Canon Lens Mug 70-200mm F4L 1:1 – How Real?

Posted on September 19, 2010 by Editor AL
by Allan Lee.
 
Photography Collectibles are interesting to keep for display purposes other than its primary use. We have seen hordes of miniatures in the form of paper weights, thumbdrives, or logo-based novelties in many forms, things that are familar to us. Most recently, Lens Mug has caught on. To date, there are 2 versions of Canon’s EF24-105mm F4L IS, 3 versions of EF70-200mm F4L, 1 version of 85mm F1.2L and Nikon’s Nikkor 24-70mm. These mugs are either office coffee mugs or thermo mugs.

I bought all 3 versions of the EF70-200mm F4L mugs. As usual, I did a comparison test. 


Picture: The Lens that sparked off the trend. Canon EF 70-200mm F4L USM.

All lens mugs claimed to be modelled on a 1:1 ratio!! How uncanny! We take a look at all 4 of them when placed side by side. On first look, can you spot the real lens on first glance?

Picture: Can You Find the real lens?

When placed side by side, you will notice that all the 3 mugs above are not exactly 1:1 as claimed. even the color are off. The 3rd from the left above is the real lens.

Let’s scrutinize each version now.

Version 1:

This is version 1. On first look, not too bad, pretty close due to the color. And the packaging box was quite close to Canon’s theme of Red, Black & White.


However on a closer look, the AF/MF Switch was ultra fake and the “switch” itself wasn’t even moulded onto it.

The Distance scale meter was a joke, the font size are wrong. The Ultrasonic logo also looks a tad too fake to be real.
 
Workmanship was very bad, especially at the signature red ring area. And the focusing ring looks unbalanced. The grip lines are inconsistent.
 

Cup is functional with the usual lid design for easy consumption of beverages.
 

This “Canon” word is not supposed to be there, but I guess with a lens this fake, the logo helps to make it look more convincing.
 

I like the bottom though. The other 2 versions feature real Rear Lens caps except for this version. This is a anti-slip rubber base which adds functionality to the mug and to prevent spills. This is the best feature for this version. Let’s look at Version 2 now.

Version 2:

This is version 2. The box did not employ the Canon theme of Red, Black & White. The lens’s body color is too white as compared to the original lens. This is the “whitest” version of the 3 mugs.
 

The switches are the most realistic of the 3 versions, but the rubber rings feel cheap and a little too soft to be real.
 

This version has the most realistic Distance Scale meter too.
 

The lens Focal Range Print makes the lens even more convincing!

 

Mug lid is again functional.
 

Featuring a real lens cap that can be used on a real EF lens, this feature is interestingly incorporated into the design of this lens mug. Let’s look at version 3 now.

Version 3:


Version 3 uses the Canon theme on the box design. The details of this version is amazing. Color is slightly off, but still closer to the real lens color when compared with the other 2 versions.
 

The switches are life-like and has slightly less details than version 2. But the size is definitely correct and to scale.
 

The distance scale meter on this version has got the font and size wrong, but it looks good still. But the quality of the focusing and zoom ring (rubber grips) are made quite badly and unbalanced. It even feels wrong when touched. I hate the sticky feel to it.
 

But details like the “Ultrasonic” logo, the Focal range meter, etc, this version has the best copy.
 

The lid was even made to look like a real Canon lens cap. But lack the golden “Ultrasonic” word on the lid. Compared with the earlier 2 versions, this will be an added advantage if the buyer really meant to buy and display rather than to buy and use.
 

The rear lens cap also can be used on real EF Lenses as a rear lens cap, however the texture of this version is not quite close to the real thing. I suspect it is made this way to create the friction on the mug base to prevent spills.
 
The Winner?
 
 

The overall winner has to be version 3. The details were paid attention to and it was in fact made to 90% close to the real lens. Inside the packaging (picture above), there’s a pleasant surprise that the manufacturer even included a mug holder mimicking a real “Lens Pouch”. So if you are out looking to buy one for collecting and light usage, do make sure you get the right version or get mugged.

Have fun collecting!

 
 
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Latest Products Announced at SgCameraStore!

Posted on September 17, 2010 by Editor AL

SgCameraStore is indeed causing a storm recently. Since their outlet opened, There are new announcements almost on a weekly basis! Photographers from all arena are talking about them, so if you have not been "introduced" to SgCameraStore, do check them out soon, or be left behind. 🙂

Now Akaline Batteries can be charged.

A FIRST for the world, this revolutional charger charges regular Akaline Batteries! Save the earth, stop more toxic being dumped into our environment on a daily basis, get this charger and do your part for the nature today! Retailing at only SGD $85!
Get more information here!

And who says you can’t see in the dark?

A real Night Vision Camera (NVG), the YASHICA EZ Digital NV-1 is a 5 megapixel wonder that allows the user to see beyond your eyes can see at low light conditions. This NVG comes with Video recording function with a 5x Digital Zoom, a nice 2.7 inch display LCD and weights a mere 80g! SGD $150 ONLY!
Get more information here!

Explore the world beyond your eyes.

A lot had been said about front mounted "Macro convertors". The Pros laughed at it, the semi-Pros tried and off-loaded it, the beginners got cheated into buying this while some bought one of these convertors simply because a real macro lens does not come cheap.

The Raynox DCR-250 is one that made a difference. Featuring a 3 piece ACHROMATIC glass (unlike cheaper convertors that is simply a one piece magnifying glass), this allows the user to capture superb macro close up shots of subject with minimal detail lose! When used on zoom lenses, at the telephoto end, the Raynox converts any lenses into an almost 100% Macro lens! And when added to real macro lens, the details of the subject will be even more stunning! But, practise is required to fully understand and to use the Raynox. Well, google yourself and see the photos taken with the Raynox, you won’t believe what you see. SGD $125.
Get more information here! 

Make your way to SgCameraStore soon!
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SgCameraStore is located at:

No 5 Coleman Street #02-18
Excelsior Hotel and Shopping Center Singapore 179805
(next to Peninsula Shopping Center )
3 minutes walk from City Hall MRT
Tel : 63362273 Hp : 93531915
www.sgcamerastore.com

 

Operating Hours:
Mon-Sat 11am -8pm
Sun 11am – 5pm
Closed on Public Holiday


For Studio/ Classroom ( Studio rental / workshop / Photography courses
No 34, Arab street 303-02 Singapore 199733
Tel : 93531915
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Latest Cream of The Crop – Shopping at SgCameraStore!

Posted on September 14, 2010 by Editor AL
 
We received another tip-off from a few fellow photographers just days ago that SgCameraStore now carries some new and really cool stuff.
Following that, we went down to "shop" & check out what’s so interesting that got so many photographers talking.
 
