SHUTTER JOURNEY SINGAPORE

My Lowepro Diary Part 6 – The Inverse 200 AW

Posted on June 27, 2014 by Editor AL

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My Lowepro Diary Part 6 – The Inverse 200 AW
– When Mobility Meets Practicality

Picture: The compact & superbly built Lowepro Inverse 200AW.

27th June 2014, Singapore – Before I start this really short article – I would like to apologize for the bad quality photos on this article as I was trying out the camera from an “X” mobile phone. The camera on this phone seems like it will not make the user very happy. Anyway, back to the article. Recently I was preparing for a trip and someone close to me asked me this question: “Is there a compact camera bag that I can have it on my waist + sling when I need it, and it must carry 4 prime lenses, 1 camera body, 1 flash and along with other knick-knacks for a short trip?”.

So off we went to Cathay Photo and check out the full Lowepro range. After sharing our requirements (by repeating the same question above) with the customers service person, we were presented with the Lowepro Inverse 200AW.
For the sake of this article, the below photo was shot without the DSLR body – the center compartment was meant to have the camera body mounted with the lens (shown in photo) and have the camera “faced down”.

The Lowepro Inverse 200AW looks compact from the outside but it is certainly “roomy” on the inside. From the above, you can see that everything just sits perfectly fine. With some clever configuration of the paddings, the Inverse 200AW can be modified to fit most gears. The above gears that I packed for the trip is considered “somewhat Heavy Duty” by some photographers already, then again, the Inverse 200 AW swallowed everything with some space to spare.

The bag top cover (top photo) were made with thick paddings (that further proves that the Inverse can be used in any orientation) and houses the usual memory card pockets & spare battery pocket. In front of the bag (if you are carrying on waist mode), there is a pocket with zipper (below photo) that I can put small little stuff like my cell phone, passport, keys etc. There are 2 other smaller clips to hold this front “pouch” together. Behind/below this pouch, the weather cover is carefully tucked away below. Very thoughtful design.

If you decided that you are not going to sling the bag with the supplied strap – but want to have the Inverse 200AW becomes a waist bag, just pull out the waist hoist from the back of the back. The thick & fully adjustable padded belt comes with a large snap-on buckle and quick and easy operation.

I am so very sure that I am going to have fun with the Lowepro Inverse 200AW.
Get yours too.

Ed.

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About Lowepro

Our trek started in a small Colorado garage over 40 years ago. Since then, we’ve been traveling the world on the backs and shoulders of the best photographers on the planet. We’ve learned. We’ve innovated. We’ve become a leader.

For over 40 years, we’ve worked to develop and perfect camera carrying systems – maybe to the point of obsession. But we’ve never stopped at just innovating and improving products. We strongly believe that we owe it to ourselves, and to our industry, to do whatever we possibly can to protect and save the environment. We take as much pride in this aspect of our business as in the work we put into the products you’ll see.

Most of our bags were inspired by helpful advice from you and your peers. We greatly appreciate your artistry and input. We’ve listened carefully to your suggestions, and we’re sure you’ll find something in these pages that’s exactly right for you. Because wherever you go on your next assignment, we want to be right there with you.

Visit www.lowepro.com.sg for more details.
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About Cathay Photo Store Pte Ltd

Established in 1959, Cathay Photo since its very beginning has been driven by the objectives of providing the best photographic equipment, pricing and service to our customers. These objectives have ensured its continued growth from just two humble showcases occupying a quarter of a shop-front to its present five retail outlets, an administrative / distribution office and a warehouse.

It is constantly on the lookout for the latest gadgets and solutions to add to its line-up of over 60 internationally renowned brands, and recognizing the growing presence and popularity of HD video, due largely to the introduction of DSLR cameras with HD video capabilities, it made its foray into the Pro Video market, expanding its offering to products from brands such as Steadicam, Zacuto, Kessler Crane and Genus to name a few.

Having served the photography industry for over 50 years, and backed by its proud heritage, Cathay Photo is without doubt the preferred photographic retailer in Singapore today.

Visit www.cathayphoto.com.sg for more details.

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Posted in Brand: Others (Cosina, Carl Zeiss, Leica, Mamiya, Samyang, Vivitar, Zenitar,etc), Featured Photography Merchants, Group Test & Reviews, Photography Articles & Videos | Tagged Cathay Photo, Inverse 200AW, LowePro | 2 Comments

Nikon D810 – Best of Both Worlds

Posted on June 27, 2014 by Editor AL

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Nikon D810 – Best of Both Worlds

New 36.3-megapixel Nikon D810 Boasts the Versatility and Performance for Stunning Shots

*Taken from the official press release from Nikon Singapore. Editor’s Note after the jump.

27th June 2014, Singapore – Nikon Singapore Pte Ltd is pleased to announce the launch of the new D810, a full-frame digital SLR camera designed to enable photographers the opportunity to unleash their potential and produce extremely high-definition, high-quality images and video. The D810 offers the ability to record stunning Full HD video, while a 36.3-megapixel sensor and wide ISO range combine to offer unrivalled images rich in tone and definition. The D810 delivers shots that put the camera in a class of its own, while offering outstanding versatility to enable it to excel in a wide range of environments and situations.

The D810 puts incredible power and flexibility in the hands of videographers, recording Full HD 1080p movies at 60 frames per second (fps). It features top-notch image quality, and is designed to meet the needs of photography enthusiasts and professionals alike who demand a DSLR that delivers the ultimate blend of clarity, sharpness, and rich colours for any shot. The new model features a 36.3-megapixel sensor and an ISO range of 64 to 12800, giving the camera the capacity to maximise the full potential of Nikon’s wide range of NIKKOR lenses.

“The new Nikon D810 builds on the performance of the acclaimed D800 in producing breath-taking images,” said Garland Mak, Deputy General Manager of International Marketing Division Imaging Group, Nikon Singapore Pte Ltd. “The raw power of the D810 maintains the integrity of every frame, blending incredible picture quality with the ability to capture clear Full HD video, while giving professionals complete creative control over the image. Its high megapixel count and wide ISO range ensure rich and sharp images regardless of shooting conditions.”

The full-frame D810 is a step up from the successful D800, boasting an effective pixel count of 36.3 million, enabling images to be enlarged without degrading quality. The image sensor is designed without an optical low-pass filter to ensure images appear sharp while retaining rich tonality. It also packs the power of the EXPEED 4 image-processing engine that delivers high-speed processing with a wide range of ISO sensitivities ranging from 64 to 12800. This can be decreased to Lo 1 (ISO 32 equivalent), or increased up to Hi 2 (ISO 51200 equivalent), to offer further creative control for shooting in less-than-optimal conditions.

D810 Primary Features

1. High-definition, high-quality video

• Clear and accurate recording: The D810 features support for recording of 1080/60p Full HD videos. Optimized data processing designed to make use of the 36.3 effective megapixels provides rich, detailed video with smooth exposure alteration, even when brightness changes. The readout method of the image sensor has been further optimized to produce higher-definition images with a sense of depth. The D810 is designed to make the most of

the range of high-quality NIKKOR lenses, opening up the possibilities of creative expression for movie makers. HDMI output can be used to simultaneously record directly to an external recorder, providing an additional level of flexibility and smooth transition of tonality.

• Metering and control to deliver clear and balanced shots: Centre-weighted and highlight-weighted metering enable the shooter to achieve stable, accurate metering under both changing light conditions or fixed lighting as on a stage or studio. The highlight mode detects the brightest areas of the scene and automatically determines an appropriate exposure. It’s also possible to automatically adjust ISO sensitivity to ensure appropriate exposure while shutter speed and aperture are fixed. A new Highlight Display feature automatically identifies and indicates areas that are likely to appear blown-out, prompting the videographer to adjust settings to achieve a better exposure.

• Dual-format recording: The D810 features support for two recording formats:

full-frame- and cropped-format. The full-frame format provides outstanding results for movies filmed with a shallow depth of field, while the cropped-format recording offers an angle with a closer reach to the subject. These two angles of view can be achieved with a single lens, which enhances production efficiency.

• Improved audio that eliminates noise: A built-in stereo microphone is included that effectively minimises wind noise. Frequency response can be set between a wide range for atmospheric sounds or voice to highlight dialogue.

2. Unrivalled image quality in Nikon’s range

• 36.3-megapixel image sensor for rich tonality: The D810 includes a 36.3 megapixel image sensor designed without an optical low-pass filter to ensure images maintain rich tonality in any lighting conditions. The ISO sensitivity ranges from ISO 64 to 12800 and can be decreased to Lo 1 (ISO 32 equivalent), or increased up to Hi 2 (ISO 51200 equivalent) to suit any environment.

• EXPEED 4 image-processing engine delivers unrivaled quality and performance: The EXPEED 4 image-processing engine provides a number of enhancements that boost image quality over its predecessor. Enhancements include improved noise reduction performance at high sensitivities, as well as upgraded depth and clarity in gradation rendering – thanks to a new “Clarity”*1 option in Picture Control. Higher accuracy of automatic white balance and an increased number of continuous shots combine to enable

the D810 to shine in terms of picture quality and performance. In addition, the adoption of a new CMOS sensor with the EXPEED 4 delivers high-speed continuous shooting at approximately 5 fps in full-frame format and approximately 7 fps*2 in cropped-format, making captures of a broader range for

both still and moving subjects possible. *1 Can be applied only to still images.

*2 When powered by the AC Adapter EH-5b or the Multi-Power Battery Pack MB-D12 with batteries other than the Rechargeable Li-ion Battery EN-EL15.

• Advanced creativity with Picture Control: The D810 also includes Nikon’s sophisticated image creation system, providing the photographer with creative control and quick access to a range of image adjustments directly through the camera menu.

3. Reliability and versatility

• Quick and accurate autofocus: An improved, 51-point autofocus (AF) system provides the highest accuracy in the history of Nikon DSLRs with extremely quick and accurate focus acquisition. A new “group-area AF” mode helps avoid unintentional background focusing when shooting moving subjects.

• Reduced vibration for clearer images: The D810 includes an electronic front-curtain shutter, which effectively reduces internal mechanical vibration. When the electronic front-curtain shutter is enabled instead of the

mechanical shutter during mirror-up, the camera’s image sensor acts as a front curtain of the focal-plane shutter and this provides stability and minimal blur – particularly when shooting long exposures at night.

• Accurate color for perfect shot composition: An optical viewfinder with 100 percent frame coverage enhances light transmission ratio and coloration, enabling the photographer to clearly and accurately line up their shots. A new prism coating offers a clear, bright view of the subject. The D810 also includes an Organic EL display element, which provides a clear display of the indicator in the viewfinder, even when shooting outdoors. Monitor color balance can be customized according to user’s taste and environment.

4. Robust Form and Function

• Superb operability for perfect composition: The D810 includes an i button that provides direct access to various functions according to shooting situations, enabling the photographer to quickly set up for a shot. A “split-screen display zoom” function enlarges two points on the same horizontal line simultaneously to confirm that an image is accurately level, which is especially useful for architectural shots of buildings and bridges or landscapes with a horizon.

• Unlimited shots on the same frame: An unlimited number of high-quality JPEG images can be shot continuously, which helps produce beautiful light trails when shooting at night. When using the CH or CL release mode with a shutter speed slower than 4 seconds, the duration of continuous shooting can be extended indefinitely, provided memory card capacity and battery charge are not exhausted.

