to enjoy and enhance photography skills. Seminars are one. Workshops. Classes. But one of the ways that has the greatest impact in my life is going on photography outings.

Recently, I’ve joined this online Facebook Group “Shutter Journey of Singapore” created by this couple, Allan and Ling, who’ve started photography a year ago. Interesting thing about the couple is that they use cameras of different systems, Sony Alpha and Canon. WEIRD COMBINATION! But they work around it pretty well!

Been spending some time going for various outings and joining them for different shoots, and through it, I not only met different people from various backgrounds and levels of photography, but I begin to see the world through a different perspective and even learn new things.

Group Shot (Boat Quay)

Group Shot (Boat Quay)

The common misconception that some “senior-ish” photographers have is the mentality that they have been through it all, seen all types of styles, angles and whatnot. But I honestly would like to say my point of view: I am MARVELED by the passion, dedication, creativity and perspective of this group. Going through different area shoots with them, with its Limited Series (Limited Lenses or Limited Equipment Style-ed) and its Location Series (Kallang Stadium), I not only shot and “practiced” what I read in books and magazines, but even try new styles and head-ed back to Post Processing to increase the effectiveness and message of my pictures

Dont Learn All Alone :D

Dont Learn All Alone :D

In fact, one of the simplest pictures that I like from the outings was this picture taken by my girlfriend, Rachel. Simple, a easy shot. But to me, never saw it this way before. In fact, this is one the styles that I am going to adapt to.

Rachel's Shoot at Barrage

Rachel’s Shoot at Barrage

Hope to blog again soon with more wonderful pictures!
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Visit Brian’s Web Page at http://outofframe.sg/

Thanks a lot Brian!

From Allan & Ling.
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Tokina AT-X 16.5-135mm DX

 
This is lens number 13. Initially wanted to buy the Tokina 35mm Macro (M35) to try out for IR suitabilty and also to add to my "Alien Lens" collection (adding to the Sigma & Cosina) but was told by the local distributor that the 35mm will no longer be shipped to Singapore – at least not anytime soon. So the next lens to consider will be the fairly new and slightly more expensive Tokina AT-X 16.5-135mm DX. This lens is designed and made for use on cropped bodies only. Using in on my 350D-IR or 500D, this lens is wide and the zoom is adequate for most applications. (equivalent to a Full Frame range of 26mm to 220mm) This range naturally made this lens a great landscape lens or a general walkabout lens covering from wide angle to medium telephoto.


* picture:  Tokina AT-X 16.5-135mm DX

On the infra red 350D, this lens is a little inconsistent. It produces very, very slight hotspots randomly. (I did not use the hood at all) Image sharpness are increased with zoom, at 16.5mm, the corners appears slightly soft and sometimes CA is visible. However when zoomed out, the image gets better contrast and sharper. The apeture range of this lens is F/3.5-5.6 which is class-standard for lens with such a range at this price (RRP SGD$799, Street Price about $100 to $150 cheaper). At F3.5, the 9 apeture blades works well to get good bokehs making it suitable for portrait shots. But be warned, magnification is bad so forget about doing any form of macro with this lens. Even at F14, tiny things you shoot will end up with blurred or NO details at all!


* picture:  Tokina AT-X 16.5-135mm DX

The lens feels solid enough given its half metal and half "engineered plastic" construction. It does look like it can take some abuse and survive harsh shooting conditions too. If you have a cropped EOS body and need a good general or travelling lens, do consider the Tokina AT-X 16.5-135mm DX.

It serves the purpose it was built for.


* picture:  Tokina AT-X 16.5-135mm DX (with the supplied hood mounted)

 
Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 77mm
– Lens Hood BH777 (Supplied with Box).

– Average lens for Infra-red Photography (IR), Random Hotspot.
– AF Runs on mechanical motor – but surprisingly quiet. 
– Focal Range Equivalent on Full Frame Sensors – 26mm to 220mm.
– Tokina’s "Canon EF-Mount -DX" is designed for use on Canon’s EOS Cropped Bodies.

What I Like:
– Good walkabout range when used on all my Cropped EOS Bodies.
– Good image quality produced.
– Suitable for Infra Red photography.
– Great Bokeh for portraiture shoot.
– Solid Build and feels more expensive than it cost.
– Supplied Hood.

What I Hate:
– No Distance Scale Meter.

– Zoom ring not smooth when zooming out to 135mm.
– Focusing is not very fast.

*Picture Source Internet.
 