Targus Filters-
Was kinda shocked when I saw this. Targus has been widely known as a very established and strongly branded name for high quality laptop bags/ carriers. Was not aware that they manufacture camera related accessories too. In this case, UV filters and Circular Polarizer (CPL) filters! I bought the 52mm version for my Canon EF28mm F2.8 eventually to try out the filter. Using a light meter, the raw light penetration was recorded at 92% and UV cut was 40%. If you are lost here, expensive filters like Hoya or B+W (UV) has a penetration rate of 95% and UV cut of 50-60%. While lower end filters (usually OEM, Indonesia or China Made) has a raw penetration of 87-90% and a UV cut of approximately 35% on average. This simple test simply shows that the Targus brand filters are not just a mediocre sub-product line, but a real performing filter at a great price!

Here’s how the packaging looks like.

And the filter is smart looking too.

The other product that caught my eye is;

AC*MAXX- LCD Screen Protector –
I am very sure almost all photographers experienced some form of "freak" accidents before with their gear. One of the very important part (in my view) has to be the LCD Screen. Once, I hit my Canon 5D MKII against a fellow photographer’s lens during a Press Conference and it hit directly on the screen! Thank God the film-type protector I had on my LCD screen save the LCD screen from being scratched, but the protector has to be replaced after the accident. Anticipating that such things happened often, especially in journalism where photojournalists are constantly banging into each other and gear against gear, I am out looking for something more hardy to withstand possible accidental knocks & abuse. The staff on duty recommended AC*Maxx. This is a hardy acrylic-type protector and it feels very strong when I tried to bend it – but did not succeed. (lolza) This protector is much thicker than the regular film type and it does not obstruct the original view of the LCD. I was later told that this protector also helps in the waterproofing at the LCD edges even though my camera is already weather-proofed. This is like added "peace of mind’ at a really great price!

In fact, it made my camera really elegant after I put it on. The package also includes a smaller piece for the top view LCD Menu for my camera. I am very sure that my camera’s 2 LCD screens are really protected and I feel really safe now.

Here’s how the AC*MAXX protector package looks like.

and after I added to my cam.

the main LCD.


The top LCD.

Looks great eh? I was really happy with my purchase and I will be returning to shop for more stuff really soon!
   

I’ve included SgCameraStore’s details below – just in case you feel like making your way down too. :)~ 
  
SgCameraStore is located at:

No 5 Coleman Street #02-18
Excelsior Hotel and Shopping Center Singapore 179805
(next to Peninsula Shopping Center )
3 minutes walk from City Hall MRT
Tel : 63362273 Hp : 93531915
www.sgcamerastore.com

 

Operating Hours:
Mon-Sat 11am -8pm
Sun 11am – 5pm
Closed on Public Holiday


For Studio/ Classroom ( Studio rental / workshop / Photography courses
No 34, Arab street 303-02 Singapore 199733
Tel : 93531915
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Shutter Journey Singapore – by Wong Ren Hao

Posted on September 9, 2010 by Editor AL
 
Originally Published on http://blinksnap.blogspot.com/2010/07/shutter-journey-of-singapore.html by Photographer Wong Ren Hao.
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Shutter Journey of Singapore

Nicole first invited me to join her in a photo shoot back in the middle of May, with a Facebook-based hobby group called Shutter Journey. They were going to the CBD on Sunday to take photographs based on the theme of ‘reflections’. How interesting, I thought, and joined in.


Iconic fountains outside Capital Tower (album link)

It is now mid-July, two months on, and the amount of things I’ve learnt and been able to apply to create better photos is simply incredible.


 Onion stacks at Pasir Panjang Wholesale Center [not with SJ] (album link)

I cannot vouch that Shutter Journey is the best photo club (to term it loosely) to join in Singapore, especially since it’s the first and only group I’ve joined. For the same reason, I also can’t say if other groups in Singapore are about to teach you more or less things about photography than Shutter Journey. What I can tell you from my short experience with this bunch of people is that they have a burning passion to share what they see with the world, and for most of these people it is self-evident if you just visit their personal Facebook page, because they’re constantly uploading photos (stunning ones too). And even more than that, something about most photographers, and definitely those in Shutter Journey, make them totally selfless people very eager to share knowledge about techniques and factors cumulating into those rare, once-in-a-lifetime moments that photographers live for.


Best and luckiest shot so far. (album link)

It is natural that not everyone joining such an open group would have a DSLR, myself included. Apart from the more recent shoots or occasions where I know I will need a particular lens type and borrowed my brother’s 500D, my weapon of choice is a G11, and all the shots in this post at least are products of the G11. On normal shoots, my darling can do the job, and I daresay one or two things that DSLRs can’t, but I felt severely unequipped when I went along with their trip to the zoo, where the theme of the day was ‘eyes’. Everyone came with telephoto lenses formidable enough to use as battle clubs, and there I was with my overly bulky point and shoot camera. But for me and everyone who subsequently came with very normal point and shoot cameras, there were always people insisting that no matter what you held in your hand (well, as long as its a camera), good shots are never out of reach. And indeed, one would be amazed what compacts can do in the hands of an inspired photographer.


The star photo of my most challenging shoot – animal’s eyes at the SG Zoo (album link)

At the end of the day, Shutter Journey just aims to have a big load of fun with people of similar mind and passion. Ask any of the event regulars – they’ll gladly tell you that there’s always a risk of being bent over in laughter while your precious photo opportunity floats serenely by. If you want to learn more about photography, or if you’re thinking of joining a group that goes on regular excursions, you can always consider Shutter Journey.


The only time we had two group shots – toy art photoshoot (album link)

It’s alot easier when you’re with a whole bunch of people who perfectly understand when you’re 100m behind trying to get your perfect shot. Chances are, there’ll be another group about 50m behind you anyway.


ToyArt toy group shot

 
Visit Wong Renhao’s blog at http://blinksnap.blogspot.com/

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Journeying with Shutter Journey – by Nicole Wong

Posted on September 6, 2010 by Editor AL
 
Originally Published on http://nicole.sg/archives/journeying-with-shutterjourney/ by Photographer Nicole Wong.
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It has truly been a shutter journey for myself, as well as a bunch of friends I met through the Shutter Journey (Singapore) Photography Group on Facebook.

I still remember myself having clicked “Join” and lurking there for quite sometime, looking through the photographs and hesitating to attend the outings that were organized twice a week by Allan and Ling.