• Superior dust-prevention and durability: The D810 features a robust, weather-resistant design that offers a comprehensive seal against dust and water droplets. A newly-designed, highly accurate and durable shutter has been tested for 200,000 cycles with the unit actually loaded on the camera, providing years of trouble-free image capture.

5. High-performance NIKKOR lenses

• The perfect complement: The D810 has been designed to operate effectively with NIKKOR lenses to maximise the impact of the high pixel count to produce stunning still images and movies. The superb optical performance offered by the wide variety of lenses provides the shooter with the capability to capitalise on the performance of the camera.

* Except where noted, all specifications provided apply to use at an ambient temperature of 23°C (± 3°C) with a fully charged battery, in ac cordance with Camera & Imaging Products Association (CIPA) standards.

Price and Availability

The Nikon D810 will be available at Authorised Nikon Dealers around late July 2014.

For more information on the D810 and other Nikon products, please visit www.nikon.com.sg

Editor’s Note:
The Nikon D810 comes in a great package for photographers who are into both photography & videography – this is like having the company’s bests know-hows put together into a capable & high performance DSLR.
The Nikon D810 will be a hit. – Ed.

About Nikon
Nikon. At the Heart of the Image. Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognised for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Singapore Pte Ltd distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX compact digital cameras; Nikon sports optics as well as the Nikon 1 advanced cameras with interchangeable lens system in over 50 countries.

For more information, visit http://www.nikon.com.sg.

Connect with Nikon Singapore and other photographers on Facebook at http://www.facebook.com/nikonsingapore.

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Tamron 16-300mm Benchmarking Super Zooms

Posted on June 20, 2014 by Editor AL

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Tamron 16-300mm Benchmarking Super Zooms
– The NEW 18.9X Super Zoom 16-300mm F/3.5-6.3 DiII VC PZD lens!
– Featuring Guest Reviewers Trisha Lim & Genevieve Tan!

Photo: Guests Reviewers Trisha Lim (Nikon User) & Genevieve Tan (Canon User)
Photography by Vince Tan.

15th June 2014, Singapore – Tamron’s release of the (B016) 16-3oomm F/3.5-6.3 DiII VC PZD lens shocked the industry. Why so? Typically most APS-C DSLR comes with a kit lens that starts from a focal range of “18mm”, which translate into a focal range of 27mm (for most APS-C DSLRs except Canon is about 29mm) on a full frame 35mm format. This is considered as the “standard wide” angle. Anything below 18mm will be sold as a premium lens as it means wider angle and any mm lesser (wider) is worth paying for.

Tamron recently redefines the industry benchmark with its latest release of the 16-300mm F/3.5-6.3 DiII VC PZD. Starting from an Ultra Wide angle of 16mm to a generous 300mm telephoto range, this super lens effectively gives the user a full frame equivalent of 24-450mm (25.6-480mm on Canon APS-C). In digital language, this is 18.8X Zoom – a first in the industry and a first in the history of photography lenses.

Picture: the New Tamron 16-300mm in both Canon & Nikon mount.

The new 16-300mm lens includes premium aspherical elements plus Tamron decided to add newly developed glass – with multiple layers of coating to produce clear, sharp images while maintaining the overall compact dimensions. If the sweeteners ain’t enough, you will be pleased to know that – to design a real All-in-One lens, the lens had been engineered to do close ups (close to macro) at 1:2.9 (at 39 cm) for the magnification ratio. In the past, most super telephoto zooms suffers from the lack of close minimum focusing distance. This is indeed a challenge that Tamron had geniusly overcome – way ahead of other manufacturers.

Picture: See how 2mm can make a difference to your photos.

The other sweeties worth mentioning is the company’s proven VC (Vibration Compensation) system which is an image stabilization system that allows more focusing accuracy and the PZD focusing motor (Piezo Drive) which allows blazing fast focusing and at a near total-silence operation. Size wise, the new 16-300mm is not huge (about 10cm long), in fact it is considered compact in my view. The moisture-resistant construction and design of the lens affirms users that the 16-300mm is truly the all-purpose lens for both indoor & outdoor use. The lens build is of excellent & high quality materials, the barrel finish feels expensive and the rubber zoom rings feels good to the touch and the lens zooms and focus smoothly – it actually feels closer to the more premium lens that other brands offers. Tamron fans will also notice that the gold-brass ring on the lens had been replaced with a sophisticated looking tungsten silver ring which exudes a classier feel now.

It is not “all show” with “no substance” inside the lens. This 7-Blader (aperture) with a ø67 front filter thread has 16 elements in 12 groups including 3 molded Aspherical elements, 2 LD elements (Low Dispersion) & Tamron’s proven UXR (Ultra-Extra Refractive Index) glass, the 16-300mm means serious business. Aberrations are corrected to a minimum and the company’s MLC (multi-layer coating) cuts CA & flare while letting the user produces high quality images.

Picture: Original photo (top) & after cropping 75% away (below)

As mentioned many times, I would like to remind everyone that this site is not a technical site (which many users in dpreview claimed so 🙂 ), we are more keen to show the real photos produced from the lens or equipment that we reviewed to our readers rather than just share everything technical. So to achieve the “Users’ Reviews” – this round, I decided that instead of me doing the usual stuff, I’ve invited 2 other photographers to take the new Tamron 16-3oomm F/3.5-6.3 DiII VC PZD lens out for a walk.

Photo: The New Tamron 16-300mm adapted and mounted to a Canon EOS M.

Let’s check out their photos below.
Note: Please note that Genevieve was issued the 16-300mm with a Canon EOS1200D + her own Canon EOS M adapted to EF Mount and Trisha was issued the 16-300mm with a Nikon D5200.

Both our guest reviewers put the 16-3oomm F/3.5-6.3 DiII VC PZD through its paces and limits. As we can see from the above photos (which is cropped & adjusted for horizon ONLY) shot using the new 16-3oomm F/3.5-6.3 DiII VC PZD, we noted the incredibly sharp photos and the images were contrasty and full of details. Let’s hear what the guests reviewers have to say about this wonder lens.

Genevieve Tan: I was very impressed with the all-in-one capabilities built into this lens. The lens is light and its pretty easy to carry around. As for the image quality, I have no complaint at all as I am getting sharp and nice photos even when I zoomed to the 300mm end. The close focusing distance is another bonus if I decide to shoot something small and relatively near, this lens is able to produce what I envision, in almost every possible situation. It’s a solid lens.

Trisha Lim: Similar to Genevieve, I like the lens as it is very light and compact. The lens build was of very high quality and it feels nothing near to the older Tamrons – only better. I like the focusing speed which is very fast and quiet. This set up is good for most travel applications as well as the occasional wildlife photos. The ergonomics of the lens switches layout are sensible and easy to use. Highly recommended for travel photographers to get this lens.

OK everyone, you’ve heard from the ladies. Sounds like a great lens right? So WHO exactly should buy this lens?
The focal range of 16-300mm seems to be targeting travel photographers who wish to bring minimal gears for traveling and that reduces the chances of changing lenses & risking dusts from entering the camera. This lens is also suitable for those who wish to have versatility from the wider than regular kits lenses to a far zoom of 300mm, yet wanted a fast focusing and quiet lens that produces good quality images. Importantly all APS-C users who wish to upgrade their kit lens to more sensible & affordable lens, this is the lens to purchase.

Ed.

To find out more about this new lens, visit here.
To buy this lens, click here.

Special Thanks to:
– Tamron Singapore (GSH Corporation) for the lenses.
– Genevieve Tan (Guest Reviewer)
– Trisha Lim (Guest Reviewer)
– Vince Tan (Behind-the-scenes Photographer)

About Tamron Singapore (GSH Corporation (Far East) Pte Ltd)
Tamron Singapore (GSH Corporation (Far East) Pte Ltd) are committed to provide the best prices and after-sales service to all consumers and that is reflected in our commitment of a 5 years warranty. There are always greater benefits and extra savings when you purchase a Tamron lens, buy with a peace of mind, use with a peace of mind.

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Posted in Brand: Tamron, Featured Photographers, Group Test & Reviews, Photography Articles & Videos, Uncategorized | Tagged 16-300mm, Reviews, Tamron | 3 Comments

Ceylon Paradise of Sri Lanka

Posted on June 12, 2014 by Editor AL

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Ceylon Paradise of Sri Lanka
– by Ourshutterjourney’s Appointed Travel Agent – Xing Asia.

Depart: 6th Aug 2014, Wednesday
Return: 12th Aug 2014, Tuesday
Price: SGD1250 (Twin share) / SGD1550 (Single)
Group Size : 6 (min) / 16 (max)

Highlights:
– Negombo known for its huge and old fishing industry
– World Heritage of Lion Rock at Sigirya
– Golden Temple of Dambulla, a UNESCO site with the largest and best-preserved cave temple complex in country
– The Grand Esala Perahera festival held in Kandy
– Pinnawala Elephant orphanage, the only two of elephant orphanage in the world
– Ceylon tea plantation at Nuwara Eliya
– Galle Fort in the Bay of Galle, built in 1588 by the Portugese
– Stilt fishing where the fishermen sit on a cross bar tied to a vertical pole planted into the coral reef

Day 1/ Singapore – Colombo (D)
Depart from Changi Aiport, arrive Colombo airport. Transfer to Colombo, check in hotel and rest. Morning visit Kelaniya temple where a dagoba (stupa) was built after Buddha visited the site at 5th century BC. After lunch, visit Colombo town and Fort Station, where it is the terminal of most intercity trains in the country. Busy activities of local commuters in this railway hub. Proceed to Galle Face Green for the sunset. Overnight at Colombo.

Day 2/Sigirya Lion Rock (B/D)
Morning visit to Negombo beach for the fisherman activities and boat ride along Dutch canal to experience the village life. After lunch, driver to ancient city of Sigiriya. Visit the World Heritage Lion Rock, a fortress of ruin capital was built on top of the mountian. Overnight at Sigirya.

Day 3/ Dambulla Cave (B/D)
Check out and drive to Golden Temple of Dambulla, a cave temple dated 2nd centuries BC. Continue to visit Nalanda Gedige which is one of the remarkable archaeological sites in Sri Lanka. After lunch, arrive at Kandy, the center of the traditional arts in Sri Lanka and visit the handicraft village. Overnight at Kandy.

Day 4/ Kandy (B/D)
Visit Pinnawala Elephant orphanage, a nursery and captive breeding ground for wild Asian elephants. Back to Kandy town for city walk at your own leisure. Late evening, proceed to location for the Esala Perahera festival. Overnight at Kandy.

Day 5/Nuwaraeliya (B/D)
After breakfast, drive to Nuwaraeliya the center of hill country. En-route visit a tea plantation to understand the manufacture of the world famous Ceylon tea. After lunch, drive to Galle Fort. Sunset at Galle fort and overnight at Galle.

Day 6/ Galle (B/D)
Sunrise over Indian Ocean from Galle fort. The fort was originally built by Portugese and extensively fortified by the Dutch during the 17th century. The heritage value of the fort has been recognized by the UNESCO. We will spend rest of the day to explore the city of Galle. Overnight at Galle.