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Canon EF 24-70mm F2.8L USM

 
The EF 24-70mm F2.8L USM is the “Dream Zoom Lens” for many Canon fans. This lengendary zoom lens is the fastest zoomer in the EF series and it sits in the L-Series line as the “King of Zoom”. Like every other Canon user, I too, dreamt about this lens often. Till recently I gave up and decided to stop dreaming and make my dream comes true. The EF 24-70mm F2.8L USM became my 12th Lens (and my 3rd L-series EF Lens) in the dry cabinet. At a constant apeture of F2.8 throughout the whole zoom range, this lens is a top performer in all possible lighting environments and situations. Pictures are sharp and colors are well reproduced – expected from a L-lens. The Ultrasonic Motor (USM) moves at break-neck speed and it is almost silent unless you strain your ears to catch the ring USM in action, otherwise, you won’t hear a thing. This is also due to the weather sealing incorporated in the lens construction that helps to mask out any audible operation noise.
* picture:  EF 24-70mm F2.8L USM.

As expected from a L-Series EF Lens, the lens body construction are solid metal, the finishing looks luxurious indeed with a weather-proofed compound – great feature but I found the body coating to be attracting lots of fingerprints. (Ha Ha Ha). This is one heavy lens (950g), very heavy and huge. However, it covers the most effective range for most photography needs when used on my 5D Mark II. On my 350D-IR & 500D, the range increased to 38-110mm which still makes a good walkabout range. (But be warned, when mounted on a cropped body like the XXXD & XXXXD series, the body looks ridiculously small, but looks balanced on XXD series). when mounted with the supplied petal-like hood, this lens looks even larger than life and you may wish to hold on to your lens when you are walking about as someone may accidentally hit your lens + camera combo and get hurt. (Just kidding!)


* picture:  EF 24-70mm F2.8L USM.

On the down side, those looking for a “All-Rounder” lens will discover the “Macro” printed on the lens body does not really gives you good magnification capability, but instead, now you have a super zoom that allows you to focus nearer to your subject. Enough have been said about this lens. Since this is the fastest zoom lens in the whole of Canon’s EF & L-Series lens, you know the rest of the story. 


* picture:  EF 24-70mm F2.8L USM. (When mounted with the supplied hood)

 
Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 77mm
– Lens Hood EW-83F (Supplied with Box).

– Great lens for Infra-red Photography (IR), Zero Hotspot.
– AF Runs on Super Fast Ring-Ultrasonic Motor (USM). 
– The fastest zoom lens from Canon.
– Focal Range when used on bodies with smaller APS-C sensors – 38-110mm .
– Canon EF Mount is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H)What I Like:
– Good walkabout range when used on all my EOS Bodies – Cropped or Full Frame.
– Legendary image quality produced.
– Suitable for Infra Red photography.
– Great Bokeh for portraiture shoot.
– Solid Build and weather proofing.
– Supplied Hood.
– Distance Scale.

What I Hate:
– Supplied Lens Pouch adds another white elephant to my storage.
– Very heavy.

*Picture Source Internet.

 
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Canon EF 28mm F2.8

 
I was really looking for a better & wider lens for my EOS 350D-IR (Infra Red Converted). Was doing lots of reading up on forums and on IR-Dedicated Websites, many IR Photographers mentioned positively about this lens and some even sing praises of it, the EF 28mm F2.8. I immediately bought this lens following a visit to the photo store within days. This became my 11th lens and also my 3rd Canon Prime lens. (after 50mm & 100mm). This prime lens is cheap to begin with, below SGD $500 mark and when used on my EOS 5D Mark II, this lens offers sharp pictures and great colors with zero distortion. Wide open, the bokeh are creamy and smooth, nowhere near the quality of "cheap Canon lenses". When used on my 500D or 350D-IR, the focal range increased to 45mm which makes this lens a great walkabout lens for cropped EOS bodies too.


* picture:  EF 28mm F2.8.

The EF 28mm F2.8 is a cute & petite lens. Constructed in full metal, the lens felt purposeful when I held it for the first time and it actually feels good. I got a little irritated with the focusing motor which came in the form of AFD (Arc Form Drive Motor). This motor is known for its "squeals" during focusing. Noisy it may be, it worked well and focusing is faster than most AFD powered lens. The focusing ring (right behind the Distance Scale meter) near the front element feels a little out of place and a little thin to be used comfortably. Overall build quality is excellent.