“Reflections” was my very first photo outing with them, and it so happened that I picked a challenging topic to attempt on. My initial fears were unfounded, for I have not found just a group for photography, but friendly, helpful bunch of photographers! (and they are very funny people too!)

To date, I’ve gone on about 14 outings with them, and yes, still enjoying myself thoroughly. :P

I never failed to laugh myself silly, or simply enjoy the company as well as shooting at each outing, and that one thing I must add, rain or shine, the outing’s still on. Weather has not been a stopping factor to the outings each week.

Every week’s outing focuses on different aspects of photography, and making use of whatever camera equipment to shoot with. Of course, the constant camaraderie makes each shoot unforgettable, with tales that get retold, or having a good laugh.

Wednesdays and Sundays have never been this good, though I tend to skip shoots due to work or other commitments.

Photography is a healthy addiction. -Nicole

It’s heartening to note that the group has grown to about 550 members. w00t! Check out the group’s facebook as well as the blog!

PS: I never wanted to attach any photos here, because I want you to go check them out on Facebook! :)

PPS: Oh yes, don’t be shy, come along to any of our shoots, and have fun! Check them out on Facebook ok? I hope to see you there and let’s all have fun!

Nicole

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Featured Photographer – Connie Yeo

Posted on September 4, 2010 by Editor AL
 
Connie Yeo

I last saw Connie 19 years ago, back in high school. I still remember a little nickname I gave her back in school, we called her “YSL”, invented from her name’s initials and coincidentally, a name of a popular cigarette at that time. Just months ago, We got “reunited” again after almost two decades and we were brought together again through photography. Unbelievably true. Some times it is just hard to explain why certain things are planned in a certain way, in life.

 
Connie is on Olympus system, which is considered a “rare” in the current trend and market domination by Canon, Nikon & Sony. Behind the shutter, Connie sees things quite differently from the rest (most) of us. She can be rather abstract and alternative from the way she compose her photos, while her mainstream photos are just as good! Looking at her photos, I see a budding photographer well on her way to become a photographer who are capable of artistic photo expressions one day. 

A cheerful person by nature, Connie loves jokes and fun stuff like every other photographer in the group. Her humour on some her photo captions made me and everyone else laughed for days. (How can anyone resist anyway? – Haha) Before I forgot, I would also like to add that she is a very meticulous person and always well prepared for the unforeseen. (The answer is – what’s in her bag. :)~ ) Connie is really fun to be with at photo outings!

As usual, we browsed her albums and selected a few pieces of her work to be featured here. (no need to ask – we didn’t get her permission first)
Enjoy!
 

 
Ways to Contact Connie;
Email: connieyeo@gmail.com
Web: NIL
Facebook: http://www.facebook.com/ConnieYeo
 
 
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The Battle of 18-55mm

Posted on September 3, 2010 by Editor AL
Battle of 18-55mm Kit Lenses!
Photos by Ling Tan. Reviewed by Allan Lee

Since I have access to 3 different brand’s kit lenses of the current generation, I was wondering if I should do a write up on their physical appearances. If you wish to know more about each individual lenses, do search for them on the bar on the left (on the main page) as I have previously reviewed them. I will include the links at the end of this article too. Here we go.
Picture: Left to Right
1) Sony Alpha SAL (DT) 18-55mm F3.5-5.6
On first look, the Nikkor unit has a taller stance then the other 2. It doesn’t even have a filter when the Sony & Canon unit has a front filter and each sitting with their rear lens cap in place. The Nikkor still stand taller. Another interesting fact is, Nikon & Sony had adopted the dual cap locking system (centre & side release) for a long time and Canon had no improved on their lens cap design, still retaining the side locking since 1990s.

When fully extended to 55mm (zoomed), I noticed that the Sony & Canon’s units extended the most while the Nikkor’s physical zoom ratio is slightly less than Canon. Sony has the longest zoom here. At fully zoomed, Nikkor’s unit is still the tallest here. Another interesting find, at the fully zoomed position, the Nikkor’s extended portion are very filmsy to the touch while Canon & Sony’s units are much more refined in this area.  On the design wise, Canon has the most “Professional” layout while Sony adopted the “No-Frills” and minimalistic design – carried over from the Konica-Minolta legacy. And while Nikon & Canon added the chromed-color silver ring near the zoom ring to give the “Pro” look, Sony retains its matted silver ring, also another trace from the predecessor. The Sony unit probably has the worst rear lens cap here (above).

 

Uniquely, Sony’s simple design is catching on with many photographers today. From the fine zoom ring to the AF/MF button, everything spell “Simple” and almost “Zen-like”. Among the 3 brands, Sony outshines Nikon & Canon on Build quality and clearly the winner among the three. 

Canon’s lens designers gave priority to the cosmetics rather the material used. Canon’s kit lens was “Very Professional Looking”, but sadly, “Toy-like” when handled. The buttons layout are nice, but not really friendly to use. Try shooting then use your left hand fingers and try to fumble with the switch, you will find that somehow the “touch” is not there and something is not really right here. But back to the looks department, Canon beats Nikon and Sony hands down in this area.

Picture: Nikon Nikkor AF-S DX 18-55mm F3.5-5.6G VR

Nikon concentrated on ergonomics and ease of use for their design. Though the AF/MF button and the IS/VR Buttons are positioned the same, look at Nikon’s button carefully and you will notice the the button has more “switch” surface than the Canon unit. Honestly, this make changing modes easy while the photographer can continue to compost the photo through the viewfinder without having to double confirm the button he/she is pressing is the correct one. (Sony’s unit has only one button – very easy to use. Sony’s SteadyShot is built into the body itself) I tried switching modes with the Nikkor on a Nikon D60 and the Canon on a EOS 500D, I can easily change modes on the D60, but on the 500D, my head have to move away from the viewfinder and confirm what I am switching many times.

Nikon is clearly the winner on ease-of-use here.

A kit lens may be the cheapest consumer-grade lens the manufacturer made to package with DSLRs, to sell their DSLRs. But being the lowest form of life on the lens range does not mean having to perform badly too. Read the individual reviews you will realize each of these lenses has their great characteristics. 

For me, a lens must perform well, handles well and produce reasonabley average-quality photos. Not a lens with nice design or professionally crafted.

My pick for the overall Winner is Nikon Nikkor AF-S DX 18-55mm F3.5-5.6G VR!
 