Day 7/ Stilt Fishing (B)
Sunrise and witness the traditional tilt fishing at southern of Sri Lanka. Proceed to airport in late morning.

Package Inclusions :
– Fully private tour in vehicle with extra seat for photography equipment
– 7 nights accommodation at comfortable hotel
– AC room and twin sharing basis
– All entrance fees and permit
– All meals as per itinerary above
– Xing Asia tour leader
– Photography guidance by Master Photographer (MPAUK)

Exclusions :
– International flight to Colombo, Sri Lanka (Participants to purchase flight tickets only upon trip confirmation)
– Visa entry to Sri Lanka (if applicable)
– Travel insurance (strongly recommended)
– Additional beverages (including alcohol) not included in meals
– Any other incidental expenses incurred by participants
– Tips for both driver and local guide per person (voluntary basis)

Remarks
Weather :
– Colombo temperature : 32° / 24°
– Kandy temperature : 28° / 19°

Fitness :
– Able to carry own photography equipment and personal chores

Gear :
– Wide angle to tele range
– Graduated neutral density filter, Neutral density filter, Circular Polarizer (CPL), Tripod
– Suggest to carry another spare body, battery, and charger. If your equipment stops working during the trip for whatever reason, it is unlikely to find a repair shop or buy a replacement.

Suggested airline and flight detail as follow :
– Airline : Emirates Airline
– Price : Promotion from SGD468 onwards
– Depart : Wednesday 6 Aug 2014 / 77W / 0050 0155
– Return : Tuesday 12 Aug 2014 / 77W / 1505 2135

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About http://www.xing-Asia.com.

Xing Asia is a fully licensed travel agent by Singapore Tourism Board. We seek to provide exceptional value and authentic experience for like minded people to experience Asia and beyond through the eyes of our lenses.

We differentiate ourselves by creating a platform for people to share and express their passion through immersing themselves in the local culture and lifestyles, befriending the locals and giving back to the community.

Our mission is to ensure that your photographic travel experience expands your soul, refresh your perspectives and rejuvenate your spirit.

Join us for a journey of new beginnings, friendships and an enriching experience! For more trips & information, Please visit www.xing-Asia.com

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Supported by ourshutterjourney.com

Shutter journey member would get to enjoy FREE
Individual Basic single trip travel insurance for the trip.

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Posted in Photography Articles & Videos, Photography Tours, Uncategorized | Tagged Photography Tour, Xing Asia | Leave a comment

5 Types of Photography Clients from Hell

Posted on June 11, 2014 by Editor AL

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5 Types of Photography Clients from Hell

11th June 2014, Singapore – As a photographer, we all have our shares of meeting crazy people in the industry. Although we have a fair share of insane photographers, more often than not, it is the clients that really makes us wonder if we had made a bad career choice.

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#01 The Stingy-Scheming Client
I am sure all of you had encounter such a client. They will call you, request a quotation, then revert to say that your fees are steep. Then they start questioning you how you came up to that price and what are the things included in the price and they will ask you to justify before asking for another 50% off your quotation.

There was once I received a call from a “huge F&B chain” requesting for a quotation for shooting up their new menu. After I worked out the sums, I sent the proposal over and almost immediately, I received a call from the marketing person who requested the quotation. As expected, I got questioned like what do I meant by “Setting Up”, “Studio Lights” and “Food Make-Up” – after I explained everything, she asked for a discount.

Since she claimed that she was introduced to me by one of my student, I gave her a 15% off my fees but she still complained that I am expensive. Not wanting to lose the business, we both agreed at a final discount of 25%. So the day came, after I set up my equipment, the client came to my working table and ask me if I can reduce my fees further by another 10%. I kept my composure although I am exploding with anger inside me, I had spent time transporting my mobile studio to the restaurant, I had spent close to an hour to set up all the studio lights and table setting and here, the client is asking for another 10% off (means total 35% off). Reluctantly, I told the client this is not right but since I am here, I will do it.

After shooting like 2 hours, the client came to me to inform me that their management can only pay me if I can lower my fees by another 5%. I calmly told the client to come closer to my camera so that I can show my LCD screen to the client. I demonstrated what the “FORMAT” button can do. I packed my things and left. I didn’t get my payment of course, and the client didn’t get the photos too.

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#02 The Fault-Picker Client
This is the type of client that most of us avoided like plague. Everything seems alright & smooth from the quotation stage till the final execution. However, the fault-picker will strike when your photos are submitted. Alicia 32, a professional events photographer recently met such a client. Before the event, she had even asked the client to email her the event brief and she had read through every details and taking note of the series of events that were going to take place. She even noted the VIPs, sequence of events and time flow. When she showed up at the event, she even went to the client and checked if there was anything else that she needs to take note of. After that, Alicia went on auto-pilot like any other event photographers.

After the event ended, she edited the photos and sent to the client. Then Alicia received a call from the client and complaining that her photos were terrible. The client further insulted that her photography standard & skill were not worth what they paid for. Client went on to complain that the photos were too dark, angles were shot wrongly, and even claimed that Alicia had missed out on the important things like some fringe activities that were going on at the same time. The client claimed that their company wasn’t happy and felt that Alicia had not done her job well. In short, every possible fault was picked by the client.

Alicia explained to the client that those fringe activities were not stated in the brief and she was not informed at the scene by the client. Further to that, those photo comments about her work were subjective and very personal. But the client turned nasty and threatened to publicize her bad experience with Alicia’s service. Photography being a reputation business, Alicia (painfully) decided that her reputation is not worth tarnishing for the fees that she had charged so she decided to refund the payment in full.

Hilarion Goh, a professional photographer also had a similar experience. He had done a shoot which his client rushed him for the photos. He rendered express service at his own expenses and delivered the photos in double quick time. But the client started finding fault claiming that Hilarion was not following their art direction and the photos was not exactly what they wanted. But soon, it was clear that, what this client wanted was to get a huge discount or even get away with a free photo shoot.

Hilarion decided not to give in to their claims and after all the exchanges, the client refused to pay him and worse, they took his ideas and engaged a cheaper photographer to do the same job. And the photos turned out to be very similar to what Hilarion had initially shot. Hilarion further advised all photographers not to submit your assignment to your client until payment is received – urgent or not regardless.

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#03 The Cheap-Negotiator Client
Wilson Wong, professional photographer, also shared with us about his experience about another type of client which we all also hated. These clients are usually nice people who employed the soft approach – but equally irritating. Wilson shared his experience of a client who told him “We really like your photos but you know we can get similar services at half your rate so why don’t you reconsider?”

Nice try indeed, I am sure all of us have heard this too many times.

Abby Chin, a wedding photographer, has met her share of such clients. She met a couple to discuss a wedding shoot last year and after presenting her portfolio to the couple, the couple asked her “Your photos were awesome, but we are sure there are many photographers like you who charge a much lower price, can you give us more discounts?” Abby smiled at the couple and passed the couple a string which she carries in her bag. The puzzled couple asked her what was the string for – which Abby calmly replied “fly kite”.

Well, a good note to learn from Abby, we should all carry some strings with us when we meet clients.

Personally, I had encountered such a client. Below is the un-edited email message sent to me by this client.

“Dear Allan,
Thank you for your quotation. We have heard about you from many sources and we are very sure that we are engaging the right person for this assignment. Looking at your portfolio, your works are everywhere from buses to menu cards and we are very impressed by your standard. Looking at your quotation which is very reasonable for a 4 hour event, my company can certainly pay you your fees. But we are at the situation where most of our budget had gone into the event planning and we are left with a humble sum of $250.00 and we hope you will kindly consider taking up this offer.”

For those who are reading this, my initial quote was $2500.00.
I followed up with this client as below.

“Dear Client,
Thank you for the nice words and sweet encouragements. I am sure you have spent a big part of your event budget planning on an awesome and unforgettable event. I am very certain that your can surely pay my fees too. However, I am in the situation where I have quoted you in all fairness and meeting your requirements – but $250 is not something that you even offer to a photographer. May I interest you to let my photography students do the job instead? They just graduated from my Basic Photography Class and I am sure they will appreciate the exposure that you will be giving them. I will split your $250 equally among the 5 senior citizens, how about that?”

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#04 The Photo-Magician Client
Photoshop and many other photo-editing software can do wonders to a photo. But one thing that all photographers knows is editing can never make a blur photo sharp neither it can make an ugly person beautiful. Wilson Wong shared that he encountered clients that asked him if he can Photoshop “in such a way that the subject can turn around”. In case you are lost, what Wilson’s client meant was – you shoot a person from the back, then use Photoshop to make the person turn around and face the camera. Atrocious right? Another of his client said this “I heard Photoshop can do miracles…can you do one for me?” which, from what we understand, Wilson was lost for words.

Abby told me that another of her client emailed a blur photo to her and offered her $500 to make the photo sharp. She tried explaining to the client that technically it is not possible to which her client retorted “Photoshop can do anything”. Contrary to popular beliefs, that is really not possible.

I had a client who refused to pay my fees and went on to do a company event shoot by himself with a DSLR. After the event, he called and asked me how much I usually charge for editing photos. Out of courtesy, I told him that I will only edit my own photos – no matter how he begged me. You all know why? This “genius” shot the whole company event in Black & White as he does not knows how to switch back to color mode. Apparently this fool had went around & show off his camera at the event and someone – possibly a colleague – had fumbled with the menu controls and passed the camera back to him without telling him.

Then he presumed that by shooting in Black & White, I have the ability to Photoshop back the original colors – I know most of you are laughing now – so am I.

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#05 The Gear Head Client
With more & more people dabbling into photography these days, many people out there owns a DSLR with a couple of lenses and who seems to know a lot about photography equipment. Wilson has a client who asked why isn’t him shooting with a Leica while Alicia has a client who insisted she use a Canon DSLR instead of a Nikon to shoot her party. Does the brand matters? I am sure 9,999,999 photographers out there will tell you skill & perspective is above the brand of the camera, but then again, we have clients who knew “a little too much” & started to pass amateurish judgmental views on the equipment we use.

In fact, the silliest question that a client will ask you during a pre-shoot discussion will be “Which brand of camera do you use?”. Does it even mean anything at all? When client asked me this, usually I will ask back “Which brand do you prefer? I have everything”. (Disclaimer: Not showing off here but I maintain a few systems due to my photography classes).

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In brief;-

There are certainly more types of “Clients from Hell” out there – many which are equally irritating, rude, scheming and even cheat photographers. However, we are lucky (too) that there is the other 50% of clients who are absolutely sweet and awesome. Due to time constraints, we decided to publish the above 5 – being the most common of all cases. Do leave a comments & share with us more below if you have encountered a Client from Hell.

Ed.

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Donate your Old Camera – For a Good Cause.

Posted on June 9, 2014 by Editor AL

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Donate your Old Camera
– and Touch the Lives of Beneficiaries in Marine Parade‏

09th June 2014, Singapore – The PMET Division of People’s Association (Singapore), together with Marine Parade Group Representation Constituency (GRC), is piloting a “Donate Your Old Camera!” drive, a meaningful initiative aimed at touching the lives of the less privileged children and youth, enabling them to uncover the joy of photography and capture their childhood memories, through encouraging anyone and everyone to donate their old camera(s).