The real test came when I fixed the EF 28mm F2.8 on my 350D-IR and went for a nature walk. (IR Photography revolves around nature) This lens performed well in IR with no hotspotting except the occasional odd photo. (Took 100+ photo and 5 were found with Hotspot) I blamed the lack of a hood that could have probably caused the hotspot effect. Other wise, this would have been a top IR Compatible EF lens. Those photos that turned out well were full of colors and contrast were well controlled. The photos are sharp and beautiful. I will recommend this lens to anyone who are starting out at Infra Red Photography or looking to buy their 2nd Prime lens (usually after the 50mm F1.8 II). Trust me, the EF 28mm F2.8 is a really decent lens to invest in.

 

* picture:  EF 28mm F2.8.
 
Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 52mm
– Lens Hood EW-65II (Sold separately).

– Great lens for Infra-red Photography (IR), Hotspotting appears occasionally, but rarely.
– AF Runs on Arc Form Drive Motor (AFD) – Not exactly quiet. 
– 2nd cheapest EF Prime lens after the 50mm F1.8 II.
– Focal Range when used on bodies with smaller APS-C sensors – 45mm.
– Canon EF Mount is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H)

What I Like:
– Good walkabout range when used on my 500D & 350D-IR.
– Wide on my 5D Mark II.
– Cheap asking price.
– Suitable for Infra Red photography.
– Good Bokeh for portraiture shoot.
– Light & small, good for travelling.
– Distance Scale.

What I Hate:
– Hood not supplied & hard to find.
– Very Noisy Focusing.
– Thin focusing ring feels loose.

*Picture Source Internet.

 
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Canon EF 35-80mm F4-5.6 II

This is my 10th lens. I collected this used Canon EF 35-80 mm f/4-5.6 II on the same day as the Cosina AF 28-105mm F2.8-3.8, but from different sellers though. The is my 2nd used lens after the Cosina and as usual, old lenses that show up these days needs some serious cleaning. The screws on the moving elment are rusty, there were dust everywhere. To restore, first I sent the lens to the "expert" and once the lens are cleaned from inside out, the cosmetics are next. Using a mild cleaning solution, I cleaned the lens body and slowly swipe clean all the grooves and lines. Then bought a new filter, a new lens cap and a rear cap.  Now the lens looks so much "younger". OK, now back to the lens. The Canon EF 35-80 mm f/4-5.6 II came as a kit lens for the Rebel Series SLRs, the EOS 88, EOS 1000F, etc. This is really the "big brother" of the Canon’s "cheapo lens" family – low cost to produce, and (still) usable by the mass.


* picture:  EF 35-80mm F4-5.6.II.

The first version was launched as a kit lens for EOS 1000FN SLR in 1992. Now at its 3rd & last incarnation (Mark III), this 1995 lens saw the product line through the transition period of "Digital SLR Evolution" and the arrival of EOS 10D, EOS 300D and EOS 1D. Featuring a full plastic construction (except the glass elements), you can’t really expect much from a lens made this cheap. After all if you surf the net for information about this lens, it is commonly known as the "SLR" lens, but compatible with EF mounts so all the newer DSLR can still use it. The lens do not have a Distance Scale (probably to save production cost) and there are only 3 focal length stops (35mm, 50mm & 80mm). This is indeed a simple lens. Simple to build & simple to use. The image quality of the photos from this lens are soft and lack contrast when used on my digital bodies like 500D & 5D Mark II. I attribute this to the purpose of this lens which is built and calibrated for use with Film Bodies, so it does not work that well on digital bodies. If you have a more sensible explanation to that, please email and share with me.


* picture:  EF 35-80mm F4-5.6.II.

I bought this used lens below SGD$100 (inclusive of the service fees, new caps and filter) and it is a good piece of lens to keep as a collectors’ item or you can use this lens as a "Soft Focus Lens".  (Think dreamy portraits of people) I take it out once in a blue moon for walking about shoots. Not my first choice lens in any situation. Now you get the drift.

 
Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 52mm
– Lens Hood EW-54II (Sold separately).

– Average lens for Infra-red Photography (IR), Hotspotting appears from F14 onwards.
– AF Runs on noisy Micro Motor (MM). 
– Manufactured as a SLR Kit Lens.
– Focal Range when used on bodies with smaller APS-C sensors – 56-128mm.
– Canon EF Mount is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H)

What I Like:
– Good walkabout range when used on my 500D & 350D-IR.
– Super Cheap.
– Collectors’ Item.

What I Hate:
– "Toy-Like" & Plasticky.
– Very Noisy Focusing.
– Cheap look, Cheap feel.
– Fragile and can’t stand abuse.

*Picture Source Internet.

 
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