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Nikon Nikkor AF-S DX VR 55-200mm F4.0-F5.6G IF-ED

Posted on September 3, 2010 by Editor AL
 
This is the 2nd Nikkor Lens that I get to touch. :). The Nikkor AF-S DX VR 55-200mm F4.0-F5.6G IF-ED looks intimidating when I first saw it. Part of Nikon’s low end lenses made for the consumer market, this lens was really designed and manufactured to pair with the 18-55mm as the "second tier" telelphoto zoom. We understand this lens came with the D60 & AF-S DX 18-55mm VR as a 2 lenses kit package. Launch at the same time (2007) with the 18-55mm brother, this larger kit lens covers a good medium telephoto range. And probably every other brand is doing the same? Canon has got an equivalent (EF 55-200mm F4-5.6 USM) while 3rd party manufacturers came out with Tamron AF 55-200 F4-5.6 Di II LD & Sigma 55-200mm f/4-5.6 DC HSM. At that point of time, 55-200mm was the rage. 


* Picture: (Nikon) Nikkor AF-S DX VR 55-200mm F4-5.6G IF-ED

Lens built quality was very well constructed for Nikkor’s version. The lens feels solid and purposeful. Ergonomics are well thought off with the buttons layout and the large (yes, super large) zoom ring. The weird part is, it has the same tiny focus ring (like the 18-55mm) right at the front just behind the front lens elements. This is quite stupid in my view, but once getting used to it, I can live with it. The focus ring feels a little plasticky to touch and use, but it works. (Of course). The VR feature is well appreciated, though a very basic version, it works down to 2 stops when I tested it. (Nikon claims 4 stops – like every other brands)

Among Nikon, Canon, Tamron & Sigma being the most talked-about 55-200mm lenses at that time, Nikon & Sigma emerged as the winners for the better built quality, better design and excellent image quality. Nikon incorporated their proprietory Silent Wave Motor (SWM) while Sigma added their Hyper Sonic Motor (HSM) for super fast focusing and near-silent operation. Canon has their Ultrasonic Motor (USM) in place, however, users had complained about the noisy operation and average focusing speed. Apart from these negatives noted, image quality is excellent. Tamron probably lost due to its lens built quality. Tamron’s version looks sophisticated (at that point of time – go Google for it), but feels like a toy when handled. "Filmsy" was the best description I can think of. I almost thought I was holding some SLR Lens when I played with a fellow photographer’s unit. Image quality from the Tamron is average.

On InfraRed Photography (IR), Nikkor AF-S DX VR 55-200mm F4.0-F5.6G IF-ED is really at home. I’ve gotten super sharp IR photos using this lens with ZERO hotspots at all focal range and apeture stops. Not sure if it is just me, I also noticed the IR Colors from this lens is better than the AF-S DX 18-55mm. Please let me know if you feel the same. The focal range of this lens is also great for portraits, be it IR or normal photos, DX 55mm (83mm after corresponding increase x1.5 for DX) makes it a very good and cheap portrait lens. This is like the super-budget Nikkor 70-200mm or 85mm for FX (Full Frame Bodies). If you own a DX, get this lens. 

 
* Picture: (Nikon) Nikkor AF-S DX VR 55-200mm F4-5.6G IF-ED

Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 52mm
– Lens Hood HB-37 (Sold separately).

– Excellent Lens for Infra-red Photography (IR).
– AF Runs on Fast & Silent Wave Motor (SWM). 
– Focal Range when used on Nikon bodies with smaller APS-C sensors – 82.8-300mm.
– Nikon DX Mount is designed for use on Nikon’s Cropped Bodies (with corresponding increase x1.5 APS-C)
– Designed & Built to pair with the AF-S DX 18-55mm Kit lens.

What I Like:
– Good Portrait to Medium Telephoto range when used on my D60 & D70-IR.
– Super Cheap.
– Tough & Solid Built.
– Larger than Sony or Canon’s equivalent.
– Good picture quality from a Cheap Zoom Lens.
– SWM provides a quiet and fast focusing.
– VC works well. (on the test unit)
– Nice Zoom Ring – good to touch & use.

What I Hate:
– Plastic Construction.
– Weird Design again (Big Body small head).
– Hood not included in package.
– No Distance Scale Meter.

*Picture Source Internet.
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We Check Out: SgCamerastore.com

Posted on September 2, 2010 by Editor AL
Following our article yesterday on SgCameraStore’s Opening Sale at their new premise (Excelsior Hotel). We popped by earlier during lunch to check out their new store. As expected, the shop is neat and organized, certainly well stocked and comprehensive! The lunch crowd came while we were there and as observed, 9 customers came in a short period of 15 minutes while we were there. The staff on duty was helpful and knowledgeable – able to find what the customer need within seconds and very friendly to speak to. Every customer was greeted and served within minutes – an important aspect here as lunch time is short. Everyone was smiling – both customers and staff, the mood inside the store was almost jovial and light hearted. Great ambience to do photography shopping if you ask me.

Good news for photographers who are into WhatTheDuck! SgCameraStore is the appointed exclusive distributor/dealer for WhatTheDuck Merchandise in Singapore. No more buying off ebays!!!

There are so many photography shops in Singapore, and each store has its niche and service standards (and even some of the customers these establishments serves are different from shop to shop too). SgCameraStore will stand out from the rest with their great service, great deal and great smiles. 
We decide to nickname SgCameraStore.com the "Photo Store with Personality".

My Shopping Experience Rating: 9/10

Below are some photos we managed to "sneak" during our visit today. 


Picture: The Welcoming Front.


Picture: There Is Something For Everyone!
   

*Picture: Well Stocked!


Picture: Lots of great Stuff for sale!




Picture: Great Used Gears on Sale too!


Picture: All Photographers Should Know This Fella – the Famous WhatTheDuck! Don’t know? Go Google.
 
SgCameraStore is located at:

No 5 Coleman Street #02-18
Excelsior Hotel and Shopping Center Singapore 179805
(next to Peninsula Shopping Center )
3 minutes walk from City Hall MRT
Tel : 63362273 Hp : 93531915
www.sgcamerastore.com

 

Operating Hours:
Mon-Sat 11am -8pm
Sun 11am – 5pm
Closed on Public Holiday


For Studio/ Classroom ( Studio rental / workshop / Photography courses
No 34, Arab street 303-02 Singapore 199733
Tel : 93531915

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BIG OPENING SALE! By SgCameraStore.com

Posted on September 1, 2010 by Editor AL


BIG OPENING SALE!  By SgCameraStore.com


*Picture Source: SgCameraStore.com

1st September 2010 – SgCameraStore opens new outlet today. Located at Excelsior Hotel & Shopping Center, the spanking new photography store has lots to offer. With a comprehensive inventory, the shop supplies anything from on-camera to off-camera accessories and everything else in between, there’s something for every discerning photographer – beginner or professional.