PMET would like to invite you and your members/friends to donate your unused cameras which are still in working condition. Your cameras will directly benefit the children and youth at TOUCH Young Arrows and the less privileged from Marine Parade.

Three Simple Steps to Make Another Child’s Day

Step 1: Locate your nearest donation point (there are 11 donation points)

Click on this banner for donation points and more details

(Or click here if your browser does not work)

Step 2: Head down to the donation point

Step 3: Drop off your cameras which are still in working condition with battery and charger

Donation period

4^th June 2014 – 4^th September 2014

We look forward to your support in this “Donate Your Old Camera!” drive. More information could be found at www.facebook.com/MyNeighbourhoodGEMS.

This inaugural initiative is part of MNG CARE programme where we encourage photography-loving people to give back through photography.

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MINOX Fever Heating Up in Singapore

Posted on June 7, 2014 by Editor AL

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MINOX Fever Heating Up in Singapore

7th June 2014, Singapore – As we awaits for the MINOX Re-release into the Singapore Market on 16th June 2014, our appointed dealers are gearing up and getting ready. In fact, they are already accepting reservations or pre-orders.

Let’s check out the MINOX displays at our Dealers.

Orient Photo Pte Ltd

Orient Photo is located at
Address: 1 Rochor Canal Road, #06-53/31, Sim Lim Square
Singapore 188504
Contact Person: Eddy/ Stanley
Tel: +65 63391035
Email: sales@orientfoto.com.sg
Web: http://www.orientfoto.com.sg/
Facebook: https://www.facebook.com/orientfoto

Sgcamerastore

Sgcamerastore is located at
Address: 3 Coleman Street #02-18 Peninsula Shopping Center
Singapore 179804
Contact Person: Janet
Tel : +65 63362273
Email: enquiry@sgcamerastore.com
Web: http://www.sgcamerastore.com/
Facebook: https://www.facebook.com/pages/Sgcamerastore/112246385537983
Make your way to our Dealers above soon!

Ed.

About Ourshutterjourney LLP

Started as a leisure photography group in 2009, Ourshutterjourney LLP is now a full service photography portal which organizes all kinds of photography related events. Famed for its photography equipment reviews & the controversial articles by the editorial team, articles/ reviews from ourshutterjourney.com can be found all over the world like dpreview, dslr-on-the-net, fred miranda, clubsnap etc.

Recently appointed by Schmidt Marketing (Singapore) Pte Ltd as the exclusive Wholesaler of MINOX Brand digital cameras, the company has reached yet another milestone with the new appointment. Ourshutterjourney LLP is backed by a comprehensive network comprising of photography dealers, camera brands, photography-related services and support companies.

For more information, please visit here.

About Schmidt Marketing (Singapore) Pte Ltd/
About Schmidt Group and Schmidt Marketing (Asia) Ltd.

Founded in 1896, the Schmidt Group streamlined its distribution business into three independent business enterprises in 2001, forming Schmidt Marketing Asia Ltd., Schmidt Electronics Group Asia Ltd., and Schmidt BioMedTech Asia Ltd.

Schmidt Marketing Asia Ltd. is one of Asia’s leading integrated distribution, marketing and service providers with a network of operations in Malaysia, Hong Kong, China, Taiwan, Singapore, Vietnam, and Thailand. The company has been representing a number of world famous photographic brands for many decades, including Artisan and Artist, B+W, Berlebach, Cullmann, Gami Light, Leica, Lenspen, Metz, Minox, Multiblitz and Nissin.. Since 2010, Schmidt Marketing Hong Kong has been developing beverage business, including Lucky beer, Harbour Estates icewine from Canada, German white and red wines from Domdechant, Jean Buscher and Sitzius wineries in Germany.

For more information, visit our website at http://www.schmidtmarketing.com/

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Konica Minolta Launches Tomorrow in Mind Campaign in the Region‏

Posted on June 7, 2014 by Editor AL

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Konica Minolta Launches Tomorrow in Mind Campaign in the Region‏
– The campaign emphasises that everyone, through small changes in their daily lives, can play a part in the conservation of the environment

5th June 2014, Singapore – Konica Minolta Business Solutions Asia launches an all-encompassing campaign in the region – Tomorrow in Mind – to encourage everyone to play a part in the conservation of the environment.

Konica Minolta’s Tomorrow in Mind micro-site

A micro-site (http://konicaminolta-asia.com/tomorrowinmind/) has been set up by Konica Minolta, with the aim to inspire its employees, associates, partners and all members of the public to make a pledge to demonstrate their commitment to make small changes towards a better tomorrow. The key emphasis of the Tomorrow in Mind campaign is that every single individual and organisation, through small actions in their daily lives, can create a collective positive impact on the environment.

Through the micro-site, the brand suggests small actions, including using energy-saving bulbs at home, switching off lights during lunch breaks in office and printing in duplex and using multi-function devices. In addition, in conjunction with World Environment Day, the brand also encourages everyone to pledge to go car-free to reduce carbon emissions.

“This campaign echoes Konica Minolta’s philosophy, which is to be accountable, and that our actions should contribute to the creation of a sustainable environment. Through the Tomorrow in Mind campaign, we aim to educate, inspire, empower and involve the efforts of every single individual for a greener and cleaner future, because we believe that the future of the earth is, literally, in everyone’s hands,” said Ms Celine Long, Marketing Manager, Corporate Branding and Marketing, Regional Headquarters, Konica Minolta Business Solutions Asia.

An organisation dedicated to the preservation of the environment, Konica Minolta established Eco Vision 2050 in 2009, to achieve its future objectives and fulfil its responsibility as a global corporation by contributing to a sustainable earth and society. Eco Vision 2050 is a set of long-term goals that looks all the way out to the year 2050, focusing on the three aims of preventing global warming, promoting resource recycling, and preserving biodiversity.

In line with the organisation’s commitment to Giving Shape to Ideas, Konica Minolta will continue contributing to solutions for social challenges and drive environmentally innovations.

Konica Minolta Business Solutions Asia

Konica Minolta Business Solutions, a leading company in advanced document management technologies and Managed IT Services for the desktop to the print shop, brings together unparalleled advances in security, print quality and network integration via its award-winning line of bizhub® multi-function products (MFPs); bizhub PRESS® and bizhub PRO® production print systems; magicolor® color printers; and pagepro® monochrome printers. Konica Minolta also offers software solutions and optimised print services to reduce document output cost, improve productivity and optimise office environment, backed by impeccable service and support team.

Konica Minolta adopts a proactive effort in reducing global environmental impact through its green product lifecycle.
In line with its core message “Giving Shape to Ideas,” Konica Minolta endeavours to respond to its customers’ needs across the world with relentless creativity, innovation and advance technology.

Konica Minolta is a registered trademark of Konica Minolta Holdings, Inc. bizhub is a registered trademark of Konica Minolta, Inc. All other trademarks mentioned in this document are the property of their respective owners.

Konica Minolta, the logo, and other trademarks are trademarks of Konica Minolta and may not be used without permission

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What Goes On Behind-the-Scene for a Gear Review?

Posted on June 5, 2014 by Editor AL

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What Goes On Behind-the-Scene for a Gear Review?

Photo by Ling.

05th June 2014, Singapore – As a photographer, I am sure many of you would have read equipment reviews all over the internet. While some of you read reviews before a purchase decision, there are some who are wondering how reviews are done and what exactly went on behind the scene. Most photography review sites has their own distinctive style so as to create their niche and we are no exception. Famed for our “user-friendly” reviews with real and unedited photos, and sometimes pushing the equipment to the limits, we are more interested in how the equipment performed and what kind of images it produces rather than how many frames per seconds or how big the aperture is.

Photo by Ling.

From learning about the equipment that we are about to review to planning where to go, what to test and how to test the equipment correctly are vital as it will affect the overall presentation of the article which the world will somehow find their way to it. Not to forget the weather plays an important part too if the review is to be conducted outdoor.

So complicated? Actually it is and it is also not.

1471391_10151818321183367_1923217948_n
Photo by Peh Weijian

This is your chance to be a Reviewer!
We are giving our Singapore Readers a chance to go behind the scenes with our Review Editor Allan Lee for the next 2 reviews and the readers gets a chance to understand and follow through the whole review process from the planning stage to the actual execution of the review and finally to the editing stage and publishing the review in your name!

The next 2 article on queue are;
1) MINOX Digital Miniatures – Are these cameras for Real?
2) Canon EF 50mm F1.8 vs Canon EF 50mm F1.8 II

How to be Part of the Review?
All you need to do is;
1) Write in 20 Words why you would like to be part of this.
2) Email your answer to ourshutterjourney@live.com.sg
3) Leaves your name & contact number.
4) You will be contacted if you are selected to be part of the Review Team for the above planned articles.
5) Write in now.

We will be waiting. 🙂

Ed.

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MINOX DCC 5.1 The “Digital M3”

Posted on June 4, 2014 by Editor AL

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MINOX DCC 5.1 The “Digital M3”

Photo: Tour participants at Sekinchan, Malaysia trying out & posing with the MINOX DCC 5.1

04th June 2014, Singapore – Following the recent announcements about Ourshutterjourney LLP’s appointment as the exclusive wholesaler of MINOX Digital Miniature Cameras by Schmidt Marketing (Singapore) Pte Ltd, many people asked if the little MINOX can even function or perform like a camera at all. Well, MINOX Miniatures are REAL cameras, just that these are licensed replicas to the likes of Leica M3 or the Rolleiflex TLR. You can check out the specs over here.

Since pictures says a thousand words, we decided to pass a demo unit of the MINOX DCC 5.1 – the Leica M3 replica – to one of our partner Xing Asia to use & test out the camera. So last week, Xing Asia brought a group to Sekinchan in West Malaysia for a photography tour and the little MINOX was passed around to everyone in the group to use and resulted in the photo set below. Nevermind who shot which photos, it’s a collective effort from everyone in the tour group.

From the photos, I am sure many of you will be convinced by now that the MINOX DCC 5.1 is not just a toy replica, it’s a real & fully functional digital camera that despite being small, it works & its performance does not disappoints.
Best of all, the “C” in the product code “DCC” actually means CLASSIC. And the full code says “Digital Classic Camera”. Understand now? 🙂

Thank you Xing Asia for helping us to review the MINOX!

For the rest of you, so where to buy?
Here.

Till we return with the review on the mini Rolleiflex, meantime just pop over to our FB Page and “LIKE” the page!

Ed.

For more information, please visit here.

For more information, visit our website at http://www.schmidtmarketing.com/

About http://www.xing-Asia.com.

Our mission is to ensure that your photographic travel experience expands your soul, refresh your perspectives and rejuvenate your spirit.

Join us for a journey of new beginnings, friendships and an enriching experience! For more trips & information, Please visit www.xing-Asia.com

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Cullmann Tripod Giveaway!

Posted on June 3, 2014 by Editor AL

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Cullmann Tripod Giveaway!

03rd June 2014, Singapore – We have a Cullmann MAGNESIT 519 CW25 (with Pan Head) to give away!
This high quality tripod is kindly sponsored by Schmidt Marketing (Singapore) Pte Ltd – the local distributor for Cullmann products.