To celebrate the new outlet, SgCameraStore is having a “BIG CASH & CARRY OPENING SALE”! From today (1st Sep 2010) to 5th September 2010! Photographers can look forward to a whopping 20% to 50% OFF on most selected items!


As a photographer myself, I would like to feature some of the highlights (good deals) for this special sale. The below items are specially priced for this celebration, so expect a shock when you are there!

Please note, no reservations allowed even if you call, as this is to be fair to other photographers who shows up to buy – hence the theme “Cash & Carry”.  So make your way there soon!


Editor’s Pick

1) Aipo Dry Cabinets (Digital Type)

 38L, 48L, 68L, 88L, 102L, 132 & 155L *While Stock Last!
– Very Special Price!

 

2) Fancier Professional Tripod 6662a

– ONLY $60 (Usual $68)

 

3) Strobist Kit
White Shoot through brolly, Mini Light Stand, Flash Holder *While Stock Last!
– ONLY $45

 

4) 1+1 Filter Special! (01 CPL + 01 UV Combo)
52mm/55mm/58mm (other CPL and ND4 at low prices)

– ONLY $20

 
5) Phottix Battery Grips, Batteries.
Various.
– VERY Special Price!

 

And many other accessories – All Priced At Unbelievable LOW PRICE!


With the above, Shutter Journey (Singapore) Photography Group would like to Congratulate SgCameraStore for their New Opening!


Operating Hours:
Mon-Sat 11am -8pm
Sun 11am – 5pm
Closed on Public Holiday
Getting There

No 5 Coleman Street #02-18
Excelsior Hotel and Shopping Center Singapore 179805
( next to Peninsula Shopping Center )
3 minutes walk from City Hall MRT
Tel : 63362273 Hp : 93531915
www.sgcamerastore.com

For Studio/ Classroom ( Studio rental / workshop / Photography courses
No 34, Arab street 303-02 Singapore 199733
Tel : 93531915

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Nikon Nikkor AF-S DX 18-55mm F3.5-5.6G VR

Posted on August 31, 2010 by Editor AL
I have access to a D60 and it’s 2 supplied kit lenses namely the Nikkor AF-s DX 18-55mm & the 55-200mm both VR versions. I have shot photos with these 2 lenses and more recently, I managed to convince a fellow IR Photographer (Infra-Red) to exhange his Nikon D70-IR with my Canon EOS 350D-IR for a couple of days. Since I’ve touched, used and played (sometimes abused) with a couple of kit lenses from different brands (See earlier reviews of Sony’s 18-55mm and Canon’s 18-55mm), it is natural that I will do a comparison.


* Picture: (Nikon) Nikkor AF-S DX 18-55mm F3.5-5.6G VR

Launched since 2007, this Nikkor had soldier on for a couple of generations for entry level Nikon DSLRs. Made and designed for the mass consumer market, this lens is cheap to produce and priced to compete with other kit lenses from other brand’s similar offerings. Seating at the lowest hierachy of Nikkor, this lens is not the worse performer though. (I used to be on Nikon System in the yesteryears) Color photos turned out in refreshing colors (on D60) and nicely saturated while the contrast can be a little soft. This is easily corrected during post production so I can live with that.


* Picture: (Nikon) Nikkor AF-S DX 18-55mm F3.5-5.6G VR

Lens built is average. Featuring a full plastic construction like the competition, the lens feels a little filmsy (but the 55-200mm is good!) and the design is somewhat dated. Placed it side by side with the Sony’s 18-55mm & Canon’s 18-55mm, you will find that the Sony’s Kit Lens has the best design, Canon’s Kit Lens has a more solid built while the Nikkor is the largest among the trio, it looks slightly out of place. But I am glad to report that, the picture quality from this Nikkor lens is as good as Sony’s unit surpassing the Canon’s unit. Like the competition (Canon’s Image Stabilizer or IS), this kit lens is equipped with Vibration Control (VC), *Sony’s SteadyShot (SS) is built into the DSLR Body, while Nikon & Canon built their "virtual tripods" into the lens body.

On InfraRed, this lens performed well on the D70-IR (Modded with a Hoya R72 Filter) with no hotpotting on all F Stops. But the photos can turned out soft at 18mm & 24mm Focal stops. Photo starts to get razor sharp from 35mm all the way to 55mm. I will rate this lens (for IR Photography) a 7/10 conservatively.

* Picture: (Nikon) Nikkor AF-S DX 18-55mm F3.5-5.6G VR

Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 52mm
– Lens Hood HB-45 (Sold separately).

– Good lens for Infra-red Photography (IR), Picture soft below 35mm.
– AF Runs on Silent Wave Motor (SWM). 
– Focal Range when used on Nikon bodies with smaller APS-C sensors – 27-83mm.
– Nikon DX Mount is designed for use on Nikon’s Cropped Bodies (with corresponding increase x1.5 APS-C)

What I Like:
– Good walkabout range when used on my D60 & D70-IR.
– Super Cheap.
– Tough Built.
– Larger than Sony or Canon’s equivalent.
– Good picture quality from a Cheap Kit Lens.
– SWM provides a quiet and fast focusing.
– VC works well. (on the test unit)

What I Hate:
– Plasticky.
– Weird Design.
– Hood not included in package.
– No Distance Scale Meter.

*Picture Source Internet.
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Canon EF 35-80mm F4-5.6 USM

Posted on August 30, 2010 by Editor AL
 
This probably came as shock for myself. My 16th lens is another old classic. I got myself the EF 35-80mm F4-5.6 USM recently – to continue my quest for good IR-compatible lenses. Been exploring "classic" lenses for a while as they are really cheap on the used market today. I still own the EF 35-80mm F4-5.6 II (I gave the EF 35-80mm F4-5.6 III away recently to a colleague) and now, the best version of the 4 Canon EF "35-80mm" – the USM version. I did not bother to review the Mark III and gave it away because to me, it’s just a face-lifted version of the Mark II (which I still have it). In fact, I sent the Mark II through a proper cleaning and have it fully restored to operational again. Now it is "new" again. (To read my review on the Mark II version, click here .)

The Ultrasonic (USM) Version)

* picture: Canon EF 35-80mm F/4-5.6 USM

Featuring the same body construction and identical exterior as the Mark III version, the only difference is this version uses the Ultrasonic Motor (USM) for focusing rather than the Micro Motor for the other 3 versions (Mark I, II & III). Even the lens grouping are the same! So you must thinking, what’s Canon trying to do back then? Having the USM made this version the Premium Kit Lens? Well, at that time (1990s), the first generation USM are earth shattering news. So indeed, the USM are marketed as a "premium" kit lenses and have it packaged it with mid range EOS SLRs like the EOS 1000FN (Today’s XXD range) and so on while the Mark I, II & III versions are packaged as entry-level SLR kit lenses.

Tested it for IR, gotten the same result with the Mark II version (expected) which I reviewed a while ago. Except for the USM, everything is the same. Really. 


* picture: L-R Canon EF 35-80mm F/4-5.6 II & III

Some User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 52mm
– Lens Hood EW-54II (Sold separately).

– Average lens for Infra-red Photography (IR), Hotspotting appears from F14 onwards.
– AF Runs on quiet & faster Ultrasonic Motor (USM). 
– Manufactured as a Premium SLR Kit Lens.
– Focal Range when used on bodies with smaller APS-C sensors – 56-128mm.
– Canon EF Mount is designed for use on Canon’s EOS Full Frame & Cropped Bodies (with corresponding increase x1.6 APS-C or x1.3 APS-H)

What I Like:
– Good walkabout range when used on my 500D & 350D-IR.
– Super Cheap.
– Rare Collectors’ Item.

What I Hate:
– "Toy-Like" & Plasticky like its 3 other siblings.
– Cheap look, Cheap feel.
– Fragile and can’t stand abuse.
– No Distance Scale Meter.

*Picture Source Internet.

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Nikon D70 vs Canon 400D (DigitalRev)

Posted on August 28, 2010 by Editor AL
2 Videos are circulating all over Singapore’s photography scene. Made by the interesting guys from DigitalRev, an "abuse" test was conducted using the Nikon D70 & Canon EOS 400D. Watch the first video for the "abuse" inflicted on both cameras.

     

This is Part 2. The 2 abused cameras are taken through a shoot test and apparently despite the treatment rendered, both still works.

However, towards the end of the clip, Canon customer service was put to the "test". Sadly, Canon demanded a "Inspection Fees" to determine the repairs required for the spoilt 400D. Maybe what the industry says about Nikon’s customer service is true after all.     
 


Video Source: youtube.com 
 
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Featured Photographer – Noel Ong (Ryuza)

Posted on August 26, 2010 by Editor AL

Noel Ong (Ryuza)

We came to know Noel not too long ago from a photography event organized by another group. (He has since left the group to join SJS) He came across to everyone of us as a very humble person who is constantly learning and sharing with others what he knows. I can easily bet that no one does more reading up on photography than Noel as he is known to be one that surf the net all the time (when he is not working & shooting of course) for anything related to photography. He picks up tips, ideas and fundamentals and freely shares them with everyone he knows! Before you label him as a “photography Google”, no, he is more comfortable with his other nick, Ryuza. And he gave nicknames to his gears like “Reina” (his Canon EOS 50D) & “Setsuna” for his Speedlite flash. I hope he doesn’t nickname his lenses as “Ribena” though. :)~

 Browsing through his albums, we saw a budding photographer who had improved tremendously over the months the way he sees things, the way he composed his photos and using the stuff that he had picked up from the internet. Our favorite – Noel’s food photos. He is extremely good at food photos. I will not describe Noel as “experimental” because simply he has progressed far beyond this term. Rather, I will describe Noel as “Daring”. For this guy dares to try anything, as long as it gets him nice keepers.

As usual, we went through his albums and picked a few of his works to be featured here. (again, without his permission of course!). 
Enjoy.

Ways to Contact Noel;
Email: ryuza307@yahoo.com.sg
Web: http://the-hungry-photographer.blogspot.com/  
Facebook: http://www.facebook.com/ryuza 
 
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Flowers of Lamentations “Poppy Tears” by The Arts Fission Company

Posted on August 24, 2010 by Editor AL
 
Shutter Journey (Singapore) Photography Group was invited exclusively to cover the dance performance by The Arts Fission Company from 18th – 21st August 2010 at Black Box@ National Library. This is part of the "Flowers of Lamentations Series" titled "Poppy Tears". We are featuring some of the photos here, to view more photos on this event, please visit the SJS Group Page.

Reviews coming soon on Singapore Media Owners! Do check out in a couple of days!

Enjoy!


Picture: Mayu Watanabe.


Picture: Bobbi Chen.

Picture: Shirley Wong.

Picture: Lynn Huang.

Picture: Edwin Wee


Picture: Wang Wei Wei.

Picture: Shutter Journey (Singapore) Photography Group

Shutter Journey (Singapore) Photography Team:
Allan Lee – Chief Photographer
Tan Yoke Ling – Senior Photographer
Celes Fernandez – Senior Photographer
Sheladina Joseph – Senior Photographer
Ang Choo Wee – Senior Photographer
Julaiha Batcha – Senior Photographer
Wendy Leong – Senior Photographer
Prime Tambayong – Senior Photographer
 
To Find out more about The Arts Fission Company & their Dance Performances, please click here.

To Find out more about Shutter Journey (Singapore) Photography Group, please click here.

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Sigma 105mm F2.8 EX DG Macro

Posted on August 17, 2010 by Editor AL
 
Buying the 5th lens for our Sony can be a sticky affair. We want a Macro lens this time. We were comparing Sony’s SAL 100mm Macro F 2.8 with Tamron’s 90mm Macro & Sigma’s 105mm Macro. When specs, price and reviews were placed side by side, it is then evident that we should go for the Sigma unit. At that point of time, I was more inclined to Sigma simply because I just bought the Sigma 150-500mm at about the same time when we wanted to a buy Macro lens for the Sony. Sigma was my first 3rd party lens for my Canon EOS System and I was impressed with the build quality and image quality produced. So we bought the Sigma Macro lens in the end.


*Picture: Sigma 105mm F/2.8 EX DG Macro

Using it, this Sigma feels good on the hands and it handles just as good. Sigma claimed their lenses are built to last and I am convinced it does live up. However, I am also a little curious on why this lens was designed in such a way that the front lens elements is way deep inside from the front filter thread and recessed so deep inside. Best (or weird) part is, the lens portrudes out a good 42mm which the user must be careful not to go too near to the subject. (I’ve seen people focusing with this lens and the insect conveniently hopped into the front element!) Another "weird" part of the design is the push-pull mechanism which does the focusing and coupled with the AF/MF switch, Sigma named this a Dual Focus. (Lame?) Lastly, I was surprised that Sigma did not include a HSM (Hypersonic Motor) into this lens too. It could have been a super Macro lens. (Well, we did took advantage of the crop factor to get a corresponding range increased to 158mm!)