The MAGNESIT tripod range from CULLMANN unites innovative materials, well thought-out functionality, ergonomic design and the highest level of quality. For instance, on all the models the tripod star, the joint pieces, and the leg clips are made of high-strength magnesium. This makes the MAGNESIT tripods particularly light and extremely stable. Depending on the model selected, the tripod legs are made of anodised aluminium tube. (or carbon fibre models: 525 C; 528 C; 532 C; 580 C).

Another feature of all MAGNESIT tripods is the 4-position leg angle adjustment, which enables a working height of only 18 cm and is thus ideally suited for macro photography. Thanks to adjustable steel spikes, an additional short centre column for working at ground level and adjustable leg clamping, MAGNESIT tripods can meet the highest demands in terms of functionality and stability. Magnesium, carbon and aluminium guarantee stability for equipment weights up to 8 kg.

For more information on this Tripod, please click here.

Convinced by its own quality, CULLMANN grants a 10 years warranty for the MAGNESIT Line.

How to Win?

1) Go to https://www.facebook.com/minoxminiaturecamera
2) Click “LIKE”
3) Invite as many Friends to “LIKE”.
4) Once your friends starts to “LIKE”, you will receive a notification from Facebook on your feed or email.
5) Once you have at least 5 Friends who LIKED the page, send your screen shot via SMS or Whatapps to +6597649167 for a chance to WIN!
6) All entries MUST be submitted by 6th June 2014, 6pm.

Easy right? So start inviting your friends to LIKE the stated Facebook Page now!

Good Luck!

For more information, visit our website at http://www.schmidtmarketing.com/

For more information, please visit here.

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MINOX Facebook Page Launched!

Posted on May 27, 2014 by Editor AL

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27th May 2014, Singapore – Stay Updated with MINOX News! LIKE the Facebook page here to stay updated and receive the latest MINOX News & Updates (Singapore ONLY).

Ed.

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EXCLUSIVE MINOX Dealers Announced

Posted on May 26, 2014 by Editor AL

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EXCLUSIVE MINOX Dealers Announced

26th May 2014, Singapore – Following our announcement on 16th May 2014 regarding Ourshutterjourney LLP being appointed as the exclusive wholesaler for MINOX Brand digital cameras by Schmidt Marketing (Singapore) Pte Ltd , we are pleased to announce our two exclusive dealers today.

Both dealers were selected based on their excellent track records, beautiful reputation, huge customer base & their strategic centralized locations.

MINOX Customers will be exclusively served at:
– Orient Photo at Sim Lim Square
– Sgcamerastore at Peninsula

(contact details after the jump)

and; MINOX Customers can get to see & feel the MINOX Digital Cameras at the above dealerships.

Our Dealers are located at:

Orient Photo Pte Ltd

Contact Person: Eddy/ Stanley
Tel: +65 63391035
Email: sales@orientfoto.com.sg
Web: http://www.orientfoto.com.sg/
Facebook: https://www.facebook.com/orientfoto
Address: 1 Rochor Canal Road, #06-53/31, Sim Lim Square
Singapore 188504

Sgcamerastore

Contact Person: Janet/ Melvin
Tel : +65 63362273
Email: enquiry@sgcamerastore.com
Web: http://www.sgcamerastore.com/
Facebook: https://www.facebook.com/pages/Sgcamerastore/112246385537983
Address: 3 Coleman Street #02-18 Peninsula Shopping Center
Singapore 179804

Related Links.

MINOX Price List

MINOX Specifications.

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Ourshutterjourney LLP Appointed as Exclusive Wholesaler for MINOX

Posted on May 20, 2014 by Editor AL

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16th May 2014, Singapore – Ourshutterjourney LLP is glad to announce that we have been Appointed by Schmidt Marketing (Singapore) Pte Ltd as the Exclusive Wholesaler for the MINOX Range of Digital Compact Camera (DCC) & MINOX Classic Miniature Cameras (CMC). Featuring an interesting line of miniature digital cameras modelled after legends like the the Leitz M3 rangefinder & the Rolleiflex TLR, these REAL Digital cameras are the exact modelled replica in a shrunk down proportion (1:3).

MINOX cameras are limited production miniatures and it is a must to have especially for collectors of vintage and classic cameras.
These highly sought after miniatures are lengendary and every unit is hand crafted, engineered to perfection and the talk of the party. Vintage and yet fashionable, the MINOX cameras are also the best gift for the photographer who appreciates classic cameras that actually works like a regular digital camera!

All MINOX Digital Cameras comes with a One Year Warranty and other after sales service will be fully undertaken by Schmidt Marketing (Singapore) Pte Ltd. So You Can Buy with a Peace of Mind!

Remember James Bond? MINOX made his spy cameras (now digital).

MINOX Cameras will be available to selected dealers or through our e-shop from 15th June 2014.

Dealers please make contact here.

Products Specifications here.

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LENSPEN SIDEKICK WINNERS ANNOUNCED!

Posted on May 16, 2014 by Editor AL

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LENSPEN SIDEKICK WINNERS ANNOUNCED!

16th May 2014, Singapore – We decided to give more LENSPEN Goodies away and this time, it’s famous LENSPEN Sidekick.

The response was yet another eruption!

We are pleased to Announce the 3 Winners who sent us their entries within Lightning time!

1) Joseph Tan
2) Chan Kien Ming
3) Chen Pei Wen.

Congratulations and the Winners had been notified by email for collection details!

In the weeks to come, we will have more good stuff, news updates and more gifts to giveaway to everyone here.

All you need to do is to LIKE Schmidt Marketing’s FB Page to stay tuned.

Thank you everyone!

Ed.

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LENSPEN SIDEKICK – 03 to be WON!

Posted on May 15, 2014 by Editor AL

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LENSPEN SIDEKICK – 03 to be WON!

15th May 2014, Singapore – Following our super over-whelming response for the LENSPEN Giveaway, our sponsor Schmidt Marketing has kindly sponsored us another 3 LENSPEN Sidekick – an incredible cleaning cloth for iPad/ tablet that is anti-static and effectively removes dirt and smudges from your gadgets. These are not your cheap optical cloths if you know what I mean.

Here’s your chance to win one of these!

Step 1:
1) LIKE Schmidt Marketing’s FB Page.

Step 2:
2) Screen Shot Page and

Step 3:
3) Email screen shot to sjscontest@live.com
Have fun everyone!
Ed.

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LENSPEN Giveaway – WINNERS ANNOUNCED

Posted on May 14, 2014 by Editor AL

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LENSPEN Giveaway – WINNERS ANNOUNCED!

14th May 2014, Singapore – Yesterday we asked readers to answer a few questions to win one of the 5 LENSPEN. The response had been overwhelming and we have decided to announce the Winners ahead of the closing date.

We are glad that the 1st 5 Readers who emailed us with the correct answers & LIKED the Schmidt Marketing page are;

1) Trisha Lim
2) Robin Santoso
3) Benny Ng
4) Daniel Quek
5) Xavien Ang

The Answers are;
1) Peter Lee Shiuh Hwa, Crispin Lee, Ronnie Lee, Michael Lee, Lee Siew Yian & Jino Lee.
2) Schmidt Marketing
3) & LIKES the Schmidt Marketing Facebook Page.

Congratulations to the Winners and Look out for the Email for Prize Collection!

Ed.

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SJS Giveaway – 5 LENSPEN to be Won!

Posted on May 13, 2014 by Editor AL

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SJS Giveaway – 5 LENSPEN to be Won!

13 May 2014, Singapore – Recently, our mega article “Photographers that Inspires” went viral and we are pleased to share that we have gotten more than 5,000 hits in 48 hours. To reward the readers & subscribers, we are giving away 05 LENSPEN worth SGD $14 each – sponsored by Schmidt Marketing. Please do not be confused with the cheaper knock-offs from China, these are the original and the bristles and are of superb quality. How to win? Details below after the jump.

Photo: The Article that went Viral.

To Win one of the 5 LENSPEN, just answer the below questions.

Question 1:
Name All the Photographers interviewed by the Editor, Allan LEE.

Question 2:
Who Sponsored the LENSPEN?

Last Step
Like Schmidt Marketing FB Page here.

Email your answers to sjscontest@live.com by 16th May 2014.
First 5 entries with the correct answers WINs!
Good Luck Everyone!

Ed.

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Special Feature: Photographers That Inspires – “The LEE Photographers”

Posted on May 10, 2014 by Editor AL

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Special Feature: “Photographers That Inspires”
– An Exclusive Interview with “The LEE Photographers”

Photo: The LEE Photographers
(Back L-R) Crispin LEE, Michael LEE, Jino LEE,
(Front L-R) Peter LEE, Ronnie LEE, LEE Siew Yian & Allan LEE
Photography Courtesy of Roy Chuang Productions.

12th May 2014, Singapore – As I was preparing and planning the articles/ reviews line-up for the next few months, many readers had requested to me that I should try to do an interview article that will inspires photographers from all levels and from all walks of life.

So I started scribbling names of photographers that had inspired me with their photos & their incredible works. As fate had it – and after I had the all names written out, I (almost) fell off my chair. All the photographers that I had selected has 1 thing in common – their first name (surname) are all “LEE”. Much coincidence it may be, but these are the photographers that had not just inspired me, they had inspired many people in their respective circles and have used photography creatively to express themselves, to bring people closer together and promoted the art of photography meaningfully.
After much deliberation, instead of running a series of interview articles, I’ve decided to make this into one super mega interview as the Featured Article for Q2 2014.

So, off I went to gathered everyone on the list and conducted an interesting “one-of-its-kind” interview. I hope you will be inspired by their sharing, their stories and learn something from this bunch of awesome photographers! Check out their works too which I’ve slotted them all over this article. Here we go!

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“Photographers That Inspires” – An Exclusive Interview with “The LEE Photographers
– Moderated & Edited By Allan LEE
– Featuring Crispin LEE, Jino LEE, LEE Siew Yan, Michael LEE, Peter LEE & Ronnie LEE.

Photo: Interviewing The LEE Photographers
(L-R) Peter LEE, Ronnie LEE, Jino LEE, Allan LEE, Crispin LEE, LEE Siew Yian & Michael LEE.
Photography Courtesy of Roy Chuang Productions.

Allan LEE: I know this is too much of an unbelievable coincidence that all of us happened to carry the same surname, but you guys had inspired me & people around you and I hope that by doing this special interview, we can collectively inspire more photographers & our readers with your stories & experiences. All of you have been doing photography for a while, some for ages, will you please share with me what keeps you going in Photography?

Jino LEE: I love traveling and I do a lot of travel photography. What keeps me going all these years are the opportunities to meet new people from all over the world and my love for experiencing different cultures in different countries of the world. Not to forget, the vast new concepts, techniques and technologies in today’s photography that’s keeping me on my toes which push me on.

Photo by Crispin LEE

Ronnie LEE: To me, the single most important factor has to be my group of photography-passionate friends that keeps me going. In Singapore, it’s a closely knitted community (photography) whereby everyone (somehow) knows each other. Having this group of friends, it created an impactful motivation for me to continue my photography journey. And being able to make friends from all over the region is also an encouraging factor for me to pursue Photography. I find myself constantly motivated to try out new things, and this is something I know many fellow photographers struggles with.

Photo by Jino LEE

Crispin LEE: Today, almost everyone owns a camera – be it the cell phone, a digital compact or a DSLR. Personally I feel that by taking a selfie or snapshots of your friends, or the food in front of you at every meal – is not knowing photography at all. You need to develop a passion in what you want to do and these pictures should carry a message that best represent you or serve you a meaningful way.

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I started to take photography seriously as I am fuelled by my desire to shoot photos of beautiful underwater marine life. And this desire grew stronger in me everyday especially when I already took passion in scuba diving few years ago. I was fascinated by the colorful corals and fishes during many of my diving trips and I told myself that I need to master the skill of photography so that I am able to capture those beautiful scenes under the sea so that I can share with my friends and family. Soon after, from underwater to land, and from land to the skies, I started to shoot everything under the stars and the sun. To me, Photography is a passion, an art, or even a lifestyle – this keeps me going.

Photo by LEE Siew Yian

Peter LEE: It is my love for nature, which captivates me. With photography, I get to catch the moment and stay in the moment. It can be the sunrise, the sunset, landscape or the sceneries. Recalling the days in the past, I used to ride the waves on an outboard motor rubber boat with my friends to other islands – simply to soak in nature for 3 days 2 nights.
Not only does nature keeps me going in photography, the ‘humane’ part in photography further colors my journey. This hobby has found me friends who walk the same “walks of life” in photography. To be able to engage in exchanges about our interests towards photography and to share our experiences is liken to a syncing port for all photographers-alike. This has been a great joy to me! This is a hobby that fosters long-lasting friendships and igniting passion in each other.

Photo by Michael LEE

Michael LEE: Travelling to explore the beauty of the earth, and the imaginations to pursue that perfect shot (knowing that there is no perfect shot).This is what leads me & pushes me on.

LEE Siew Yan: At the beginning, as a budding photographer, I shared my photos on Facebook and found excitement whenever my photos received many likes and comments. Time passed & the excitement over the “Likes” and comments wears off and I asked myself; “What is my purpose? What real good can I do with my photos?” – I wanted to instill a purpose into my photography. So I decided to use my photography as a channel of positive messages about “Faith, Hope and Love”.

As a photographer, what keeps me going is knowing that my photos inspires and motivates other people, and ultimately, is able to instill compassion among the viewers. I want to showcase the remote corners of the world that they are not able to see. Rather than to show what the place is like, I want them to also understand the spirit and the soul of what is happening in these far-off places. Right now, I find my greatest joy in hearing words such as these from my viewers: “Thanks for the inspiration, through your photos, I travel the world, I see poverty, I see the beautiful places, I see love, I see truth and I see humanity.” I am going to continue working hard to photograph to inspire and this keeps me going.

Photo by Peter LEE

Allan LEE: Wow, each of you has something unique that keeps you guys going and going! It is certainly not easy to stay focused but the passion has to lead you on and the interest has to find you new paths along the way. Please share with me, what is the most interesting experience you’ve had encountered in photography?

Jino LEE: Winning international photography awards! (Grins.)

Ronnie LEE: When I was still pretty new to photography back in 2011, I went on a photography trip with just a basic DSLR equipped with a zoom lens. I shot the entire trip in Automatic mode and JPG format. During that time, I knew nothing about camera settings and I was amazed with other photographer’s camera gears. It was a totally different experience from other sightseeing trips. It was my most memorable and interesting experience till today. I’m proud to share that I’ve gained a lot of self-found knowledge and experience since that trip.

Photo by Ronnie LEE

Crispin LEE: I was on a family holiday’s trip to Yosemite National Park (USA) last year to shoot some beautiful late autumn scenery and landscapes. We stayed in a hotel few hundred miles away from the park and we travelled to and fore during our two days visit to the valley of the national park. Fortunately or unfortunately, we were caught in the first snow fall of the year in that area while on our way to the park on the 2^nd morning. We were stopped halfway while journeying to the valley by the park rangers. We were asked by the rangers to return to town so that we can install wheel chains on our car before we are allowed to enter the park again due to safety reasons. A good 5-6 hours were wasted because of the snow fall and the route was covered with wet snow and freezing ice at different part of our journey.

We experienced the unexpected changed of weather and witnessed a colorful autumn that turned into a white winter in just 24 hours at the same viewpoints on our way to the park. It was a very dangerous driving experience – but an interesting photography experience. Many beautiful pictures were taken.

Photo by Crispin LEE

Peter LEE: Well, I believe ‘interesting’ means differently to different people. Personally, I find that the “subjects” are what makes my every encounter interesting. Whenever I am out for shoots, I always meet new subjects pretty often such as rare insects in the rainforests of Singapore. There will always be something new out there waiting to be discovered through my lenses – ‘”Subjects” excites me in this manner. It is akin to meeting a new “somebody” around the block who looks stunning and it stirs up curiosity within me at the same time.

Michael LEE: I was wandering around the slums at Cebu, Philippines when I came face to face with a mother carrying her baby that is about 8 months old. I took a few photos of her and her baby, while listening to her stories. And when I put my down my camera, she (the mother) passed her child to me and asked me to take the baby with me. She was crying but later I came to understand that she believed that by passing her baby to me, her baby may have a better chance of survival as she struggled to make ends meet.

Photo by Jino LEE

LEE Siew Yan: Life always takes me by surprise. And I love every moment of it. Once I was in Sapa, I entered a shabby house to take photos of a group of children. I found the children were sitting around & warming themselves by the fire. There were very few things inside the house. I felt an instant sense of loss and sympathy for their poor living condition. However, to my surprise, the children gave me the most beautiful smiles. They are happy. They have nothing yet they have everything.

Photography had me going places and left me with many beautiful, interesting and unforgettable encounters. Photojournalism helps me to see the beauty beyond the surface. My lens allows me to see the beautiful souls in people. And I want the world to see them too.

Photo by LEE Siew Yian

Allan LEE: Very interesting share of encounters and experiences. Photography today is really all about individuality but certainly, all of us have to seek inspiration from somewhere. Please tell me, is there a person that inspires you in your photography works?

Jino LEE: Yes, in fact quite a few of them. My list will include Steve McCurry, Raghu Rai and David Alan Harvey. I had personally met Steve McCurry, he‘s a great guy and I hope I will be able to meet the rest of these great guys in the near future.

Ronnie LEE: No one as of now. But I would like to acknowledge the countless encouragements given to me by my photography peers. Personally I evaluate each photographer’s work and their style carefully as creativity comes from individual observations.

Photo by Michael LEE

Crispin LEE: I have always been attracted to incredible photos from travel & fashion magazines and photography websites such as 500px, flicker, pixoto, viewbug, instagram, etc. Photographers such as Joe McNally, Steve McCurry, Michael Yamashita, Manny Librodo and others played a large part in influencing my photography path too. Among those that I had mentioned, Master Manny Librodo has inspired me greatly in wanting to be a better photographer.

Peter LEE: Not exactly a person in my context. I would say that National Geographic played a significant role in introducing me to the insect world. It was year 2011 & my family started our subscription to the National Geographic Channel on cable. Needless to say, I got hooked to NGC instantly as the documentaries are mostly about nature and the animal world. That formed part of my inspirational source.

Photo by Peter LEE

Michael LEE: For me, I am inspired and influenced by Elliott Erwitte. (grins)

LEE Siew Yan: Every photographer has his/her moments. They have the privileges to capture the time and space, with their own skills. Any photo that shed the beautiful or ugly truth – these inspires me. Any photographs that evoke emotions, inspires me. Any photographs which show the wonder of nature, inspires me. I learn and grow from studying photographs by many different photographers.

Allan LEE: The source of influence & inspirations are so diversified among you people. So what kind of inspirations does this person(s) /channel/ source give you?

Jino LEE: Their outstanding works speaks for itself, it’s beyond description.

Ronnie LEE: As mentioned earlier, there is no such person (yet) in my life. But it is my wish to inspire others instead. Each individual sees thing in their own unique way & the way a person envisions subjects and how it’s evolves in their mind are different.

Photo by Ronnie LEE

Crispin LEE: He (Master Manny Librodo) is very humble, willing to share and learn from students (photographers). He continues to work hard on perfecting his skills and developing his passion in photography are what inspired me most. On shooting, Master Manny Librodo possess the gift of using “available light” (mostly nature light) creatively – to capture the right moment with amazing emotions. I am also inspired by his use of colors tones artistically to enhance and create that “perfect image” with a dramatic impact. To me, this is not just photography (with the press of the camera shutter) but an art of free expression blending with your life experiences, ideas, and passions.

Peter LEE: The way National Geographic presented the insect world, it inspired me. It revealed a world that the naked human eyes could not see; a world that is so animated & delicate. And every detail of the insects presented magnified, revealing the beauty of this creation. Through this, I found new insights into photography where I can lay my ‘photography-hands’ on! The images on National Geographic also stirred up an aspiration in me: wanting to learn to shoot pictures like that (those that I saw on my TV screen). My interests and love for macro photography ignited like wildfire from then on.

Photo by Crispin LEE

Michael LEE: Master Elliott is known for his black and white candid shots and absurd situation of daily life. His pictures are strong story telling messages, yet sometimes could be just a funny capture. His sense of humor embedded into street photography had inspired me to becoming a “storyteller with camera” to capture the happy moments of life.

LEE Siew Yan: As for me, I draw different inspirations through different photographers. Their unique perspective tells the viewers (& me) different stories and even life lessons.

Photo by Jino LEE

Allan LEE: Apart from these photographers & sources that all of you had mentioned, is there like an everyday person who/that is not related to photography that you also draw inspirations or support from? If there is, who is this person and how has this person helped you in your pursue in photography?

Jino LEE: None for me.

Ronnie LEE: The love for photography comes from within oneself. I see my own world with my own eyes. My self-motivation is more important.

Crispin LEE: “There is always a woman behind every successfully man” – this is especially true when it comes to photography for me. Without the understanding and support from my family, particularly my loving wife, and in view of my busy business schedules, I would not be able to accomplish much during such a short period of time. For example, we were able to mix our family holidays in line with some awesome photography locations I had always wanted to visit. In other cases, I was able to backpack and travel, alone or with photography pals, to remote places with extreme conditions knowing that everything at home is well taken care of. This allows me to pursue my passion with a peace in mind and I am grateful for the sacrifices and support she is giving me.

Photo by LEE Siew Yian

Peter LEE: The many moments when my family became ‘test subjects’ of my photography trial sessions.(Laugh). My family supported me in their special ways. Their presence helped me to calibrate and recalibrate my photography skills in terms of managing the gear and capturing the right moment.

Michael LEE: Michael Jackson, his passion and love to the music. He basically lives in the music in every second. It is not often we seen someone is dedicated doing what he loves and being talented with.

Photo by Michael LEE

LEE Siew Yan: This person has to be my Uncle. Photography is not a cheap hobby when I was still a teenager & I have no means to buy an SLR. My Uncle lent me his SLR and I used it to cover sports events at school. That was the first time I felt the passion for photography ignited in me. Back then, photography was known as a hobby for ‘man or for-boys only’. Undeterred by the general statement, my uncle encouraged me to pursue my interest and also gave me some books on photography.

He even spoke to the owner of the camera shop in our neighborhood to give me discount for film purchase and for printing. If not for my Uncle, I would not have the chance to discover my interest and pursue photography till today.