*Picture: Sigma 105mm F/2.8 EX DG Macro (When Extended)

Image quality is excellent & contrasty – expected from a 1:1 Macro lens. Using this Macro lens, our shots of insects & flowers are sharp and "nicely magnified" (Visit our Facebook Albums to check out) and all visible details are captured leaving nothing out. This lens is also an excellent portrait lens with a good working range, at wide open F 2.8, this lens produces interesting background blur (bokeh) and for some moments, I actually forgotten this is a Macro lens. Need I say more?


*Picture: Sigma 105mm F/2.8 EX DG Macro
 
 
Some Quick User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 58mm (back screw) or 77mm (front screw) 
– Lens Hood (Supplied in Box).

– Push-Pull Focus Design.
– Focal Range when used on cropped bodies with APS-C sensors – 158mm.
– Sigma’s "Sony Alpha-Mount" is designed for use on Sony Alpha Full Frame bodies & APS-C Cropped Bodies (with corresponding increase x1.5 APS-C).
 
What I Like:
– Good Image Quality.
– Light & Compact.
– Lens Build is good and purposeful.
– Cheaply Priced against proprietor brands.
– 58mm Filters are cheap to buy.
– Supplied Hood.
– Distance Scale Meter.

What I Hate:
– Not used to Push-Pull Focusing.

– Lens "Zoom Strays" at times.

*Picture Source Internet.
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Sony Alpha SAL (DT) 16-105mm F3.5-5.6

Posted on August 17, 2010 by Editor AL
 
Our 4th Sony Alpha Lens came in the form of DT 16-105mm F3.5-5.6 SAM. I remembered we picked up this lens from Changi Airport’s Duty-Free shop while transiting for a holiday. We want something wider for landscape photos and a better range for general walkabout so this focal range of 16mm (wider than most usual lenses) to a useful range of 105mm (24mm-158mm on Full Frame bodies) are just perfect! Getting it from Duty-Free also means slightly cheaper than usual street price too! So we bought it there and then.


*Picture: Sony SAL (DT) 16-105mm F/3.5-5.6 SAM

This DT 16-105mm was designed & manufactured as a premium and upmarket "kit lens" for the A700. This is no ordinary kit lens indeed, look at the lens group you will find the presence of 1 ED glass and 2 aspherical glass – not common for most kit lenses – which already explains the RRP which this lens is commanding. At wide open (F3.5), the circular apeture gives a background blur almost similar to a F2.8 while increasing contrast and cuts abberation which makes this lens sweeter to use.

Lens construction is excellent, the lens feels solid and expensive (well, it is!) and very well put-together. I personally like the zoom ring, very smooth and the gear ratio was designed for faster zoom, very nice feature.

Using it, this lens produce excellent picture quality and the range is great for practically any form of photography! Size and weight is travel-friendly and if you can ONLY bring one lens with you on a trip? This is that One lens you will need.

*Picture: Sony SAL (DT) 16-105mm F/3.5-5.6 SAM

 
Some Quick User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 62mm
– Lens Hood ALC-SH105 (Supplied in Box).

– AF Runs on medium-fast Smooth AutoFocus mechanical motor (SAM)
– Focal Range when used on cropped bodies with APS-C sensors – 24mm to 158mm.
– Sony Alpha-Mount (DT) is designed for use on Sony Alpha’s Cropped Bodies with APS-C sensors (with corresponding increase x1.5 APS-C).
 
What I Like:
– Good Image Quality.
– Light & compact size for this focal range.
– Lens Build feels solid and well put together.
– Lens design is good and purposeful.
– Nicely Priced. (Not cheap either!)
– Supplied Hood.
– Distance Scale Meter.
– Internal Focusing.

What I Hate:
– Weird 62mm filter size.
– Focusing can be slow between 70mm to 105mm stops.

– No Supersonic Motor (SSM)

*Picture Source Internet.
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Sony Alpha SAL 50mm F1.4

Posted on August 17, 2010 by Editor AL
 
While exploring with Sony lenses, we itched to try portrait shots one day and we started to look at the various options available to us. This purchase is to be our 3rd Sony Alpha lens so all specifications are considered and factored before deciding on which lens to acquire. Due to my Canon’s influence, I was looking at the 50mm F1.8 and the 50mm F1.4, which after some serious comparisons and reserching online, we picked the latter. It was a wise move. The F1.4 cost 2 times of the F1.8 (based on Sony Style’s RRP), but the quality of the F1.4 is 2 times better too! I am not going to touch on the F1.8 here since I bought the F1.4, so I will share more on this lens.


*Picture: Sony SAL 50mm F/1.4 SAM

The 50mm F1.4 is a re-incarnation of the Minolta AF 50mm 1:1.4 RS that’s been around since 1990. The Sony version (July 2006) came about from the acquisition of the (then) bleeding Konica-Minolta. Cosmetically the design is tweaked to bring it closer to the Alpha line, but the lens and technology behind this lens is still essentially KM. This 7 apeture blades lens is a super medium range lens. Not exactly cheap or expensive, we picked the 50mm was due to the cropped factor on our A230 that gave us 75mm – a super effective working range for portraiture work and F1.4 for the win. (lolz) Lens build is solid, usually expected from a medium range Sony standard (prime) lens and it feels good when handled. The sales for this lens was slightly threatened when Sigma launched its 50mm F1.4 EX DG HSM for Sony Alpha mount. But soon users was dumping the Sigma and coming back to Sony’s version. (google yourself why this is so.)
(Don’t get me wrong, I love my Sigma lenses. But apparently, Sigma 50mm F1.4 EX DG HSM works very well for Canon & Nikon bodies, but not exactly well on Sony Alpha & Pentax Mount – answers and reasonings can be found all over the internet, so read up yourself. :)~ )

At F1.4, the background blur (Bokeh) is out of this world. Extremely "creamy" and consistent, the blur can sometimes be mistaken or pass off as soft focus which made this lens an ace for portraiture work. The picture quality is comparable to Nikon & Canon’s equivalents which is of high quality. So if you are looking around and considering a lens for portrait or multi-purpose use, look no further, get the Sony SAL 50mm F 1.4 SAM.

*Picture: Sony SAL 50mm F/1.4 SAM
 
Some Quick User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 55mm
– Lens Hood SH0011 (Supplied in Box).

– AF Runs on medium-fast Smooth AutoFocus mechanical motor (SAM) – (This Lens is much quiter than most SAM Counterparts). 
– Focal Range when used on cropped bodies with APS-C sensors – 75mm.
– Sony Alpha-Mount (Non-DT) is designed for use on Sony Alpha Full Frame bodies & APS-C Cropped Bodies (with corresponding increase x1.5 APS-C).
 
What I Like:
– Superb Image Quality.
– Compact & Solid.
– Lens Build quality is Excellent.
– 55mm Filters are cheap to buy.
– Supplied Hood.
– Distance Scale Meter.
– Quiet Focusing.