Photo by Peter LEE

Allan LEE: OK, again, that was very diversified sources we are talking about here. But some of your sharing really warms my heart. Let’s share a bit with the readers about that moment before you take a shot, what exactly goes through your mind?

Jino LEE: I hardly think and therefore nothing much goes through my mind. I shoot with my heart instead of my head; I basically use my “feel” and follow my emotions. If I have to say something about thinking, then it’s about ideas. It’s important to have ideas, visualization and imagination.

Ronnie LEE: What appears in front of me is likely the creation of mankind or nature. I will think to myself on how do I capture that moment/ scene to present it to my viewers that best depicts what I wanted to express through my photo.

Photo by Ronnie LEE

Crispin LEE: It all depends on what genre of photography I am doing during that moment. The emphasis might be different among landscapes, portraitures, street photography, etc. But one thing is universal – composition. That is, “How to capture the best picture or composition given the current constraints and available tools and still be different from others at the same time?” For example, the keys to a good landscape composition, in my view, are timing (sunset, sunrise, or different seasons), location, camera settings, and the use of different available filters or equipment.

For my portrait shots, depending on indoor or outdoor, the use of available light sources (nature lights, flashlights, strobes, LEDs, etc.) and light modifiers, models and poses, outfits, make-up artists, and the concept/theme of the shot are critical for a great portrait. In the case of street photography, the understanding of the local context, the approach to the subject, the techniques to capture motions, quick observation and anticipation of subject actions and emotion, are necessary skills to master to produce an awesome picture.

Photo by Crispin LEE

Peter LEE: It is something like shooting in a studio. Instead of the four white walls surrounding the set, I see the greenery and mud/soil. Many thoughts will come into my mind before I press the shutter: “I need to get the angle. An angle that will inspire others, an angle that others have not (yet) seen before of this subject. An angle that would instantly convinced others of the beauty of this subject.”

Well, sometimes I tend to have a mental conversation with my subject, “Look at me! Look here, c’mon.” So, if you happen to see me mumbling, I’m actually ‘coaxing’ the subject! (Laughing).

Photo by Jino LEE

Michael LEE: A story. The photographer ought to have the story untold by himself, and capture the image to deliver the message. A good picture should tell always tell a story.

LEE Siew Yan: I keep asking myself “What is the story behind the photos?”, “What messages can I share with my photos?” “What do I want to tell people and the world from my photos?” It is instinctive and it slowly becomes my second nature.

I want to spread positivity and inspirations through my photos. Fortunately or unfortunately, street photography and social documentary photography (under certain circumstances) do not offer the luxury of time to think and plan. A second too late and the moment will be gone forever. Having a sense of purpose helps me to react quickly when the `right moment’ or ‘magic’ appears. Almost instinctively, I quickly lift my camera up and press the shutter. CLICK!

Photo by LEE Siew Yian

Allan LEE: Wow, you guys are complicated yet simple, decisive yet calculated, no wonder all of you has such excellent photography sense! Now, please share with us on what sort of photos that you would like to take but has not attempted till today?

Jino LEE: Astronomy.

Ronnie LEE: I would like to take up underwater photography to appreciate & understand marine life.

Crispin LEE: I always wanted to take a time-lapse composition and a complete clear image of our universe (Milky Way) with an interesting subject such as a model or an animal, or a volcano. Hopefully, my upcoming trip to Mt. Bromo, Indonesia can help to fulfill one of my dreams.

Peter LEE: It’s definitely the time lapse of star trail. I find star trails really amazing. It brings you out of this world, into another dimension. They speak of God’s magnificent creation, the universe out there that is so vast and seems to bring you through a timeless journey. It is like nature’s mystery. Given the chance, I would love to travel to somewhere & capture this beauty of creation.

Photo by Michael LEE

Michael LEE: Fashion shoot in Studio. I have watched a few episodes of America’s next top model and understand it is not easy to get a good fashion shoot. However I have not attempted even once till today because I have been trying hard to pursue the perfection (there is none) & the finer points of travel photography.

LEE Siew Yan: I have always wanted to visit a slum and photograph the children and the people living there. I want to know their life stories and photograph their lives. I have been warned about the potential danger, the stench and many other things untold, but I still want to experience this for myself. I know that my photo may not change or improve their quality of life immediately; but I believe that I can use my photo to share the unseen reality, to educate people and to instill compassion for humanity. I hope that my photos remind many ‘average’ people (in modern society standard) to realize how blessed they actually are. So be happy and grateful!

Photo by Peter LEE

Allan LEE: That’s quite a lot of wishes! I hope all of you will be able to do what you wanted to do one day. Please share with our readers, what is the most interesting shot that you had taken since the day you started photography? Is it difficult or is it a chance of a lifetime or is it just hard to achieve such a shot? Please share with us.

Jino LEE: Hmm…this question is pretty tough to answer because I don’t think I have captured anything really that interesting until today. My “most interesting” shot has yet to come.

Ronnie LEE: I have yet to encounter any difficult (interesting) shots but to me, every single shot can be special on it’s own as each of us sees thing in our own perspectives that is unique to individuals. To take such a shot, we have to be at the right time at the right place with the right equipment.

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Crispin LEE: In October 2012, I went on a photography trip with a young couple to Xin Jiang, China. We hired a local experienced driver to bring us around to special photography places that we had planned and wanted to visit. The young married couple was a pair of experienced models & wedding photographers. They had brought along wedding gowns for this trip. I was lucky enough to be able to get free photography advice and “free model shoots” during the 15-days of this trip. The two most interesting shots I have taken during the trip were the bridal shoot at 4700m above sea level at Lake Karakul in Pamir Plateau in the early morning with sub-zero (-10c) temperature. The other “once in a lifetime” shot was a bridal shoot at Taklamaran Desert a few days later with the lovely couple.

Photo by Ronnie LEE

Peter LEE: I remember this shot I took at The Bird Park in Singapore 20 years ago. It was during a bird show. The main highlight was the pelican. The pelican did its performance, and flew towards the crowd of audience. I caught the moment – a panning shot: the pelican was in its flight course with wings spread out and I captured too, the awed and captivated expression of the audience. Just to add, capturing the species of birds in their natural habitat is also challenging to achieve.

Michael LEE: During a trip to Yunnan, China, we met a group of Axi minority kids who were getting ready to perform at the Fire Worship Festival. These kids were basically naked with just a small piece of decorative wooden tool to cover themselves. My friends and I were going after them to take their photo. While the kids acted “angry” and lifted the wooden weapon (for performance), their only piece of coverage dropped. We could not stop laughing and almost forget to snap a picture before they ran away again. Put aside the effort to travel to such a rural place and the fast diminishing of local cultural festival, I think it could be a once in a lifetime opportunity to take this kind of candid shot.

Photo by Crispin LEE

LEE Siew Yan: Visiting Norway to photograph the Northern Lights was an unforgettable experience. To be honest, I am really afraid of cold weather. I am the type who wears a jacket even when I visit a shopping mall in Singapore, (Laugh). So going to a sub zero environment is really a great challenge and a fear factor too!

However, I saw several photos of the Northern Lights by other photographers and it further convinced me to go for it. I remembered telling myself “If you want to see beautiful places and bring back beautiful images, you must suffer!” It was a chance of a life-time because there is no guarantee that the lights will appear. Having travelled thousands of miles from the tropical Singapore to the icy Norway just for 1 week, I could only pray really hard that a miracle or the lights would appear when I am there. I had been told that some photographers waited for many nights and saw no light. I was lucky to see strong bursts of colorful lights and illuminated patterns when I visited Norway in March 2013!

And yes, operating the camera in very low light condition with thick gloves and 5 layers of clothing was a real challenge! But the joy was tremendous when I saw the absolutely amazing dancing lights!

Photo by Jino LEE

Allan LEE: You people are awesome, wish I have the same thinking or the opportunity to travel like some of you did. It has been argued, debated and even challenges about this statement “It is not the gear, but the photographer” – what do you think of this statement?

Jino LEE: No, I do not agree at all. I believed both are equally important and both gears & photographer compliments each other. We need certain tools to do certain job. There is no one size fits all or one lens does all. This is technically & optically not possible.

Ronnie LEE: I disagree. Both gear and the photographer have their respective roles to play. You need the right gears to help you in producing better quality photos but you also requires the creativity of a photographer to match up & capture that moment. So I must emphasize that both gear and photographer must have that synergy and work together to produce the photo.

Photo by LEE Siew Yian

Crispin LEE: In a Formula 1 (F1) Racing Grand Prix, if you are driving a normal Toyota Camry against a fully equipped F1 racing car, assuming the skill of the drivers are more or less the same, it does makes a difference. On the other hand, if you were given the same brand of computer or typewriter as J. K Rowling (author of Harry Potter), it doesn’t mean that you can write the same story as good as hers. In short, I believe the gear does provide an advantage in capturing a good picture. However, I believe the most important part of capturing a great picture depended primarily on how the picture is being composed by the photographer. I believe in composition and content period. I will feel offended when someone is showing off his razor-sharp image of a coffee cup shot with a Leica camera in a nearby hawker centre. (feeling meh)

Peter LEE: I believe that it is the spirit of an individual – asking this question “What kind of spirit does he/she have towards photography?” A spirit of excellence comprising of a positive learning attitude and the skill set to capture the right timing with the right lighting at the right moment, produces a photograph that speaks a thousand words. The passion or to say the inner fire of the individual has to be ignited to engage well with the gear, to maximize the full potential of both the photographer and the gear.

Michael LEE: I could not agree more. It is the photographer who masterminded and to get round (the obstacles) to create the final image, the gear is just a tool. Having said that, on the other end of the scale, getting the right tool to do the job is also critical but that does not mean the tool has to be expensive.

LEE Siew Yan: This is absolutely true! Never judge a photographer by his/her equipment or camera bag. Buying the latest or the most expensive equipment will not improve your photography skills. A good photographer can make a better photo with his camera phone, than a bad photographer with the most expensive SLR. Whether it is a point and shoot, an entry level DSLR or a pro-level DSLR, as a photographer, we need to learn to work around their (gear) limitations.

Allan LEE: I am like sitting in between the fence now. Agreeing or disagreeing does have their points or basis when it comes to gear & equipment. After hearing from all of you, maybe I should summarized that skills & creativity is the utmost key here, then the equipment should be able to complement (match up) the skill level of the photographer in order to bring out the bests of the photographer and the equipment. I am sure all of you will agree with me.

All the LEEs: Yes!

Photography Courtesy of Roy Chuang Productions.
Photo: The LEE Photographers being interviewed – by a LEE.

Allan LEE: All of you had inspired (and still inspiring) lots of people in your life and people around you with your photography, how else will you inspire more people and even make a difference in others’ life with photography?
Jino LEE: Really? I did? (Laugh!) I will continue to share whatever I know with anyone who is keen to learn. Every time when I teach and share, I learn something as well.

Ronnie LEE: I always believed in giving constructive comments and encouragement to those who are new to photography. I apply the friendly approach so I can be approachable and I hope by doing that, I can influence more people to take up photography as a hobby. No one ever gets turned away by me.