What I Hate:
– Price.
– No Supersonic Motor (SSM)
*Picture Source Internet.
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Sony Alpha SAL 75-300mm F4.5-5.6

Posted on August 17, 2010 by Editor AL
 
We bought this SAL 75-300mm as the 2nd Sony lens. We needed the range and the price for this lens is good, very cheap to be exact, so we bought it. For those considering this lens, I would like to stress that this is a pure outdoor lens. It performed well outdoor but usability drop when used indoor. I supposed the focal range has very little use indoors anyway. This lens sits on the lower end range of the Sony Alpha Lens family, but definitely not a "cheapo" when performance is concerned. this lens produce sharp and crisp images which we ourselves were quite surprised with the end result. This 7 apeture blades lens is well built, feels solid enough to take mild abuse and it is compact enough to bring it anywhere with you. For those who are not familiar with Sony Alpha Lenses, this Lens SAL75-300 is a face-lifted and improved version of the Minolta 75-300mm F4.5-5.6 II which used to rule the compact zoom segment amongst the rest of the medium to telephoto lenses in the Minolta family.


*Picture: Sony SAL 75-300mm F/4.5-5.6 SAM

When used on our A230 (1.5X Cropped), this lens gives us an impressionable 113mm to 450mm range that allows us to do wildlife & outdoor portraiture work. And among the competition, I can safely say the Sony unit is well designed and constructed which is on par to Nikon’s equivalent which is deemed as the best built lens for this focal range. (Try your hands on these 2 lenses and you will know what I meant). Far superior than Canon’s EF 75-300mm F4-5.6 III (or even the USM version which I used to owned), this lens is screaming value-for-money! The zoom capabilty is x 04 zoom and the magnification ratio is 1:4, which made this lens a possible macro at 100mm stop – but not without a tripod though (and a tad silly as the minimum focusing distance is 1.5 meter – hahaha!).

Apart from the focusing that seems to take forever, I love this lens.

I will recommend this lens to any Sony Alpha user looking to buy a cheap compact zoom lens and to at least own it once. At least. 

*Picture: Sony SAL 75-300mm F/4.5-5.6 SAM

 
Some Quick User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 55mm
– Lens Hood SH0007 (Supplied in Box).

– AF Runs on medium-fast Smooth AutoFocus mechanical motor (SAM) – (and you get medium-level focusing noise). 
– Focal Range when used on cropped bodies with APS-C sensors – 113mm to 450mm.
– Sony Alpha-Mount (Non-DT) is designed for use on Sony Alpha Full Frame bodies & APS-C Cropped Bodies (with corresponding increase x1.5 APS-C).
 
What I Like:
– Good Image Quality (Surprisingly) from a Super Cheap Zoom Lens.
– Light & compact, but feels solid enough to take mild abuse.
– Lens Build is good and purposeful.
– Good magnification ratio.
– Cheaply Priced.
– 55mm Filters are cheap to buy.
– Supplied Hood.

What I Hate:
– No Distance Scale Meter.
– Focusing Takes forever.
– Crazy Minimum Focusing Distance of 1.5 meter!

*Picture Source Internet.

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Sony Alpha SAL (DT) 18-55mm F3.5-5.6

Posted on August 16, 2010 by Editor AL
This Sony Alpha DT 18-55mm F3.5-5.6 came as a kit lens for the Sony Alpha A230 DSLR which we use as an alternate to the main Canon EOS System that we are using. This also happens to be our first Sony DSLR and our first Sony lens. Will not touch on too much on the body and performance of the A230 here, it will be featured separately when we start to review camera bodies. Back to the lens, this is the new version (Mark II) version that we gotten. On direct comparison, the newer version has a rubber grip that is more refined as compared the more rugged older version. But both lenses are a pleasure to use and handling are fine. The 18-55mm range is to replace the 1st generation 18-70mm kit lens after Sony bought over the tech-know-hows from Konica Minolta which first made its appearance as a kit lens on the "direct copy" Alpha 100.


*Picture: Sony SAL (DT) 18-55mm F/3.5-5.6 SAM

This kit lens is no push-over when compared with direct similars like the Canon EF-S 18-55mm F3.5-5.6 IS or Nikkor 18-55mm (DX) VR. This Kit lens incorporates aspherical and Extra-low Dispersion (ED) elements to this all-purpose lens with outstanding image quality. Well, if you are wondering why Canon has Image Stabilizer (IS) & Nikon has Vibration Control (VC) built into their lenses but not Sony, well, Sony’s SteadyShot (SS) is built into the body instead. And it works well with this configuration too. Do not expect Carl Zesis quality with this lens but when compared with the competition, this 7 apeture blades lens produces great image with super quality that will likely to shame photos taken with other brands’ equivalent. Powered by Sony’s Smooth Autofocus Motor (SAM), the focusing is reasonably fast and precised, but a tad noisy when the motors works a little hard in low light conditions. (Don’t expect Sony to put SuperSonic Motor (SSM) in kit lens if you are wondering).

 
Like all kit lenses available in the market, these are consumer lenses which is designed to sell to the masses. Construction of the lenses are usually fuss-free designs to keep manufacturing costs low. Expectably, this Sony lens feels a little plasticky on my hands but perfectly acceptable for general use. A great beginners’ lens to try, learn and exploit it’s full capabilities before shopping for the next upgrade. Lastly, the macro capabilities (x0.34) of this lens are commendably good and respectable. We have produced stunning macro photos with this lens too! 

*Picture: Sony SAL (DT) 18-55mm F/3.5-5.6 SAM
 
Some Quick User Facts/ Information:
(If you are looking for the specs, please google yourself, it’s all over the internet.)
– Filter Size 55mm
– Lens Hood ALC-SH0006 (Sold separately).

– AF Runs on medium-fast Smooth AutoFocus mechanical motor (SAM) – (and you get medium-level focusing noise). 
– Focal Range when used on Full Frame bodies with 35mm sensors – 27mm to 82.5mm.
– Sony Alpha-Mount DT is designed for use on APS-C Cropped Bodies (with corresponding increase x1.5 APS-C).
 
What I Like:
– Good Image Quality (Surprisingly) from a Kit Lens.
– Light & small, but feels solid enough to take abuse.
– Lens Build had improved from the previous version.
– Good magnification ratio.
– Nicely Priced.
– 55mm Filters are cheap to buy.

What I Hate:
– No Distance Scale Meter.
– Focusing speed is average.
– Hood not supplied.
– Plastic mount.

*Picture Source Internet.

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