Crispin LEE: Recently I went on a photography expedition to Philippines, the country where I started my photography, and I had learnt that a few of my portrait photos that I took of a young Filipina girl have helped her to secure a media contract with Sony Entertainments in Japan. It was a dream came true for her and her family. I am delighted that my photos were able to help her fulfill her dream. Likewise it’s a joy for me to be able to help and inspire other photographers through the images that I have captured in different genres.

Photo by Michael LEE

Peter LEE: My heart has always been about sharing the ‘lenses’ (with my students) that I personally use to see the macro world, the insect world; to help equipped others in the photography field to be able to be engaged in and be passionate in macro photography. It is such a joy to be able to share and fellowship with photographers. I will continue with what I have been doing by sharing the macro photos that I shot and continues to conduct lessons to reach out more people, such as those who have not been exposed to macro photography yet! The loaning of my equipment in class such as the flash, lens, hand-made diffuser actually allows the participants to have a practical hands-on experience; rather than having to worry about purchasing/borrowing the gear before lesson. Ultimately, it would be an accomplishment for me when my humble journey in photography would ignite the inner passion in them, and to groom future masters of photography – hopefully!

Michael LEE: During my travel, I have photographed many people in rural areas and/or lives in less-privileged conditions, and these people do not have a photo of themselves. What I will usually do is to print a photo that I had shot of them and mailing the photo back to them after I am back. This may be a small effort on my end, but to the recipient(s), the only photo of themselves, actually means a lot to them. As a photographer, we shall not just shoot photos for granted, we should also give out photos.

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LEE Siew Yan: Recently, I visited some remote places in Indonesia to photograph humanitarian work. It was a movement to cure avoidable blindness. The beneficiaries are from poor communities who received cataract operation free-of-charge. The patients were able to see the next day after operation. For a person who has been blind for many years, just imagine the moment he/she can see our colorful world again – priceless moments that are magical. I also posted the photographs on social media to share how lives are restored when visions are restored for these people.

Many friends who saw the photos had written to me to express their interest in taking part in this project for a good cause – so that more sights can be restored. Some others also had expressed their interest in joining me for these trips. I am planning to invite some photographers to embark on this journey with me, so that we can all be inspired. I believed that the photographs or the journey (itself) can make a difference to the lives of many people.

Allan LEE: Listening to all of you has gotten me really emotional. You people have such kind intents and very selfless. I really have a lot to learn from all of you. I hope that I can be in that position one day to inspire people like all of you.

Since all of you are famous in your own rights and well established in the industry, it is said that it is better to have more friends in photography than to have enemies – what is your take on this since the local photography market is getting more competitive and saturated by the day.

Jino LEE: Yes I agree with the statement as I am a strong advocator of partnerships instead of competition. Unfortunately, most photographers look at another photographer as a direct threat or even “enemy”, which puzzles me.
Ronnie LEE: Human behavior and sentiments are difficult to predict .It takes a lot of mutual understanding to get along well. Of course it’s good to have more friends than enemies. In every trade, there’s always competition and it is up to the individual to prove their worth. Healthy competition is good for the industry so that it can boost the quality of work. Every industry is saturated, so we have to learn the skill of survival to survive the competition.

Photo by Peter LEE

Crispin LEE: I am a firm believer of making more photography friends rather than enemies. I have greatly benefited from many photography tricks and good pictures shared among various photography communities and friends. I welcome and encourage friendly competition as it help to promote creativity and improve our knowledge of photography to a higher level. Selfishness and backslappings will not bring your craft very far. In any real business world, collaborations and leveraging on each other’s strength is the key to success. This applies to the world of photography too.

Peter LEE: Competition is inevitable. Competition actually motivates one to improve and spurs one another to be even better, doesn’t it? See it as a friendly race, and respect others’ success. Personally, I cherish friendship more; friendship comes first. Photography has always been my hobby, like my baby to me; my motivation in photography is to share my findings of the beauty of nature.
Michael LEE: There should not be enemies even in the same industry. Competition is always good as it will improve the quality of service and also help to strategize one’s value proposition and uniqueness in the market.

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LEE Siew Yan: I have made many good friends in my photography journey and I am truly grateful. The best way to learn is always to be humble and be receptive to critics. Our `enemies’ in photography should never be our fellow photographers, it should be ourselves; that thing called “pride” in us thinking that we are already good at what we do. This is the enemy that stops us from growing.

So I allow myself to be led by this quote and to keep myself happy in my photography journey “I am in competition with no one. I run my own race. I just aim to improve, to be better than I was before and I’m free.” ~ Jenny G. Perry

Allan LEE: That is pretty unified from the answers above. Yes I agree too. Why make more enemies when we can have friends in the same industry? We can all help look out for each other rather than to kill each other. This is no wonder why you guys are so well-respected by many other photographers! Lastly, before I end this mega interview, if you are to give 5 tips to others who are trying to learn photography, what would you tell them?
Jino LEE: 1) Know your camera well. 2) Learn your basics. 3) Have a Positive attitude. 4) Never stop learning and 5) Always be humble.

Ronnie LEE: 1) Be humble & sincere. 2) Have an open mind. 3) Always ready to accept new techniques. 4) Be receptive to constructive critiques and 5) Never forget that there are always better Photographers out there better than yourself.

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Crispin LEE: 1) There is no short cut in photography. You will need to take one step at a time and learn through experience or tap on others’ experience to expand your knowledge in photography. The more mistakes you made the more you will learn. The more time and effort you put in the more knowledge you will gain. 2) Learn the basics. Basics in photography are the foundations skills in composition, the understanding of exposure in relation to the shutter speed, aperture, ISO of the camera, the white balance, image enhancement and post processing, etc. The more foundation knowledge you acquired, the better you are as a photographer in handling most of the shooting situation. 3) Read more and attend training/workshops to improve your skills. Once you have acquired the basic skill in photography, the next logical step to do is to widen your knowledge of photography. This can be achieved via various ways such as reading of magazines on photography and attend some specialized training (depend on the genre you want to focus in. e.g. Macro, Landscape, Fashion, etc.) or workshops. There are many photography related websites and learning materials on the internet (such as YouTube or goggles) where you can tap on to learn tips & tricks too. 4) Practice makes perfect. As mentioned before, there is no short cut in learning photography. So the more you go out and shoot with your camera, the more you will discover the better way of handling your cameras – as well as the secret of taking good photos. Likewise, the more post-processing you work on your images, the more skilful you are in enhancing your pictures. It is through practice that you will uncover how to take good pictures and perfect your images with the help of digital imaging software. 5) Be consistent and develop your own style. This is easier said than done. But, one thing I find it very effective for me is to submit my photos for competitions. There are many online photography websites (pixoto, 500px, viewbug, etc.) that provides the ranking of the photos submitted. Through constant participation in the photo competitions, you will know how good are your photos as compared to others and how to improve your picture by looking at other better pictures. The more pictures you submitted, the more you force yourself to take better pictures and you will slowly develop your own style of photography in no time.

Photo by Ronnie LEE

Peter LEE: 1) Take as many shots as you can for a subject. Seize and catch the moment. Don’t be afraid to make mistakes. 2) Make use of different angles and keep exploring for the best angle. 3) Once you’re in focus, continue shooting; don’t check your earlier shots. But to do this, you must 4) get the setting right and get your gear ready in standby mode. e.g. body battery to ensure efficient photography sessions. And lastly, 5) Afford to scratch your gear, but afford not to drop your gear. Take care of your gear.

Michael LEE: 1) Get the basic techniques right before rushing to snap a picture with your camera. The fundamentals are important. 2) Learn to appreciate the art of photography, there are good photography books to read and try to attend photo exhibitions. 3) Keep shooting and look for inspirations. Force yourself to take some shots everyday. 4) Enjoy the learning process and share your work. 5) Dare to be different and lastly, be yourself.

LEE Siew Yan: 1) Start with the basics and attend a proper photography class. Going out with a few friends to shoot is different from a properly structured photography class which helps you to understand ISO, aperture and shutter speed better. 2) Buying expensive camera equipment does not improve your photography skill. 3) Go out there and shoot more photos. Keep shooting, keep learning and be receptive to critics. This is the way to grow. 4) Good photos don’t just “happen”, you need to WAIT for the moment. 5) Keep an open mind. Learn different genres of photography, pick the genre you like, focus on it and make it good.

Allan LEE: Thank you every LEE in the house for taking time to do this interview with me. You people had inspired me and I am sure this interview will inspires many more.

All the LEEs: Thank you Allan & Ourshutterjourney.com!

Photo: The LEE Photographers
(Back L-R) Crispin LEE, Michael LEE, Jino LEE,
(Front L-R) Peter LEE, Ronnie LEE, LEE Siew Yian & Allan LEE
Photography Courtesy of Roy Chuang Productions.

The Interviewees:

Jino LEE, 46, Asst. Manager/Resident Photography Instructor – Canon Imaging Academy
Years in Photography: 11 years
Specialized Genre: Travel & Documentary
Email: contact@jinolee.com.sg
Facebook: http://www.facebook.com/jinoleephotography

Ronnie LEE, 54, Specialize Trade.
Years in Photography: 3 years
Specialized Genre: Travel Photography, Street Photography, Portraits, Land and Cityscape, Travel Journalism
Email: ronileeky@gmail.com
Facebook: facebook.com/ronnie.lee.129

Crispin LEE, 51, Director of a Professional Services Group
Years in Photography: 5 years
Specialized Genre: Portraiture, Landscape, and Travel Photography
Email: crispin.lee@yahoo.com
Facebook: https://www.facebook.com/crispin.lee

Peter LEE Shiuh Hwa, 53, Sales
Years in Photography: 27 years
Specialized Genre: Macro-photography in Nature
Email: shswck@gmail.com
Facebook: http://facebook.com/lee.shiuhhwa

Michael LEE, 40, Founder of Xing Asia Travel
Years in Photography: 12 years
Specialized Genre: Travel Photography
Email: michael@xing-asia.com
Facebook: http://www.facebook.com/xingasia

LEE Siew Yian, 39, Senior Account Manager
Years in Photography: 21 years
Specialized Genre: Travel photography, Photojournalism style
Email: siewyian@hotmail.com
Facebook: https://www.facebook.com/leesiewyian

The Interviewer

Allan LEE, 39, Editor, Photography Educator & Advocator, Ourshutterjourney LLP
Years in Photography: 12 years
Specialized Genre: Product Photography, Weddings & Tabletop Macro.
Email: media_world@live.com
Facebook: https://www.facebook.com/jeremyallanlee

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Posted in Featured Photographers, Photography Articles & Videos | Tagged Allan Lee, Crispin Lee, Interview, Jino Lee, Lee Photographers, Lee Siew Yan, Michael Lee, Ronnie Lee, Special Feature | 2 Comments

New Page Announced for Showcasing Photos

Posted on May 9, 2014 by Editor AL

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Advertisement

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09th May 2014, Singapore – We are pleased to announce a new page called “Featured Photo” on this site.
This page will be a showcase of photos submitted by readers, subscribers and followers and we will curate & feature the best of the entries. The best part, successfully featured photos can be sold at a cost that the author deem as appropriate. It’s an open market here.

Find out more by visiting the Feature Photo Showcase Main Page now.

Ed.

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Posted in Group Announcements & Notices, Photography Articles & Videos, Uncategorized | Tagged Featured Photo, New Page Announcement, SJS Announcements | Leave a comment

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